Enchanted (film)

Plot

In the animated fairy tale kingdom of Andalasia, the evil Queen Narissa schemes to protect her claim to the throne, which she will lose once her stepson, Prince Edward, finds his true love and marries her. She enlists her loyal henchman Nathaniel to keep Edward distracted. Giselle, a young woman, dreams of meeting a prince and experiencing a "happy ever after". Edward hears Giselle singing and sets off to find her. Nathaniel sets free a captured troll to kill Giselle, but Edward rescues her in time. When they meet, they instantly fall in love and plan to get married the following day.

Narissa, disguised as an old hag, intercepts Giselle on her way to the wedding and pushes her into a well, and she is magically transformed into a 3D live-action version of herself and transported to a manhole in New York City's Times Square. Giselle quickly becomes lost. Meanwhile, Robert, a divorce lawyer, prepares to propose to his longtime girlfriend Nancy, much to the dismay of his daughter Morgan. Robert and Morgan encounter Giselle on their way home, and Robert begrudgingly allows Giselle to stay the night at their apartment at the insistence of Morgan, who trusts Giselle.

Pip, Giselle's best chipmunk friend from Andalasia, had witnessed Giselle's exile and alerted Edward thereafter, and both embark on a rescue mission to the city, where they too are turned into 3D live-action versions, but Pip is instead in the form of a real chipmunk – therefore losing the ability to speak. Narissa sends Nathaniel to follow and impede Edward. In a restaurant, Narissa appears to Nathaniel in a soup pot and gives him three poisoned apples to murder Giselle. Pip eavesdrops but is unable to communicate with Edward, as animals cannot speak outside of Andalasia. Nathaniel keeps Pip silenced by detaining him in various containers. Meanwhile, after Giselle summons vermin to clean Robert's apartment, Nancy arrives to take Morgan to school. She meets Giselle and leaves assuming Robert was unfaithful. Robert is initially upset but spends the day with Giselle, knowing she is vulnerable in the city. Giselle questions Robert about his relationship with Nancy and helps the pair reconcile by sending Nancy an invitation to the "King and Queen's Costume Ball" at the Woolworth Building.

Edward locates Giselle at Robert's apartment. While Edward is eager to take Giselle home to Andalasia and finally marry, she says that they should first go on a date to get to know each other, still conflicted about her feelings. Giselle promises to return to Andalasia after ending their date at the ball, which Robert and Nancy also attend. Narissa, who has been spying from Andalasia, decides to follow and kill Giselle herself after Nathaniel failed to poison her twice. Robert and Giselle share a dance with each other and look into one another's eyes, romantically. Giselle and Edward then prepare to leave, but Giselle feels sorrow at leaving Robert behind. Narissa appears as the old hag and offers the last poisoned apple to Giselle, promising "sweet dreams and happy endings." Giselle takes a bite and is rendered unconscious.

Narissa attempts to escape with Giselle's body but is stopped by Edward. Nathaniel, realizing Narissa was using him and never loved him, reveals her plot. Robert realizes that true love's kiss is the only force powerful enough to break the apple's spell. After Edward's kiss fails to wake Giselle, he prompts Robert to do so instead. When Robert kisses her just as the clock strikes twelve, Giselle awakens and the whole crowd cheers. Narissa furiously transforms into a giant blue dragon and takes Robert hostage. Giselle takes Edward's sword and pursues Narissa to the top of the building. Pip, who was freed by Edward, helps Giselle send Narissa falling to her death.

A happy new life unfolds for everyone, showing Edward and Nancy marrying in Andalasia; Giselle running a successful fashion business and forming a happy family with Robert and Morgan; while Nathaniel and Pip each become successful authors about their personal experiences in the real world.

Cast

Several actresses/actors who have played characters in Disney films have cameos:

Development

The initial script of Enchanted, written by Bill Kelly, was bought by Disney's Touchstone Pictures and Sonnenfeld/Josephson Productions for a reported sum of $450,000 in September 1997. However, it was thought to be unsuitable for Walt Disney Pictures because it was "a racier R-rated movie". To the frustration of Kelly, the screenplay was rewritten several times, first by Rita Hsiao and then by Todd Alcott. The film was initially scheduled to be released in 2002 with Rob Marshall as director but he withdrew due to "creative differences" between the producers and him. In 2001, director Jon Turteltaub was set to direct the film but he left soon after, later working with Disney and Jerry Bruckheimer on the National Treasure franchise. Adam Shankman became the film's director in 2003, while Bob Schooley and Mark McCorkle were hired by Disney to rewrite the script once again. At the time, Disney considered offering the role of Giselle to Kate Hudson or Reese Witherspoon. However, the project did not take off.

