| Hugh Brody|
| Juliet Stevenson (1993–)|
| Rosalind Hannah Brody, Gabriel Jonathan Brody|
1919, Hunters And Bombers, INSIDE AUSTRALIA
Trinity College, Oxford, University of Oxford
The Other Side of Eden, Maps and Dreams, The People's Land, Seasons of the Arctic, Nineteen nineteen
Juliet Stevenson, Rosalind Hannah Brody, Paul Nicklen, Nigel Markham, Paul Scofield
Hugh Brody Wikipedia
Hugh Brody is a British anthropologist, writer, director and lecturer. He was born in 1943 and educated at Trinity College, Oxford. He taught social anthropology at Queen's University Belfast. He is an Honorary Associate of the Scott Polar Research Institute at the University of Cambridge, and an Associate of the School for Comparative Literature at the University of Toronto. He currently holds a Canada Research Chair at the University of the Fraser Valley in Abbotsford, British Columbia.
In the 1960s, as a graduate student at Oxford, Hugh Brody worked as an anthropologist in Ireland. This led to his book Inishkillane, Change And Decline in the West of Ireland. The field-work for this study took him to Connemara and West Cork, where he lived and worked with peasant farmers, fishermen and as a barman in a village bar. Contracted by Raidió Teilifís Éireann he spent time on Gola Island, off the coast of County Donegal, research that led to his contribution to the book Gola, The Life and Last Days of an Island Community, co-authored with F. H. A. Aalen.
In 1969, he did his first Canadian work, supported by the Northern Science Research Group at what was then the Canadian Department of Indian and Northern Affairs. This took him to the skid row area of Edmonton, Alberta in the Canadian Prairies. His report on that work, Indians on Skid Row, published in 1970, led to changes in government policy, especially in relation to Native Friendship Centres – crucial in giving support to Native people adrift in Canadian cities.
In the 1970s, as a research officer with the Northern Science Research Group, he did extensive field work in the Arctic, living with Inuit in the communities of Pond Inlet on Baffin Island and Sanikiluaq on the Belcher Islands. He learned two dialects of Inuktitut, North Baffin and South Hudson Bay, and wrote The People's Land, Inuit and Whites in the Eastern Arctic. This is a book that looks at how colonial relations, through the history of the fur trade, church missions and the Canadian government, have shaped the social and psychological circumstances of the far north. The argument and descriptions focus very much on a particular time in a particular place, but resonate with parallel experiences among indigenous peoples around the world. In the course of his work with the Northern Science Research Group, Brody also developed an innovative program that aimed to give new levels of support for families who wanted to live on the land. Brody was also one of those who in the mid-1970s first urged within the Department of Indian and Northern Affairs the idea of the separation of the Canadian north into two indigenous jurisdictions, with that of the east becoming an Inuit political territory. This came into being with the creation of Nunavut in 1999.
In 1975, Brody resigned from his position in the Canadian Civil Service. He was then based at the Scott Polar Research Institute at the University of Cambridge, where he became an Honorary Associate. In 1976–78 he worked on the Inuit Land Use and Occupancy Project, in the Northwest Territories, where he was co-ordinator for the land use mapping carried out in the North Baffin region. He also assembled an Arctic-wide account of Inuit perceptions of land occupancy, building a collage of Inuit voices from all the communities of the Northwest Territories. He later worked on a similar project with Inuit and settlers of Labrador, which was published in Our Footsteps Are Everywhere (1978).
In 1977, Brody was a witness to the Mackenzie Valley Pipeline Inquiry, giving evidence on the nature of northern development, alcohol abuse and Inuit languages. He then became a member of Justice Thomas R. Berger's staff, helping to prepare the two volume report that set out the remarkable conclusions of the inquiry.
