Sneha Girap (Editor)

Peter Brook

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Occupation
  
Director

Spouse
  
Natasha Parry (m. 1951)

Role
  
Theatre Director

Name
  
Peter Brook


Peter Brook httpsuploadwikimediaorgwikipediacommons66

Full Name
  
Peter Stephen Paul Brook

Born
  
21 March 1925 (age 98) (
1925-03-21
)
Chiswick, London, England, UK

Awards
  
Tony Award for Best Direction of a Play1966 Marat/Sade1971 A Midsummer Night's Dream

Movies
  
The Mahabharata, Lord of the Flies, Marat/Sade

Books
  
The Empty Space, shifting point - 1946‑1987, Threads of Time: Recollections, The open door, The Quality of Mercy

Similar People
  
Natasha Parry, Irina Brook, Jerzy Grotowski, Simon Brook, Jean‑Claude Carriere

Children
  
Irina Brook, Simon Brook

An interview with theatre director peter brook


Peter Stephen Paul Brook, CH, CBE (born 21 March 1925) is an English theatre and film director who has been based in France since the early 1970s. He has won multiple Tony and Emmy Awards, a Laurence Olivier Award, the Praemium Imperiale, and the Prix Italia. He has been called "our greatest living theatre director".

Contents

Peter Brook VampA acquires personal papers of Britain39s greatest living

With the Royal Shakespeare Company, Brook directed the first English language production of Marat/Sade in 1964. It transferred to Broadway in 1965 and won the Tony Award for Best Play, and Brook was named Best Director.

Peter Brook Peter Brook debunks loony Shakespeare theory Telegraph

Peter brook speaks about minimalism in the theatre


Early life

Peter Brook Ibsen Awards

Brook was born in the Turnham Green area of Chiswick, London, the second son of Simon Brook and his wife Ida (Jansen), both Jewish immigrants from Latvia. The family home was at 27 Fairfax Road, Turnham Green. His elder brother was the psychiatrist and psychotherapist Alexis Brook (1920-2007). His first cousin was Valentin Pluchek, chief director of the Moscow Satire Theatre. Brook was educated at Westminster School, Gresham's School, and Magdalen College, Oxford.

Career

Peter Brook brooksizedjpg

He directed Dr Faustus, his first production, in 1943 at the Torch Theatre in London, followed at the Chanticleer Theatre in 1945 with a revival of The Infernal Machine. In 1947, he went to Stratford-upon-Avon as assistant director on Romeo and Juliet and Love's Labour's Lost. From 1947 to 1950, he was Director of Productions at the Royal Opera House, Covent Garden. His work there included a highly controversial staging of Strauss' Salome with sets by Salvador Dalí, and an effective re-staging of Puccini's La Boheme using sets dating from 1899. A proliferation of stage and screen work as producer and director followed. Dark of the Moon by Howard Richardson (1948–49), at the Ambassadors Theatre, London, was a much early admired production.

Peter Brook Peter Brook from enfant terrible to grand old man of the

In 1970, with Micheline Rozan, Brook founded the International Centre for Theatre Research, a multinational company of actors, dancers, musicians and others which travelled widely in the Middle East and Africa in the early 1970s. It has been based in Paris at the Bouffes du Nord theatre since 1974. In 2008 he made the decision to resign as artistic director of Bouffes du Nord, handing over to Olivier Mantei and Olivier Poubelle in 2008.

Influences

Peter Brook Quotes by Peter Brook Like Success

Brook has been influenced by the work of Antonin Artaud and his ideas for his Theatre of Cruelty.

In England, Peter Brook and Charles Marowitz undertook The Theatre of Cruelty Season (1964) at the Royal Shakespeare Company, aiming to explore ways in which Artaud's ideas could be used to find new forms of expression and retrain the performer. The result was a showing of 'works in progress' made up of improvisations and sketches, one of which was the premier of Artaud's The Spurt of Blood.

