Girish Mahajan (Editor)

Anthony Lane bibliography

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A list of works by or about Anthony Lane, British journalist and film critic.

Contents

2000–2009

  • Lane, Anthony (November 3, 2008). "Let's put on a show!". The Critics. The Current Cinema. The New Yorker. 84 (35): 122–123.  Reviews Synecdoche, New York and High School Musical 3.
  • — (November 24, 2008). "Hard times". The Critics. The Current Cinema. The New Yorker. 84 (38): 130–131.  Reviews Slumdog Millionaire and A Christmas Tale.

    • 2010–

  • Lane, Anthony (March 15, 2010). "Under the gun". The Critics. The Current Cinema. The New Yorker. 86 (4): 82–83.  Reviews Green Zone and Mother.
  • — (November 15, 2010). "Long roads". The Critics. The Current Cinema. The New Yorker. 86 (36).  Reviews Due Date and Four Lions.
  • — (March 14, 2011). "And the Oscar will go to ...". Shouts and Murmurs. The New Yorker. 87 (4): 28. 
  • — (April 4, 2011). "Time bomb". The Critics. The Current Cinema. The New Yorker. 87 (4): 82–83.  Reviews Susanne Bier's In a Better World and James Gunn's Super.
  • — (November 7, 2011). "Home movies". The Critics. The Current Cinema. The New Yorker. 87 (35): 90–91.  Reviews Brett Ratner's Tower Heist and Lars von Trier's Melancholia.
  • — (November 19–26, 2011). "Theatre on film". The Critics. The Current Cinema. The New Yorker. 87 (41).  Reviews Pina and Carnage.
  • — (January 2, 2012). "Stings of desire". Goings on About Town. Critic's Notebook. The New Yorker. 87 (42): 14.  Otto Preminger's Laura (1944).
  • — (February 13–20, 2012). "Fright nights". The Critics. Books. The New Yorker. 88 (1): 105–108.  'The horror of M. R. James.'
  • — (April 16, 2012). "They, the people". Goings on About Town. Critic's Notebook. The New Yorker. 88 (9): 9.  Boris Barnet's Outskirts (1933).
  • — (November 19, 2012). "The war at home". Goings on About Town. Critic's Notebook. The New Yorker. 88 (36): 9.  The films of Keisuke Kinoshita.
  • — (November 19, 2012). "House divided". The Critics. The Current Cinema. The New Yorker. 88 (36): 82–84.  Reviews Steven Spielberg's Lincoln.
  • — (December 3, 2012). "Tough times". The Critics. The Current Cinema. The New Yorker. 88 (38): 112–113.  Andrew Dominik's Killing Them Softly and Jacques Audiard's Rust and Bone.
  • — (January 7, 2013). "Love Hurts". The Critics. The Current Cinema. The New Yorker. 88 (42): 80–81.  Reviews Tom Hooper's Les Misérables, Quentin Tarantino's Django Unchained and Michael Haneke's Amour.
  • — (February 4, 2013). "The evil that men do". The Critics. The Current Cinema. The New Yorker. 88 (46): 78–79.  Reviews Paolo and Vittorio Taviani's Caesar Must Die and Kim Jee-Woon's The Last Stand.
  • — (February 25, 2013). "Ways to win". The Critics. The Current Cinema. The New Yorker. 89 (2): 84–85.  John Moore's A Good Day to Die Hard and Gael Garcia Bernal's NO.
  • — (March 18, 2013). "Red shift". Goings on About Town. Critic's Notebook. The New Yorker. 89 (5): 12.  Andrjez Wajda's Ashes and Diamonds.
  • — (March 25, 2013). "Fun in the sun". The Critics. The Current Cinema. The New Yorker. 89 (6): 108–109.  Harmony Korine's Spring Breakers and Matteo Garrone's Reality.
  • — (April 8, 2013). "Mind games". The Critics. The Current Cinema. The New Yorker. 89 (8): 88–89.  Reviews Danny Boyle's Trance and Pablo Berger's Blancanieves.
