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Dorothy Dandridge

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Role
  
Film actress


Name
  
Dorothy Dandridge

Years active
  
1933–65

Siblings
  
Vivian Dandridge

Dorothy Dandridge Dorothy Dandridge The Notes of E


Full Name
  
Dorothy Jean Dandridge

Born
  
November 9, 1922 (
1922-11-09
)
Cleveland, Ohio, U.S.

Other names
  
Dorothy Dandridge-NicholasDorothy NicholasDorothy Dandridge-DenisonDorothy Denison

Occupation
  
Actress, Singer, Dancer

Spouse(s)
  
Harold Nicholas (m. 1942; div. 1951)Jack Denison (m. 1959; div. 1962)

Died
  
September 8, 1965, West Hollywood, California, United States

Parents
  
Cyril Dandridge, Ruby Dandridge

Movies
  
Carmen Jones, Tamango, The Decks Ran Red, Bright Road, Porgy and Bess

Similar People
  

Cause of death
  
Embolism or Overdose

Children
  
Harolyn Suzanne Nicholas

Dorothy dandridge mini bio


Dorothy Jean Dandridge (November 9, 1922 – September 8, 1965) was an American film and theatre actress, singer, and dancer. She is perhaps best known for being the first African-American actress to be nominated for an Academy Award for Best Actress for her performance in the 1954 film Carmen Jones. Dandridge performed as a vocalist in venues such as the Cotton Club and the Apollo Theater. During her early career, she performed as a part of The Wonder Children, later The Dandridge Sisters, and appeared in a succession of films, usually in uncredited roles. In 1959 she was nominated for a Golden Globe Award for Porgy and Bess. She is the subject of the 1999 HBO biographical film, Introducing Dorothy Dandridge. She has been recognized with a star on the Hollywood Walk of Fame. Dandridge was married and divorced twice, first to dancer Harold Nicholas (the father of her daughter, Harolyn Suzanne) and then to hotel owner Jack Denison. Dandridge died under mysterious circumstances at age 42.

Contents

Dorothy Dandridge Dorothy Dandridge Biography Dorothy Dandridge39s Famous

Dorothy dandridge zoot suit 1942


Early life

Dorothy Dandridge Dorothy Dandridge Muses Cinematic Women The Red List

Dorothy Dandridge was born on November 9, 1922 in Cleveland, Ohio to aspiring entertainer Ruby Dandridge (née Butler) (March 3, 1900 – October 17, 1987) and Cyril Dandridge (October 25, 1895 – July 9, 1989), a cabinetmaker and Baptist minister, who had separated just before her birth. Ruby created a song-and-dance act for her two young daughters, Vivian and Dorothy, under the name The Wonder Children, that was managed by Geneva Williams. The sisters toured the Southern United States almost nonstop for five years (rarely attending school), while Ruby worked and performed in Cleveland.

Dorothy Dandridge 50 Groundbreaking Female Film Artists Were Thankful For Dorothy

During the Great Depression, work virtually dried up for the Dandridges, as it did for many Chitlin' Circuit performers. Ruby moved to Hollywood, California, where she found steady work on radio and film in small domestic-servant parts. After that relocation in 1930, Dorothy attended McKinley Junior High School.

Dorothy Dandridge Dorothy Dandridge Wikipedia

The Wonder Children were renamed The Dandridge Sisters in 1934, and Dandridge and her sister were teamed with dance schoolmate Etta Jones.

Beginnings

Dorothy Dandridge Dorothy Jean Dandridge 1922 1965 Find A Grave Memorial

The Dandridge Sisters continued strong for several years, and were booked in several high-profile nightclubs, including the Cotton Club and the Apollo Theater. Dandridge's first on-screen appearance was a small part in an Our Gang comedy short, Teacher's Beau in 1935. As a part of The Dandridge Sisters, she also appeared in The Big Broadcast of 1936 (1936) with Bill "Bojangles" Robinson, A Day at the Races with the Marx Brothers, and It Can't Last Forever (both 1937) with the Jackson Brothers. Although these appearances were relatively minor, Dandridge continued to earn recognition through continuing her nightclub performances nationwide.

