Tripti Joshi (Editor)

John Houseman

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Cause of death
Spinal cancer


John Houseman

Years active

Actor, producer

John Houseman wwwfanphobianetuploadsactors24105JohnHousem

Full Name
Jacques Haussmann

September 22, 1902 (
Bucharest, Romania

October 31, 1988, Malibu, California, United States

Joan Courtney (m. 1952–1988), Zita Johann (m. 1929–1933)

Run-through, Unfinished Business: A Memoir, Final dress, Front and center, Entertainers and the entertained

John Michael, Charles Sebastian

Movies and TV shows
Similar People
Orson Welles, James Bridges, Timothy Bottoms, Herman J Mankiewicz, Tom Atkins

John houseman

John Houseman (born Jacques Haussmann; September 22, 1902 – October 31, 1988) was a British-American actor and producer who became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane and his storied collaboration with writer Raymond Chandler's intoxicated screenplay rendering as producer of The Blue Dahlia. He is perhaps best known for his role as Professor Charles W. Kingsfield in the film The Paper Chase (1973), for which he won the Academy Award for Best Supporting Actor. He reprised his role as Kingsfield in the subsequent television series adaptation of The Paper Chase. Houseman was also known for his commercials for the brokerage firm Smith Barney. He had a distinctive Mid-Atlantic English accent, in common with many actors of his generation.


John Houseman John Houseman Wikipedia the free encyclopedia

John Houseman Wins Supporting Actor: 1974 Oscars

Personal life

John Houseman John Houseman 1902 1988 Find A Grave Memorial

Houseman was born in Bucharest, Romania, on September 22, 1902, the son of May (née Davies) and Georges Haussmann, who ran a grain business. His mother was British, from a Christian family of Welsh and Irish descent. His father was an Alsatian-born Jew. He was educated in England at Clifton College, became a British subject, and worked in the grain trade in London before emigrating to the United States in 1925, where he took the stage name of John Houseman. He became a United States citizen in 1943. Houseman died at age 86 of spinal cancer on October 31, 1988 at his home in Malibu, California.


John Houseman John Houseman Writer Films as Producer Films as Actor

Houseman produced numerous Broadway productions, including Heartbreak House, Three Sisters, The Beggar's Opera, and several Shakespearean plays, including a famous "Blackshirt" Julius Caesar directed by Orson Welles in 1937. He also directed Lute Song, The Country Girl, and Don Juan in Hell, among others.

John Houseman John Houseman Actor Television Producer Film Actor Producer

Houseman himself worked as a speculator in the international grain markets, only turning to the theater following the 1929 stock market crash. He received his first opportunity of any note in 1933 when composer Virgil Thomson recruited him to direct Four Saints in Three Acts, Thomson's collaboration with Gertrude Stein.

Collaboration with Orson Welles

John Houseman McDonalds Restaurants Featuring Actor John Houseman 1983 TV

In 1934, Houseman was looking to cast Panic, a play he was producing based on a drama by Archibald MacLeish concerning a Wall Street financier whose world crumbles about him when consumed by the crash of 1929. Although the central figure is a man in his late fifties, Houseman became obsessed by the notion that a young man named Orson Welles he had seen in Katharine Cornell's production of Romeo and Juliet was the only person qualified to play the leading role. Welles consented and, after preliminary conversations, agreed to leave the play he was in after a single night to take the lead in Houseman's production. Panic opened at the Imperial Theatre on March 15, 1935. Among the cast was Houseman's ex-wife, Zita Johann, who had co-starred with Boris Karloff three years earlier in Universal's The Mummy. Although the play opened to indifferent notices and ran for a mere three performances, it nevertheless led to the forging of a theatrical team, a fruitful but stormy partnership in which Houseman said Welles "was the teacher, I, the apprentice."

Federal Theatre Project

John Houseman John Houseman From Producer to Pitchman

In 1936, the Federal Theatre Project of the Works Progress Administration put unemployed theatre performers and employees to work. The Negro Theatre Unit of the Federal Theatre Project was headed by Rose McClendon, a well-known black actress, and Houseman, a theatre producer. Houseman describes the experience in one of his memoirs:

Within a year of its formation, the Federal Theatre had more than fifteen thousand men and women on its payroll at an average wage of approximately twenty dollars a week. During the four years of its existence its productions played to more than thirty million people in more than two hundred theatres as well as portable stages, school auditoriums and public parks the country over.

