Daft Punks Electroma

Plot

The two lead characters appear as the robotic forms of Daft Punk and are credited as "Hero Robot No. 1" and "Hero Robot No. 2". One wears a silver helmet and the other wears a golden one. An opening scene shows the duo driving in a 1987 Ferrari 412 with its license plate displaying "HUMAN". After passing through a Southwestern United States landscape, the duo arrives by car at a town in Inyo County, California. The town's resident are also shown to be robots physically identical to the two main characters, but at different ages, with different clothing and alternating gender.

The pair drive to a high-tech facility where liquid latex is poured over their heads. The latex is shaped into human-like faces with the aid of prosthetic appliances and wigs. The resulting look caricaturizes the members of Daft Punk, Thomas Bangalter and Guy-Manuel de Homem-Christo. When the two leave the facility, the locals of the town are shocked by their human appearance. The townsfolk gradually begin to chase the duo, whose faces eventually melt in the sun. The two take cover in a public restroom where the gold robot discards his ruined mask, then encourages the reluctant silver robot to do the same. Again appearing as robots, the pair then undergo a lengthy hike across desert salt flats.

After walking for an extended period, the silver robot slows down and comes to a stop. Becoming aware of this, the gold robot walks back to the silver one. The silver robot continues to stare at the ground for a moment before removing his own jacket. He then turns away from the other robot, revealing a switch on his back. The gold robot flips the switch, which begins a timer. When the countdown ends, the silver robot is blown to pieces. The remaining robot piles the remains of the silver robot, then continues to walk. The gold robot eventually falls to his knees and attempts to reach the switch on his own back, but to no avail. Another moment passes before the robot removes his helmet and repeatedly slams it into the ground until the helmet shatters. Using one of the shards as a burning-glass, the robot focuses the sunlight to set his hand ablaze. The film ends as the robot, completely on fire, walks in slow motion through darkness.

Cast

Production

Daft Punk's previous directorial credits include the music videos for their songs "Fresh", "Robot Rock" and "Technologic". The duo initially shot footage for a music video of the song "Human After All", but expanded the content for a feature-length film instead. According to Guy-Manuel de Homem-Christo, Daft Punk's Electroma had been an unplanned extension of filming videos for the Human After All album.

Thomas Bangalter stated, "With this film, we had the same approach as when we started making music. Create without any rules or standards. Take a free approach to something new that you don't really know, and that you learn from scratch."

The film was shot on 35 mm Kodak stock under the cinematography of Bangalter. He purchased and read over 200 back-issues of American Cinematographer in preparation for the feature-length picture. Filming of Daft Punk's Electroma spanned 11 days, much of which was spent in California. Many scenes of the film take place in Inyo County along U.S. Route 395 and in the town of Independence. The robotic and makeup effects were designed and created by frequent collaborators Tony Gardner (designer) and Alterian, Inc.

Music

While D.A.F.T.: A Story About Dogs, Androids, Firemen and Tomatoes and Interstella 5555: The 5tory of the 5ecret 5tar 5ystem were produced to complement the albums Homework and Discovery, the soundtrack for Daft Punk's Electroma does not feature material by Daft Punk. As stated by de Homem-Christo, "We come from a musical background, but this movie is quite minimal." The following songs are featured in the film:

Release

The film was first shown on May 21, 2006 as part of the Cannes Film Festival sidebar Director's Fortnight. Midnight screenings of Daft Punk's Electroma were shown in Paris theaters from the end of March 2007. The film was also screened at Biennale de Montréal in Canada on May 11. It was shown in the Australian Centre for the Moving Image on June 7, at the Institute of Contemporary Arts (ICA) in London on June 8 and at Kino Arsenal in Berlin on July 4, 2007. The film went on a screening tour of the United Kingdom, beginning in July 2007 and ending in October at the BBC Electric Proms. The ICA later announced a few late night weekend screenings for November 2007, but based on turnout and interest, extended the screenings to continue until January 2008. In December 2007, the film was shown in Seattle, New York City, Chicago, Los Angeles, Atlanta and Austin as part of a tour of independent film screenings sponsored by the Scion line of Toyota cars. Vice Records sponsored Canadian midnight showings on December 7 in Victoria, Banff, Calgary, Winnipeg, Fort McMurray and Toronto. Further showings in Canada were screened during January 2008 in Toronto, Ottawa and Whitehorse.

The DVD-Video of the film was first released in Australia on June 6, 2007. It is distributed by Aztec International Entertainment. According to the official Daft Punk's Electroma website, it is available in the UK as of November 19, 2007. Vice Records released the North American DVD on July 22, 2008; reports of a Blu-ray Disc release by Vice were later labeled "a mistake" and retracted by the company. The DVD is packaged with a 40-page book of film images in a SteelBook case. The film became available for online viewing on the Lycos Cinema platform as a rental streamed at either standard or high definition. It is also available for online rental or purchase at the iTunes Store, and for streaming on TIDAL

Reception

Review aggregator Rotten Tomatoes gave the film a "Fresh" rating of 72% through an average rating of 3/5. The film's showing at Director's Fortnight was received with mixed reactions. Daft Punk's Electroma was praised for its lensing technique and musical soundtrack at the premiere. At the same time, the film was unfavorably compared with Gus Van Sant's Gerry and Vincent Gallo's The Brown Bunny for its extensive hiking sequence. The scenes involving the main characters' desert trek reportedly caused a large portion of the audience to leave the theater at the Cannes Film Festival showing. In regards to the film's reception, Guy-Manuel de Homem-Christo expressed:

Giving his own take on the film's reception, Thomas Bangalter also stated, "We expected it to be less popular than Discovery, of course. The film is experimental and inaccessible; however, it's a movie that does not require your brain to function."

Reaction to the film's midnight screenings in Paris was reported to be positive as of the end of March 2007. The screenings in the region were so highly received that the film's previously brief run was extended to six months. Most screenings in the United Kingdom sold out quickly. In response to the film's midnight placement, Guy-Manuel de Homem-Christo expressed, "We are really happy it has become a midnight movie rather than just another movie that will be taken off the screen after one week. Usually, and I think it is the same worldwide, you get all the big blockbusters and if the movie doesn't do good, after one week it is taken off the screen."