Dorothy Dandridge Dorothy Dandridge Biography Childhood Life Achievements Timeline

Dandridge's first credited film role was in Four Shall Die (1940). The race film cast her as a murderer and did little for her film career. She had small roles in Lady from Louisiana with John Wayne and Sundown with Gene Tierney (both in 1941). Dandridge appeared as part of a "Specialty Number" in the hit 1941 musical, Sun Valley Serenade for 20th Century Fox. The film marked the first time she performed with the Nicholas Brothers. Aside from her film appearances, Dandridge appeared in a succession of "sounds" –film clips designed to be displayed on jukeboxes including "Paper Doll" by the Mills Brothers, "Cow, Cow Boogie", "Jig in the Jungle", and "Mr. and Mrs. Carpenter's Rent Party" among others. These films were noted not only for showcasing Dandridge's singing and acting abilities, but also for featuring a strong emphasis on her physical attributes.

Dorothy Dandridge BEST Dorothy Dandridge Bio Facts Ethnicity Mother Father

She continued to appear occasionally in films and on the stage throughout the rest of the 1940s, but few of these appearances were noteworthy. In 1951, Dandridge appeared as Melmendi, Queen of the Ashuba in Tarzan's Peril, starring Lex Barker and Virginia Huston. When the Motion Picture Production Code tut-tutted about the film's "blunt sexuality", Dandridge received considerable attention for wearing what was considered to be "provocatively revealing" clothing. The continuing publicity buzz surrounding Dandridge's wardrobe got her pictured on the April 1951 cover of Ebony. That same year, she had a supporting role in The Harlem Globetrotters (1951).

Dorothy Dandridge Dorothy Jean Dandridge November 9 1922September 8 1965 Film

In December 1952, a Metro-Goldwyn-Mayer studio agent saw Dandridge perform at the Mocambo and recommended to Production Chief Dore Schary that she might be cast as Jane Richards in Bright Road, which would be her first starring role as a "wonderful, emotional actress" as the trailer stated. The film, which centered on a teacher's struggles to reach out to a troubled student, marked the first time Dandridge appeared in a film opposite Harry Belafonte. She continued to perform in nightclubs thereafter and appeared on multiple early television variety shows, including Ed Sullivan's Toast of the Town.

Carmen Jones and 20th Century-Fox

Dorothy Dandridge Gallery of Fame Look at Me Art Work Vol 74 No 12 Dorothy

In 1953, a nationwide talent search arose as 20th Century Fox began the process of casting the all-black musical film adaptation of Oscar Hammerstein II's 1943 Broadway musical Carmen Jones, conceptually Georges Bizet's opera Carmen updated to a World War II-era African-American setting. Director and writer Otto Preminger initially did not consider Dandridge for the role, feeling her sophisticated look was more suited for the smaller role of Cindy Lou. Recalling her experiences of having to dress down to a demure schoolteacher for the screen tests of Bright Road, Dandridge outrageously reinvented a look with the aid of Max Factor make-up artists, to obtain the appearance and character of earthy title role Carmen, and confronted Preminger in his executive office. With this meeting, Preminger gave her the role and completed the remainder of the cast with Harry Belafonte, Pearl Bailey, Brock Peters, Diahann Carroll, Madame Sul-Te-Wan (uncredited), Olga James, and Joe Adams.

Despite Dandridge's recognition as a singer, the studio wanted an operatic voice, so Dandridge's voice was dubbed by operatic vocalist Marilyn Horne for the film. Carmen Jones opened to favorable reviews and strong box office returns on October 28, 1954, earning $70,000 during its first week and $50,000 during its second. Dandridge's performance as the seductive leading actress made her one of Hollywood's first African-American sex symbols and earned her positive reviews. On November 1, 1954, Dorothy Dandridge became the first black woman featured on the cover of Life. As Walter Winchell recalled, her performance was "bewitching" and Variety said her "performance maintains the right hedonistic note throughout".

Carmen Jones became a worldwide success, eventually earning over $10 million at the box office and becoming one of the year's highest-earning films. Dandridge was nominated for an Academy Award for Best Actress, becoming the first African-American to be nominated for a leading role. At the 27th Academy Awards held on March 30, 1955, Dandridge shared her Oscar nomination with such luminaries as Grace Kelly, Audrey Hepburn, Judy Garland, and Jane Wyman. Although Kelly won the award for her performance in The Country Girl, Dandridge became an overnight sensation. At the November 1, 1954 awards ceremony, Dandridge presented the Academy Award for Film Editing to On the Waterfront editor Gene Milford.