Macbeth (1936)

Houseman immediately hired Welles and assigned him to direct Macbeth for the FTP's Negro Theater Unit, a production that became known as the "Voodoo Macbeth", as it was set in the Haitian court of King Henri Christophe (and with voodoo witch doctors for the three Weird Sisters) and starred Jack Carter in the title role. The incidental music was composed by Virgil Thomson. The play premiered at the Lafayette Theatre on April 14, 1936, to enthusiastic reviews and remained sold out for each of its nightly performances. The play was regarded by critics and patrons as an enormous, if controversial, success. After 10 months with the Negro Theater Project, however, Houseman felt he was faced with the dilemma of risking his future:

...on a partnership with a 20-year-old boy in whose talent I had unquestioning faith but with whom I must increasingly play the combined and tricky roles of producer, censor, adviser, impresario, father, older brother and bosom friend.

In 1936, the two were running a WPA unit in midtown Manhattan for classic productions called Project No. 891. Their first production would be Christopher Marlowe's Tragical History of Dr. Faustus which Welles directed, also playing the title role.

The Cradle Will Rock (1937)

In June 1937, Project No. 891 would produce their most controversial work with The Cradle Will Rock. Written by Marc Blitzstein the musical was about Larry Foreman, a worker in Steeltown (played in the original production by Howard Da Silva), which is run by the boss, Mister Mister (played in the original production by Will Geer). The show was thought to have had left-wing and unionist sympathies (Foreman ends the show with a song about "unions" taking over the town and the country), and became legendary as an example of a "censored" show. Shortly before the show was to open, FTP officials in Washington announced that no productions would open until after July 1, 1937, the beginning of the new fiscal year.

In his memoir, Run-Through, Houseman wrote about the circumstances surrounding the opening night at the Maxine Elliott Theatre. All the performers had been enjoined not to perform on stage for the production when it opened on July 14, 1937. The cast and crew left their government-owned theatre and walked 20 blocks to another theatre, with the audience following. No one knew what to expect; when they got there Blitzstein himself was at the piano and started playing the introduction music. One of the non-professional performers, Olive Stanton, who played the part of Moll, the prostitute, stood up in the audience, and began singing her part. All the other performers, in turn, stood up for their parts. Thus the "oratorio" version of the show was born. Apparently, Welles had designed some intricate scenery, which ended up never being used. The event was so successful that it was repeated several times on subsequent nights, with everyone trying to remember and reproduce what had happened spontaneously the first night. The incident, however, led to Houseman being fired and Welles's resignation from Project No. 891.

Mercury Theatre

That same year, 1937, after detaching themselves from the Federal Theatre Project, Houseman and Welles did The Cradle Will Rock as an independent production on Broadway. They also founded the acclaimed New York drama company, the Mercury Theatre. Houseman wrote of their collaboration at this time:

On the broad wings of the Federal eagle, we had risen to success and fame beyond ourselves as America's youngest, cleverest, most creative and audacious producers to whom none of the ordinary rules of the theater applied.

Armed with a manifesto written by Houseman declaring their intention to foster new talent, experiment with new types of plays, and appeal to the same audiences that frequented the Federal Theater the company was designed largely to offer plays of the past, preferably those that "...seem to have emotion or factual bearing on contemporary life." The company mounted several notable productions, the most remarkable being its first commercial production of Julius Caesar. Houseman called the decision to use modern dress "an essential element in Orson's conception of the play as a political melodrama with clear contemporary parallels."

Beginning in the summer of 1938, the Mercury Theatre was featured in a weekly dramatic radio program on the CBS network, initially promoted as First Person Singular before gaining the official title The Mercury Theatre on the Air. An adaptation of Treasure Island was scheduled for the program's first broadcast, for which Houseman worked feverishly on the script. However, a week before the show was to air, Welles decided that a program far more dramatic was required. To Houseman's horror, Treasure Island was abandoned in favor of Bram Stoker's Dracula, with Welles playing the infamous vampire. During an all night session at Perkins' Restaurant, Welles and Houseman hashed out a script.

The Mercury Theatre on the Air featured an impressive array of talents, including Agnes Moorehead, Bernard Herrmann, and George Coulouris.

"The War of the Worlds" (1938)

The Mercury Theatre on the Air subsequently became famous for its notorious 1938 radio adaptation of H. G. Wells' The War of the Worlds, which had put much of the country in a panic. By all accounts, Welles was shocked by the panic that ensued. According to Houseman, "he hadn't the faintest idea what the effect would be". CBS was inundated with calls; newspaper switchboards were jammed.

