Nicholas Brothers

Early lives

Fayard Antonio Nicholas was born October 20, 1914, in Mobile, Alabama. Harold Lloyd Nicholas was born March 17, 1921, in Winston-Salem, North Carolina.

The Nicholas Brothers grew up in Philadelphia, the sons of college-educated musicians who played in their own band at the old Standard Theater—their mother at the piano and father on drums. At the age of three, Fayard would always sit in the front row while his parents worked, and by the time he was ten, he had seen most of the great African-American vaudeville acts—particularly the dancers, including such notables of the time as Alice Whitman, Willie Bryant, and Bill Robinson. The brothers were fascinated by the combination of tap dancing and acrobatics. Fayard often imitated their acrobatics and clowning for the kids in his neighborhood.

Neither Fayard nor Harold had any formal dance training. Fayard taught himself how to dance, sing, and perform by watching and imitating the professional entertainers on stage. He then taught his younger siblings, first performing with his sister Dorothy as the Nicholas Kids, later joined by Harold. Harold idolized his older brother and learned by copying his moves and distinct style. Dorothy later opted out of the act, and the Nicholas Kids became known as the Nicholas Brothers.

Career

As word spread of their talents, the Nicholas Brothers became famous in Philadelphia. They were first hired for a radio program, The Horn and Hardart Kiddie Hour, and then by other local theatres such as the Standard and the Pearl. When they were performing at the Pearl, the manager of The Lafayette, a famous New York vaudeville showcase, saw them and immediately wanted them to perform for his theater.

The brothers moved to Philadelphia in 1926 and gave their first performance at the Standard a few years later. In 1932 they became the featured act at Harlem's Cotton Club, when Harold was 11 and Fayard was 18. They astonished their mainly white audiences dancing to the jazz tempos of "Bugle Call Rag" and they were the only entertainers in the African-American cast allowed to mingle with white patrons. They performed at the Cotton Club for two years, working with the orchestras of Lucky Millinder, Cab Calloway, Duke Ellington and Jimmy Lunceford. During this time they filmed their first movie short, Pie Pie Blackbird, in 1932, with Eubie Blake and his orchestra.

In their hybrid of tap dance, ballet, and acrobatics—sometimes called acrobatic dancing or "flash dancing"—no individual or group surpassed the effect that the Nicholas Brothers had on audiences and on other dancers. The brothers attributed their success to this unique style of dancing, which was greatly in demand during this time.

Producer Samuel Goldwyn saw them at the Cotton Club and, impressed by their entertaining performance, invited them to California to be a part of Kid Millions (1934), which was their first role in a Hollywood movie. The brothers made their Broadway debut in the Ziegfeld Follies of 1936 and also appeared in Richard Rodgers and Lorenz Hart's musical Babes in Arms in 1937. They impressed their choreographer, George Balanchine, who invited them to appear in Babes in Arms. With Balanchine's training, they learned many new stunts. Their talent led many to assume they were trained ballet dancers.

By 1940, they had moved to Hollywood and for several decades alternated between movies, nightclubs, concerts, Broadway, television, and extensive tours of Latin America, Africa, and Europe.

They toured England with a production of Blackbirds, which gave the Nicholas Brothers an opportunity to see and appreciate several of the great European ballet companies.

Teaching

The Nicholas Brothers taught master classes in tap dance as teachers-in-residence at Harvard University and Radcliffe as Ruth Page Visiting Artists. Among their known students are Debbie Allen, Janet Jackson, and Michael Jackson. Several of today's master tap dancers have performed with or been taught by the brothers: Dianne Walker, Sam Weber, Lane Alexander, Mark Mendonca, Terry Brock, Colburn Kids Tap/L.A, Channing Cook Holmes, Chris Baker, Artis Brienzo, Chester Whitmore, Darlene Gist, Tobius Tak, Carol Zee and Steve Zee.

Fayard

Fayard married three times:

Fayard was a member of the Bahá'í Faith since 1967.

Fayard died January 24, 2006, of pneumonia after having a stroke. His memorial service was standing room only. Presided over by Mary Jean Valente of A Ceremony of the Heart, the service was a moving collection of personal tributes, music, dance, and one last standing ovation.

Two of Fayard's granddaughters dance as the "Nicholas Sisters" and have won awards for their performances.

Harold

Harold was married three times. He was first married to singer and actress Dorothy Dandridge from 1942 to 1951. The couple had one child, Harolyn Nicholas, who was born severely mentally handicapped. In Paris, he had a son, Melih Nicholas, by his second wife. Harold lived on New York's Upper West Side for approximately twenty years (until his death) with his third wife, Swedish-born Rigmor Alfredsson Newman, a producer and former Miss Sweden.

Harold died July 3, 2000, of a heart attack following minor surgery.

Style and moves

One of their signature moves was to leapfrog down a long, broad flight of stairs, while completing each step with a split. Its most famous performance formed the finale of the movie Stormy Weather. In that routine, the Nicholas Brothers leapt exuberantly across the orchestra's music stands and danced on the top of a grand piano in a call and response act with the pianist, to the tune of Jumpin' Jive. Fred Astaire once told the brothers that this dance number was the greatest movie musical sequence he had ever seen.

In another signature move, they would rise from a split without using their hands. Gregory Hines declared that if their biography were ever filmed, their dance numbers would have to be computer generated because no one now could emulate them. Ballet legend Mikhail Baryshnikov once called them the most amazing dancers he had ever seen in his life.

Filmography

According to a Los Angeles Times article on the brothers, "Because of racial prejudice, they appeared as guest artists, isolated from the plot, in many of their films. This was a strategy that allowed their scenes to be easily deleted for screening in the South."

Awards and honors

Other notable achievements