In the 1980s, working for the Union of British Columbia Indian Chiefs, Brody lived and worked with the Dunne-za and Cree of northeast British Columbia – the project and experiences that led to his book Maps And Dreams. This account of anthropological research and cultural mapping with a hunting community, and especially the laying of frontier development onto the ways Dunne-za and Cree see and understand their territories, became a classic of indigenous studies. Its use of alternating chapters, switching between first person narrative and social scientific writing has also given it a significant place in the history of the literature of anthropology.
Brody worked with Justice Berger again in 1991-2 as a member of the World Bank's Morse Commission, which had the job of assessing implications of the Sardar Sarovar Dam, a vast hydro and irrigation project in western India. His role in public inquiries and assessment of the impact of large scale developments on indigenous communities continued when he became Chairman of the Snake River Independent Review. This was a mediation between the Idaho Power Company and the Nez Perce Tribe of Idaho in relation to the building of the Bliss Dam on the Snake River in the 1950s.
Since 1997, Brody has worked on projects in southern Africa. This began when he helped co-ordinate background research for the ‡Khomani San Land Claim in South Africa's southern Kalahari. This work led to filming many aspects of the claim, including its aftermath. In 2008, accompanied by the Canadian cinematographer Kirk Tougas, he filmed the beneficiaries of the claim as they reflected upon how it had changed their lives in the nine years since the claim was accepted. Working with the UK NGO Open Channels, and funded by the UK charity Comic Relief, Brody also led projects with and for San in Namibia and Botswana. The film work in South Africa led to the DVD Tracks Across Sand – four and a half hours of film edited by long-term collaborationorator Haida Paul shot in the course of land claims research, oral history and language research in the northern Cape of South Africa. This was to be released in 2012/13.
As a writer, Brody has published many essays and a collection of short stories, as well as his non-fiction books. His stories, Means of Escape, was hailed by Doris Lessing, who wrote: "I recommend these tales to all connoisseurs of the short story, for they are unique in flavour and style, altogether unusual, and will stay in my memory like elegiac and lyrical songs or poems. Beautiful." The Canadian writer M. T. Kelly described the collection as "Intense, deeply felt, charged fiction...A masterful accomplishment". Brody has also written a number of screenplays, one of which, co-authored with Michael Ignatieff, became the film 1919.
Canadian philosopher George Woodcock described Maps and Dreams (1981) as "an impressive attempt to dispel popular errors about peoples whom anthropologists used condescendingly to call ‘primitive hunters’. Brody is also seeking to prove that hunting economies can continue to be viable even in modern North America, and that the way of life associated with them is worth preserving."
In 2000, Brody published The Other Side of Eden: Hunter-Gatherers, Farmers and the Shaping of the World. This is a book that puts together experience of and thinking about many of the fields of travel and anthropology that have been at the centre of Brody's work. It looks at the relationship between culture and language, the way the agricultural way of life is at the core of the mythic ideas of human universality to be found in Genesis, and the way hunting cultures have been wrongly identified as nomadic – pointing out that it is agriculture, with its inherent tendency to produce surplus population and propensity for colonial expansion and warfare, that is the most mobile of ways of life. The Other Side of Eden takes a very wide view of history and cultures, yet is rooted in closely observed anthropology, much of it from Brody's own field experience.
Brody also wrote an article called 'Arensberg and Kimball revisited' This article was about Inishkillane in County Clare, Ireland.
In 1975, Brody's filmmaking began with his work for ITV's The Series of Disappearing World, going with director Michael Grigsby to the Inuit community of Pond Inlet, where they made the film The People's Land, Eskimos of Pond Inlet. This led to Brody directing documentaries, first in Canada (working with First Nations in many parts of the country), as well as in the UK and Australia. These include the award winning Hunters And Bombers, a film that follows the Innu resistance to low level flying in Labrador from CFB Goose Bay. He also made On Indian Land, a film with the Gitksan and Wet'suwet'en of northern British Columbia, and Time Immemorial, the opening film in the series As Long As The Rivers Flow. All his work with Canadian First Nations depends on a non-narration, intimate style: the people in the films are the films, which go deep into the experience and points of view of indigenous peoples – and often into their grief, and ways of dealing with loss.