Citizen Kane (1941)

While Houseman was teaching at Vassar College, he produced Welles' never-completed second short film, Too Much Johnson (1938). The film was never publicly screened and no print of the film was thought to have survived. Footage was rediscovered in 2013. The Welles-Houseman collaboration continued in Hollywood. In the spring of 1939, Welles began preliminary discussions with RKO's head of production, George Schaefer, with Welles and his Mercury players being given a two-picture deal, in which Welles would produce, direct, perform, and have full creative control of his projects.

For his motion picture debut, Welles first considered adapting Joseph Conrad's Heart of Darkness for the screen. A 200-page script was written. Some models were constructed, while the shooting of initial test footage had begun. However, little, if anything, had been done either to whittle down the budgetary difficulties or begin filming. When RKO threatened to eliminate the payment of salaries by December 31 if no progress had been made, Welles announced that he would pay his cast out of his own pocket. Houseman proclaimed that there wasn't enough money in their business account to pay anyone. During a corporate dinner for the Mercury crew, Welles exploded, calling his partner a "bloodsucker" and a "crook". As Houseman attempted to leave, Welles began hurling dish heaters at him, effectively ending both their partnership and friendship.

Houseman would later, however, play a pivotal role in ushering Citizen Kane (1941), which starred Welles. Welles telephoned Houseman asking him to return to Hollywood to "babysit" screenwriter Herman J. Mankiewicz while he completed the script, and keep him away from alcohol. Still drawn to Welles, as was virtually everyone in his sphere, Houseman agreed. Although Welles took credit for the screenplay of Kane, Houseman stated that the credit belonged to Mankiewicz, an assertion that led to a final break with Welles. Houseman took some credit himself for the general shaping of the story line and for editing the script. In an interview with Penelope Huston for Sight & Sound magazine (Autumn, 1962) Houseman said that the writing of Citizen Kane was a delicate subject:

I think Welles has always sincerely felt that he, single-handed, wrote Citizen Kane and everything else that he has directed — except, possibly, the plays of Shakespeare. But the script of Kane was essentially Mankiewicz's. The conception and the structure were his, all the dramatic Hearstian mythology and the journalistic and political wisdom he had been carrying around with him for years and which he now poured into the only serious job he ever did in a lifetime of film writing. But Orson turned Kane into a film: the dynamics and the tensions are his and the brilliant cinematic effects — all those visual and aural inventions that add up to make Citizen Kane one of the world’s great movies — those were pure Orson Welles.

In 1975, during an interview with Kate McCauley, Houseman stated that film critic Pauline Kael in her essay "Raising Kane", had caused an "idiotic controversy" over the issue: "The argument is Orson's own fault. He wanted to be given all the credit because he's a hog. Actually, it is his film. So it's a ridiculous argument."

Later years

After he and Welles went their separate ways, Houseman went on to direct The Devil and Daniel Webster (1939) and Liberty Jones and produced the Mercury Theatre's stage production of Native Son (1941) on Broadway, directed by Welles. In Hollywood he became a vice-president of David O. Selznick Productions.

In the aftermath of the attack on Pearl Harbor, Houseman quit his job and became the head of the overseas radio division of the Office of War Information (OWI), working for the Voice of America whilst also managing its operations in New York City.

Between 1945 and 1962, he produced 18 films for Paramount, Universal and Metro-Goldwyn-Mayer, including the film noir The Blue Dahlia (1946) and the film adaptation of Julius Caesar (1953) (for which he received an Academy Award nomination for "Best Picture.") He is one of three screenwriters credited on "Jane Eyre" (1943) (along with Aldous Huxley and Robert Stevenson.)

Houseman first became widely known to the public for his Golden Globe and Academy Award-winning role as Professor Charles Kingsfield in the film The Paper Chase (1973). He reprised his role in the television series of the same name from 1978 to 1986, receiving two Golden Globe nominations for "Best Actor in a TV Series — Drama".

Houseman was the executive producer of CBS' landmark Seven Lively Arts series. Houseman played Energy Corporation Executive Bartholomew in the film Rollerball (1975) and parodied Sydney Greenstreet in the Neil Simon film The Cheap Detective (1978).

Houseman was reunited in 1976 with The Paper Chase co-star Lindsay Wagner in "Kill Oscar", a three-part joint episode of the popular science-fiction series The Bionic Woman and The Six Million Dollar Man as the scientific genius Dr. Franklin.

In the 1980s Houseman became more widely known for his role as grandfather Edward Stratton II in Silver Spoons, which starred Rick Schroder, and for his commercials for brokerage firm Smith Barney, which featured the catchphrase, "They make money the old fashioned way... they earn it ." Another was Puritan brand cooking oil, with "less saturated fat than the leading oil", featuring the famous 'tomato test'. He also made a guest appearance in John Carpenter's horror movie The Fog (1980) as Mr. Machen.