  • — (April 22, 2013). "Criminal elements". Goings on About Town. Critic's Notebook. The New Yorker. 89 (10): 26.  Jean-Pierre Melville's Un Flic.
  • — (April 29, 2013). "Home fronts". The Critics. The Current Cinema. The New Yorker. 89 (11): 82–83.  Reviews Joseph Kosinski's Oblivion and François Ozon's In the House.
  • — (May 6, 2013). "Battle weary". The Critics. The Current Cinema. The New Yorker. 89 (12): 88–89.  Shane Black's Iron Man 3 and Olivier Assayas' Something in the Air.
  • — (June 3, 2013). "Never alone". The Critics. The Current Cinema. The New Yorker. 89 (16): 74–75.  Reviews Jordan Vogt-Roberts's The Kings of Summer and Justin Lin's Fast & Furious 6.
  • — (July 8–15, 2013). "In transit". The Critics. The Current Cinema. The New Yorker. 89 (20): 94–95.  CS1 maint: Date format (link) Nat Faxon and Jim Rash's The Way, Way Back and Pedro Almodóvar's I'm so Excited!.
  • — (July 22, 2013). "Grim Tidings". The Critics. The Current Cinema. The New Yorker. 89 (21): 80–81.  Reviews Pacific Rim, Only God Forgives and The Act of Killing.
  • — (September 30, 2013). "Fast moves". The Critics. The Current Cinema. The New Yorker. 89 (30): 84–85.  Reviews Ron Howard's Rush and Stuart Blumberg's Thanks for Sharing.
  • — (December 23–30, 2013). "Only Make Believe". The Critics. The Current Cinema. The New Yorker. 89 (42): 130–131.  Reviews Her, The Secret Life of Walter Mitty (2013) and Saving Mr. Banks.
  • — (March 24, 2014). "Her again : the unstoppable Scarlett Johansson". Onward and Upward with the Arts. The New Yorker. 90 (5): 56–63. 
  • — (October 20, 2014). "High fliers". The Critics. The Current Cinema. The New Yorker. 90 (32): 106–107.  Reviews Alejandro González Iñárritu's Birdman and Damien Chazelle's Whiplash.
  • — (February 16, 2015). "Society of men". The Critics. The Current Cinema. The New Yorker. 91 (1): 64–66.  Matthew Vaughn's Kingsman: The Secret Service and Taika Waititi and Jemaine Clement's What We Do in the Shadows.
  • — (April 13, 2015). "Feelings". The Critics. The Current Cinema. The New Yorker. 91 (8): 82–83.  Alex Garland's Ex Machina and Asghar Farhadi's About Elly.
  • — (May 4, 2015). "Fighting on". The Critics. The Current Cinema. The New Yorker. 91 (11): 62–64.  Joss Whedon's Avengers : Age of Ultron and Thomas Vinterberg's Far from the Madding Crowd.
  • — (May 18, 2015). "Distant emotions". The Critics. The Current Cinema. The New Yorker. 91 (13): 102–103.  Andrew Niccol's Good Kill and John Maclean's Slow West.
  • — (July 27, 2015). "Small victories". The Critics. The Current Cinema. The New Yorker. 91 (21): 74–75.  Reviews Peyton Reed's Ant-Man and Joshua Oppenheimer's The Look of Silence.
  • — (February 1, 2016). "Tough girls". The Critics. The Current Cinema. The New Yorker. 91 (46): 74–75.  Reviews Gavin O'Connor's Jane Got a Gun and J. Blakeson's The Fifth Wave.
  • — (February 29, 2016). "Spellbound". The Critics. The Current Cinema. The New Yorker. 92 (3): 78–79.  Reviews Robert Eggers' The Witch.
  • — (May 23, 2016). "Daring duos". The Critics. The Current Cinema. The New Yorker. 92 (15): 84–85.  Shane Black's The Nice Guys and Whit Stillman's Love & Friendship.

    • References

    Anthony Lane bibliography Wikipedia
    (Text) CC BY-SA


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