His film The Washing of Tears made with the Mowachaht-Muchalaht people of Gold River, on the west coast of Vancouver Island, is an exploration of how one community looked to their fractured heritage to deal with extremes of dispossession and grief.
Hugh Brody and Michael Ignatieff's screenplay 1919 was filmed in 1983 and released in 1984. It explores history, memory and the place of psycho-analysis in an understanding of both the self and the 20th century. John Berger, in his introduction to the Faber and Faber edition of the screenplay, wrote: "Nineteen Nineteen speaks directly to what we know about life, composed inextricably of the most intimate movements of the heart, accident, and the remorseless movement of history." Phillip French, reviewing the film for London's The Observer noted: "With Nineteen Nineteen, cinema's relationship to psychoanalysis has come of age. This is the first great film about the subject." The film had a remarkable cast, starring Paul Scofield, Maria Schell, Diana Quick, Clare Higgins and the young Colin Firth.
Brody's films for British television include England's Henry Moore, a project that was conceived by writer and political commentator Anthony Barnett. It explores Barnett's exposition of the links between Moore's work and the place of Britain in the world. In 2002–03 Brody made Inside Australia, a journey with Antony Gormley into the Australian western desert to follow the installation of one of Gormley's most remarkable and visually stunning pieces of work.
In 2005–08, Brody made a film in a prison in British Columbia, The Meaning of Life, in which he explores the use of aboriginal culture as a means of rehabilitation. At the centre of this film are accounts that inmates give of their lives and attempts at rehabilitation. In 2012, he finished work on a 4-hour DVD, Tracks Across Sand, which shows in 17 segments the results of filming with the ‡Khomani San as they develop and then cope with their 1999 land claim.
In 2014, a large collection of materials gathered from the projects with the ‡Khomani San was deposited with the University of Cape Town Libraries and can be viewed on the digital collections website.The People's Land: Eskimos of Pond Inlet – ITV: Granada, London, 1976 (research, collaboration with Mike Grigsby) 55 minutes.
A Conemara Family – BBC: Bristol / London, 1980 (research, collaboration with Melissal Llewelyn-Davis) 58 minutes.
Treaty 8 Country – Treaty 8 bands / National Film Board of Canada (NFB) Vancouver, 1981 (director, collaboration with Anne Cubitt) 44 minutes.
People of the Islands – Channel 4: London, 1982 (director) 80 minutes.
1919 – British Film Institute: London 1985 (co-writer, director). 90 minutes.
On Indian Land – GWTC: Hazelton, British Columbia / Channel 4: London, 1986 (co-producer, director) 54 minutes.
England's Henry Moore – Channel 4: London, 1988 (director) 65 minutes.
Hunters and Bombers – NFB: Montreal / Channel 4: London, 1990 (co-director) 56 minutes.
Time Immemorial – Tamarack: Toronto / NFB: Montreal, 1991 (director) 61 minutes.
A Washing of Tears – Nootka Sound & Picture Co./NFB: 1993 (director)
Cosmic Africa – directed by Craig Foster, Aland Pictures, Cosmos Films, IDC South Africa, 2002 (co-writer)
Inside Australia – Artemis Films International: 2004
The Meaning of Life – HR Brody Ltd: 2008
Tracks Across Sand – 2012 (director), a DVD containing sixteen films (total 4.5 hours) made as a community project with the ‡Khomani San of the Southern Kalahari.
Gola: Life and Last Days of an Island Community (with F.H.A. Aalen). Cork: Mercier, 1969.
Indians on Skid Row. Ottawa: NSRG, 1971.
Inishkillane: Change and Decline in the West of Ireland. London: Allen Lane, 1973, Penguin, 1974, Norman & Hobhouse, 1981, Faber & Faber, 1986; New York: Schocken, 1975; Vancouver: Douglas & McIntyre, 1981.