He played Jewish author Aaron Jastrow (loosely based on the real life figure of Bernard Berenson) in the highly acclaimed 1983 miniseries The Winds of War (receiving a fourth Golden Globe nomination). He declined to reprise the role when the sequel War and Remembrance was made into a miniseries (the role then went to Sir John Gielgud).

The Juilliard School and The Acting Company

Houseman became the founding director of the Drama Division at The Juilliard School, and held this position from 1968 until 1976. The first graduating class in 1972 included Kevin Kline and Patti LuPone; subsequent classes under Houseman's leadership included Christopher Reeve, Mandy Patinkin, and Robin Williams.

Unwilling to see that very first class disbanded upon graduation, Houseman and his Juilliard colleague Margot Harley formed them into an independent, touring repertory company they named the "Group 1 Acting Company." The organization was subsequently renamed The Acting Company, and has been active for more than 40 years. Houseman served as the producing artistic director through 1986, and Harley has been the Company's producer since its founding. Writing in The New York Times in 1996, Mel Gussow called it "the major touring classical theater in the United States."

Final years

In 1988, he appeared in his last two roles—cameos in the films The Naked Gun: From the Files of Police Squad! and Scrooged. He played himself in the latter. Both films were released after his death.

Portrayals of Houseman

Houseman was portrayed by Cary Elwes in the Tim Robbins-directed film Cradle Will Rock (1999). Actor Eddie Marsan plays the role of Houseman in Richard Linklater's film Me & Orson Welles (2009). Houseman was played by actor Jonathan Rigby in the Doctor Who audio drama Invaders from Mars set around the War of the Worlds broadcast.


