9 /10 1 Votes9
5/5 The Telegraph Date premiered 15 November 1978 Subject extramarital affair Genre Drama Place premiered London | 4/5 Goodreads Written by Harold Pinter Original language English First performance 15 November 1978 Setting London Adaptations Betrayal (1983) | |||||||||||||||||||||||||||||||||
![]() | ||||||||||||||||||||||||||||||||||
Characters Emma, Jerry, Robert, Waiter Similar Harold Pinter plays, Dramas |
Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works, it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-)deceptions.
Contents
- Jeremy irons betrayal 1983
- Setting
- Synopsis
- Characters
- London
- Sheffield
- New York
- Australia
- Hong Kong
- Italy
- Spain
- Buenos Aires
- Adaptations
- Autobiographical inspiration
- Cultural allusions
- Awards and nominations
- References
Inspired by Pinter's clandestine extramarital affair with BBC Television presenter Joan Bakewell, which spanned seven years, from 1962 to 1969, the plot of Betrayal integrates different permutations of betrayal relating to a seven-year affair involving a married couple, Emma and Robert, and Robert's "close friend" Jerry, who is also married, to a woman named Judith. For five years Jerry and Emma carry on their affair without Robert's knowledge, both cuckolding Robert and betraying Judith, until Emma, without telling Jerry she has done so, admits her infidelity to Robert (in effect, betraying Jerry), although she continues their affair. In 1977, four years after exposing the affair (in 1973) and two years after their subsequent break up (in 1975), Emma meets Jerry to tell him that her marriage to Robert is over. She then lies to Jerry in telling him that, "last night", she had to reveal the truth to Robert and that he now knows of the affair. The truth however, is that Robert has known about the affair for the past four years.
Pinter's particular usage of reverse chronology in structuring the plot is innovative: the first scene takes place after the affair has ended, in 1977; the final scene ends when the affair begins, in 1968; and, in between 1977 and 1968, scenes in two pivotal years (1977 and 1973) move forward chronologically. As Roger Ebert observes, in his review of the 1983 film, based on Pinter's own screenplay, "The 'Betrayal' structure strips away all artifice. It shows, heartlessly, that the very capacity for love itself is sometimes based on betraying not only other loved ones, but even ourselves."
Jeremy irons betrayal 1983
Setting
London and Venice, from 1968 to 1977 (in reverse chronology).
Synopsis
The years between 1968 and 1977 occur in reverse order; scenes within years 1977 and 1973 move forward.
Characters
In 1977 Emma is 38, Jerry and Robert are 40. (n. pag. [7])
London
Betrayal was first produced by the National Theatre in London on 15 June 1978. The original cast featured Penelope Wilton as Emma, Michael Gambon as Jerry, Daniel Massey as Robert, and Artro Morris as the waiter; Wilton and Massey were married at the time. It was designed by John Bury and directed by Peter Hall.
In 1991, Betrayal ran at the Almeida Theatre directed by David Leveaux with Bill Nighy playing Jerry, Martin Shaw playing Robert and Cheryl Campbell playing Emma. In 2007, Roger Michell staged a revival of Betrayal at the Donmar Warehouse theatre starring Toby Stephens as Jerry, Samuel West as Robert, and Dervla Kirwan as Emma. Pinter reportedly lunched with the actors, attended an early "readthrough" and provided some advice, which, according to Stephens, included the instruction to ignore some of Pinter's famous pauses (Lawson). The play was also revived in the Lyttelton at the National Theatre in November 1998, directed by Trevor Nunn and starring Douglas Hodge, Imogen Stubbs, and Anthony Calf. In 2011, a new West End production at the Comedy Theatre, directed by Ian Rickson, starred Kristin Scott Thomas, Douglas Henshall, and Ben Miles.
Sheffield
Betrayal was revived at The Crucible Theatre, Sheffield – from 17 May 2012 to 9 June 2012 – as the climax of Sheffield Crucible's 40th anniversary season. It starred John Simm as Jerry, Ruth Gemmell as Emma, Colin Tierney as Robert and Thomas Tinker as the waiter.
