The first two firms mentioned above produced a long list of fonts, which were identified by names and serial numbers. That type design eventually acquired a very good name and the "Monotype" brand was synonymous with high quality and reliability.
In their name much typographic research on historical character designs from the early years of typography has been carried out. Many of the letters were produced as "revivals" , including characters in Garamond, Baskerville, Bodoni, Bembo, Caslon and many other typefaces.
The major difference between the two firms is that the American fonts do not match the English fonts. Letters with the same name had in most cases a different designer, and their appearance and implementation differ. The identification numbers do not all correspond.
The matrices of the two firms also differ in terms of depth, the image inside the matrix, implementation, and size. For example, the American matrices are shallower by 0.025 mm (0.010 inch), and consequently the interior of American foundry moulds need to be higher to produce characters with a type height of 23.3 mm (0.918 inch). This was one of many measures taken by the two Monotype companies to divide the world market between themselves. For example, the Americans served the Americas and the Canadian markets. The British company, The Monotype Corporation Ltd. in Salfords, had many customers in India, Africa, and Asia. For these countries many non-Latin typefaces were created for printing in Hebrew, Javanese, Sanskrit, Sinhala, Thai, and other languages.
The composition-caster machines of the Monotype Corporation produced ready-to-use composed pages with text consisting of single pieces of type. The machine provided filled lines, justifying them by adding spaces of varying widths. These ending machines were controlled with a paper ribbon. Typing the texts on keyboards was manual work that took much more time than casting. A composition-caster needed the ribbons of at least three separate keyboards. Correction of the final composition was accomplished by simply replacing the moveable type. The lines did not to be recast, as with Linotype machines.
These composition-casters could produce type in sizes up to 14 point pica or Didot font width. "Large-composition" customized machines and moulds could provide composition up to 36 points. The matrices are correspondingly larger and there is room for only one alphabet in the die case. For this reason one machine-run could not provide composition in both Roman and italic typeface, so additional hand work was required in such cases.
Type for hand-composing was also cast with Monotype machines; all characters up to 36pt, and rules, could be cast on a large-composition machine. Another machine was the "super-caster" or "supra", which could cast single type. After conversion it could also be used to cast any material needed in print shops, including reglettes, ornaments, and similar designs, as well as characters up to 72 points. There were moulds with inserts for sizes 14 to 36 point. For the even larger sizes of 42, 48, 60 and 72 point another type cast was used. The machine had to be reconfigured for each different type requirement.
The width of the hot-lead Monotype type is expressed in units of a set. The widest letter in the alphabet, usually the capital "W", was measured in quarter-Pica (typography) points, a unit being 1/18 part of this width. The unit width is calculated as follows for a 12-set example.
1 pica = 1/6 inch1 pica point = 1/12 * 1/6 inch = 0.013889 inch1 unit 1 set = 1/18 * 1/12 * 1/6 = 1/1296 inch. = .000771605 inch1 unit 12 set = 12/1296 = .00925926 inchAll character were designed to have widths a whole number of units of the set. 5,6,7,8,9,10, up to 18 or even more.
5 units 12 set = 0.046296 inch6 units 12 set = 0.0555557 units 12 set = 0.064815.....
18 units 12 set = 0.1667 inchEnglish and American manuals use a different size for the pica: the new-pica = 0.1660 inch. On the European mainland all wedges and tables in the manuals are based on the "old" pica = 0.1667 inch and those wedges can be identified by the extra capital E (= English). That gives small differences in the tables in the various manuals. In practice, however, these differences are so small that they make only little difference when cast with a S5-E wedge or a S5 wedge based on the new-pica. All character are designed to have as width a whole number of units of the set.
So, for instance, A=14, B=13, C=14... a=8, b,d,h,k,n,p,q=10, c=8 ... The list with these widths is called the "unit-arrangement" (UA). Different fonts can have the same UA. In some font designs the unit-arrangement can be different for each point size, for example, with the Lutetia (typeface) and some other fonts of Jan van Krimpen. These UAs are essential for the layout of the matrix case, in which the matrices are sorted into rows by the unit widths. The various "unit-arrangements" have been given numbers.
Long and short descenders
The letters g j p q y ij are descenders. In the italic typefaces f and the "long s" are also descenders.
Many of the older fonts were intended mainly for use in newspaper columns. Times New Roman is a good example, but there were many others. The descenders were kept as short as possible in such fonts so that all the text could be set with the same line spacing. However, for many fonts for luxury productions longer variants of the descenders were also available—the lining would usually need to be adjusted to accommodate them when casting.
The design of fonts for letterpress printing needs to be adjusted for this technique. The reason is that the type is printed with some force on the paper, pressing the ink on the type out to the edges of the letter. The center of the character is accordingly printed a bit lighter than the edges. This results in what is called a "bead edge". It is further enhanced because not only the surface of the type get inked, but also the bevels around it, which also contributes to the visual effect of the printed typeface, as can be readily seen with a magnifying glass.
The bead edge and bright centre in print suggest a calligraphic typeface. And with letterpress there is a much wider choice of suitable, often more expensive, paper types that can be printed.
After the "hot metal" firms ceased production because of the transition from letterpress to offset printing in more and more printing companies, with Lanston Monotype being the first to do so in America, the font designs needed adjustment for computer use. There is a difference compared with the old hot-metal characters since the fixed relationship between the width of the letters in the unit arrangement is often experienced as a disadvantage. Discussion of this problem has long been going on, for example by Jan van Krimpen.
The design of a lead type cannot be copied without some adjustments since the pressure on lead type during printing presses the ink sideways, and the final appearance of the letter on paper is wider than the surface of the lead character. This extra width is not the same at all places around the character. It depends on the paper surface used, the pressure, the type of press, whether cylinder or platten, and many other factors.
Many digital fonts from the early digital age have this characteristic defect. The metal surface was simply copied, the result being that the color of the printed pages is far too light. In offset or other modern printing techniques, the typeface on the plate and on the printed letter now match much more closely. The use of mostly coated papers with offset types also has an effect. During the type design process all this should be taken into account since simple design drawing of the surface of a lead letter without any adjustment for offset or computer printing will not produce a good result.
The alphabetical list below refers primarily to the fonts produced by the English "hot metal" Monotype company. The numbers mentioned below are from the English "specimen-blades", four editions of the booklets "Monotype book of information", and some additional information from the London Type Museum.
In the 1960s many Monotype fonts were discontinued. The "patterns" for the originals from which the punches were created, the punches, and the whole stock of remaining matrices were destroyed. The font has disappeared except for the matrices in the possession of various printers. Sample sheets of these fonts are particularly difficult to find and are lacking in many collections.
A small number of American letter designs are added to the list, designated by "Am" and their number. American matrices differ from those in England. American matrices were 0.0025 mm (0.0010 inch) less deeply engraved. Consequently, the American moulds were 0.0025 mm (0.0010 inch) higher internally compared with moulds from the factory in Salfords UK. Consequently, American matrices on an English cast produce a low letter. English matrices on American moulds produce French-height type.
The list of computer letters from Monotype Imaging, Inc. is constantly being modified and can be best consulted on the website of the company.
Acier297:
Acier (never released)319:
Acier Grey and White (never released)
Albertus481:
Albertus Romanintroduction: 1935 display matrices:538:
Albertus bold titling Romanintroduction: 1938 display matrices:534:
Albertus light Romanintroduction: 1940 display matrices, one size:
24pt line .2652324:
Albertus titling Roman (1940 ?)display matrices:
Albion__5:
Albion Romancomposition matrices UA.2 = 6pt - 12pt _42:
Albion (No 2) Romancomposition matrices UA.2 = 6.5pt - 12pt _63:
Albion RomanUA.2 : 6.5 pt - 13pt _70:
Albion (No 4) Romancomposition matrices: UA.2 : 6.5pt - 13pt _74:
Albion Extended Romancomposition matrices: UA.3: 6D - 13pt 264:
Albion (in 1965 taken out of production)
Aldine Bembo270:
Aldine Bembo (see:
Bembo 270)370:
Aldine Bembo Titling (see:
Bembo Titling)
Anchor491:
Anchor (taken out of production, "cancelled")
Andale MonoAngulus555:
Angulus Roman/
italiccomposition matrices: UA.474: only one size available 4.4pt
Antique207:
Antique Roman/
italic (see:
207 Antique Old Style)307:
Antique (in 1965 taken out of production)composition matrices: U.A. = 70, only: 5.5pt and 7pt 407:
Antique (in 1965 taken out of production)composition matrices: UA = 70 354:
Antique (No.2) (in 1967 taken out of production)composition matrices: UA = 335 _74:
Antique Extended (see
Ionic, see:
Albion Extended)153:
Antique Extended (see:
Albion Extended)223:
Antique Heavy (see:
Devonshire Bold)224:
Antique Heavy Condensed (see:
Devonshire Bold Condensed)
Antique Latin__9:
Antique Latin (see:
Latin Antique)_60:
Antique Latin (see:
Latin Antique No.2)_78:
Antique Latin (see:
Latin Antique No.3)_84:
Antique Latin (see:
Latin Antique No.4)
Antique Old Style__3:
Antique Old Style No.3 Roman/
italiccomposition matrices: UA.2 = 6pt - 12pt 161:
Antique Old Style No.3 Roman/
