Kiss Tomorrow Goodbye (film)

Plot

Ralph Cotter is a career criminal who escapes from prison, then murders his partner-in-crime. Along the way, he attempts to woo his ex-partner's sister (Barbara Payton) by threatening to expose her role in his escape.

Cotter quickly gets back into the crime business, only to be shaken down by corrupt local cops.

Cast

Restoration / re-release

A restored version of the film was released in 2011. The film was restored by the UCLA Film & Television Archive, in coöperation with Paramount Pictures, funded by the Packard Humanities Institute.

The new print was made “from the original 35mm nitrate picture and track negatives and a 35mm safety print.”

The restoration premiered at the UCLA Festival of Preservation on March 14, 2011.

Critical response

The film, often compared unfavorably to White Heat, received mixed reviews. Fred Camper, film critic for The Chicago Reader, called the film mis-directed, writing, "Gordon Douglas's direction is almost incoherent compared to Raoul Walsh's in White Heat (1949), which features Cagney in a similar role; the compositions and camera movements, while momentarily effective, have little relationship to each other, and the film reads a bit like an orchestra playing without a conductor."

Film critic Dennis Schwartz generally liked the film and wrote, "This is an energetic straightforward crime drama based on the book by Horace McCoy (They Shoot Horses, Don't They?) and the screen play, which hardly makes sense and is the root of the film's problems, is by Harry Brown. Gordon M. Douglas (Come Fill the Cup/Only the Valiant) helms it by keeping it fast-paced, brutal and cynical, and lets star James Cagney pick up where he left off in the year earlier White Heat as an unsympathetic mad dog killer. This was an even tougher film, but the crowds did not respond to it as favorably as they did to White Heat (which seems odd, since it is basically the same type of B-movie)."