On May 25, 2005, Variety reported that Kevin Lima had been hired as director and Bill Kelly had returned to the project to write a new version of the script. Lima worked with Kelly on the script to combine the main plot of Enchanted with the idea of a "loving homage" to Disney's heritage. He created visual storyboard printouts that covered the story of Enchanted from beginning to end, which filled an entire floor of a production building. After Lima showed them to Dick Cook, the chairman of the Walt Disney Studios, he received the green light for the project and a budget of $85 million. Lima began designing the world of Andalasia and storyboarding the movie before a cast was chosen to play the characters. After the actors were hired, he was involved in making the final design of the movie, which made sure the animated characters look like their real-life counterparts.

Filming

Enchanted is the first feature-length Disney live-action/traditional animation hybrid since Disney's Who Framed Roger Rabbit in 1988, though the traditionally animated characters do not interact in the live-action environment in the same method as they did in Roger Rabbit; however, there are some scenes where live-action characters share the screen with two-dimensional animated characters, for example, a live-action Nathaniel communicating with a cel-drawn Narissa, who is in a cooking pot. The film uses two aspect ratios; it begins in 2.35:1 when the Walt Disney Pictures logo and Enchanted storybook are shown, and then switches to a smaller 1.85:1 aspect ratio for the first animated sequence. The film switches back to 2.35:1 when it becomes live-action and never switches back, even for the remainder of the cartoon sequences. When this movie was aired on televised networks, the beginning of the movie (minus the logo and opening credits) was shown in the pillarboxed 4:3 aspect ration; the remainder of the movie was shown in the 16:9 aspect ratio when it becomes live-action. Lima oversaw the direction of both the live-action and animation sequences, which were being produced at the same time. Enchanted took almost two years to complete. The animation took about a year to finish while the live-action scenes, which commenced filming on location in New York City during the summer of 2006 and were completed during the animation process, were shot in 72 days.

Animation

Out of the film's 107 minutes of running time, ten of the approximately 13 minutes of animation are at the beginning of the film. Lima tried to "cram every single piece of Disney iconic imagery" that he could into the first ten minutes, which were done in traditional cel animation (in contrast to computer-generated 3-D animation) as a tribute to past Disney fairy tale films such as Sleeping Beauty, Cinderella, and Snow White and the Seven Dwarfs. It was the first Disney film theatrically released in America to feature traditional cel animation since Pooh's Heffalump Movie (2005). This film, although quite different in terms of plot from any previous Disney film, also contained obvious homages to other Disney films of the distant past, such as Old Yeller, The Shaggy Dog, Swiss Family Robinson, Bon Voyage!, and Savage Sam. As most of Disney's cel animation artists were laid off after the computer graphics boom of the late 1990s, the 13 minutes of animation were not done in-house but by the independent Pasadena-based company James Baxter Animation, which was started by noted lead animator James Baxter. Baxter had previously worked for Walt Disney Animation Studios, bringing to life many memorable Disney animated characters like Jessica Rabbit (Who Framed Roger Rabbit), Belle (Beauty and the Beast), Rafiki (The Lion King), and Quasimodo (The Hunchback of Notre Dame).

Although Lima wanted the animation to be nostalgic, he wanted Enchanted to have a style of its own. Baxter's team decided to use Art Nouveau as a starting point. For Giselle, the hand-drawn animated character had to be "a cross between Amy Adams and a classic Disney princess. And not a caricature." Seeing Giselle as "a forest girl, an innocent nymph with flowers in her hair" and "a bit of a hippie", the animators wanted her to be "flowing, with her hair and clothes. Delicate." For Prince Edward, Baxter's team "worked the hardest on him to make him look like the actor" because princes "in these kinds of movies are usually so bland." Many prototypes were made for Narissa as Baxter's team wanted her face to "look like Susan Sarandon. And the costumes had to align closely to the live-action design."

To maintain continuity between the two media, Lima brought in costume designer Mona May during the early stages of the film's production so the costumes would be aligned in both the animated and live-action worlds. He also shot some live-action footage of Amy Adams as Giselle for the animators to use as reference, which also allowed the physical movement of the character to match in both worlds. Test scenes completed by the animators were shown to the actors, allowing them to see how their animated self would move.

Live-action

Principal photography began in April 2006 and ended in July 2006. Because of the sequence setting, the live action scenes are filmed in New York City. However, shooting in New York became problematic as it was in a "constant state of new stores, scaffolding and renovation".