On February 15, 1955, Dandridge signed a three-movie deal with 20th Century Fox starting at $75,000 a film. Darryl F. Zanuck, the studio head, had personally suggested the studio sign Dandridge to a contract. Zanuck had big plans for her, hoping she would evolve into the first African-American screen icon. He purchased the film rights to The Blue Angel and intended to cast her as saloon singer Lola-Lola in an all-black remake of the original 1930 film. She was also scheduled to star as Cigarette in a remake of Under Two Flags. Meanwhile, Dandridge agreed to play the role of Tuptim in a film version of The King and I and a sultry upstairs neighbor in The Lieutenant Wore Skirts. However, her former director and now-lover Otto Preminger, suggested she accept only leading roles. As an international star, Dorothy Dandridge rejected the two lesser roles and they were eventually given to Puerto Rican actress Rita Moreno.

Hollywood Research, Inc. trial

In 1957, Dandridge sued Confidential (magazine) for libel over its article that described a scandalous incident, fictitious as it turned out, that it claimed occurred in 1950. In May 1957, she accepted an out-of-court settlement of $10,000.

Dandridge was one of the few Hollywood stars who testified at the 1957 criminal libel trial of Hollywood Research, Inc., the company that published Confidential as well as all of the other tabloid magazines from that era. Four months after her out-of-court settlement for $10,000, she and actress Maureen O'Hara, the only other star who testified at the criminal trial, were photographed shaking hands outside the downtown-Los Angeles courtroom where the highly publicized trial was held. Testimony from O'Hara, as well as from a disgruntled former magazine editor named Howard Rushmore, revealed that the magazines published false information provided by hotel maids, clerks, and movie-theater ushers who were paid for their tips. The stories with questionable veracity most often centered around alleged incidents of casual sex. When the jury and press visited Grauman's Chinese Theatre to determine whether O'Hara could have performed various sexual acts while seated in the balcony, as reported by a magazine published by Hollywood Research, Inc., this was discovered to have been impossible.

Dandridge had not testified during her civil lawsuit earlier in 1957, but in September she gave testimony in the criminal trial that further strengthened the prosecution's case. Alleged by Confidential to have fornicated with a white bandleader in the woods of Lake Tahoe in 1950, she testified that racial segregation had confined her to her hotel during her nightclub engagement in the Nevada resort city. When she was not in the hotel lounge rehearsing or performing her singing, according to her testimony, she was required to stay inside her room where she slept alone. Dandridge's testimony along with O'Hara's testimony proved beyond any doubt that Hollywood Research had committed libel at least twice. The judge ordered Hollywood Research to stop publishing questionable stories based on tips for which they paid, and this curtailed invasive tabloid journalism until 1971 when Generoso Pope, Jr. moved the National Enquirer, which he owned, from New York to Lantana, Florida.

Later career

In 1957, after a three-year absence from film acting, Dandridge agreed to appear in the film version of Island in the Sun opposite an ensemble cast, including James Mason, Harry Belafonte, Joan Fontaine, Joan Collins, and Stephen Boyd. Dandridge portrayed a local Indian shop clerk who has an interracial love affair with a white man, played by John Justin. The film was controversial for its time period, and the script was revised numerous times to accommodate the Motion Picture Production Code requirements about interracial relationships. There occurred, however, an extremely intimate loving embrace between Dandridge and Justin that succeeded in not breaching the code. Despite the behind-the-scenes controversy and unfavorable critical reviews, the film was one of the year's biggest successes.

Dandridge next starred opposite German actor Curd Jürgens in the Italian production of Tamango, which began filming in 1957, for $100,000. A reluctant Dandridge had agreed to appear in the film only after learning that it focused on a nineteenth century slave revolt on a cargo ship travelling from Africa to Cuba. However, she nearly withdrew her involvement when the initial script called for her to swim in the nude and spend the majority of the film in a two-piece bathing suit made of rags. When Dandridge threatened to leave the film, the script and her wardrobe was retooled to her liking. United States Production code requirements did not apply to the Italian film production and the passionate kiss between Jürgens and Dandridge's character was permitted in the shooting of Tomango. This gave Dandridge her first, and only, on-screen kiss with a white actor. Tamango was withheld from American release until late 1959, and received mixed reviews from critics and achieved only minor success.

In MGM's The Decks Ran Red (1958), Dandridge co-starred with James Mason and Broderick Crawford as Mahia, a cook's wife aboard a large ocean liner where numerous deaths are arranged to take place. Despite being universally panned, the film generated a respectable audience due to the controversy surrounding Dandridge's wardrobe.