The Naked Gun: From the Files of Police Squad! as
Driving Instructor (uncredited)
Scrooged as
John Houseman
Another Woman as
Marion's Father
Bright Lights, Big City as
Mr. Vogel
Lincoln (TV Mini Series) as
Gen. Winfield Scott
- Episode #1.2 (1988) - Gen. Winfield Scott
- Episode #1.1 (1988) - Gen. Winfield Scott
Noble House (TV Mini Series) as
Sir Geoffrey Allison
- Part IV (1988) - Sir Geoffrey Allison
- Part III (1988) - Sir Geoffrey Allison (credit only)
- Part II (1988) - Sir Geoffrey Allison (credit only)
- Part I (1988) - Sir Geoffrey Allison (credit only)
227 (TV Series) as
John Houseman
- See You in Court (1987) - John Houseman
Silver Spoons (TV Series) as
Grandpa Stratton
- Pardon My French (1987) - Grandpa Stratton
- The Barbarians (1985) - Grandpa Stratton
- One Strike and You're Out (1985) - Grandpa Stratton
- The Great Baseball Card Scheme (1985) - Grandpa Stratton
- Marry Me, Marry Me: Part 2 (1985) - Grandpa Stratton
- What's Cookin'? (1985) - Grandpa Stratton
- The Trouble with Grandfather (1985) - Grandpa Stratton
- I Won't Dance (1984) - Grandpa Stratton
- A Hunting We Will Go (1984) - Grandpa Stratton
- Happy Birthday (1983) - Grandpa Stratton
- Driver Ed (1983) - Grandpa Stratton
- The Empire Strikes Out (1983) - Grandpa Stratton
- Honor Thy Father (1982) - Grandpa Stratton
- Grandfather Stratton (1982) - Grandpa Stratton
The Paper Chase (TV Series) as
Professor Charles W. Kingsfield Jr.
- Graduation (1986) - Professor Charles W. Kingsfield Jr.
- Suppressed Desires (1986) - Professor Charles W. Kingsfield Jr.
- Honor (1986) - Professor Charles W. Kingsfield Jr.
- Mistaken Identity (1986) - Professor Charles W. Kingsfield Jr.
- A Wounded Hart (1986) - Professor Charles W. Kingsfield Jr.
- Lasting Impressions (1985) - Professor Charles W. Kingsfield Jr.
- Security (1985) - Professor Charles W. Kingsfield Jr.
- It's Only a Show (1985) - Professor Charles W. Kingsfield Jr.
- The Choice (1985) - Professor Charles W. Kingsfield Jr.
- The Source (1985) - Professor Charles W. Kingsfield Jr.
- The Day Kingsfield Missed Class (1985) - Professor Charles W. Kingsfield Jr.
- The Big D (1985) - Professor Charles W. Kingsfield Jr.
- Pressure (1985) - Professor Charles W. Kingsfield Jr.
- Laura's Struggle (1985) - Professor Charles W. Kingsfield Jr.
- Free Advice (1985) - Professor Charles W. Kingsfield Jr.
- Decisions: Part 2 (1985) - Professor Charles W. Kingsfield Jr.
- Decisions: Part 1 (1985) - Professor Charles W. Kingsfield Jr.
- Billy Pierce (1984) - Professor Charles W. Kingsfield Jr.
- Not Prince Hamlet (1984) - Professor Charles W. Kingsfield Jr.
- The Advocates (1984) - Professor Charles W. Kingsfield Jr.
- My Dinner with Kingsfield (1984) - Professor Charles W. Kingsfield Jr.
- Judgement Day (1984) - Professor Charles W. Kingsfield Jr.
- Hart Goes Home (1984) - Professor Charles W. Kingsfield Jr.
- Limits (1984) - Professor Charles W. Kingsfield Jr.
- War of the Wonks (1984) - Professor Charles W. Kingsfield Jr.
- Burden of Proof (1984) - Professor Charles W. Kingsfield Jr.
- Labor of Love (1984) - Professor Charles W. Kingsfield Jr.
- Tempest in a Pothole (1984) - Professor Charles W. Kingsfield Jr.
- Mrs. Hart (1984) - Professor Charles W. Kingsfield Jr.
- Snow (1983) - Professor Charles W. Kingsfield Jr.
- Plague of Locusts (1983) - Professor Charles W. Kingsfield Jr.
- Commitments (1983) - Professor Charles W. Kingsfield Jr.
- Cinderella (1983) - Professor Charles W. Kingsfield Jr.
- Spreading It Thin (1983) - Professor Charles W. Kingsfield Jr.
- Birthday Party (1983) - Professor Charles W. Kingsfield Jr.
- Outline Fever (1983) - Professor Charles W. Kingsfield Jr.
- Scavenger Hunt (1979) - Professor Charles W. Kingsfield Jr.
- A Case of Detente (1979) - Professor Charles W. Kingsfield Jr. (credit only)
- The Tables Down at Ernie's (1979) - Professor Charles W. Kingsfield Jr.
- The Clay Footed Idol (1979) - Professor Charles W. Kingsfield Jr.
- Once More with Feeling (1979) - Professor Charles W. Kingsfield Jr.
- The Apprentice (1979) - Professor Charles W. Kingsfield Jr.
- A Matter of Anger (1979) - Professor Charles W. Kingsfield Jr.
- The Man in the Chair (1979) - Professor Charles W. Kingsfield Jr.
- Losing Streak (1979) - Professor Charles W. Kingsfield Jr.