italiccomposition matrices: Roman UA.29, italic UA.54, 6pt - 12pt 124:
Antique Old Style No.1 synonyms:
Old Style Antique and
Series 124 (in 1967 taken out of production)all descenders available in two versions
short- and
long-descenderscomposition matrices: UA.1, 6pt - 12pt (6pt is missing on older specimen blades)207:
Antique Old Style Roman/
italiccomposition matrices: UA.70 = 6.5pt - 10pt
ArialArrighi Italic252:
Arrighi Italic (see:
Centaur)
Ashley Crawford238:
Ashley Crawford (cancelled in 1967)display matrices:279:
Ashley Crawford Plain (cancelled in in 1967)display matrices:
Ashley Script574:
Ashley Scriptdisplay matrices: 14-72 pt
AvenirBarbou178:
Barbou Roman/
italiccomposition matrices: UA.447: 8 - 12pt
Baskerville169:
Baskerville Roman/
italiccomposition matrices: UA.43: 6D - 14pt 312:
Baskerville bold Roman/
italiccomposition matrices: UA.332: 6D - 14pt 313:
Baskerville bold (see:
313 Baskerville Semi-Bold)377:
Baskerville Bold Large Face (cancelled in 1967)display matrices:376:
Baskerville Bold Titling For Newspaper Headings (cancelled in 1965)large-composition matrices: UA.374: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame 378:
Baskerville Bold Titling For Newspaper Headings) (cancelled in 1965)large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame 380:
Baskerville Extra Bold Titling (cancelled in 1967)display matrices:312:
Baskerville Heavy (see:
312 Baskerville Bold)313:
Baskerville Semi-Bold Roman/
italiccomposition matrices: UA.332: 6D - 14pt 381:
Baskerville Titling For Newspaper Headings (cancelled in 1965)large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in
one die case
Bell (by Monotype inc. revised version)341:
Bell Roman/
italiccomposition matrices: UA.314: 8D - 14pt 619:
Bell Gothic Romancomposition matrices: UA.445: 6 and 8pt 620:
Bell Gothic Bold Romancomposition matrices: UA.445: 6 and 8pt
Bembo270:
Bembo Roman/italiccomposition matrices: UA.91: 6D - 14pt variants: long and short descenders428:
Bembo bold Roman/italiccomposition matrices: UA.368: 6D - 14pt 294:
Bembo condensed Italic italiccomposition matrices: UA.360: 10pt - 13pt UA.361: 16pt 428:
Bembo Heavy (see: 428 Bembo Bold
)509:
Bembo semi-bold Roman/italiccomposition matrices: UA.91: 5.5pt 370:
Bembo titling Roman/italicdisplay matrices:
Berling643:
Berling Roman/
italic (cancelled in 1973)punches made in cooperation with Berlinska Stilgjuteriet, Lundcomposition matrices: UA.495: 6D-12D 644:
Berling semi bold Romanpunches made in cooperation with Berlinska Stilgjuteriet, Lundcomposition matrices: UA.496: 6D-12D
Bernard condensed213:
Bernard condensed Romandisplay matrices:
Blado119:
Blado Italic italic (designed to be used with
Poliphilus 170)composition matrices: UA.53: 10pt - 13pt
Bodoni135:
Bodoni Roman/
italic (synonym:
Bodoni no.3)composition matrices: UA.1: 6pt-13pt , UA.77: 14pt variants: long descenders and "Large-Face" in 11pt254:
Bodoni No.2 (see also:
357 Bodoni No.2) (cancelled in 1967)display matrices: 4 sizes 288:
Bodoni No.1 (cancelled in 1967)composition matrices: UA.364: 10D-12D-14D 357:
Bodoni No.2 Roman/
italic (see:
357 Bodoni Book)composition matrices: UA.319: 8pt-12pt 504:
Bodoni No 5 Roman/
italic (see:
504 Bodoni 357)composition matrices: UA.319: 8pt-12pt 195:
Bodoni Bold Romancomposition matrices: UA.3: 6pt-12pt 260:
Bodoni Bold Roman/
italic, Vette variant for series 135composition matrices: Roman UA.2 italic UA.143: 6pt-13pt; Roman UA.417, italic UA.143: 14pt long descenders available and "large face" in 11pt529:
Bodoni Bold Condensed Roman/
italicdisplay matrices:760:
Bodoni Bold Titling Romandisplay matrices:357:
Bodoni Book Roman/
italiccomposition matrices: UA.319: 8pt-12pt 260:
Bodoni Heavy Roman/
italic (see:
260 Bodoni Bold)529:
Bodoni Heavy condensed Roman/
italic (see:
529 Bodoni Bold condensed)120:
Bodoni ultra bold Roman/
italicdisplay matrices:
Bold Face_53:
Bold Face (see:
53 Old Style Bold)167:
Bold Face (see:
167 De Vinne Italic)366:
Bold Face (see:
366 Inflex Bold)245:
Bold Face Italic No.2 (see:
245 Old Style Bold Italic)253:
Bold Face No.2 (see:
253 Old Style Bold)138:
Bold Face No.3 Roman. (cancelled in 1965)composition matrices: UA.3: 9pt 503:
Bold Face (cancelled in 1965)176:
Bold Face Outline (see:
176 Old Style Bold Outline)253:
Bold Face Special Line (see:
253 Old Style Bold)167:
Bold Italic (see:
167 De Vinne Italic series No. 167)334:
Bold (The Times) (see:
334 Times Bold)345:
Bold (The Times) (see:
345 Times Bold)360:
Bold (The Times) (see:
360 Times Bold)
Braggadocio278:
Braggadocio Romandisplay matrices:
Breitkopf466:
Breitkopf romain (cancelled in 1936)
Broadwaya306:
Broadway (Sorts) (cancelled before 1966)a307:
Broadway Engraved (Sorts) (cancelled before 1966)
Bruce Rogers494:
Bruce Rogers (cancelled in 1967)594:
Bruce Rogers Titling (in research)
Bulmer469:
Bulmer Roman/
italiccomposition matrices: UA.412: 11pt-12pt
CalendarL17:
Calendar Figures RomanL19:
Calendar Days RomanCalistoCanterbury197:
Canterbury (cancelled in 1967)composition matrices: UA.57 = 8-12pt
Caslon128:
Caslon Roman/
italiccomposition matrices: UA.57 = 8-12pt 209:
Caslon Titling Romandisplay matrices:
Castellar600:
Castellar Romandisplay matrices:
Centaur252:
Centaur Roman/
italic, also known under the name:
Arrighicomposition matrices: UA.90 = 6-14pt, UA.322 = 14pt 352:
Centaur Roman/
italiclarge composition matrices only 18pt 295:
Centaur Titling RomanCentury227:
Century No.2 Roman/
italic (see:
227 Century Schoolbook)211:
Century No.1 Roman (synonym:
211 Modern)composition matrices UA.1 = 8pt 545:
Century Bold (cancelled in 1967)546:
Century Bold Extended (cancelled in 1967)227:
Century Schoolbook Roman/italiccomposition matrices: UA.369 = 6-14pt, UA.322 = 14pt 477:
Century Schoolbook Bold Romancomposition matrices: UA.498 = 6-14pt,650:
Century Schoolbook Roman/italicdisplay matrices:651:
Century Schoolbook Bold Romandisplay matrices:
Century GothicChatsworth510:
Chatsworth (cancelled in 1965)At the request of Stephenson and Blake, Sheffield produced for them in one size.composition matrices: UA.391 = 10pt,
Chiswell Old Face154:
Chiswell Old face Roman/
italicdisplay matrices:
Clarendon_12:
Clarendon Romancomposition matrices: UA.2 = 5-12pt,412:
Clarendon No.2 (cancelled in 1967)composition matrices: UA.2 = 5-12pt,501:
Clarendon Timetable (cancelled in 1967)
Clearface Bold157:
Clearface Bold Roman/
italiccomposition matrices: UA.2 = 6-12pt,
Cloister271:
Cloister Bold (cancelled in 1967)composition matrices: UA.86 = 6-12pt,272:
Cloister Old Style (cancelled in 1967)composition matrices: UA.89 = 6-12pt,a395:
Cloister Old Style (Sorts) (cancelled before 1966)
Cochin165:
Cochin Roman/
italiccomposition matrices: UA.67 = 6D-13pt, UA.174 = 14pt Roman, UA.173 = 14pt italic
Colonna225:
Colonna Romandisplay matrices:
Condensa511:
Condensa italicdisplay matrices:
Condensed213:
Condensed Bold (see:
213 Bernard Condensed)224;
Condensed Heavy Antique (see:
224 Devonshire Bold Condensed)383:
Condensed Heavy Grotesque (see:
383 Grotesque Condensed)523:
Condensed Heavy Grotesque Titling (see:
523 Grotesque Condensed)419:
Condensed Latin (see:
419 Grotesque Condensed Titling)
Crossword306:
Crossword Puzzle Solutionscomposition matrices: 11pt 11pt: 28 matrices, ABCDEFGHIJKLMNOPQRSTUVWXYZ + empty field + shaded area, the matrices were cast on squares, with a flat wedge.306:
Crossword Puzzle Specials18pt: S 2612 t/m S 2641 = 1 t/m 30, S2727 t/m S2746 = 31-50, S3976 t/m S3986 = 51-61, S2643 = leeg veld, S2611 = gearceerd veld309:
Crossword Squares (cancelled)
Cushing_17:
Cushing (cancelled in 1967)composition matrices UA.1 = 6pt - 13pt
CurlzDaily Mail Modern326:
Daily Mail Modern (cancelled in 1974)
Dante592:
Dante Roman/
italiccomposition matrices: UA.441, 6D-14D 682:
Dante Semi Bold Roman/
italiccomposition matrices: UA.504, 6D-14D 612:
Dante Titling Romandisplay matrices
Deutsch Romisch298:
Deutsch Romisch (cancelled in 1970)composition matrices: UA.303, 6D-12D286:
Deutsch Romisch Bold (cancelled in 1967)composition matrices: UA.304, 8D-10D
De Vinne131:
De Vinne (cancelled in 1967composition matrices: UA.400, 8pt_21:
De Vinne (see:
De Vinne Condensed)_21:
De Vinne Condensed (cancelled in 1967)composition matrices: UA.2 6.5pt - 12 pt 167:
De Vinne Italic (synonym:
Bold Italic Series No. 167) (cancelled in 1967)composition matrices: UA.3 7.5pt - 11 pt
Devonshire223:
Devonshire Bold (synonym:
223 Heavy Antique (cancelled in 1967)display matrices 224:
Devonshire Bold Condensed (synonym:
224 Condensed Heavy Antique) (cancelled in 1967)display matrices
Didot_71:
Didot Roman/
italiccomposition matrices: UA.1 6.5pt - 13pt
Divina Comedia425:
Divina Comedia (destroyed in a bombardment)
Dorchester Script436
Dorcherster scriptdisplay matrices
Egyptian107:
Egyptian No.1 Romancomposition matrices: UA.2 = 6-12pt 171:
Egyptian (synonym: 171 Egyptian Bold
) (cancelled in 1967)composition matrices: UA.39 = 9pt 173:
Egyptian No.4 Romandisplay matrices:129:
Egyptian Roman (see:
Egyptian Bold nr.1 en: 251)130:
Egyptian (cancelled in 1967)composition matrices: UA.3 = 8pt 162:
Egyptian No.3 (cancelled in 1967)composition matrices: UA.3 = 8pt 184:
Egyptian (see: 184
Ionic No.3)241:
Egyptian251:
Egyptian (see:
Egyptian Condensed)330:
Egyptian (see:
Egyptian Bold)129:
Egyptian Bold No.1 Roman (see:
251)composition matrices: UA.3 = 8-10pt 171:
Egyptian Bold (see: 171
Egyptian) (cancelled in 1967)330:
Egyptian Bold (synonym: 330
Egyptian) (cancelled in 1967)composition matrices: UA.3 = 6D 282:
Egyptian Bold Condensed Roman (see:
251) (synonyms:
Egyptian Heavy and
Heavy Egyptiancomposition matrices: UA.313 = 6D 251:
Egyptian Condensed Romancomposition matrices: UA.63 = 6.5pt 112:
Egyptian Condensed (cancelled in 1967)composition matrices: UA.2 = 9pt 464:
Egyptian Condensed (cancelled in 1967)composition matrices: UA.130 = 6D-10D _72:
Egyptian Extended Romancomposition matrices: UA.3 = 5-13pt 465:
Egyptian Extended (bij bombardement vernietigd)282:
Egyptian Heavy Roman (see: 282
Egyptian Bold Condensed)
Ehrhardt453:
Ehrhardt Roman/
italiccomposition matrices: UA.397 = 6-14pt 563:
Ehrhardt (cancelled in 1974)573:
Ehrhardt Semi-Bold Roman/
italiccomposition matrices: UA.430 = 6-14pt
EllingtonElite Typewriter235:
Elite Typewriter (see:
Typewriter)composition matrices: UA.28 = 12pt
Elsevir_19:
Elsevir Roman/
italicUA.1 6pt - 12 pt
Electronic Reading FountsE-13BCMC7407-1OCR-BEmerson320:
Emerson Roman/
italiccomposition matrices: UA.390 = 8-14pt 400:
Emerson (cancelled in 1967)479:
Emerson (destroyed in a bombardment)
Emery452:
Emery (cancelled in 1965)
Engravers Titling146:
Engraver's Titling' (see: 146 Engravers' Titling)146:
Engravers' Titling Romancomposition matrices: UA.18 = 6pt, capitals in 4 sizes, that can be combined.147:
Engravers' Titling (see:
Engravers' Bold Titling)147:
Engravers' Titling Bold (see:
Engravers' Bold Titling)
Engravers Bold titling147:
Engravers Bold Titling Romancomposition matrices: UA.18 = 6 and 12pt in 4 sizes that can be combined.