In late 1958, Dandridge accepted producer Samuel Goldwyn's offer to star in his forthcoming production of Porgy and Bess, which would become her first major Hollywood film in five years. Her acceptance of the role angered the African-American community, who felt the story's negative stereotyping of blacks was degrading. When the initial director was replaced with Otto Preminger, he informed Dandridge that her performance was not credible, and that she needed intensive coaching to handle such a role. Porgy and Bess had a long and costly production; its entire sets and costumes were destroyed in a fire and had to be replaced, which amounted to a loss of almost $2 million. Continuous script rewrites and other problems prolonged the production and ultimately pushed the film over its original budget. When it was released in June 1959, it was critically bashed and failed to recoup its financial investment.

In 1959, Dandridge starred in a low-budget British thriller, Malaga, in which she played a European woman with an Italian name. The film, co-starring Trevor Howard and Edmund Purdom, plotted a jewel robbery and its aftermath. Some pre-release publicity invited the belief that Dandridge received her first, and only, on-screen kiss with a white actor (Howard) in this film. This was not so [see her film Tamango above], but the actor and actress, under László Benedek's direction, created some strongly understated sexual tension. The film was withheld from a theatrical release abroad until 1960, but went unreleased in the United States until 1962. Malaga was her final completed film appearance.

Music recordings

Dandridge first gained fame as a solo artist from her performances in nightclubs, usually accompanied by Phil Moore on piano. Although she was known for her renditions of songs such as "Blow Out the Candle", "You Do Something to Me", and "Talk Sweet Talk To Me", she recorded very little on vinyl. It is unknown whether her lack of recording were due to personal choice or lack of opportunity.

  • As part of the Dandridge Sisters singing group:
  • As a solo artist:
  • In 1958, she recorded a full-length album for Verve Records featuring Oscar Peterson with Herb Ellis, Ray Brown, and Alvin Stoller (Catalogue #314 547-514 2) that remained unreleased in the vaults until a CD release in 1999. This CD also included four tracks from 1961 (with an unknown orchestra) that included one 45 rpm record single and another aborted single:

    The tracks "It's a Beautiful Evening" and "Smooth Operator" were aborted for release as a single and remained in the Verve vaults until the Smooth Operator release in 1999. These are the only known songs Dandridge recorded on vinyl. Several songs she sang, including her version of "Cow-Cow Boogie" were recorded on soundies and are not included on this list.

    Personal life

    Dandridge married dancer and entertainer Harold Nicholas on September 6, 1942, and gave birth to her only child, Harolyn Suzanne Nicholas, on September 2, 1943. Unfortunately, Harolyn was born brain-damaged, and due to relationship troubles, the couple divorced in October 1951.

    While filming Carmen Jones (1954), the director Otto Preminger began an affair with his film's star, Dandridge. It lasted four years, during which period he advised her on career matters, demanding she accept only starring roles, advice Dandridge later regretted accepting. She ended the affair when she realized that Preminger had no plans to leave his wife to marry her. Their affair was depicted in the HBO Films biopic, Introducing Dorothy Dandridge, in which Preminger was portrayed by Austrian actor Klaus Maria Brandauer.

    Dandridge married Jack Denison on June 22, 1959; they divorced in 1962 amid financial setbacks and allegations of domestic violence. At this time, Dandridge discovered that the people who were handling her finances had swindled her out of $150,000 and that she was $139,000 in debt for back taxes. Forced to sell her Hollywood home and place her daughter in a state mental institution in Camarillo, California, Dandridge moved into a small apartment at 8495 Fountain Avenue in West Hollywood, California.

    Death

    On September 8, 1965, Dandridge spoke by telephone with friend and former sister-in-law Geraldine "Geri" Branton. Dandridge was scheduled to fly to New York the next day to prepare for her nightclub engagement at Basin Street East. Branton told biographers that during the long conversation, Dandridge had veered from expressing hope for the future to singing Barbra Streisand's "People" in its entirety to making this cryptic remark moments before hanging up on her: "Whatever happens, I know you will understand." Several hours after her conversation with Branton ended, Dandridge was found dead and naked by her manager, Earl Mills. Two months later, a Los Angeles pathology institute determined the cause to be an accidental overdose of imipramine, a tricyclic antidepressant. Yet the Los Angeles County Coroner's Office came to a different conclusion: “Miss Dandridge died of a rare embolism—blockage of the blood passages at the lungs and brain by tiny pieces of fat flaking off from bone marrow in a fractured right foot she sustained in a Hollywood gymnasium five days before she died.” She was 42 years old.