The first scene in New York, which features Giselle emerging from a manhole in the middle of Times Square, was filmed on location in the center of the square. Because of the difficulties in controlling the crowd while filming in Times Square, general pedestrians were featured in the scene with hired extras placed in the immediate foreground. Similarly, a crowd gathered to watch as James Marsden and Timothy Spall filmed their scenes in Times Square. However, the scene Lima found the most challenging to shoot was the musical number, "That's How You Know", in Central Park. The five-minute scene took 17 days to finish due to the changing weather, which allowed only seven sunny days for the scene to be filmed. The filming was also hampered at times by Patrick Dempsey's fans. The scene was choreographed by John O'Connell, who had worked on Moulin Rouge! beforehand, and included 300 extras and 150 dancers.

Many scenes were filmed at Steiner Studios, which provided the three large stages that Enchanted needed at the same facility. Other outdoor locations included the Brooklyn Bridge and The Paterno, an apartment building with a curved, heavily embellished, ivory-colored façade located on the corner of Riverside Drive and 116th Street, which is the residence of the film's characters Robert and Morgan.

Costume design

All the costumes in the film were designed by Mona May, who had previously worked on Clueless, The Wedding Singer, and The Haunted Mansion. To create the costumes, May spent one year in pre-production working with animators and her costume department of 20 people, while she contracted with five outside costume shops in Los Angeles and New York City. She became involved in the project during the time when the animators are designing the faces and bodies of the characters as they had to "translate the costumes from two-dimensional drawings to live-action human proportion". Her goal was to keep the designs "Disneyesque to the core but bring a little bit of fashion in there and humor and make it something new". However, May admitted this was difficult "because they're dealing with iconic Disney characters who have been in the psyche of the viewing audience for so long".

For the character of Giselle, her journey to becoming a real woman is reflected in her dresses, which become less fairy tale-like as the film progresses. Her wedding dress at the beginning of the film directly contrasts her modern gown at the end of the film. The wedding dress served to provide a "humongous contrast to the flat drawings" and to accentuate the image of a Disney Princess. In order to make the waist look small, the sleeves are designed to be "extremely pouffy" and the skirt to be as big as possible, which included a metal hoop that holds up 20 layers of petticoats and ruffles. Altogether, eleven versions of the dress are made for filming, each made of 200 yards (183 m) of silk satin and other fabric, and weighing approximately 40 pounds (18 kg). On the experience of wearing the wedding dress, Amy Adams described it as "grueling" since "the entire weight was on her hips, so occasionally it felt like she was in traction".

Unlike Giselle, Prince Edward does not adapt to the real world and James Marsden, who plays Edward, had only one costume designed for him. May's aim was to try "not to lose Marsden in the craziness of the outfit... where he still looks handsome". The costume also included padding in the chest, buttocks, and crotch, which gave Marsden the "same exaggerated proportions as an animated character" and "posture – his back is straight, the sleeves are up and never collapse".

May was delighted that Lima "went for something more fashion-forward" with Susan Sarandon's Queen Narissa. She decided to make her look like a "runway lady", wearing something that is "still Disney" but also "high fashion, like something John Galliano or Thierry Mugler might design". Since Narissa appears in three media: hand drawn animation, live-action, and computer animation, May had to make sure that the costume would be the same throughout in terms of "color, shape, and texture". The costume for Narissa consisted of a leather corset and skirt, which looked "reptilian", as well as a cape. Working with the animators, May incorporated parts of the dragon's form into the costume; the cape was designed to look like wings, the layers of the skirt wrap around like a tail and a crown that would turn into horns during Narissa's transformation into a dragon.

Music

The film's score was written by accomplished songwriter and composer Alan Menken, who has worked on a number of Disney films previously. Fellow composer Stephen Schwartz wrote the lyrics for six songs, also composed by Menken. Menken and Schwartz previously worked together on the songs for Pocahontas and The Hunchback of Notre Dame.

Menken became involved with the film in the early stages of the film's development and invited Schwartz to resume their collaboration. They began the songwriting process by searching for the right moments in the story in which a song moment was allowed. Schwartz found that it was easier to justify situations in which the characters would burst into songs in Enchanted than in other live-action musicals as its concept "allowed the characters to sing in a way that was completely integral to the plot of the story." The three songs Giselle sings contain references to earlier Disney films. The first song played in the film, "True Love's Kiss", was written to be "a send-up of, and an homage to, the style of those Disney animated features", namely, "I'm Wishing" (Snow White and the Seven Dwarfs) and "A Dream is a Wish Your Heart Makes" (Cinderella), during which Disney heroines sing about the joy of being loved. It posed a challenge for Menken and Schwartz because of the "many preconceptions with that number"; it had to be reflective of the era of Snow White and the Seven Dwarfs and Cinderella. Accordingly, Amy Adams performed the first song in an operetta style in contrast to the Broadway style of the later songs.