Lee Jamieson, Antonin Artaud: From Theory to Practice, Greenwich Exchange, 2007

His greatest influence, however, was Joan Littlewood. Brook described her as "the most galvanising director in mid-20th century Britain". Brook's work is also inspired by the theories of experimental theatre of Jerzy Grotowski, Bertolt Brecht, Chris Covics and Vsevolod Meyerhold and by the works of G. I. Gurdjieff, Edward Gordon Craig, and Matila Ghyka.

Collaborators

Brook has collaborated with a range of directors, writers and actors during his career, notable examples include actors Paul Scofield and Glenda Jackson; designer Georges Wakhévitch, and writers Ted Hughes and William Golding. Brook first encountered Wakhévitch in London when he saw the production of Jean Cocteau's ballet Le Jeune Homme et la Mort which Wakhévitch designed. Brook declared, he "was convinced that this was the designer for whom I had been waiting."

Shakespeare

  • A Midsummer Night's Dream with John Kane (Puck), Frances de la Tour (Helena), Ben Kingsley (Demetrius) and Patrick Stewart (Snout) 1970
  • Hamlet Prince of Denmark with Paul Scofield (Hamlet), Alec Clunes (Claudius), Diana Wynyard (Gertrude), Mary Ure (Ophelia), Ernest Thesiger (Polonius), Richard Johnson (Laertes), Michael David (Horatio), Richard Pasco (Fortinbras) (plus 27 others) 1955|The Tragedy of Hamlet with Adrian Lester (Hamlet), Jeffery Kissoon (Claudius / Ghost), Natasha Parry (Gertrude), Shantala Shivalingappa (Ophelia), Bruce Myers (Polonius), Rohan Siva (Laertes / Guildenstern), Scott Handy (Horatio) Yoshi Oida (Player King / Rosencrantz) 2000|The Tragedy of Hamlet (TV film) 2002
  • King John, Paul Shelving (designer) the Birmingham Repertory Theatre, 1945
  • King Lear with Paul Scofield (RSC) 1962| King Lear (film) 1971
  • Love is my sin, sonnets by William Shakespeare, 2009
  • Measure for Measure with John Gielgud (Shakespeare Memorial Theatre) 1950 |Mesure pour mesure, Théâtre des Bouffes du Nord, 1978|Mesure pour mesure (film) 1979
  • La Tempête by William Shakespeare, adaptation Jean-Claude Carrière, with Sotigui Kouyaté, Théâtre des Bouffes du Nord,1990
  • Timon d'Athènes, adaptation Jean-Claude Carrière, Théâtre des Bouffes du Nord 1974
  • Titus Andronicus with Laurence Olivier (Shakespeare Memorial Theatre)1955 and 1958
  • Warum warum by Peter Brook et Marie-Hélène Estienne after Antonin Artaud, Edward Gordon Craig, Charles Dullin, Vsevolod Meyerhold, Motokiyo Zeami and William Shakespeare, 2010
  • The Winter's Tale with John Gielgud (Shakespeare Memorial Theatre) 1952
  • The Mahabharata

    In the mid 1970s, Brook, with writer Jean-Claude Carrière, began work on adapting the Indian epic poem the Mahābhārata into a stage play which was first performed in 1985 and then later into a televised mini series.

    In a long article in 1985, The New York Times noted "overwhelming critical acclaim", and that the play "did nothing less than attempt to transform Hindu myth into universalized art, accessible to any culture". However, many postcololonial scholars have challenged the claim to universalism, accusing the play of orientalism. For instance, Gautam Dasgupta writes that, "Brook's Mahabharata falls short of the essential Indianness of the epic by staging predominantly its major incidents and failing to adequately emphasize its coterminous philosophical precepts."

    In 2015 Brook returned to the world of Mahabharata with a new Young Vic production, Battlefield in collaboration with Jean-Claude Carrière and Marie-Hélène Estienne.