- An Act of Desperation (1978) - Professor Charles W. Kingsfield Jr.
- Bell's in Love (1978) - Professor Charles W. Kingsfield Jr.
- The Sorcerer's Apprentice (1978) - Professor Charles W. Kingsfield Jr.
- Kingsfield's Daughter (1978) - Professor Charles W. Kingsfield Jr.
- Moot Court (1978) - Professor Charles W. Kingsfield Jr.
- The Seating Chart (1978) - Professor Charles W. Kingsfield Jr.
- Da Da (1978) - Professor Charles W. Kingsfield Jr.
- Nancy (1978) - Professor Charles W. Kingsfield Jr.
- Voices of Silence (1978) - Professor Charles W. Kingsfield Jr.
- Great Expectations (1978) - Professor Charles W. Kingsfield Jr.
- A Day in the Life of- (1978) - Professor Charles W. Kingsfield Jr.
- The Man Who Would Be King (1978) - Professor Charles W. Kingsfield Jr.
- The Paper Chase (1978) - Professor Charles W. Kingsfield Jr.
A.D. (TV Mini Series) as
- Part 5 (1985) - Gamaliel (credit only)
- Part 4 (1985) - Gamaliel (credit only)
- Part 3 (1985) - Gamaliel
- Part 2 (1985) - Gamaliel
- Part 1 (1985) - Gamaliel
A Rose for Emily (Short) as
Narrator (voice)
Freedom to Speak (TV Mini Series) as
Benjamin Franklin
- The International Destiny (1983) - Benjamin Franklin
- The Hawks and the Doves (1983) - Benjamin Franklin
The Winds of War (TV Mini Series) as
Aaron Jastrow
- Into the Maelstrom (1983) - Aaron Jastrow
- The Changing of the Guard (1983) - Aaron Jastrow
- Of Love and War (1983) - Aaron Jastrow
- Defiance (1983) - Aaron Jastrow
- Cataclysm (1983) - Aaron Jastrow (credit only)
- The Storm Breaks (1983) - Aaron Jastrow
- The Winds Rise (1983) - Aaron Jastrow
American Playhouse (TV Series) as
Network Newscaster
- The Skin of Our Teeth (1983) - Network Newscaster
Marco Polo (TV Mini Series) as
Patriarch of Aquileia
- Episode #1.1 (1982) - Patriarch of Aquileia
Murder by Phone as
Stanley Markowitz
Mork & Mindy (TV Series) as
- Mork, Mindy, and Mearth Meet MILT (1982) - Milt (voice)
Ghost Story as
Sears James
Writing: Plain & Fancy (Short) as
A Christmas Without Snow (TV Movie) as
Ephraim Adams
The Babysitter (TV Movie) as
Dr. Lindquist
My Bodyguard as
Wholly Moses! as
Gideon's Trumpet (TV Movie) as
Chief Justice / Offscreen Narrator
The Associates (TV Series) as
Professor Kingsfield
- Eliot's Revenge (1980) - Professor Kingsfield
The Fog as
Mr. Machen
The French Atlantic Affair (TV Mini Series) as
Dr. Archady Clemens
- Episode #1.3 (1979) - Dr. Archady Clemens
- Episode #1.2 (1979) - Dr. Archady Clemens
- Episode #1.1 (1979) - Dr. Archady Clemens
The Last Convertible (TV Mini Series) as
Dr. Wetherell
- Part 3 (1979) - Dr. Wetherell
- Part 2 (1979) - Dr. Wetherell
- Part 1 (1979) - Dr. Wetherell
Old Boyfriends as
Dr. Hoffman
The Cheap Detective as
Jasper Blubber
Aspen (TV Mini Series) as
Joseph Merrill Drummond
- Aspen: Chapter II (1977) - Joseph Merrill Drummond
- Aspen: Chapter I (1977) - Joseph Merrill Drummond
The Best of Families (TV Mini Series) as
Washington: Behind Closed Doors (TV Mini Series) as
Myron Dunn
- Part 6 (1977) - Myron Dunn
- Part 5 (1977) - Myron Dunn
- Part 4 (1977) - Myron Dunn
- Part 3 (1977) - Myron Dunn
- Part 2 (1977) - Myron Dunn (credit only)
- Part 1 (1977) - Myron Dunn
Our Town (TV Movie) as
Professor Willard (scenes deleted)
The Displaced Person (TV Movie) as
Father Flynn
Captains and the Kings (TV Mini Series) as
Judge Newell Chisholm
- Chapter VII (1976) - Judge Newell Chisholm
- Chapter VI (1976) - Judge Newell Chisholm
The Bionic Woman (TV Series) as
Dr. Franklin
- Kill Oscar: Part 3 (1976) - Dr. Franklin
- Kill Oscar (1976) - Dr. Franklin
The Six Million Dollar Man (TV Series) as
Doctor Franklin
- Kill Oscar: Part 2 (1976) - Doctor Franklin
Six Characters in Search of an Author (TV Movie) as
The Director
St. Ives as
Abner Procane
Hazard's People (TV Movie) as
John Hazard
Truman at Potsdam (TV Movie) as
Winston Churchill
The Adams Chronicles (TV Mini Series) as
Justice Gridley
- Chapter I: John Adams, Lawyer (1976) - Justice Gridley
Fear on Trial (TV Movie) as
Mike Collins
Three Days of the Condor as
Mr. Wabash
Great Performances (TV Series) as
Dr. Fawcett
- Beyond the Horizon (1975) - Dr. Fawcett
Rollerball as
The Paper Chase as
Charles W. Kingsfield Jr.
Seven Days in May as
Vice-Adm. Farley C. Barnswell (uncredited)