Both "Happy Working Song" and "That's How You Know" also pay tributes to past Disney songs. "Happy Working Song" pays a lyrical homage to such songs as "Whistle While You Work" (Snow White and the Seven Dwarfs), "The Work Song" (Cinderella) "A Spoonful of Sugar" (Mary Poppins) and “Making Christmas” (The Nightmare Before Christmas), and a musical homage to the Sherman Brothers (with a self-parodic "Alan Menken style" middle eight). "That's How You Know" is a self-parody of Menken's compositions for his Disney features, specifically such big production numbers as "Under the Sea" (The Little Mermaid) and "Be Our Guest" (Beauty and the Beast). To achieve this, Schwartz admitted he had to "push it a little bit further in terms of choices of words or certain lyrics" while maintaining "the classic Walt Disney sensibility". However, Menken noted that the songs he has written for Disney have always been "a little tongue-in-cheek". As the film progresses, the music uses more contemporary styles, which is heard through the adult ballad "So Close" and the country/pop number "Ever Ever After" (sung by Carrie Underwood as a voice-over).

Out of the six completed songs written and composed by Menken and Schwartz, five remained in the finished film. The title song, "Enchanted," a duet featuring Idina Menzel and James Marsden, was the only song of Menken's and Schwartz's authorship and composition that was deleted from the movie.

Effects

The majority of the visual effects shots in Enchanted were done by Tippett Studio in Berkeley, California, who contributed a total of 320 shots. These shots involved virtual sets, environmental effects and CG characters that performed alongside real actors, namely the animated animals during the "Happy Working Song" sequence, Pip and the Narissa dragon during the live-action portions of the film. CIS Hollywood was responsible for 36 visual effects shots, which primarily dealt with wire removals and composites. Reel FX Creative Studios did four visual effects shots involving the pop-up book page-turn transitions while Weta Digital did two.

Out of all the animals that appear in the "Happy Working Song" sequence, the only real animals filmed on set were rats and pigeons. The real animals captured on film aided Tippett Studio in creating CG rats and pigeons, which gave dynamic performances such as having pigeons that carried brooms in their beaks and rats that scrubbed with toothbrushes. On the other hand, all the cockroaches were CG characters.

Pip, a chipmunk who can talk in the 2D world of Andalasia, loses his ability to communicate through speech in the real world so he must rely heavily on facial and body gestures. This meant the animators had to display Pip's emotions through performance as well as making him appear like a real chipmunk. The team at Tippett began the process of animating Pip by observing live chipmunks which were filmed in motion from "every conceivable angle", after which they created a photorealistic chipmunk through the use of 3D computer graphics software, Maya and Furrocious. When visual effects supervisor Thomas Schelesny showed the first animation of Pip to director Kevin Lima, he was surprised that he was a looking at a CG character and not reference footage. To enhance facial expressions, the modelers gave Pip eyebrows, which real chipmunks do not have. During the filming of scenes in which Pip appears, a number of ways were used to indicate the physical presence of Pip. On some occasions, a small stuffed chipmunk with a wire armature on the inside was placed in the scene. In other situations, a rod with a small marker on the end or a laser pointer would be used to show the actors and cinematographer where Pip is.

Unlike Pip, the Narissa dragon was allowed to be more of a fantasy character while still looking like a living character and a classic Disney villain. The CG dragon design was loosely based on a traditional Chinese dragon and Susan Sarandon's live-action witch. When filming the scene which sees the transformation of Narissa from a woman into a dragon, a long pole was used to direct the extras eyelines instead of a laser pointer. Set pieces were made to move back and forth in addition to having a computer-controlled lighting setup and a repeatable head on the camera that were all synchronized. In the film's final sequence, in which Narissa climbs the Woolworth Building while clutching Robert in her claws, a greenscreen rig was built to hold Patrick Dempsey in order to film his face and movements. The rig was a "puppeteering" approach that involved a robotic arm being controlled by three different floor effects artists.