The People's Land. London and Toronto: Penguin, 1975, 1977, 1983; New York: Penguin, 1977; Vancouver: Douglas & McIntyre, 1991 (with new introduction).
Maps and Dreams. Vancouver: Douglas & McIntyre. 1981, 1988 (with new introduction); London: Norman & Hobhouse, 1981, Faber & Faber, 1986. London and Toronto: Penguin, 1983; New York: Pantheon, 1983. (Reissued Long Grove, IL: Waveland Press, 1998)
Nineteen Nineteen (with Michael Ignatieff). London: Faber & Faber, 1985.
Living Arctic. London: Faber & Faber, 1987; Vancouver: Douglas & McIntyre, 1990.
Means of Escape. Vancouver: Douglas & McIntyre, 1991; London: Faber & Faber, 1991.
The Other Side of Eden: Hunters, Farmers and the Shaping of the World. Vancouver: Douglas & McIntyre / London: Faber and Faber / New York: Farrar, Straus & Giroux, 2000. Paperback: Canada, 2001, UK and USA, 2002. Dutch, Chinese and Japanese translations, 2002-3
Inuit Land Use and Occupancy and Inummarit, The Real People – in: Inuit Land Use and Occupancy Report, Volumes, 1 & 2, editor Milton Freeman, Ottawa: DIAND, 1976.
Industrial Impact in the Canadian North – Polar Record, Cambridge, 1977.
Eskimo: A Language With a Future – Polar Record, Cambridge, 1977
Continuity and Change: The Inuit and Settlers of Labrador – in Our Footsteps are Everywhere, editor Carol Bryce-Bennett, Ottawa: DIAND, 1978
Alcohol – Etudes Inuit No. 1, Quebec: Laval, 1979
Jim's Journey – Granta No 10, 1983.
On Indian Land: The Gitksan-Wet'suwet'en – British Columbia: New Catalyst, 1987
Introduction to Stikine, The Great River, by Gary Fiegehen, Vancouver: Douglas & McIntyre, 1991
The Power of the Image – in Imaging the Arctic, J C H King and Henrietta Lidchi, London: British Museum 1998
Nomads And Settlers – in Town And Country, editors Anthony Barnett and Roger Scruton, London: Jonathon Cape, 1998
Taking the Words from their Mouths – Index on Censorship, Vol. 4, 1999, p 42-47.
Introduction to Seasons of the Arctic photographs by Paul Nicklen, Vancouver/Toronto: Greystone Books, 2000, p xv – xxv.
In conversation with Hugh Brody, interview by Eleanor Wachtel, Brick, Number 68, Fall 2001, p 22-27.
Atanarjuat – the fast runner, a discussion of Zacharias Kunuk's film, Open Democracy Website, February 2002.
Inside Lake Ballard – in Antony Gormley's Inside Australia, London: Thames and Hudson, 2005, p 18 – 53
Forward to Robert Semeniuk's Among the Inuit, Vancouver: Raincoast Books, 2007
Without Stories We Are Lost – in The Journals of Knud Rasmussen. Editor Gillian Robinson, Canada: Isuma Productions, 2008
Stations of Life, an essay about inequality, Resurgence, September / October 2008
The anthropology of ourselves – in One And Other: The Fourth Plinth in Trafalgar Square, London: ˆThames and Hudson, 2010
Gaddafi and the Tuareg – Open Democracy, October 2011
1 December 1961: Fly the Flag of Independence – Open Democracy, November 2011
1991: Catholic Film Critics Award winner for Hunters and Bombers
1985: Golden Bear award nomination at the 35th Berlin International Film Festival for 1919
Brody is currently leading a research program on the role played by Sto:lo youth in the development of their communities.
Brody lives with actress Juliet Stevenson and they have two children.