Too Much Johnson as
Duelist / Keystone Kop
Choices of the Heart (TV Movie) (executive producer)
Gideon's Trumpet (TV Movie) (executive producer)
A Night at Ford's Theater (TV Special) (producer)
ABC Stage 67 (TV Series) (executive producer - 1 episode)
- Evening Primrose (1966) - (executive producer)
This Property Is Condemned (producer - produced by)
Journey to America (Documentary) (producer)
Bob Hope Presents the Chrysler Theatre (TV Series) (producer - 1 episode)
- A Case of Armed Robbery (1964) - (producer)
The Great Adventure (TV Series) (producer - 4 episodes)
- Go Down, Moses (1963) - (producer)
- Six Wagons to the Sea (1963) - (producer)
- The Death of Sitting Bull (1963) - (producer)
- The Hunley (1963) - (producer)
In the Cool of the Day (producer)
Two Weeks in Another Town (producer)
All Fall Down (producer)
Dillinger (TV Movie) (producer)
Playhouse 90 (TV Series) (producer - 8 episodes)
- Misalliance (1959) - (producer)
- The Sounds of Eden (1959) - (producer)
- Target for Three (1959) - (producer)
- The Wings of the Dove (1959) - (producer)
- The Nutcracker (1958) - (producer)
- Seven Against the Wall (1958) - (producer)
- Free Weekend (1958) - (producer)
- The Return of Ansel Gibbs (1958) - (producer)
The Seven Lively Arts (TV Series) (executive producer - 11 episodes)
- Profile of a Composer (1958) - (executive producer)
- Gold Rush (1958) - (executive producer)
- A Few Folks and Their Songs (1958) - (executive producer)
- Blast at Centralia No. 5 (1958) - (executive producer)
- Hollywood Around the World (1957) - (executive producer)
- The Nutcracker (1957) - (executive producer)
- Here Is New York (1957) - (executive producer)
- The Sound of Jazz (1957) - (executive producer)
- The Revivalists (1957) - (executive producer)
- The World of Nick Adams (1957) - (executive producer)
- The Changing Ways of Love (1957) - (executive producer)
Lust for Life (producer)
Moonfleet (producer)
The Cobweb (producer)
Her Twelve Men (producer)
Executive Suite (producer)
Julius Caesar (producer)
The Bad and the Beautiful (producer)
Holiday for Sinners (producer)
On Dangerous Ground (producer)
The Company She Keeps (producer)
Fireside Theatre (TV Series) (producer)
They Live by Night (producer)
Letter from an Unknown Woman (producer)
The Blue Dahlia (producer)
Miss Susie Slagle's (associate producer)
Sorry, Wrong Number (TV Movie) (producer)
The Unseen (associate producer)
Too Much Johnson (producer)
Dracula A Symphony of Blood (Podcast Series) (co-creator)
Journey to America (Documentary)
Your Favorite Story (TV Series) (story - 1 episode)
- Inside Out: The Story of Bunder-Runger the Jailbird (1954) - (story)
Jane Eyre (screen play)
Citizen Kane (contributing writer - uncredited)
America's Musical Theater (TV Series) (director - 1 episode)
- The Cradle Will Rock (1985) - (director: theatre production)
The Time of Your Life (TV Movie) (artistic director)
Clarence Darrow (TV Movie) (artistic advisor)
The Country Girl (TV Movie) (director: stage production)
Citizen Kane (assistant: Mr. Welles - uncredited)
Silver Spoons (TV Series) (performer - 1 episode)
- A Hunting We Will Go (1984) - (performer: "The Gold Diggers' Song (We're in the Money)", "A-Hunting We Will Go" - uncredited)
Citizen Kane (lyrics: "Aria from 'Salammbo'" - uncredited)
Sorry, Wrong Number (TV Movie)
Editorial Department
Citizen Kane (editorial supervisor - uncredited)
Broadway: The American Musical (TV Mini Series documentary) as
- I Got Plenty o' Nuttin': 1929-1942 (2004) - Self
L'homme qui a vu l'homme qui a vu l'ours (TV Movie documentary) as
The South Bank Show (TV Series documentary) as
Self - Guest / Self
- John Houseman (1988) - Self - Guest
- Raymond Chandler (1988) - Self
Callow's Laughton (TV Movie documentary) as
Hollywood the Golden Years: The RKO Story (TV Series documentary) as
Self - Producer / Self - Co-founder, Mercury Theatre
- Dark Victory (1987) - Self - Producer
- It's All True (1987) - Self - Co-founder, Mercury Theatre
Our World (TV Series) as
Self - Actor
- Long Winter, Short Spring: 1937 (1987) - Self - Actor
Our Planet Tonight (TV Movie) as
Self - Host
Nightlife (TV Series) as
- Episode #1.82 (1986) - Self
The Late Show (TV Series) as
Self - Guest
- Episode #1.8 (1986) - Self - Guest
