Born on 13 December 1897 in Rotterdam, the Netherlands, Albert Aalbers was the youngest son of Theo Aalbers and Johanna Buis. Between 1910 and 1918, Aalbers studied architecture at the Rotterdam Academy of Visual Arts and Techniques. At that time Dutch architecture was highly influenced by the expressionist movement due to popular expressionist artists, including the painter Willem de Kooning who also studied in the same school.
In 1923, Albert Aalbers and his brother, Theo, established the Gebroeder Aalbers architecture office in Rotterdam. Their projects ranged from offices to villas. The famous American architect, Frank Lloyd Wright, influenced their works; the Villa Dijkendam—owned by Albert Aalbers' future father-in-law's family—is one such example of a building inspired by Wright's works.
1926 was a difficult time for the Aalbers brother during which they filed for bankruptcy and closed down their office. His brother migrated to the Dutch Indies—the Netherlands colony—while Albert remained to try his luck again by opening an office in Hengelo, in the east of the Netherlands. He married Anna Marie Philipina Lieuwen in 1928 and the couple migrated to the Dutch Indies. At the beginning of their stay, Albert Aalbers worked in a contractor's office owned by J. Bennink in Sukabumi, West Java.
In 1930 the Aalbers family moved to Bandung, a few kilometers east of Sukabumi. At that time, the Dutch East Indies government was planning to move the colonial capital from Batavia (present-day Jakarta) to Bandung. The plan was never realized although it transformed Bandung into a city of new European ambience, including its built environment. Several Dutch architects, including Thomas Karsten, Henri Maclaine-Pont, J Gerber and C.P.W. Schoemaker, were actively involved designing and renovating buildings throughout the city. Aalbers saw this as a good opportunity and he started to work as a freelance architect in the city. Later he and his friend, Rijk de Waal, opened a new firm, the Aalbers en De Waal.
In 1935 the Aalbers en De Waal office received a contract to design an office building for the DENIS Bank (De Eerste Nederlandsch-Indische Spaarkas or the First Dutch-Indies Savings). Aalbers used steel materials for the building structure and concrete floors, but he designed the horizontal side with smooth curves as if the materials were made from plastic. As a point of visual contrast, Aalbers put a lift tower in the middle of the building, higher than the six rounded platforms. This articulation point of vertical tower against the horizontal smoothness provides an impression of disrupting the elasticity.
Rounded façades with mainly purely decorative non-functional elements are similar to the Amsterdam School style, but Aalbers was a follower of the International style or modernist architecture that believed form should simply follow function and eschew such decoration. One pioneer of modernist architecture, Le Corbusier, famous for facades of open space, inspired Aalbers in his designs for the interior of the DENIS bank. The ground floor contains a staircase with glass window leading to a public place, while the second floor is used as offices with large terraces facing Naripan street.
The DENIS bank design was highly appreciated after which their office received another contract in 1936 to redesign the famous hotel in Bandung, the Savoy Homann Hotel. The hotel was built in 1880 and had been the major accommodation for the wealthy. F Van Es Jr., the hotel owner, asked Aalbers to renovate the hotel with a similar elastic impression as in the DENIS bank. The ocean wave facade and the vertical tower in the middle thus decorate the hotel's exterior, while Aalbers kept the colonial classical style for the interior. The hotel was reopened in 1939 and became internationally renowned. Several Hollywood artists have stayed in the hotel, including Charlie Chaplin and Mary Pickford.
On the recommendation of Van Es Jr., Aalbers' office received more contracts to design hotels. He renovated the hotel lobby of the Grand Hotel Lembang at Lembang, a hillside village north of Bandung. He also designed a new hotel, the Grand Hotel Ngamplang at Garut, and a resort hotel in the middle of the Pangalengan tea plantation in the south of Bandung.
Apart from designing office and hotel, Aalbers was known for his unique villa designs. He designed three identical villas at Juanda Street, known as "the locomotive", in 1937, which were built as a promotion for the new residential area in the north of Bandung. A unique character inside each of the villa is a stair room as an entrance to the asymmetric villa. During his period in Bandung between 1931–1942, Aalbers designed twelve identical villas at the Pager Gunung Street (1939), fourteen houses at Haji Hasan Street (1940) and the three-colors (de driekleur) villa at Juanda Street.
The Three-colors Villa was his last work in Indonesia. The Netherlands was on the brink of World War II and the Dutch Indies was occupied by Imperial Japan. The Japanese Occupation Army sent Aalbers and his family to the Dutch intern camp in Cimahi and then were transferred to the Jatinegara camp in Jakarta. Even during his captivity he drew many sketches, including his dream of having a villa in a tropical environment with mountains in the background.
In 1946, Aalbers, his wife and his two daughters moved to Amsterdam. He opened a new architecture office with the name of 'Aalbers en De Waal, Architecten, Amsterdam-Bandoeng'. He put 'Bandoeng' in the name as a wish that someday he would be able to return to Bandung. His hope wasn't realized due to poor health and the unstable political circumstances in Indonesia.
Albert F. Aalbers died in 1961. Much of his work still stands in Bandung, such as the DENIS bank and the Savoy Homann Hotel. Some villas he designed have been destroyed during the war and also damaged due to subsequent renovations.