Release

The film was distributed by Walt Disney Studios Motion Pictures to 3,730 theaters in the United States. It was distributed worldwide by Walt Disney Studios Motion Pictures International to over 50 territories around the world and topped the box office in several countries including the United Kingdom and Italy. It is the first movie to be released under the Walt Disney Studios Motion Pictures name following the retirement of the previous Buena Vista Pictures Distribution.

Merchandising

Disney had originally planned to add Giselle to the Disney Princess line-up, as was shown at a 2007 Toy Fair where the Giselle doll was featured with packaging declaring her with Disney Princess status but decided against it when they realized they would have to pay for lifelong rights to Amy Adams' image. While Giselle is not being marketed as one of the Disney Princesses, Enchanted merchandise was made available in various outlets with Adams' animated likeness being used on all Giselle merchandise. Giselle led the 2007 Hollywood Holly-Day Parade at Disney's Hollywood Studios. She was also featured in the 2007 Walt Disney World Christmas Day Parade in the Magic Kingdom with the official Disney Princesses.

A video game based on the film was released for Nintendo DS and mobile phones in addition to a Game Boy Advance title, Enchanted: Once Upon Andalasia, which is a prequel to the film, about Giselle and Pip rescuing Andalasia from a magic spell.

Home media

Enchanted was released on Blu-ray Disc and DVD by Walt Disney Studios Home Entertainment on March 18, 2008, in the United States. While Enchanted topped the DVD sales chart on the week of its release in the United States, narrowly defeating the DVD sales of I Am Legend, the Blu-ray Disc sales of I Am Legend were nearly four times the number of Blu-ray Disc sales of Enchanted. The DVD was released in United Kingdom and Europe on April 7, 2008, and in Australia on May 21, 2008.

The bonus features included on both the DVD and Blu-ray Disc are "Fantasy Comes to Life", a three-part behind-the-scenes feature including "Happy Working Song", "That's How You Know" and "A Blast at the Ball"; six deleted scenes with brief introductions by director Kevin Lima; bloopers; "Pip's Predicament: A Pop-Up Adventure", a short in pop-up storybook style; and Carrie Underwood's music video for "Ever Ever After". Featured on the Blu-ray disc only is a trivia game titled "The D Files" that runs throughout the movie with high scoring players given access to videos "So Close", "Making Ever Ever After" and "True Love's Kiss". In the United States, certain DVDs at Target stores contain a bonus DVD with a 30-minute-long making-of documentary titled Becoming Enchanted: A New Classic Comes True. This DVD is also sold with certain DVDs at HMV stores in the United Kingdom.

Box office performance

Enchanted earned $7,967,766 on the day of its release in the United States, placing at #1. It was also placed at #1 on Thanksgiving Day, earning $6,652,198 to bring its two-day total to $14.6 million. The film grossed $14.4 million on the following day, bringing its total haul to $29.0 million placing ahead of other contenders. Enchanted made $34.4 million on the Friday-Sunday period in 3,730 theaters for a per location average of $9,472 and $49.1 million over the five-day Thanksgiving holiday in 3,730 theaters for a per location average of $13,153. Its earnings over the five-day holiday exceeded projections by $7 million. Ranking as the second-highest Thanksgiving opening after Toy Story 2, which earned $80.1 million over the five-day holiday in 1999, Enchanted is the first film to open at #1 on the Thanksgiving frame in the 21st century.

In its second weekend, Enchanted was also the #1 film, grossing a further $16,403,316 at 3,730 locations for a per theater average of $4,397. It dropped to #2 in its third weekend, with a gross of $10,709,515 in 3,520 theaters for a per theater average of $3,042. It finished its fourth weekend at #4 with a gross of $5,533,884 in 3,066 locations for a per theater average of $1,804. Enchanted earned a gross of $127,807,262 in the United States and Canada as well a total of $340,487,652 worldwide. It was the 15th highest-grossing film worldwide released in 2007.

Critical response

As of September 2014, the movie review aggregate website Rotten Tomatoes had tallied the film at an overall 93% approval rating based on 189 reviews with an average score of 7.3/10, the site's critical consensus reads:" A smart re-imagining of fairy tale tropes that's sure to delight children and adults, Enchanted features witty dialogue, sharp animation, and a star turn by Amy Adams.", while Metacritic gave it a rating of 75 out of 100 based on 32 reviews. Rotten Tomatoes ranked the film as the ninth best reviewed film in wide release of 2007 and named it the best family film of 2007.