    On September 12, 1965, a private funeral service was held for Dandridge at the Little Chapel of the Flowers; she was then cremated and her ashes interred in the Freedom Mausoleum at Forest Lawn Memorial Park.

    Legacy

    Many years passed before the entertainment industry acknowledged Dandridge's legacy. Starting in the 1980s, stars such as Cicely Tyson, Jada Pinkett Smith, Halle Berry, Janet Jackson, Whitney Houston, Kimberly Elise, Loretta Devine, Tasha Smith, and Angela Bassett acknowledged Dandridge's contributions to the role of Black Americans in film.

    In 1995 movie To Wong Foo, Thanks for Everything! Julie Newmar, Wesley Snipes played "Noxeema Jackson", a drag queen whose dream is to play Dorothy Dandridge in a movie about her life and work, since she admires her and knows all her career.

    In 1999, Halle Berry took the lead role of Dandridge in the HBO Movie Introducing Dorothy Dandridge, which she also produced and for which she won the Primetime Emmy Award, Golden Globe Award, and Screen Actors Guild Award. When Berry won the Academy Award for Best Actress for her role in Monster's Ball, she dedicated the "moment [to] Dorothy Dandridge, Lena Horne, Diahann Carroll." Both Dandridge and Berry were from Cleveland, Ohio and were, in fact, born in the same hospital.

    For her contributions to the motion picture industry, she was given a star on the Hollywood Walk of Fame, at 6721 Hollywood Boulevard. Dorothy Dandridge is also the most prominent figure of a huge mural of celebrities painted on an exterior wall of Hollywood High School.

    There is a statue of Dorothy Dandridge at Hollywood-La Brea Boulevard in Los Angeles, designed by Catherine Hardwicke, built to honor multi-ethnic leading ladies of the cinema, including Mae West, Dolores del Río and Anna May Wong.

    Recording artist Janelle Monáe performs a song entitled "Dorothy Dandridge Eyes" on her album The Electric Lady, with Esperanza Spalding.

    A character in the 1969 movie The Lost Man states she named herself after Dandridge, citing that 'I loved her [...] it was a terrible tragedy when she died.'

    In the February 2016 episode of Black-ish entitled "Sink or Swim", Dre refers to Beyoncé as being the "Dorothy Dandridge" of our time, pointing out the star power of Dandridge during her day.

    Stage Work

  • Swingin' the Dream (1939)
  • Meet the People (1941)
  • Jump for Joy (1941)
  • Sweet 'n' Hot (1944)
  • Crazy Girls (1952)
  • West Side Story (1962)
  • Show Boat (1964)
  • Filmography