New York
The play had its American premiere on Broadway on 5 January 1980 at the Trafalgar Theatre where it ran for 170 performances until its close on 31 May 1980. The show was directed by Peter Hall, designed by John Bury, production stage manager Marnel Sumner, stage manager Ian Thomson, press by Seymour Krawitz and Patricia McLean Krawitz. It opened with Raul Julia as Jerry, Blythe Danner as Emma, Roy Scheider as Robert, Ian Thomson as Barman, and Ernesto Gasco as Waiter.
A 2000 Broadway revival was staged at the American Airlines Theatre with Juliette Binoche, Liev Schreiber, and John Slattery. A 2013 revival starring Daniel Craig as Robert, his real-life wife Rachel Weisz as Emma, and Rafe Spall as Jerry opened on 27 October at the Ethel Barrymore Theatre, and set the Broadway record for highest weekly gross the week ending 19 December 2013.
Australia
David Berthold directed a production of Betrayal, designed by Peter England, at the Sydney Theatre Company, from 10 March through 17 April 1999; it starred Paul Goddard, Robert Menzies, and Angie Milliken.
In 2015 State Theatre Company of South Australia and Melbourne Theatre Company will stage a production of "Betrayal" directed by Geordie Brookman and starring Alison Bell. The production will run from 26 August-3 October at Southbank Theatre, The Sumner.
Hong Kong
In 2004, Theatre de R&D staged Betrayal's Cantonese version as the first production of this theatrical group. With the script translated to Chinese by Lucretia Ho, this production was directed by Yankov Wong, starring Lucretie Ho as Emma, Johnny Tan as Jerry, Karl Lee as Robert, and Kenneth Cheung as the Waiter.
A reader's theatre format of Betrayal was produced by the Hong Kong Repertory Theatre and directed by Yankov Wong on 6 March 2010.
In September 2010, theatrical group We Draman put the show on stage with a translated script by Cancer Chong, featuring renowned stage actress Alice Lau as Emma.
Italy
In 2009 Italian actor and director Andrea Renzi brought the play to life in Italy. Famed Italian actress Nicoletta Braschi stars as Emma. Tony Laudadio plays the character of Robert. Enrico Ianniello plays the part of Jerry. Nicola Marchi plays the part of a waiter. The play has been very successful and has been touring in Italy for over two years and will return again in early 2012 with the same cast.
Spain
Staged in 2011 in Teatro Español, with Alberto San Juan, Cecilia Solaguren & Will Keen.
Buenos Aires
In 2013 director Ciro Zorzoli staged the play in Picadero theatre. The characters were played by Paola Krum (Emma), Daniel Hendler (Jerry), Diego Velázquez (Robert) and Gabriel Urbani (Waiter).
Adaptations
Pinter adapted Betrayal as a screenplay for the 1983 film directed by David Jones, starring Jeremy Irons (Jerry), Ben Kingsley (Robert), and Patricia Hodge (Emma).
Autobiographical inspiration
Betrayal was inspired by Pinter's seven-year affair with television presenter Joan Bakewell, who was married to the producer and director Michael Bakewell, while Pinter was married to actress Vivien Merchant. The affair was known in some circles; when Betrayal premiered in 1978, Lord Longford (father of Antonia Fraser), who was in the audience, commented that Emma appeared to be based on Joan Bakewell; but the affair only became public knowledge after it was confirmed by Pinter in Michael Billington's 1996 authorised biography, and further confirmed in Joan Bakewell's later memoir The Centre of the Bed.
Pinter wrote the play while engaged in another long-running affair, this time with Antonia Fraser, which became a marriage in 1980 after he divorced Merchant. However, Pinter explained to Billington that although he wrote the play while "otherwise engaged" with Fraser, the details were based on his relationship with Bakewell.
Cultural allusions
"The Betrayal" (1997), episode 8 of the 9th (final) season of the NBC Television series Seinfeld (Sony Pictures), alludes overtly to Pinter's play and film Betrayal, which appears to have inspired it. Apart from the title, "The Betrayal", and the name of one-off character Pinter Ranawat who appears in the episode, the episode is structured and runs in reverse chronological order and also features love triangles as one of its central themes. According to Kent Yoder, all of these allusions were deliberate.