Fabritius586:
Fabritius RomanFalstaff323:
Falstaff Roman/
italiccomposition matrices: UA.347 = 6D-12D
Felix Titling399:
Felix Titling Romandisplay matrices:
Fanfare Bold514:
Fanfare Bold Condensed Italic Titling italic (destroyed in a bombardment)516:
Fanfare Bold Condensed Italic Titling No.2 italicFestival Titling554:
Festval Titling italicdisplay matrices:
Figaro536:
Figaro Romandisplay matrices:626:
Figaro Bold (cancelled in 1967)
^ Fleet Titling
632:
Fleet Titling Romandisplay matrices:
Floriated capitals431:
Floriated capitalsdisplay matrices:
Fontana403:
Fontana Roman/
italiccomposition matrices: UA.464 = 8pt-14pt 437:
Fontana bible face Roman/
italiccomposition matrices: UA.464 = 4.5pt-6pt 443:
Fontana Titling (destroyed in a bombardment)
Forte614:
Fortedisplay matrices:
Fournier185:
Fournier Roman/
italiccomposition matrices: UA.59 = 8pt-13.5pt 185:
Fournier Old Face (see:
Fournier)285:
Fournier Old Face (Shortened Caps) (see:
Fournier Shortened Capitals)285:
Fournier Shortened Capitals Roman/
italic' (see also: Fournier 185)composition matrices: UA.59 = 10pt-13.5pt, abridged capitals, for use in conjunction with the lowercase characters of
Fournier 185 French Face Extended_76:
French Face Extended (cancelled in 1967)composition matrices: UA.1 = 7D-10pt
French Modern111:
French Modern (cancelled in 1967)composition matrices: UA.1 = 6D-10pt
French Old Style_68:
French Old Style Roman/
italiccomposition matrices: UA.1 = 6.5pt-13pt oid specimen blades show size 7pt and 8pt, later versions: 6.5pt and 7.5pt, set and lining stay the same.109:
French Old Style Roman/
italic (synonym:
French Old Stype no. 2) (cancelled in 1967)composition matrices: UA.1 = 6.5pt-11pt 148:
French Old Style No.3 (cancelled in 1967composition matrices: UA.1 = 6.5pt _69:
French Old Style Bold Roman/
italiccomposition matrices: UA.1 = 7pt-13pt _69:
French Old Style (Half-Fat) (see:
French Old Style Bold)
French Round Face_44:
French Round Face Roman/
italiccomposition matrices: UA.1 = 6.5pt-13pt
Fredericus Antiqus314:
Fredericus Antiqus Roman/
italiccomposition matrices: UA.1 = 6.5pt-13pt
Futura Buchschrift596:
Futura Buchschrift (cancelled in 1960)
Gallia (Sorts)a313:
Gallia (Sorts) (cancelled voor 1966)
Garamond156:
Garamond Roman/
italicSwash and ligatures for 156The italic which was designed for this series was found by customers to be much too extreme. Eventually it was decided to design a more modest italic. That was:
' Series 174 '. The extra luxury italic "swash"-capitals continued to be maintained. In old die cases the italic matrices with 156 appearing on them are occasionally to be found, and they are quite popular for present users of Monotype machines.composition matrices: UA.37 = 6-12pt, UA.99 = 14pt 201:
Garamond bold Roman/
italiccomposition matrices: 6-12pt: Roman = UA.61, italic = UA.315, 14pt = UA.342 174:
Garamond Italic No.2 italic (the
Roman was cancelled before 1966)composition matrices: UA.42 = 6-12pt, UA.140 = 14pt 201:
Garamond Heavy (see:
201 Garamond Bold)Am. 548:
Garamond BoldAm. 5481:
Garamond Bold ItalicAm. 648E:
American Garamond (
Roman)Am. 649G:
American Garamond ItalicGaramont (Goudy)Am. 248:
Garamont (Goudy) RomanAm. 2481:
Garamont Italic (Goudy) italicGill275:
Gill Bold Sans-Serif (see:
275 Gill Sans Bold)430:
Gill Face (destroyed in a bombardment)442:
Gill Ultra Bold (see:
442 Gill Sans Ultra Bold)433:
Gill Moiree Shadow (destroyed in a bombardment)
Gill Sans262:
Gill Sans Roman/
italiccomposition matrices: Roman: UA.82, italic: UA.311 = 5-14pt (S.H. = short descenders) 349:
Gill Sans No.2 Roman/
italiccomposition matrices: Roman: UA.345 = 5pt 275:
Gill Sans Bold Roman/
italiccomposition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders) 350:
Gill Sans Bold Roman (see:
350 Gill Sans 349)composition matrices: Roman: UA.346 = 5pt 575:
Gill Sans Bold (cancelled in 1967)343:
Gill Sans Bold Condensed Romancomposition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders) 373:
Gill Sans Bold Condensed Titling No.1 Romandisplay matrices:525:
Gill Sans Bold Condensed Titling Romandisplay matrices:468:
Gill Sans Bold Extra Condensed Eomandisplay matrices:_L8:
Gill Sans Bold Timetable Roman317:
Gill Sans Bold Titling Romandisplay matrices:233:
Gill Sans Cameo Romandisplay matrices:299:
Gill Sans Cameo Ruled Romandisplay matrices:485:
Gill Sans Condensed Romancomposition matrices: Roman: UA.499 = 10-12pt 321:
Gill Sans Extra Bold Romancomposition matrices: UA.336 = 6D-12pt 526:
Gill Sans Extra Bold Titling Romandisplay matrices:526:
Gill Sans Extra Heavy Titling (see:
526 Gill Sans Extra Bold Titling)362:
Gill Sans Light Roman/
italiccomposition matrices: Roman: UA.82 = 4.5-14pt, italic: UA.311 = 5-14pt 662:
Gill Sans Light No.2 Roman (synonym:
Gill Sans Light, see also:
Gill Sans 349)composition matrices: Roman: UA.345 = 5pt 353:
Gill Sans Poster Romandisplay matrices:406:
Gill Sans Shadow No.1 Romandisplay matrices:408:
Gill Sans Shadow No.2 Romandisplay matrices:338:
Gill Sans Shadow No.3 Romandisplay matrices:290:
Gill Sans Shadow Line Romandisplay matrices:304:
Gill Sans Shadow Titling Romandisplay matrices:231:
Gill Sans Titling Romancomposition matrices: UA.84 = 6pt in 4 sizes, 12pt 262:
Gill Sans-Serif (see:
262 Gill Sans)349:
Gill Sans-Serif (see:
349 Gill Sans)353:
Gill Sans-Serif (see:
353 Gill Sans Poster)275:
Gill Sans-Serif Bold (see:
275 Gill Sans Bold)350:
Gill Sans-Serif Bold (see:
350 Gill Sans Bold)343:
Gill Sans-Serif Bold Condensed (see:
343 Gill Sans Bold Condensed)468:
Gill Sans-Serif Bold Extra Condensed (see:
465 Gill Sans Bold Extra Condensed)233:
Gill Sans-Serif Cameo (see:
233 Gill Sans Cameo)299:
Gill Sans-Serif Cameo Ruled (see:
299 Gill Sans Cameo Ruled)373:
Gill Sans-Serif Extra Bold Titling (see:
373 Gill Sans Bold Condensed Titling)321:
Gill Sans-Serif Extra Heavy (see:
321 Gill Sans Extra Bold)485:
Gill Sans-Serif Medium Condensed (see:
485 Gill Sans Condensed)362:
Gill Sans-Serif Light (see:
362 Gill Sans Light)304:
Gill Sans-Serif Shadow (see:
304 Gill Sans Shadow Titling)406:
Gill Sans-Serif Shadow No.1 (see:
406 Gill Sans Shadow No.1)408:
Gill Sans-Serif Shadow No.2 (see:
408 Gill Sans Shadow No.2)290:
Gill Sans-Serif Shadowline (see:
290 Gill Sans Shadow Line)231:
Gill Sans-Serif Titling (see:
231 Gill Sans Titling)317:
Gill Sans-Serif Titling (see:
317 Gill Sans Bold Titling)338:
Gill Sans-Serif Two Colour (see:
338 Gill Sans Shadow No.3)442:
Gill Sans-Serif Ultra Bold (see:
442 Gill Sans Ultra Bold)442:
Gill Sans Ultra Bold Romandisplay matrices:
Gloucester103:
Gloucester Bold Roman/
italiccomposition matrices: UA.5 = 6-13.5pt,198:
Gloucester Bold Condensed Romancomposition matrices: UA.60 = 6-12pt,243:
Gloucester Bold Extended Romancomposition matrices: UA.75 = 6-12pt,395:
Gloucester Bold Extra Condensed Romandisplay matrices: 14-72pt 160:
Gloucester Bold Italiccomposition matrices: UA.3 = 6-12pt,396:
Gloucester Extra Condensed Romandisplay matrices: 14-72pt _99:
Gloucester Old Style Roman/
italiccomposition matrices: UA.4 = 6-13.5pt,
Gothic (collective name for sans serif typefaces)__4:
Gothic (synonym:
Grotesque Condensed) (cancelled in 1967)composition matrices UA.1B 6pt - 12pt
Goudy269:
Goudy Bold Roman/
italiccomposition matrices: UA.88 = 6-14pt,441:
Goudy Bold Roman/
italiccomposition matrices: UA.382 = 6-12pt,268:
Goudy Cataloque Roman/
italiccomposition matrices: UA.83 = 6-14pt,364:
Goudy Cataloque Roman/
italiccomposition matrices: UA.1 = 5-6pt, UA.419 = 7pt-7.75pt,214:
Goudy Extra Bold Roman/
italiccomposition matrices: UA.88 = 6-14pt,249:
Goudy Modern Roman/
italiccomposition matrices: UA.87 = 10-12pt,291:
Goudy Old Style Roman/
italiccomposition matrices: UA.312 = 6-14pt, long descenders available, Swash capitals in: 42, 60, 72pt 292:
Goudy Text (gotisch schrift)composition matrices: UA.339 = 9-12pt, can be combined with
293 Lombardic Capitals439:
Goudy Titling RomanGravura533:
Gravura Roman (cancelled in 1965)composition matrices: UA.1 = 12pt
Grock388:
Grock Romandisplay matrices:
Grosvenor Script493:
Grosvenor Script italicdisplay matrices:
Grotesque (collective name for sans serif typefaces)_11:
Grotesque (see:
11 Grotesque Bold Condensed)_33:
Grotesque (see:
33 Grotesque Condensed)_51:
Grotesque Roman/
italiccomposition matrices: UA.2 = 6-12pt, UA.124 = 14pt-18pt, UA.125= 24pt 126:
Grotesque (see:
126 Grotesque Light No.1)215:
Grotesque Roman/
italic (synonym:
Grotesque No. 1)composition matrices: 5pt = roman UA.421 and intslic UA.429, 6.5pt-13pt = roman UA.65 and italic UA.401 216:
Grotesque (see:
216 Grotesque Bold)274:
Grotesque (see:
274 Grotesque Light Condensed)389:
Grotesque No.2 (see:
389 Grotesque Light)212:
Grotesque Roman (cancelled in 1964)composition matrices: UA.62 = 6.5pt _73:
Grotesque Bold No.3 Romancomposition matrices: UA.3 = 6-13pt _97:
Grotesque Bold Roman (in red: withdrawn around 197(?) )composition matrices: UA.2 = 7.7pt 216:
Grotesque Bold No.2 Roman/
italic combines with Series No. 215
Grotesquecomposition matrices: 6.5pt-13pt = UA.66 680:
Grotesque Bold Roman (see:
Bell Gothic 619)composition matrices UA.502 6pt _11:
Grotesque Bold Condensed (cancelled in 1967)composition matrices: UA-2, 6pt & 9pt (synonym:
Grotesque) _15:
Grotesque Bold Condensed No.2 Roman/
italic (synonym: series 15
Sans Serif)composition matrices
Roman: UA.2 = 6pt - 12pt
6pt (6D) with short descenders: 6.5 set line .1225365:
Grotesque Bold Condensed (synonym:
365 Heavy Narrow Gothic) (cancelled in 1967)composition matrices UA.333 = 10pt - 12pt _81:
Grotesque Bold Condensed Romancomposition matrices: UA.2 = 10pt 166:
Grotesque Bold Condensed No.4 (synonym: 166
Grotesque Bold Condensed Titling)composition matrices: UA.403 = 12pt, UA.121 = 14pt 166:
Grotesque Bold Condensed Titling Roman (see:
166 Grotesque Bold Condensed No.4)527:
Grotesque Bold Condensed Titling Romandisplay matrices:150:
Grotesque Bold Extended No.1 Roman/
italiccomposition matrices: 6pt-12pt, 7pt and 9pt only italic 168:
Grotesque Bold Extended (cancelled in 1967)524:
Grotesque Bold Titling Romandisplay matrices:_33:
Grotesque Condensed No.2 Romancomposition matrices: UA.2 = 6pt-13.5pt 318:
Grotesque Condensed Romancomposition matrices: UA.388 = 5D, 6pt, UA.300 = 6D-13pt 383:
Grotesque Condensed No.4 Romancomposition matrices: UA.341 = 5D-12D __4:
Grotesque Condensed (see:
Gothic Series No.4)383:
Grotesque Condensed Heavy (see:
383 Grotesque Condensed)523:
Grotesque Condensed Titling Romandisplay matrices:215:
Grotesque Half Fat (see:
215 Grotesque No.1)126:
Grotesque Light No.1 Roman/
italiccomposition matrices: UA.420/UA.431 = 5pt-5.5pt, UA.64/UA.396 = 6.5pt-13pt 389:
Grotesque Light (synonym:
389 Grotesque No. 2) (cancelled in 1967)composition matrices: UA.2 = 8pt-12pt 274:
Grotesque Light Condensed No.2 Romancomposition matrices: UA.427 =5D, UA.94 = 6D-13pt 204:
Grotesque Light Condensed (synonym:
204 Light face Gothic) (cancelled in 1967)composition matrices: UA.58 = 12pt 405:
Grotesque Light Condensed (cancelled in 1967)405:
Grotesque Narrow (see:
405 Grotesque Light Condensed)177:
Grotesque Newspaper Smalls (see:
177 Newspaper Small Ads)216:
Grotesque ¾ Fat (see:
216 Grotesque Bold No.1)502:
Grotesque Timetable (cancelled in 1967)524:
Grotesque Titling (see:
524 Grotesque Bold Titling)
Gwendolin208:
Gwendolin (cancelled in 1967)
Gustavus484:
Gustavus Bold (cancelled in 1965)497:
Gustavus Light (cancelled in 1965)
Haarlemmer531:
Haarlemmer Roman (withdrawn in 1967) design: Jan van Krimpencomposition matrices: UA.408 = 14D
Half Fat Modern Mediaeval_52:
Half Fat Modern Mediaeval Roman (synonym:
52 Schurmann Antiqua Halbfette) (withdrawn in 196(?) )composition matrices: UA.5
Headline bold595:
Headline Bold Roman/
italiccomposition matrices: UA.443 = 6-14pt
Heavy223:
Heavy Antique (see:
Devonshire Bold)282:
Heavy Egyptian (see: 282
Egyptian Bold Condensed) (synonym
Egyptian Heavy)365:
Heavy Narrow Gothic (see:
365 Grotesque Bold Condensed) (cancelled in 1967)435:
Heavy Shadow French (cancelled in ??)337:
Heavy Small Caps (cancelled in 1974)
Helvetica765:
Helvetica Roman/
italiccombines with
766 Helvetica Medium, equivalent with Stempel's
Helvetica halbfett, and Linotype
Helvetica Boldcomposition matrices: UA.508 = 6D-12D 766:
Helvetica Medium Roman/
italiccomposition matrices: UA.508 = 6D-12D
Horley Old Style261:
Horley Old Face Heavy (see:
261 Horley Old Style Bold)188:
Horley Old Style (replaced by 199, cancelled in 1965)199:
Horley Old Style Roman/
italiccomposition matrices: UA.56 = 6-13pt, UA.362 = 14pt 261:
Horley Old Style Bold Roman/
italiccomposition matrices: UA.80 = 6-13pt
Imprint101:
Imprint Roman/
italiccombines with series
310 or
410composition matrices: UA.4 = 6-12pt, UA.4a = 13.5pt 310:
Imprint Bold Roman/
italiccombines with series
101composition matrices: UA.98 = 6pt-13.5pt 410:
Imprint Bold No.2 Roman/
italiccombines with series
101composition matrices: 6-13.5pt 310:
Imprint Heavy No.1 (see:
310 Imprint Bold)410:
Imprint Heavy No.2 (see:
410 Imprint Bold)101:
Imprint Old Face (see:
101 Imprint)190:
Imprint Shadow Roman/italicdisplay matrices
Indicateur462:
Indicateur (cancelled in 1967)
Inflex Bold366:
Inflex Bold Romancomposition matrices: UA.344 = 5pt-9pt, combines with:
Series No. 342 Ionic Inflex Timetable503:
Inflex Timetable (see:
Bold Face)
Ionic__6:
Ionic (see:
6 Modern no.4) (cancelled in 1967)265:
Ionic No.1 Roman/
italic (cancelled in 1967)composition matrices: UA.321 = 6pt-6.5pt 342:
Ionic No.2 Roman/
italic (see also:
562 Ionic 2-linecomposition matrices: UA.317 = 5pt-9pt 184:
Ionic No.3 Roman (synonym : 184
Egyptian) (cancelled in 1967)composition matrices: UA.51 = 6pt 153:
Ionic No.4 Roman (cancelled in 1967)composition matrices: UA.1 = 8pt 416:
Ionic No.5 Roman/
italic (cancelled in 1967)composition matrices: UA.1 = 7D-8D 451:
Ionic No.6 Roman/
italic (cancelled in 1967)composition matrices: UA.380 = 6pt-7pt 476:
Ionic (destroyed in a bombardment)562:
Ionic Two-line Roman only 10 pt high capitals, numbers and signs (see also:
342 Ionic)composition matrices: UA.317(?) = 5pt,In a die case combined with series 342-5pt this produces 10pt large initials, to produce advertizements. All can be done in one machine-run.
Iroquois Condensed_23:
Iroquois Condensed Roman (cancelled in 1964)UA.2, 8pt, 10pt, 12 pt
Italian Old Style108:
Italian Old Style Roman/
italiccomposition matrices: UA.4 = 6pt-13pt 149:
Italian Old Style Bold Romancomposition matrices: UA.5 = 6pt-13pt 149:
Italian Old Style Display (see:
149 Italian Bold Style Bold)
Italic Display_54:
Italic Display (see:
54 Modern Bold Italic)
Jacno579:
Jacno (experimental)
Janson646:
Janson (cancelled in 1972)Am. 401
Janson RomanAm. 4011
Janson italicAm. 58
Janson Old StyleAm. 258
Janson CondensedJoanna478:
Joanna Roman/
italiccomposition matrices: UA.449 = 8pt-14pt
Jocunda369:
Jocunda Roman only capitals, numbers and signs (cancelled in 1967)display matrices:
Kaatskill311:
Kaatskill (cancelled in 1967)
KennerleyAm:
Kino305:
Kino Romandisplay matrices:
Klang593:
Klang italicdisplay matrices:
Lamp490:
Lamp (cancelled)
Latin Antique__9:
Latin Antique Romancomposition matrices: UA-2 (6-13pt) (synonym:
Latin Antique) _60:
Latin Antique Roman (synonym:
60 Latin Antique No.2composition matrices: UA.2 = 8-12pt _78:
Latin Antique Romancomposition matrices: UA.2 = 6-13pt _84:
Latin Antique (cancelled) (synonym:
84 Latin Antique no. 4)composition matrices: UA.2 = 6-12pt 419:
Latin Condensed Romandisplay matrices:164:
Latin Wide (cancelled in 1967)composition matrices: UA.19 = 8pt
Laudian Old Style450:
Laudian Old Style Roman/
italiccomposition matrices: UA.1 = 5.5pt-7.75pt 454:
Laudian Old Style (destryed by bombs)
Lectern Missal538:
Lectern Missal Roman (see:
Missal 393)
Leysbourne348:
Leysbourne (cancelled in 1965)12 pt 10.5 set line.1325 UA.359
Light505:
Light Extra Condensed (see:
505 Placard light Extra Condensed)204:
Light Face Gothic (see:
204 Grotesque Light Condensed)113:
Light Face Plantin (see:
113 Plantin Light)522:
Light Placard Titling (see:
522 Placard Condensed Titling)475:
Light Script (see:
475 Script Light)
Littleworth284:
Littleworth (cancelled in 1967)UA.=317, composition: 12pt = 10.5 set line.1336, 16pt display matrices line.1557
Lombardic Capitals293:
Lombardic Capitals (see:
292 Goudy Text 292)
L.P.T.B. Titling517:
L.P.T.B. Titling (cancelled in 1965)
Lutetia, this early design of Jan van Krimpen was modified for Monotype. Jan van Krimpen had given his permission to change his design for hand composing of Lettergieterij Amsterdam to edit it for machine composition. Later he had to admit that the result was very good. But he added immediately that "if" he had known this in advance ... he never would have agreed ... to get as close as possible to the original design to be able to stay, it was necessary to make another unit-arrangement for each size. Consequently, it was a very expensive for the printer customers, since each size with another wedge had to be poured. Also on the keyboard keybanks for each size was another requirement, and extra wedges also had to be purchased.255:
Lutetia Roman/
italiccomposition matrices Unit arrangements different for each size
Mardersteig347:
MardersteigNever produced, only one proof-set was made for Giovanni Mardersteig himself. The matrices were lost.