    Tierno Bokar

    In 2005 Brook directed Tierno Bokar, based on the life of the Malian sufi of the same name. The play was adapted for the stage by Marie-Hélène Estienne from a book by Amadou Hampate Ba (translated into English as A Spirit of Tolerance: The Inspiring Life of Tierno Bokar). The book and play detail Bokar's life and message of religious tolerance. Columbia University produced 44 related events, lectures, and workshops that were attended by over 3,200 people throughout the run of Tierno Bokar. Panel discussions focused on topics of religious tolerance and Muslim tradition in West Africa.

    Personal life

    In 1951, Brook married actress Natasha Parry. They had two children: Irina, an actress and director, and Simon, a director. Parry died in July 2015, aged 84.

    Works with RSC

  • 1946 Love's Labours Lost (Shakespeare Memorial Theatre)
  • 1947 Romeo and Juliet (Shakespeare Memorial Theatre)
  • 1950 Measure for Measure with John Gielgud (Shakespeare Memorial Theatre)
  • 1952 The Winter's Tale with John Gielgud (Shakespeare Memorial Theatre)
  • 1957 The Tempest with John Gielgud (Shakespeare Memorial Theatre)
  • 1958 Titus Andronicus with Laurence Olivier (Shakespeare Memorial Theatre)
  • 1962 King Lear with Paul Scofield
  • 1964 Marat/Sade
  • 1966 US, an anti-Vietnam War protest play with The Royal Shakespeare Company, documented in the film Benefit of the Doubt
  • 1970 A Midsummer Night's Dream with John Kane (Puck), Frances de la Tour (Helena), Ben Kingsley (Demetrius) and Patrick Stewart (Snout): see 1970 Royal Shakespeare Company production of A Midsummer Night's Dream
  • Other major productions

  • 1955 : Hamlet with Paul Scofield
  • 1958 : The Visit with Alfred Lunt and Lynn Fontanne
  • 1964 : Marat/Sade
  • 1968 : Oedipus with John Gielgud and Irene Worth, adapted by Ted Hughes
  • 1971 : Orghast by Ted Hughes
  • 1974 : Timon d' Athènes, adaptation Jean-Claude Carrière, Théâtre des Bouffes du Nord
  • 1975 : The Iks by Colin Turnbull, adaptation Jean-Claude Carrière, Théâtre des Bouffes du Nord
  • 1977 : Ubu aux Bouffes after Alfred Jarry, Théâtre des Bouffes du Nord
  • 1978 : Mesure pour mesure by William Shakespeare, Théâtre des Bouffes du Nord
  • 1979 : La Conférence des oiseaux (The Conference of the Birds) after Farid al-Din Attar, Festival d'Avignon, Théâtre des Bouffes du Nord
  • 1979 : L'Os de Mor Lam by Birago Diop, Théâtre des Bouffes du Nord
  • 1981 : La Tragédie de Carmen after Prosper Mérimée, Henri Meilhac and Ludovic Halévy, Viviane Beaumont Theater, Lincoln Center, New York
  • 1981 : La Cerisaie by Anton Chekhov, Théâtre des Bouffes du Nord
  • 1984 : Tchin-Tchin by François Billetdoux, mise en scène with Maurice Bénichou, with Marcello Mastroianni, Théâtre Montparnasse
  • 1985 : Le Mahabharata (The Mahabharata) Festival d'Avignon
  • 1988 : The Cherry Orchard by Anton Chekhov, Majestic Theatre, Brooklyn
  • 1989 : Woza Albert! by Percy Mtawa, Mbongeni Ngema et Barney Simon
  • 1990 : La Tempête by William Shakespeare, adaptation Jean-Claude Carrière, with Sotigui Kouyaté, Théâtre des Bouffes du Nord
  • 1992 : Impressions de Pelléas after Claude Debussy, Théâtre des Bouffes du Nord
  • 1993 : L'Homme Qui after The Man Who Mistook His Wife for a Hat by Oliver Sacks
  • 1995 : Qui est là after texts by Antonin Artaud, Bertolt Brecht, Edward Gordon Craig, Vsevolod Meyerhold, Konstantin Stanislavski and Motokiyo Zeami
  • 1995 : Oh les beaux jours by Samuel Beckett
  • 1998 : Je suis un phénomène after prodigieuse mémoire by Alexander Luria
  • 1998 : Don Giovanni by Mozart, création au 50ème Festival International d'Art Lyrique d'Aix-en-Provence
  • 1999 : Le Costume by Can Themba
  • 2000 : Hamlet by William Shakespeare, with Adrian Lester
  • 2002 : Far Away by Caryl Churchill
  • 2002 : La Mort de Krishna extrait du Mahabharata de Vyasa, adaptation Jean-Claude Carrière and Marie-Hélène Estienne
  • 2003 : Ta main dans la mienne by Carol Rocamora
  • 2004 : Tierno Bokar after Vie et enseignement de Tierno Bokar-Le sage de Bandiagara by Amadou Hampâté Bâ, with Sotigui Kouyaté
  • 2004 : Le Grand Inquisiteur after The Brothers Karamazov by Dostoyevsky
  • 2006 : Sizwe Banzi est mort by Athol Fugard, John Kani and Winston Ntshona, Festival d'Avignon
  • 2008 : Fragments after Samuel Beckett
  • 2009 : Love is my sin sonnets by William Shakespeare
  • 2009 : 11 and 12 after Vie et enseignement de Tierno Bokar-Le Sage de Bandiagara by Amadou Hampâté Bâ
  • 2010 : Warum warum by Peter Brook et Marie-Hélène Estienne after Antonin Artaud, Edward Gordon Craig, Charles Dullin, Vsevolod Meyerhold, Motokiyo Zeami and William Shakespeare
  • 2011  : A Magic Flute an adaptation of the opera The Magic Flute by Mozart. Directed with Marie-Hélène Estienne, Composer Franck Krawczyk to positive reviews at the Gerald W. Lynch Theater of John Jay College.
  • 2013 : The Suit after Can Themba's tale. Directed with Marie-Hélène Estienne, Franck Krawczyk.
  • 2015 : Battlefield
  • Filmography