Positive reviews praised the film's take on a classic Disney story, its comedy and musical numbers as well as the performance of its lead actress, Amy Adams. Roger Ebert of Chicago Sun-Times gave the film three stars out of four, describing it as a "heart-winning musical comedy that skips lightly and sprightly from the lily pads of hope to the manhole covers of actuality" and one that "has a Disney willingness to allow fantasy into life". Film critics of Variety and LA Weekly remarked on the film's ability to cater for all ages. LA Weekly described the film as "the sort of buoyant, all-ages entertainment that Hollywood has been laboring to revive in recent years (most recently with Hairspray) but hasn't managed to get right until now" while Todd McCarthy of Variety commented, "More than Disney's strictly animated product, Enchanted, in the manner of the vast majority of Hollywood films made until the '60s, is a film aimed at the entire population – niches be damned. It simply aims to please, without pandering, without vulgarity, without sops to pop-culture fads, and to pull this off today is no small feat." Enchanted was the Broadcast Film Critics Association's choice for Best Family Film of 2007 while Carrie Rickey of The Philadelphia Inquirer named it the 4th best film of 2007.

Rolling Stone, Premiere, USA Today, and The Boston Globe all gave the film three out of four, while Baltimore Sun gave the film a B grade. They cited that although the story is relatively predictable, the way in which the predictability of the film is part of the story, the amazingly extravagant musical numbers, along with the way in which Disney pokes fun at its traditional line of animated movies outweighs any squabbles about storyline or being unsure of what age bracket the film is made for. Michael Sragow of Baltimore Sun remarked that the film's "piquant idea and enough good jokes to overcome its uneven movie-making and uncertain tone", while Claudia Puig of USA Today stated that "though it's a fairly predictable fish-out-of-water tale (actually a princess-out-of-storybook saga), the casting is so perfect that it takes what could have been a ho-hum idea and renders it magical."

Amy Adams herself garnered many favorable reviews. Reviewers praised her singing ability and asserted that her performance, which was compared by some to her Academy Award-nominated performance in Junebug, has made Adams a movie star, likening it to Mary Poppins' effect on Julie Andrews' career. Similarly, film critics Richard Roeper and Michael Phillips, who gave the film positive reviews on At the Movies with Ebert & Roeper, emphasized the effect of Adams' performance on the film with remarks like "Amy Adams is this movie" and "Amy Adams shows how to make a comic cliché work like magic." However, both agreed that the final sequence involving the computer-generated dragon "bogged down" the film.

Empire stated that the film was targeted at children but agreed with other reviewers that the "extremely game cast" was the film's best asset. It gave the film three out of five. TIME gave the film a C-, stating that the film "cannibalizes Walt's vault for jokes" and "fails to find a happy ending that doesn't feel two-dimensional". Similarly, Peter Bradshaw of The Guardian commented that the film "assumes a beady-eyed and deeply humourless sentimentality" and that Adams' performance was the "only decent thing in this overhyped family movie covered in a cellophane shrink-wrap of corporate Disney plastic-ness". Bradshaw gave the film two out of five.

Sequel

In February 2010, Variety reported that Walt Disney Pictures planned to film a sequel with Barry Josephson and Barry Sonnenfeld producing again. Jessie Nelson was attached to write the screenplay and Anne Fletcher to direct. Disney hoped the cast members from the first film would return and for a release as early as 2011.

On January 12, 2011, composer Alan Menken was asked about the sequel in an interview. His reply was, "I’ve heard things but there's nothing yet. I don’t know much about what’s happening with that. Honestly, I don’t know what the studio wants to do next. I presume there will be some future projects for me to work on. I love doing that, I really do. But I’m not frustrated that it isn’t one of them. At the moment I have a lot of stage things happening and I’m busy enough with that, so I really don’t need more on my plate."

On March 28, 2011, in an interview for his latest film, Hop, James Marsden was asked about the sequel.

I don't know. I think that the clock is ticking on that one. Amy Adams and I are both saying, "If there's going to be a sequel, we're not getting any younger." Since we play sort of ageless animated characters. Hopefully we do. That was something really special and I'd love to come back and do another. I've heard the same things you've heard. There's a script out there somewhere and there's talk of it, but I never believe it until I see the script and learned we're making that film. So I don't know. Too many eggs in that basket.

As of July 2014, Disney had hired screenwriters J. David Stem and David N. Weiss to write a script for a sequel and also hired Anne Fletcher to direct the film. In October 2016, The Hollywood Reporter reported that Adam Shankman entered negotiations to direct the sequel, titled Disenchanted, and that Amy Adams would reprise her role with filming scheduled to begin in summer 2017.