    Actress
    1962
    Cain's Hundred (TV Series) as
    Norma Sherman
    - Blues for a Junkman: Arthur Troy (1962) - Norma Sherman
    1960
    The Ed Sullivan Show (TV Series) as
    Singer
    - Episode #14.17 (1961) - Singer
    - Episode #13.27 (1960) - Singer
    - Episode #13.21 (1960) - Singer
    1960
    Malaga as
    Gianna
    1959
    Porgy and Bess as
    Bess
    1958
    The Decks Ran Red as
    Mahia
    1958
    Tamango as
    Aiché, Reiker's Mistress
    1957
    Island in the Sun as
    Margot Seaton
    1954
    Carmen Jones as
    Carmen Jones
    1953
    Remains to Be Seen as
    Dorothy Dandridge
    1953
    Bright Road as
    Jane Richards
    1951
    The Harlem Globetrotters as
    Ann Carpenter
    1951
    Tarzan's Peril as
    Melmendi, Queen of the Ashuba
    1945
    Pillow to Post as
    Dorothy Dandridge - Vocalist (uncredited)
    1944
    Atlantic City as
    Singer
    1944
    Since You Went Away as
    Black Officer's Wife in Train Station (uncredited)
    1943
    Moo Cow Boogie (Short) as
    Singer
    1943
    Hit Parade of 1943 as
    Count Basie Band Singer
    1943
    Happy Go Lucky as
    Showgirl (uncredited)
    1942
    Lucky Jordan as
    Hollyhock School Maid (uncredited)
    1942
    Night in New Orleans as
    Sal, Shadrach's Girl (uncredited)
    1942
    Drums of the Congo as
    Princess Malimi
    1942
    The Night Before the Divorce as
    Party Maid (uncredited)
    1942
    Ride 'Em Cowboy as
    Dancer (uncredited)
    1941
    Bahama Passage as
    Thalia
    1941
    Sundown as
    Kipsang's Wife
    1941
    Sun Valley Serenade as
    Specialty
    1941
    Lady from Louisiana as
    Felice
    1940
    Four Shall Die as
    Helen Fielding
    1940
    Irene as
    One of the Dandridge Sisters (uncredited)
    1938
    Going Places as
    Member of The Dandridge Sisters (uncredited)
    1938
    Snow Gets in Your Eyes (Short) as
    One of the Dandridge Sisters (uncredited)
    1937
    It Can't Last Forever as
    Dandridge Sisters Act (uncredited)
    1937
    A Day at the Races as
    Black Singer (uncredited)
    1936
    Easy to Take as
    Member of the Dandridge Sisters (uncredited)
    1935
    The Big Broadcast of 1936 as
    Member of the Dandridge Sisters (as The Dandridge Sisters)
    1935
    Teacher's Beau (Short) as
    Cabin Kid
    Soundtrack
    2018
    Private Life (performer: "Smooth Operator")
    2011
    Sing Your Song (Documentary) (performer: "Dat's Love")
    1970
    Myra Breckinridge (performer: "Chattanooga Choo Choo" - uncredited)
    1962
    Cain's Hundred (TV Series) (performer - 1 episode)
    - Blues for a Junkman: Arthur Troy (1962) - (performer: "The Man I Love")
    1957
    The 29th Annual Academy Awards (TV Special) (performer: "Julie")
    1954
    Carmen Jones (performer: "Dat's Love", "You Go for Me", "Dere's a Cafe on de Corner", "Whizzin' Away Along de Track", "There's a Man I'm Crazy For", "Card Song", "Final Duet" - uncredited)
    1953
    Remains to Be Seen (performer: "Taking a Chance on Love" - uncredited)
    1953
    Bright Road (performer: "Church in the Wildwood", "Sweet and Low" - uncredited)
    1945
    Pillow to Post (performer: "Whatcha Say?" (1945) - uncredited)
    1944
    Atlantic City ("Rhythm for Sale") / (performer: "Harlem on Parade")
    1942
    A Zoot Suit with a Reet Pleat (Short) (performer: "A Zoot Suit (for My Sunday Gal)")
    1942
    Cow-Cow Boogie (Short) (performer: "Cow Cow Boogie")
    1941
    Sun Valley Serenade (performer: "Chattanooga Choo Choo" (1941) - uncredited)
    Thanks
    2016
    Pretty Dudes (TV Series) (in memory of - 1 episode)
    - "Who's Miss Bliss?" (2016) - (in memory of)
    1989
    Dieter & Andreas (Short) (grateful acknowledgment)
    Self
    1965
    That Regis Philbin Show (TV Series) as
    Self
    - Episode #1.86 (1965) - Self
    1964
    Open House (TV Series) as
    Self
    - Episode #1.13 (1964) - Self
    1964
    Juke Box Jury (TV Series) as
    Self - Panellist
    - Episode #1.256 (1964) - Self - Panellist
    1964
    Freedom Spectacular (TV Movie) as
    Self
    1964
    You Don't Say (TV Series) as
    Self
    - Episode dated 30 March 1964 (1964) - Self
    - Dorothy Dandridge and Peter Lawford (1964) - Self
    1963
    The Mike Douglas Show (TV Series) as
    Self - Co-Hostess
    - Episode #2.235 (1963) - Self - Co-Hostess
    - Episode #2.234 (1963) - Self - Co-Hostess