Matura496:
Matura scriptdisplay matrices:
Matura scriptorial Capitals528:
Matura scriptorial Capitals (combines with
496 Matura)display matrices:
Mediaeval125:
Mediaeval Roman (cancelled in 1965)134:
Mediaeval Roman (cancelled in 1965)136:
Mediaeval Roman (cancelled in 1965)_88:
Mediaeval Modern (see:
88 Modern Mediaeval)_52:
Mediaeval Modern Half-Fat (see:
52 Half-Fat Modern Mediaeval) (synonyms:
52 Schurmann Antiqua Halbfette,
Half-Fat Modern Mediaeval) (cancelled in 196?)_67:
Mediaeval Old Style (see:
67 Old Style)
Menhart397:
Menhart Roman/
italiccomposition matrices: UA.378 = 10D-14
Mercurius Bold Script583:
Mercurius Bold Scriptdisplay matrices:
Missal336:
Missal393:
Missal Roman448:
Missal No.3459:
Missal No.4Modern__1:
Modern No.1 Roman/
italic1901, after a design of Miller & Richardscomposition matrices: UA-1 (6-12pt), UA-1a(14pt),_80:
Modern No.2 (cancelled in 1967)190?, composition matrices: UA-1,189:
Modern No.3 Roman/
italic190?, composition matrices: UA-1,__6:
Modern No.4 (cancelled in 1967) (synonym:
Ionic)190?, composition matrices: UA-1,_95:
Modern No.5 Roman/
italic (cancelled in 1967)composition matrices: UA-1 = 11pt 250:
Modern No.6 Roman (synonym:
250 Modern Condensed no.5)composition matrices: UA.92 = 6.5pt UA=418 = 7D 422:
Modern No.7 Roman/
italic (cancelled in 1965)composition matrices: UA.376 = 12 pt 471:
Modern No.8 Roman (cancelled in 1967)composition matrices: UA.1 8D-10D 183:
Modern Roman (synonym:
183 Modern no. 6) (cancelled in 1967)display matrices,211:
Modern Roman (see:
211 Century no.1)257:
Modern (synonym:
257 Modern Wide)composition matrices: UA.1 444:
Modern (cancelled in 1936)570:
Modern Bold Roman, combines with:
Modern Series No. 7composition matrices: UA.2,_54:
Modern Bold Italic italic (synonym:
54 Italic-Display)composition matrices: UA.3 = 6-12pt 263:
Modern Cancellation Fount Roman (see:
263 Modern Extended 17)_13:
Modern Condensed No.1 Roman/
italiccomposition matrices UA.1 = 6pt _14:
Modern Condensed No.2 Roman/
italiccomposition matrices: UA.1 = 7 pt _39:
Modern Condensed No.3 Roman/
italiccomposition matrices: UA.1,_79:
Modern Condensed No.4 Roman/
italic (cancelled in 1965)composition matrices: UA.1 = 11pt 250:
Modern Condensed No.5 Romancomposition matrices: UA.92 = 6.5pt, UA.418 = 7D __7:
Modern Extended No.1 Roman/
italic,1902, some bit wider version of
Modern no.1composition matrices: UA.1 = 6pt-12pt _77:
Modern Extended No.2 Roman/
italic (cancelled in 1967)composition matrices, UA1 = 9pt-11pt 447:
Modern Extended No.3 (cancelled in 1965)composition matrices, UA1 = 8D-9D 237:
Modern French247:
Modern French (cancelled in 1965)_88:
Modern Mediaeval (cancelled in 1964)_52:
Modern Mediaeval (Half-Fat) (see:
52 Half-Fat Modern Mediaeval) (synonyms:
52 Schurmann Antiqua Halbfette,
Half-Fat Modern Mediaeval) (cancelled in 196?)500:
Modern Timetable (cancelled in 1967)179:
Modern Titling Roman/
italic (synonyms:
179 Titling 179,
Titling Italic)composition matrices: UA.1 = UA.8-12pt _16:
Modern Wide No.1 Roman/
italiccomposition matrices: UA.1 = 5pt _18:
Modern Wide No.2 Roman/
italic (synonym:
Modern Wide)composition matrices: UA.1 = 6pt _25:
Modern Wide No.3 Roman/
italic (synonym:
Modern Wide, also referred to as:
Romano)composition matrices UA.2 = 6pt - 12pt _26:
Modern Wide No.4 Roman/
italic (synonym:
Modern Wide)composition matrices: UA.1 = 4.5pt-5pt _30:
Modern Wide No.5 Roman/
italic (synonym:
Modern Wide)composition matrices: UA.1 = 7pt-8pt _75:
Modern Wide No.6 (synonym:
75 Modern Wide) (cancelled in 1967)composition matrices: UA.1 = 7Dt 257:
Modern Wide No.7 (cancelled in 1967)composition matrices: UA.1 = 10pt-11pt
Modernistica297:
Modernistic (Sorts) (cancelled vóór 1966)
Morrison Face537:
Morrison Face (cancelled in 1964)
Monoline Script351:
Monoline ScriptMusical signs210:
Musical signs382:
Musical signsNarrow294:
Narrow Bembo Italic (see:
294 Bembo Condensed Italic)166:
Narrow Gothic (see:
166 Grotesque Bold Condensed Titling)527:
Narrow Gothic Titling (see:
527 Grotesque Bold Condensed Titling)405:
Narrow Grotesque (see:
405 Grotesque Light Condensed)
Nastaliq402:
Nastaliq (cancelled)
Neo Didot_27:
Neo Didot Roman/
italiccomposition matrices: UA.1 = 6.5-13pt _65:
Neo Didot Roman/
italiccomposition matrices: UA.1 = 6.5-13pt
New Clarendon617:
New Clarendon Roman/
italic combines with:
618 New Clarendon Boldcomposition matrices: UA.481 = 6-14pt 618:
New Clarendon Bold Roman/
italiccomposition matrices: UA.481 = 6-14pt
New Emerald Bible610:
New Emerald BibleNew Face606:
New Face (cancelled in 1964)607:
New Face Bold (cancelled in 1964)615:
New Grotesque (cancelled in 1974) (apart from "A")616:
New Grotesque Bold (cancelled in 1974) (apart from "A")666:
New Grotesque Light (cancelled in 1967) (apart from "A")
News Advertisements229:
News Advertisements (see:
Newspaper Small Ads)
Newspaper Small Ads177:
Newspaper Small Ads (cancelled in 1965)229:
Newspaper Small Ads (cancelled in 1965)
Newspaper Smalls115:
Newspaper Smalls Roman (cancelled vóór 1966)Available matrices: capitals, small capitals and lower case plus double large capitals and numbers.These four alphabets could be cast in one machine-run, the double capitals overhanging at the bottom, relying on the "high-white" of neighbouring character. These high-blanks were cast from a blank matrix and adapted exactly under the overhanging characters.composition matrices: UA.30 = 5.5-7pt 163:
Newspaper Smalls (cancelled in 1967)193:
Newspaper Smalls (cancelled in 1965)333:
Newspaper Smalls (The Times) (see:
Times Newspaper Smalls)335:
Newspaper Smalls (The Times) (see:
Times Newspaper Smalls)
Octavian603 :
Octavian Roman/
italicDesign: about 1960 by Will Carter and David Kindersley. Used the first time in June 1961 for a text taken from the introduction to Stanley Morison's "The Typographic Book", intended for the members of the "Double Crown Club".composition matrices: UA.485 = 14pt
Old English text456:
Old English text frakture typefacecomposition matrices: UA.318 = 8-12pt 356:
Old English Text frakture typeface (cancelled in 1967)composition matrices: UA.318 = 8-12pt 456:
Old English Text Light (see:
456 Old English Text)
Old Face_43:
Old Face (see:
_43 Scotch Roman No.3)_46:
Old Face (see:
_46 Scotch Roman No.1)137:
Old Face (see:
137 Scotch Roman No.2)154:
Old Face (see:
154 Chiswell Old Face)240:
Old Face (cancelled in 1964)composition matrices: UA.385 = 9pt 159:
Old Face Heavy (see:
159 Old Style Bold No.2)_20:
Old Face (Special) (cancelled in 1967)UA.6, 6.5pt - 12 pt _45:
Old Face Standard (cancelled in 1967)
Old Style__2:
Old Style No.2 Roman/
italicUA.1: 6 tot 12 punt, UA.1a: 14pt 151:
Old Style No.4 Roman/
italiccomposition matrices: UA.20 = 6-11pt, UA.20a = 12pt, UA.52 = 14pt _67:
Old Style Roman/
italic (cancelled in 1967)UA.1 = 9-12pt 104:
Old Style Roman/
italic(cancelled in 1964)UA.1 = 11pt __3:
Old Style Antique (see:
__3 Antique Old Style)124:
Old Style Antique (see:
124 Antique Old Style)161:
Old Style Antique (see:
161 Antique Old Style)232:
Old Style Antique Italic (cancelled in 1965)_53:
Old Style Bold No.1 Roman/
italic159:
Old Style Bold No.2 Romancomposition matrices: UA.32 = 8-12pt, UA.112 = 14pt 544:
Old Style Bold No.5 Romancomposition matrices: UA.2 = 6-12pt 253:
Old Style Bold (synonym:
253 Bold Face No.2) (cancelled in 1967)composition matrices: UA.3 = 8-9pt 245:
Old Style Bold Italic italic (synonym:
245 Bold Face Italic No.2) (cancelled in 1967)composition matrices: UA.76 = 8-12pt 176:
Old Style Bold Outline Romancomposition matrices: UA.100 = 12pt __8:
Old Style Condensed Roman/
italic (cancelled in 1967)UA.1, = one size only:
10pt (9D) = 9 set, line.1295 _50:
Old Style Condensed (cancelled in 1967)composition matrices: UA.1 = 8-10pt _55:
Old Style Italic Display (see:
55 Gloucester Bold Italic)122:
Old Style (Prumyslava) RomanOnyx591:
Onyx Romandisplay matrices:Am 404):
Onyx RomanOpus652:
Opus (cancelled in 1966)
Othello246:
Othello Roman capitalscomposition matrices: UA.85 = 10pt-12 248:
Othello Shadow (cancelled in 1967)
Outline176:
Outline (see:
176 Old Style Bold Outline)
Palace script429:
Palace Script italicOverhanging character that can only be cast with special moulds.display matrices:
Pastonchi206:
Pastonchi Roman/
italiccomposition matrices: UA.69 = 9-13 pt, UA.175 = 14D.