America's Musical Theater (TV Series) as
- The Cradle Will Rock (1985) - Self
Wogan (TV Series) as
- Episode #5.74 (1985) - Self
Olympic Gala (TV Special documentary) as
Self - Guest
AFI Life Achievement Award (TV Series) as
- AFI Life Achievement Award: A Tribute to Lillian Gish (1984) - Self
- AFI Life Achievement Award: A Tribute to Alfred Hitchcock (1979) - Self
The Good Fight: The Abraham Lincoln Brigade in the Spanish Civil War (Documentary)
Hollywood Greats (TV Series documentary) as
- Henry Fonda (1984) - Self
The Kennedy Center Honors: A Celebration of the Performing Arts (TV Special documentary) as
Plaisir du théâtre (TV Mini Series documentary) as
- Episode dated 11 July 1983 (1983) - Self
Peace on Borrowed Time (TV Movie) as
Self - Host
Roses in December (Documentary) as
Great Performances (TV Series) as
- Great Performances' 10th Anniversary Celebration (1982) - Self
The Merv Griffin Show (TV Series) as
Self - Guest
- Episode dated 12 November 1982 (1982) - Self - Guest
- Orson Welles, Virginia Graham (1979) - Self - Guest
The Film Society Of Lincoln Center Annual Gala Tribute to Billy Wilder (TV Movie) as
Late Night with David Letterman (TV Series) as
Self - Guest
- Episode #1.6 (1982) - Self - Guest
FDR (TV Movie documentary) as
The Brand New Illustrated Journal of the Arts (TV Movie documentary) as
Stages: Houseman Directs Lear (TV Movie documentary) as
Good Morning America (TV Series) as
Self - Guest
- Episode dated 7 December 1981 (1981) - Self - Guest
Starring Katharine Hepburn (TV Movie documentary) as
The Merry Wives of Windsor (TV Movie) as
Self - Host
The British Greats (TV Series) as
Self - Interviewee
- Leslie Howard (1980) - Self - Interviewee
The Mike Douglas Show (TV Series) as
Self - Guest
- Episode #19.102 (1980) - Self - Guest
- Episode #13.198 (1974) - Self - Guest
The 37th Annual Golden Globe Awards (TV Special) as
Self - Nominee
Today (TV Series) as
Self - Guest
- Episode dated 28 November 1979 (1979) - Self - Guest
The 31st Annual Primetime Emmy Awards (TV Special) as
Self - Presenter
The 33rd Annual Tony Awards (TV Special) as
Self - Presenter
The Television Annual: 1978/1979 (TV Movie documentary) as
Tales of the Unexpected (TV Series) as
Self / Host (1980-1984)
The Paul Ryan Show (TV Series) as
Self - Guest
- Episode #1.151 - Self - Guest
The New Deal for Artists (TV Movie documentary) as
2nd House (TV Series) as
- The Story of the W.P.A (1976) - Self
I'm a Stranger Here Myself (Documentary) as
Bicentennial Minutes (TV Series short) as
Self - Narrator
- Episode #1.97 (1974) - Self - Narrator
The 46th Annual Academy Awards (TV Special) as
Self - Winner
Une légende, une vie (TV Series documentary) as
- Citizen Welles (1974) - Self
Film '72 (TV Series) as
- Episode #2.17 (1973) - Self
The David Frost Show (TV Series) as
Self - Guest
- Episode #4.161 (1972) - Self - Guest
Juilliard (Documentary) as
Cinéastes de notre temps (TV Series documentary) as
- Max Ophuls ou La ronde / Max Ophuls ou Le plaisir de tourner (1965) - Self
The New Steve Allen Show (TV Series) as
Self - Guest
- UCLA (1961) - Self - Guest
Van Gogh: Darkness Into Light (Documentary short) as
Self (uncredited)
Archive Footage
American: An Odyssey to 1947 (Documentary) as
Robin Williams: Come Inside My Mind (Documentary) as
Leslie Howard: The Man Who Gave a Damn (Documentary) as
Self - 1980 Interviewee
Magician: The Astonishing Life and Work of Orson Welles (Documentary) as
Pioneers of Television (TV Series documentary) as
- Robin Williams Remembered (2014) - Self
Tales from the Mist: Inside 'the Fog' (Video documentary short) as
Hollywood Couples (TV Series documentary) as
- Rita Hayworth and Orson Wells (2000) - Self
Twentieth Century Fox: The Blockbuster Years (TV Movie documentary) as
The Best of Film Noir (Video documentary) as
The Best of Hollywood (TV Movie documentary) as
Self - Interviewee
The Complete Citizen Kane (TV Movie documentary) as
The 61st Annual Academy Awards (TV Special) as
Self - Memorial Tribute
The Bionic Woman (TV Series) as
Dr. Franklin
- Fembots in Las Vegas: Part 2 (1977) - Dr. Franklin (uncredited)
- Fembots in Las Vegas (1977) - Dr. Franklin (uncredited)


John Houseman Wikipedia

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