  • 1953, The Beggar's Opera
  • 1960, Moderato Cantabile (UK title Seven Days... Seven Nights)
  • 1963, Lord of the Flies
  • 1967, Ride of the Valkyrie
  • 1967, Marat/Sade
  • 1968, Tell Me Lies
  • 1971, King Lear
  • 1979, Meetings with Remarkable Men
  • 1979, Mesure pour mesure
  • 1982, La Cerisaie
  • 1983, La Tragédie de Carmen
  • 1989, The Mahabharata
  • 2002, The Tragedy of Hamlet (TV)
  • Awards

  • Tony Award for Best Direction of a Play for Marat/Sade, 1966
  • Tony Award for Best Direction of a Play for A Midsummer Night's Dream, 1971
  • Freiherr von Stein Foundation Shakespeare Award, 1973
  • Grand Prix Dominique, 1975
  • Brigadier Prize, 1975, for Timon of Athens
  • Society of West End Theatre Award, 1983
  • Emmy Award, 1984, for La tragédie de Carmen
  • Prix Italia, 1984
  • Europe Theatre Prize.
  • International Emmy Award, 1990, for The Mahabharata
  • Praemium Imperiale, 1997
  • Dan David prize, 2005
  • The Ibsen Award for 2008, first winner of the prize of NOK2.5 mill (approximately £200,000).
  • Critics' Circle Award for Distinguished Service to the Arts 2008
  • Honours

  • Commander of the Order of the British Empire, 1965
  • Induction into the American Theater Hall of Fame, 1983
  • Honorary DLitt, University of Birmingham, 1990
  • Honorary Fellow of Magdalen College, Oxford, 1991
  • Honorary DLitt, University of Strathclyde, 1990
  • Honorary DLitt, University of Oxford, 1994
  • Officier de l'Ordre de la Légion d'honneur (France), 1995
  • Companion of Honour, 1998
  • Commandeur de la Légion d'honneur (France), 2013
  • In 2011, he was awarded the President's Medal by the British Academy.
  • References

    Peter Brook Wikipedia