    - Episode #2.233 (1963) - Self - Co-Hostess
    - Episode #2.232 (1963) - Self - Co-Hostess
    - Episode #2.231 (1963) - Self - Co-Hostess
    1962
    The Tonight Show Starring Johnny Carson (TV Series) as
    Self - Guest
    - Dorothy Dandridge, The Little Sisters, Don Cherry (1962) - Self - Guest
    1952
    The Ed Sullivan Show (TV Series) as
    Self
    - Episode #13.13 (1959) - Self
    - Episode #8.30 (1955) - Self
    - Episode #8.8 (1954) - Self
    - Episode #5.37 (1952) - Self
    1955
    Reflets de Cannes (TV Series documentary) as
    Self
    - Episode dated 3 May 1957 (1957) - Self
    - Episode dated 11 May 1955 (1955) - Self
    1957
    The 29th Annual Academy Awards (TV Special) as
    Self - Presenter & Performer
    1956
    Ford Star Jubilee (TV Series) as
    Self
    - You're the Top (1956) - Self
    1956
    Film Fanfare (TV Series) as
    Self
    - Episode #1.10 (1956) - Self
    1956
    Val Parnell's Sunday Night at the London Palladium (TV Series) as
    Self
    - Episode #1.32 (1956) - Self
    1955
    The 27th Annual Academy Awards (TV Special) as
    Self - Nominee & Presenter
    1954
    Light's Diamond Jubilee (TV Movie documentary) as
    Self
    1954
    The George Jessel Show (TV Series) as
    Self
    - Episode #1.25 (1954) - Self
    1951
    The Colgate Comedy Hour (TV Series) as
    Self - Singer
    - Episode #4.8 (1953) - Self - Singer
    - Hosts: Dean Martin & Jerry Lewis; Guests: Dorothy Dandridge, Danny Arnold, Bob & Eddie Mayo, Donald MacBride, Marion Marshall, Jimmy Wallington, Dick Stabile & his Orchestra (1951) - Self - Singer
    1952
    Songs for Sale (TV Series) as
    Self
    - Episode #3.50 (1952) - Self
    1952
    Cavalcade of Stars (TV Series) as
    Self - Guest Vocalist
    - Surprise Party (1952) - Self - Guest Vocalist
    1942
    A Zoot Suit with a Reet Pleat (Short) as
    Self
    1942
    Cow-Cow Boogie (Short) as
    Self
    1941
    Easy Street (Short) as
    Self
    1941
    Lazybones (Short) as
    Self - Dancer
    1941
    Yes, Indeed! (Short) as
    Self
    Archive Footage
    2021
    Worn Stories (TV Mini Series documentary) as
    Self - Singer
    - Chance (2021) - Self - Singer
    2019
    Les années Hollywood de François Chalais (TV Series documentary) as
    Self
    - La fin de l'âge d'or (2019) - Self
    2018
    Count Basie: Through His Own Eyes (Documentary) as
    Self
    2009
    Vegas: The City the Mob Made (TV Series documentary) as
    Self - Singer
    - Las Vegas Becomes a Modern City (2009) - Self - Singer
    2007
    Classified X (TV Movie documentary) as
    Self
    2007
    Soundies: A Musical History Hosted by Michael Feinstein (TV Movie documentary) as
    Self
    2007
    Screen Goddesses (TV Series documentary) as
    Self
    - Dorothy Dandridge (2007) - Self
    2007
    Girl 27 (Documentary) as
    Self
    2004
    Harlem Renaissance (Video documentary) as
    Self
    2003
    Dorothy Dandridge: Singing at Her Best (Video) as
    Self
    2003
    A Century of Black Cinema (Video documentary) as
    Self
    2003
    Dorothy Dandridge: An American Beauty (TV Movie documentary)
    2003
    Great Performances (TV Series) as
    Self
    - The Great American Songbook (2003) - Self
    2002
    Redeemer (TV Movie)
    2002
    It's Black Entertainment (TV Special documentary) as
    Self
    2001
    American Masters (TV Series documentary) as
    Self
    - Goldwyn: The Man and His Movies (2001) - Self
    1997
    Biography (TV Series documentary) as
    Self / Self - Subject
    - Dorothy Dandridge: Little Girl Lost (1999) - Self - Subject
    - The Nicholas Brothers: Flying High (1999) - Self
    - Sonja Henie: Fire on Ice (1997) - Self
    1998
    Small Steps, Big Strides: The Black Experience in Hollywood (TV Movie documentary) as
    Self
    1991
    The Republic Pictures Story (TV Movie documentary) as
    Singer (clip from Atlantic City (1944)) (uncredited)
    1990
    That's Black Entertainment (Documentary) as
    Self
    1986
    Brown Sugar (TV Mini Series documentary) as
    Self
    1974
    Fred Astaire Salutes the Fox Musicals (TV Movie documentary) as
    Self
    1962
    The Murder Men as
    Norma Sherman
    1947
    Ebony Parade as
    Self (as Dorothy Daindridge)
    1946
    Swingtime Jamboree

    References

    Dorothy Dandridge Wikipedia


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