Pegasus508:
Pegasus Romandisplay matrices:
Pepita613:
Petita scriptdisplay matrices
Perpetua239:
Perpetua Roman/
italicintroduction: 1930, design: Eric Gill,composition matrices UA.96 = 5.5pt - 18pt 316:
Perpetua No.3 (cancelled in 1967)registered design No. 751804,composition matrices: UA.96 = 9pt 386:
Perpetua No.2 (cancelled in 1967)composition matrices: UA.96 = 14pt 461:
Perpetua Bold Roman/
italiccomposition matrices UA.379 = 6pt - 14pt 200:
Perpetua Bold Titling Romancomposition matrices: UA. 145 :
12pt(12D) = 11.25 set line.1753 display matrices:480:
Perpetua Light Titling Roman display matrices:561:
Perpetua Semi-Bold (cancelled in 1963)258:
Perpetua Titling Romancomposition matrices: UA. 97 = 10pt - 12pt 543:
Perpetua Titling (cancelled in 1967)480:
Perpetua Titling Light Face (see:
480 Perpetua Light Titling)
Pierre Didot411:
Pierre Didot (cancelled in 1965)composition matrices: UA.375 = 9pt
Pitman i.t.a.453:
Pitman's i.t.a. (see:
Ehrhardt 453)573:
Pitman's i.t.a. (see:
Ehrhardt Semi Bold 573)
Placard506:
Placard Bold Condensed No.1 Romancomposition matrices: UA.387 = 6D-12D 515:
Placard Bold Condensed No.2 Romandisplay matrices:568:
Placard Condensed Roman (synonym:
568 Placard Medium Condensed)composition matrices: UA.387 = 6D-12D 522:
Placard Condensed Roman (see:
522 Placard Condensed Titling)522:
Placard Condensed Titling Roman (synonym:
522 Placard Condensed)display matrices:505:
Placard light Extra Condensed Romancomposition matrices: UA.387 = 10D 568:
Placard Medium Condensed (see:
568 Placard Condensed)
Plantin110:
Plantin Roman/italiccomposition matrices: UA.4 = 5.5pt-12pt, UA.4a= 13.5pt, UA.363 = 14pt 194:
Plantin Bold Roman/
italiccan be combined with:
110 Plantin and
113/773 Plantin lightcomposition matrices: Roman UA.5 = 6pt-12pt, italic UA.3 = 6pt-12pt, UA.5a= 13.5pt, UA.158/159 = 14pt 287:
Plantin Bold (synonym:
287 Plantin Heavy No.2) (cancelled in 1968)composition matrices: UA.5 = 6.5pt-7.5pt 236:
Plantin Bold Condensed Roman/
italiccomposition matrices: UA.72 = 6pt-14pt 289:
Plantin Condensed Roman/
italic (cancelled in 1967)composition matrices: UA.4 = 7.5ptt 194:
Plantin Heavy (see:
194 Plantin Bold)236:
Plantin Heavy Condensed (see:
236 Plantin Bold Condensed)287:
Plantin Heavy No.2 (see:
287 Plantin Bold)113:
Plantin Light Roman/
italiccomposition matrices: UA.4 = 6pt-12pt 773:
Plantin Light Roman/
italic113:
Plantin Light Face (see:
113 Plantin Light)composition matrices: UA.4 = 10pt-11pt The two sizes of Series 773 are alternatives for Series 113, with identical set and lining´, for use in combination with Series 194 and 663. Other sizes of Series 113 comply with this.281:
Plantin Old Style No.2 (cancelled in 1967)composition matrices: UA.305 = 9pt-11pt 663:
Plantin Semi Bold Roman/
italiccomposition matrices: Roman=UA.5, italic= UA.3, 6pt-12pt 438:
Plantin Titling Romandisplay matrices:
Plate Gothic139:
Plate Gothic (see:
139 Spartan Light)140:
Plate Gothic (see:
140 Spartan)141:
Plate Gothic (see:
141 Spartan Bold)142:
Plate Gothic (see:
142 Spartan Light Condensed)143:
Plate Gothic (see:
143 Spartan Condensed)145:
Plate Gothic (see:
145 Spartan Wide)144:
Plate Gothic Italic (see:
144 Spartan Italic)
Poliphilus170:
Poliphilus Romancomposition matrices: UA.53: 10pt - 13pt, for the italic see:
119 Blado Italic 230:
Poliphilus Titling Romandisplay matrices in 2 sizes
Poltawski394,
Poltawski Romancomposition matrices: UA.156: 6D, 8D, 10D, 12D 398:
Poltawski Bold Romancomposition matrices: UA.156: 6D, 8D, 10D, 12D
Prayer Bookface532:
Prayer Book Face (OUP) (cancelled)
Rockwell371:
Rockwell Roman/
italiccomposition matrices: UA.338 = 6-14pt:391:
Rockwell Bold Roman/
italiccomposition matrices: UA.338 = 6-14pt, combines with:
371 Rockwell 359:
Rockwell Bold Condensed Romancomposition matrices: UA.411 = 11pt 414:
Rockwell Condensed Romandisplay matrices:424:
Rockwell Extra Bold Romancomposition matrices: UA.162 = 6-12pt 424:
Rockwell Extra Heavy (see:
424 Rockwell Extra Bold)391:
Rockwell Heavy (see:
391 Rockwell Bold)359:
Rockwell Heavy Condensed (see:
359 Rockwell Bold Condensed)390:
Rockwell Light Roman/
italiccomposition matrices: UA.338 = 6-14pt 582:
Rockwell Light Condensed (Film Sub-titles) Roman/
italic175:
Rockwell Shadow Romandisplay matrices:175:
Rockwell Shadow Titling (see:
Rockwell Shadow)
Romulus458:
Romulus Roman/
italicJan van Krimpen started in 1931 with the design of this typeface, which eventually led to a whole font family. With the permission of the firm Enschede & Sons in Haarlem, "Series 458" was cut in 1936. It was a contemporary font that combined characteristics of many old fonts. The colour is matched to antique characters, but the serifs are almost horizontal and vertical. The font runs quite wide and the color is fairly light. The italic is an experiment: the oblique Roman is of the same width as the Roman.composition matrices: UA.405 = 8D-14D 520:
Romulus Bold Roman/
italic (synonym:
520 Van Krimpen Bold)composition matrices: UA.405 = 8D-14D
Ronaldson_10:
Ronaldson Roman/
italiccomposition matrices: UA-1 (6-12pt) (synonym:
Ronaldson Old style) _10:
Ronaldson Old Style (see:
Ronaldson)
Runic Condensed420 :
Runic Condensed RomanSabon669:
Sabon Roman/
italiccomposition matrices: UA.503 8D-12D 693:
Sabon Semi-Bold Romancomposition matrices: UA.503 8D-12D
Sachsenwald Mager499:
Sachsenwald Mager (cancelled in 1965)
Sans Serif_15:
Sans-Serif (see:
15 Grotesque Bold Condensed No.2)_81:
Sans-Serif (see:
81 Grotesque Bold Condensed)267:
Sans-Serif (cancelled in 1965)318:
Sans-Serif Condensed (see:
318 Grotesque Condensed)
Schmale Nürnburger Gotisch186:
Schmale Nürnburger Gotisch fraktuur (cancelled in 1965)display matrices in 6 sizes
Schoeffer_22:
Schoeffer (cancelled in 1964)composition matrices UA.2, 8pt, 10pt, 12 pt
Schurmann Antiqua Halbfette_52:
Schurmann Antiqua Halbfette Roman (synonym:
52 Modern Mediaeval (Half-Fat) (cancelled in 1967)
Scotch Roman_46:
Scotch Roman Roman/
italiccomposition matrices: UA. = 6-12pt 137:
Scotch Roman Roman/
italiccomposition matrices: 8-12pt
Script322:
Script (see:
322 Script Bold)574:
Script Ashley (see: '574 Ashley Script
)322:
Script Bold scriptdisplay matrices:436:
Script Dorchester (see:
436 Dorchester Script)493:
Script Grosvenor (see:
493 Grosvenor Script)475:
Script Lightdisplay matrices:351:
Script Monoline (see:
351 Monoline Script)429:
Script Palace (see:
429 Palace Script)455:
Script Temple (see:
455 Temple Script)385:
Script Wenceslas (see:
385 Wenceslas Script) (cancelled in 196?)
Shadow French434:
Shadow French (cancelled)
Shakespeare Titling234:
Shakespeare Titling (cancelled in 1967)display matrices:
Sheldon552:
SheldonSolus276:
Solus Roman (cancelled in 1967)composition matrices: UA.320 = 12pt-14pt 368:
Solus Bold Roman (cancelled in 1967)composition matrices: UA.320 = 12pt-14pt 368:
Solus Heavy (see:
Solus Bold)
Spartan140:
Spartan Romancomposition matrices: UA.16 = 6-12pt 141:
Spartan Bold Romancomposition matrices: UA.18 = 6-12pt 143:
Spartan Condensed Romancomposition matrices: UA.18 = 6-12pt 144:
Spartan Italic italiccomposition matrices: UA.18 = 6-12pt 139:
Spartan Light Romancomposition matrices: UA.18 = 6-12pt 142:
Spartan Light Condensed Romancomposition matrices: UA.18 = 6-12pt 145:
Spartan Wide Romancomposition matrices: UA.18 = 6-12pt
Spectrum556:
Spectrum Roman/
italicThis font designed by Jan van Krimpen was originally intended for printing a Bible at the Spectrum publishing house in Utrecht (Netherlands). The project was cancelled. Nevertheless, the font was rather successful. Therefore, in collaboration with Enschede & Sons it was decided to cut the complete series. The font is open and seems fairly robust. The character produces a fairly compact composition.composition matrices: UA. 428 = 6D-12D
Surrey Old Style196:
Surrey Old Style Roman (cancelled in 1967)display matrices:
Swing Bold583:
Swing Bold scriptdisplay matrices:
Temple Script455:
Temple Scriptcomposition matrices: UA.386 = 10D-12D
The Times355:
The Times Hever Titling Roman (synonym:
355 Times Hever Titling)composition matrices: UA.323 = 9pt-12pt
Times334:
Times Bold Roman/
italicto be used in combination with
Times New Roman Series 327composition matrices: Roman = UA.324, italic = UA 325, 5.5pt-14pt matrices for long-descenders are available in several sizes345:
Times Bold No.2 Roman (see also:
360 Times Bold)composition matrices: UA.324 = 5pt-6pt 360:
Times Bold Romancomposition matrices: UA.324 = 5pt-6pt 328:
Times Bold Titling No.2 Romancomposition matrices: UA.324 = 5pt-6pt 332:
Times Bold Titling Romandisplay matrices:639:
Times Cosmoli Titling (cancelled in 1966)339:
Times Extended Titling Romancomposition matrices: UA.327 = 7pt-14pt 569:
Times Four-line Mathematics355:
Times Hever Titling (see:
355 The Times Hever Titling)333:
Times Newspaper Smalls335:
Times Newspaper Smalls329:
Times Titling Romancomposition matrices: UA.328 = 14pt 358:
Times Titling (cancelled in 1967)
Times New Roman327:
Times New Roman Roman/
italic421:
Times New Roman Semi-bold Roman/
italiccomposition matrices: UA.325 = 7pt-14pt 427:
Times New Roman Wide Roman/
italic627:
Times New Roman Book Roman/
italicSeries 627 cconsist of the special "long-descender" characters and the normal "non-descender" characters of Series 427composition matrices: UA.327 = 7pt-14pt 474:
Times New Roman Heavy Book (destroyed in a bombardment)727:
Times New Roman (Light Caps) Roman827:
Times New Roman (French) Roman/
italic (see:
Times New Roman 727)alternative matrices for:composition matrices: UA.325 = 6pt-12pt
Titling179:
Titling (see:
179 Modern Titling)synonyms:
179 Titling Modern No.1,
179 Titling Italic180:
Titling (see:
180 Victoria Bold Condensed Titling) (synonym:
180 Victoria Bold Condensed)181:
Titling (see:
181 Victoria Condensed Titling)182:
Titling (see:
182 Victoria Titling)183:
Titling (see:
183 Modern)209:
Titling (see:
209 Caslon Titling)234:
Titling (see:
234 Shakespeare Titling)440:
Titling (cancelled in 1965)522:
Titling (see:
522 Placard Condensed Titling)332:
Titling Bold (The Times) (see:
332 Times Bold Titling)__H:
Titling (Caps) Roman180:
Titling Condensed (see:
180 Victoria Bold Condensed Titling)339:
Titling Extended (The Times) (see:
339 Times Extended Titling)328:
Titling Heavy (The Times) (see:
328 Times Bold Titling)355:
Titling Hever (The Times) (see:
355 Times Hever Titling)179:
Titling Italic (cancelled before 1966) (see:
179 Modern Titling)synonyms:
179 Titling 179 Modern Titling No. 1179:
Titling Modern No.1 (see:
179 Modern Titling)synonyms:
179 Titling,
179 Titling Italic329:
Titling (The Times) (see: 329 Times Titling
)Tonic-Sol-Fa325;
Tonic-Sol-FaTraveller629:
Traveller Romandisplay matrices:
Treyford226:
TreyfordTrojan114:
Trojan Roman (cancelled in 1967)composition matrices: UA.81 = 9pt-11pt
Typewriter_82:
Typewriter No.1 Romancomposition matrices: UA.28 = 10pt-12pt 100:
Typewriter No.2 Roman (see:
100 Typewriter 82)105:
Typewriter No.3 Roman (see:
105 Typewriter 82)127:
Typewriter No.4 Romancomposition matrices: UA.28 = 8pt-12pt 235:
Typewriter No.5 Elite Roman (see:
235 Typewriter 82)301:
Typewriter No.6 Elite Roman (see:
301 Typewriter 82)602:
Typewriter IBM "Executive" RomanThis font is an exception to the rule: it has character of different widths, "unit values". Therefore, a special wedge was needed to cast it. The keyboard also needed additional equipment: the key bars, a kind of mechanical arrangement to translate the keystrokes on the keyboard into the punches in the ribbon. For the print shop it was a very expensive font to purchase.Underlined character were cast at 12 pt, with a 2pt wide stripe (Rule R39 2pt)composition matrices: UA.442 = 14pt _82:
Typewriter Underlined Roman100:
Typewriter Underlined Roman105:
Typewriter Underlined RomanUltra Bodoni120:
Ultra Bodoni (see:
120 Bodoni Ultra Bold)
Univers693:
Univers Bold Roman/
italiccomposition matrices: UA.486 = 5D-12D, , extra &: S16511,S16512, superior: L225,694:
Univers Bold Condensed Roman/
italic692:
Univers Bold Expanded Romancomposition matrices: UA.491 = 6D-10D, extra &: S16511, superior: L228,696:
Univers Extra Bold Romancomposition matrices: UA.484 = 5D-12D, extra &: S16511,S16512, superior: L223, inferior: L255 695:
Univers Extra Bold Expanded Roman/
italiccomposition matrices: UA.491 = 6D-10D, extra &: S16511, superiors: L268,684:
Univers Extra Light Extra Condensed Roman/
italicdisplay matrices: , extra &: S16511, superior: L292,685:
Univers Light Roman/
italiccomposition matrices: UA.483 = 6D-12D, extra &: S16511,S16512, superior: L295,686:
Univers Light Condensed Roman/
italiccomposition matrices: UA.492 = 5D-12D, extra &: S16511,S16512, superiors: L250,687:
Univers Light Extra Condensed Roman/
italiccomposition matrices: UA.501 = 10D-12D, extra &: S16511, superior: L292,689:
Univers Medium Roman/
italiccomposition matrices: UA.483 = 5D-12D, extra &: S16511,S16512, superiors: L222, inferiors: L254 690:
Univers Medium Condensed Roman/
italiccomposition matrices: UA.484 = 5D-12D, extra &: S16511,S16512 , superior: L251 5D was not supplied after 1969688:
Univers Medium Expanded Romancomposition matrices: UA.484 = 6D-10D, extra &: S16511, superior: L266 691:
Univers Medium Extra Condensed Romancomposition matrices: UA.500 = 8D-12D, extra &: S16511, superior: L263 697:
Univers Ultra Bold Expanded Romancomposition matrices: UA.490 = 6D-10D, extra &: S16511, superior: L269
Van Dijck203:
Van Dijck Roman.
italiccomposition matrices: UA.354 = 7pt-14pt
Van Krimpen Bold520:
Van Krimpen Bold (see:
520 Romulus Bold)
Veronese_59:
Veronese (cancelled in 1967)composition matrices: UA.4 = 11pt-12pt
Victoria180:
Victoria Bold Condensed Roman (see:
180 Victoria Bold Condensed Titling)180:
Victoria Bold Condensed Titling Roman (synonym:
180 Victoria Bold Condensed)composition matrices: UA.49 = 10pt-12pt 181:
Victoria Condensed Titling Romancomposition matrices: UA.50 = 12pt 182:
Victoria Titling Roman (synonym:
182 Titling)display matrices:
Walbaum374:
Walbaum Roman/
italiccomposition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D 674:
Walbaum Roman/
italic (see:
374 Walbaum)375:
Walbaum Medium Roman/
italiccomposition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D
Wenceslas Script script385:
Wenceslas Script (cancelled in 1967)display matrices:
Wide Gothic_97:
Wide Gothic Roman (see:
97 Grotesque Bold)
Wide Latin164:
Wide Latin Roman (see:
164 Latin Wide)
Wigan Condensed273:
Wigan Condensed (cancelled in 1965)display matrices:
Worcester Old Face123:
Worcester Old Face (cancelled in 1965)
_89: Fraktur Antiqua Roman (cancelled voor 1966) (see also Neudeutsche Fraktur)_98: Alte 'Monotype' Fraktur (cancelled in 1972)449: Alte 'Monotype' Fraktur Halbfette (see: Alte Fraktur Fette)102: Alte Schwabacher (cancelled in 1972)_31: Armin Fraktur_32: Armin Fraktur Fette_34: Armin Fraktur Halbfette_37: Bamberger Fraktur (cancelled in 1967)_49: Bamberger Fraktur Fette (cancelled in 1967)_48: Bamberger Fraktur Halbfette (cancelled in 1964)521: Berliner Fraktur (cancelled in 1965)387: Blücher Fraktur Fette (cancelled in 1967)116: Breitkopf Fraktur (cancelled in 1972)367: Breitkopf Fraktur (cancelled in 1972)256: Breitkopf Fraktur Fette (cancelled in 1972)413: Breitkopf Fraktur Halbfette256: Dürer Fraktur513: Dürer Fraktur Fette (cancelled in 1965)512: Dürer Fraktur Halbfette (cancelled in 1965)363: Enge Fraktur Halbfette (cancelled in 1967)498: Enschedé Fraktur (cancelled in 1967)296: Erfurter Fraktur (cancelled in 1964)379: Essener Fraktur Fette (cancelled in 1967)_38: Fraktur (cancelled in 1964)_94: Große Moderne Fraktur (cancelled in 1967)308: Helen Fraktur (cancelled in 1964)384: Hessen Fraktur (cancelled in 1964)202: Hessen Fraktur Halbfette (cancelled in 1964)417: Hessen Fraktur Halbfette (cancelled in 1964)315: Hutten Fraktur (cancelled in 1964)423: Jean Paul Fraktur (cancelled in 1967)_40: Kasseler Fraktur_41: Kasseler Fraktur Halbfette_56: Koelner Fraktur_58: Koelner Fraktur halbfette118: Mainzer Fraktur132: Mainzer Fraktur Halbfette_64: Moderne Fraktur_66: Moderne Fraktur Fette_86: Moderne Schwabacher_93: Moderne Schwabacher Halbfette_35: Neue Schwabacher_36: Neue Schwabacher463: Rundgotisch186: Schmale Nürnburger Gotisch (cancelled in 1965)187: Schmalfette Frankfurter Fraktur483: Uhlen Rundgotisch205: Unger Fraktur277: Unger Fraktus Halbfette_28: Wittenberg Fraktur_29: Wittenberg Fraktur_83: Wuerzburger Fraktur599:
Amhariccomposition matrices: 9D-12D 624:
Amhariccomposition matrices: 10D 409:
Arabic (cancelled in 1946. replaced by series 549)542:
Arabic Bold (destroyed in a bombardement)415:
Arabic Display (cancelled in 1950)549:
Arabic Naskhcomposition matrices: 8D-18D, for 8D a special mould was needed.589:
Arabic Naskh Accentedlarge composition matrices:649:
Arabic Naskh Boldcomposition matrices: 8D-18D 559:
Arabic SollossDisplay matrices:507: (see:
507 Urdu)707: (see:
707 Urdu)721:
Farsicomposition matrices: 10D-12D 638:
Armaniancomposition matrices: 8D-12D 470:
Bengalicomposition matrices: 8D-12D 700:
Bengalicomposition matrices: 8D-12D 701:
Bengali Boldcomposition matrices: 8D-12D 670:
Bengali Bold (cancelled in 1967)558:
Burmese Lightcomposition matrices: 12pt-18pt 578:
Burmese Boldcomposition matrices: 12pt-18pt 633:
Chinese (cancelled in 1974)133:
Chu Yin (cancelled in 1967)609:
Louvain Coptic(Russian, Serbian, Bulgarian and Macedonian)_42:
Albioncomposition matrices: 6.5(6D)-13pt(12D) _63:
Albioncomposition matrices: 9(8D)-13pt(12D) _70:
Albioncomposition matrices: 6.5(6D)-13pt(12D) 169:
Baskerville (Russian) Roman /
italiccomposition matrices: 9pt-11pt 370:
Bembo Titlingdisplay matrices: 36pt-42pt 260:
Bodoni Bold Roman /
italicdisplay matrices: 14pt-72pt 529:
Bodoni Bold Condenseddisplay matrices: 14pt-36pt 120:
Bodoni Ultra Bold (Cyrillic) Romandisplay matrices: 14pt-42pt _17:
Cushing (cancelled in 1967)_68:
French Old Stylecomposition matrices: 6.5(6D)-13pt(12D) _69:
French Old Style Boldcomposition matrices: 6.5(6D)-13pt(12D) _44:
French Round Facecomposition matrices: 6.5pt-13pt 201:
Garamond Bold (Cyrillic Romandisplay matrices:262:
Gill Sanscomposition matrices: 6pt-12pt 275:
Gill Sans Boldcomposition matrices: 6pt-12pt 373:
Gill Sans Bold Condensed Titlingdisplay matrices:233:
Gill Sans Cameo Romandisplay matrices:485:
Gill Sans Condenseddisplay matrices: 14pt-36pt 362:
Gill Sans Lightcomposition matrices: 6pt-12pt _96:
Gothic (cancelled in 1965)_51:
Grotesquecomposition matrices: 6pt-12pt _97:
Grotesque Bold (cancelled in 1967)_11:
Grotesque Bold Condensed (cancelled in 1967)166:
Grotesque Bold Condensed (Cyrillic) Roman (synonym:
166 Grotesque Bold Condensed Titling)display matrices:166:
Grotesque Bold Condensed Titling Roman (see:
166 Grotesque Bold Condensed (Cyrillic))_33:
Grotesque Condensed Romancomposition matrices: 6pt-13pt 383:
Grotesque Condensed Romancomposition matrices: 6pt-13pt 383:
Grotesque Condensedcomposition matrices: 6D-12D _39:
Modern Condensedcomposition matrices: 6.5pt-13pt _77:
Modern Extended (cancelled in 1967)_75:
Modern Wide (cancelled in 1967)_27:
Neo Didotcomposition matrices: 6.5pt-13pt 506:
Placard Bold Condenseddisplay matrices:515:
Placard Bold Condenseddisplay matrices:568:
Placard Condenseddisplay matrices:522:
Placard Condensed Titlingdisplay matrices:194:
Plantin Bold (Russian) Romancomposition matrices: 6pt-12pt 113:
Plantin Light (Russian) Roman /
italiccomposition matrices: 6pt-12pt 327:
Times New Romancomposition matrices: 6pt-12pt 334:
Times Boldcomposition matrices: 6pt-12pt 155:
Devenagaricomposition matrices: 12pt-16pt 346:
Devenagari Boldcomposition matrices: 10pt-16pt, voor 10pt is een speciale gietvorm nodig 755:
Devenagari Italiccomposition matrices: 10pt-16pt _24:
Gaeliccomposition matrices: UA.23: 8pt, 10pt, 12 pt, UA.108: 14 pt, 18pt, UA.109: 24 pt 117:
Gaelic (see:
117 Gaelic Sans-Serif)121:
Colum Cille (see:
121 Gaelic Colm Cille)121:
Gaelic Colm Cille_85:
Gaelic Display117:
Gaelic Display (see:
117 Gaelic Sans-Serif)117:
Gaelic Sans Serif539:
Georgian Light (cancelled in 1972)display matrices: 16D 540:
Georgian Bold (cancelled in 1972)display matrices: 24D587:
Georgiancomposition matrices: 8D-10D598:
Glagolitic (see also:
597 Old Bulgarian)composition matrices: 12pt:259:
Antigonecomposition matrices: UA.432 = 13pt:672:
Gill Sans Bold Uprightis used as "bold" in combination with series 571 & 572585:
Gill Sans Condenseddisplay matrices:625:
Gill Sans Bold Uprightcomposition matrices: UA.452 = 8-12pt:571:
Gill Sans Inclined italicIs used as italic in combination with series 572 and 672, data similar with Series 572:572:
Gill Sans Upright Romancomposition matrices: UA.451 = 8-12pt:473:
Greek (cancelled in 1967)_91:
Greek: Inclinedcomposition matrices: UA.26 = 6-13pt:_92:
Greek: Bold Upright (see also:
92 Greek Upright Display)composition matrices: UA.26 = 6-13pt:472:
Greek: Inclinedcomposition matrices: UA.434 = 8-11pt:_90:
Greek: Uprightcomposition matrices: UA.26 = 6-13pt:_92:
Greek Upright Display (Synoniem:
92 Greek Bold Upright)composition matrices: UA.27 = 9-13pt:683:
Grotesque Condensed Uprightdisplay matrices: 14D-36D 718:
Grotesque Condensed Uprightdisplay matrices: 14pt-36pt 486:
Heavy Greek (see:
486 Sans-Serif)192:
New Hellenic Greekcomposition matrices: UA.73 = 7-12pt:553:
Old Style Bold Inclinedcomposition matrices: UA.436 = 9-11pt:283:
Perpetua (cancelled in 1967)605:
Placard Extra Light Condenseddisplay matrices: 14D-36D 668:
Placard Condensed Uprightdisplay matrices: 14D-36D 106:
Porsoncomposition matrices: UA.26 = 5.5-12pt:404:
Porson Condensed (cancelled in 1967)486:
Greek: Sans Serifcomposition matrices: UA.415 = 8-10pt:739:
Spartan Light UprightOnly capitals in 4 sizes, the small sizes are used as lower case with the larger sizescomposition matrices: UA.454 = 6-12pt:740:
Spartan UprightOnly capitals in 4 sizes, the small sizes are used as lower case with the larger sizescomposition matrices: UA.454 = 6-12pt:741:
Spartan Bold UprightOnly capitals in 4 sizes, the small sizes are used as lower case with the larger sizescomposition matrices: UA.454 = 6-12pt:565:
Times Uprightcomposition matrices: UA.437 = 6-12pt:566:
Times Inclined was used as italic with
Series 565 Times Uprightcomposition matrices: UA. 438 = 6pt-12pt, large composition matrices 14pt-18pt, (lining-data more equal)567:
Times Bold Uprightcomposition matrices: UA.439 = 6-12pt:667:
Times Bold Inclinedcomposition matrices: UA.439 = 6-12pt:893:
Univers Bold Uprightcomposition matrices: UA.439 = 6-12pt:989:
Univers Medium Inclinedcomposition matrices: UA.439 = 6-12pt:889:
Univers Medium Uprightcomposition matrices: UA.439 = 6-12pt:460:
Gujerathicomposition matrices:518:
Gujerathi Boldcomposition matrices:704:
Gujerathicomposition matrices:601:
Gurmukhi Boldcomposition matrices: 12-16pt:604:
Gurmukhicomposition matrices: 12-16pt:604:
Gurmukhi Light (see:
604 Gurmukhi)219:
Ashurith (unpointed)composition matrices: 7-8pt:487:
Gill (cancelled in 1967)222:
Hebrewcomposition matrices: 6-8pt:219:
Hebrew Ashurith (see:
219 Ashurith)221:
Hebrew Levenim (see:
221 Levenim)220:
Hebrew Peninim (see:
220 Peninim)228:
Hebrew Rabbinic (see:
228 Rabinnic)547:
Hebrew Schocken No.1 (cancelled in 1974)550:
Hebrew Schocken No.2 (cancelled in 1967)551:
Hebrew Schocken No.3 (cancelled in 1967)218:
Hebrew Sonzino (pointed) (see:
218 Sonzino)221:
Levênim (unpointed)composition matrices: 7pt:492:
Mayer488:
Mayer Pointed220:
Peninim (unpointed)composition matrices: 5-7pt:489:
Peninim217:
Peninim Pointedcomposition matrices: 6-8pt:228:
Rabbiniccomposition matrices: 11-12pt:218:
Sonzinocomposition matrices: 9-12pt: extra point-matrices available for 9pt, when cast at 9pt Didot 588:
Kannadacomposition matrices: 10-16pt:590:
Kannada (see:
590 Malayalam)788:
Kannada787:
Kannada Semi-Bold590:
Malayalam (synonym:
590 Kannada)composition matrices: 10-12pt:660:
Malayalamcomposition matrices: 8pt:597:
Old Bulgarian (see also:
598 Glagolitic)composition matrices: 10-12pt:706:
Oriya557:
Sangalesecomposition matrices: 8-14pt:657:
Sangalese Boldcomposition matrices: 8-14pt:698:
Sangalese Italiccomposition matrices: 8-14pt:699:
Sangalese Bold Italiccomposition matrices: 8-14pt:564:
Syriac "Estrangelo"composition matrices: 8-10pt:280:
Tamilcomposition matrices:340:
Tamil Boldcomposition matrices: 8pt-10pt581:
Tamil Bold (cancelled)340:
Tamil Heavy (see:
340 Tamil Bold)580:
Tamil Mediumcomposition matrices:708:
Tamil Mediumcomposition matrices:426:
Telugu (cancelled in 1969)626:
Telugu Mediumcomposition matrices:726:
Telugu Bold577:
Thaicomposition matrices:608:
Thai Lightcomposition matrices:611:
Thai Boldcomposition matrices:621:
Thai Mediumdisplay matrices:628:
Thai Light Italiccomposition matrices:507:
Urducomposition matrices: 9D-16D 707:
Urdu Boldcomposition matrices: 9D-16D
