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Giuseppe Badaracco
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Name
Giuseppe Badaracco
Died
1657
Lic giuseppe badaracco
Giuseppe Badaracco (1588–1657), also called “Il Sordo” (the Deaf), was an Italian painter of the Baroque period, active mainly in Genoa, in Liguria and in the island of Corsica.
Born in Genoa into well-to-do family, he first studied classic literature, but moved into an apprenticeship with the painter Bernardo Strozzi, then Giovanni Andrea Ansaldo. He worked for some years in Florence, where he copied many of the works of Andrea del Sarto. Returning to Genoa (about 1625), he painted mainly for private customers. He worked also in Corsica (at that time part of the Republic of Genoa), where he painted locally influential paintings for some churches around Bastia. He died on 1657 from the plague that swept through Genoa. He fathered four sons; among them Giovanni Raffaele (1648–1717), who was also his pupil, became a notable painter.
Giuseppe badaracco no pude decirte adios
Works
"St. Peter martyr talking to the crucifixus", preserved in the Museum of "Accademia Tadini" at Lovere.
“Interception of Virgin and St. Joseph to Trinity for the souls of Purgatory”, in the church of San Pierre at Luri, Corsica. More of his paintings are found in other churches near Bastia
“St. Filippo Neri adoring the Crucifix”, in the church of Saints Nicholas and Erasmus (Genova-Voltri).
“St. Erasmus, St. Chiara e St. Nicholas”, in the church of Santa Maria Assunta (Camogli)
“Death of Saint Joseph”, in the church of Sant’Antimo at Piombino (Tuscany).
“St. Francesco da Paola” in the Oratory of San Rocco at Tortona (uncertain attribution).
Pictures of Giuseppe Badaracco are also in the church of St. Anthony the abbott at Diano Marina, where is preserved a collection of paintings of Ligurian painters of 17th century.
Altarpiece depicting Madonna and Child with the saints Peter, Erasmus and Anthony the abbot in the church of San Matteo at Borghetto Santo Spirito
Painting depicting the Miracle of the mule (a legendary episode of the life of St. Anthony of Padua, in the Oratory of S. Giuseppe, in the same town.
The last two paintings are interesting also from the historical point of view, as they show on the background two different views of Borghetto Santo Spirito in the 17th century.
