|Other names One Take Woody|
Role film director
Name W. Van
|Years active 1915–42|
Occupation Film director, writer
Parents Laura Winston
|Full Name Woodbridge Strong Van Dyke II|
Born March 21, 1889 (age 53) (1889-03-21) San Diego, California, U.S.
Spouse Ruth Mannix (m. 1935–1943), Zina Van Dyke (m. ?–1935)
Nominations Academy Award for Best Director
Movies The Thin Man, Tarzan the Ape Man, Marie Antoinette, After The Thin Man, Manhattan Melodrama
Similar People William Powell, Myrna Loy, Maureen O'Sullivan, Jeanette MacDonald, Norma Shearer
Died February 5, 1943 (aged 53), Brentwood, California, United States
L introuvable the thin man 1934 de w s van dyke documentaire
Woodbridge Strong Van Dyke II (March 21, 1889 – February 5, 1943) was an American film director and writer who made several successful early sound films, including Tarzan the Ape Man in 1932, The Thin Man in 1934, San Francisco in 1936, and six popular musicals with Nelson Eddy and Jeanette MacDonald. He received two Academy Award nominations for Best Director for The Thin Man and San Francisco, and directed four actors to Oscar nominations: William Powell, Spencer Tracy, Norma Shearer, and Robert Morley. Known as a reliable craftsman who made his films on schedule and under budget, he earned the name "One Take Woody" for his quick and efficient style of filming.
- L introuvable the thin man 1934 de w s van dyke documentaire
- Robert Osborne Molly Haskell Introduce THE THIN MAN W S Van Dyke 1934
- Early life
- Final years and death
Robert Osborne & Molly Haskell Introduce THE THIN MAN, W. S. Van Dyke, 1934
Woodbridge Strong Van Dyke II was born on March 21, 1889 in San Diego, California. His father was a Superior Court judge who died the day his son was born. His mother, Laura Winston, returned to her former acting career. As a child actor, Van Dyke appeared with his mother on the vaudeville circuit with traveling stock companies. They traveled the west coast and into the Middle West. When he was five years old, they appeared at the old San Francisco Grand Opera House in Blind Girl. He would later remember his unusual education,
I think I've been to school in every state in the Union. Whenever the company stopped off long enough in any city I went back behind a school desk. The rest of the time my mother taught me.
When Van Dyke was fourteen years old, he moved to Seattle to live with his grandmother. While attending business school, he worked several part-time jobs, including janitor, waiter, salesman, and railroad attendant. Van Dyke's early adult years were unsettled, and he moved among jobs. In 1909, he married actress Zelda Ashford, and the two joined various touring theater companies, finally arriving in Hollywood in 1915.
In 1915, Van Dyke found work as an assistant director to D. W. Griffith on the film The Birth of a Nation. The following year, he was Griffith's assistant director on Intolerance. That same year he worked as an assistant director to James Young on Unprotected (1916), The Lash (1916), and the lost film Oliver Twist, in which he also played the role of Charles Dickens.
In 1917, Van Dyke directed his first film, The Land of Long Shadows for Essanay Studios. That same year he directed five other films: The Range Boss, Open Places, Men of the Desert, Gift O' Gab, and Sadie Goes to Heaven. In 1927, he traveled to Tacoma to direct two silent films for the new H.C. Weaver Productions: Eyes of the Totem and The Heart of the Yukon (the latter is considered a lost film).
During the silent era he learned his craft and by the advent of the talkies was one of MGM's most reliable directors. He came to be known as "One-Take Woody" or "One-Take Van Dyke", for the speed with which he would complete his assignments, and although not regarded as one of the screen's most talented directors, MGM regarded him as one of the most versatile, equally at home directing costume dramas, westerns, comedies, crime melodramas, and musicals.
Many of his films were huge hits and top box office in any given year. He received Academy Award for Best Director nominations for The Thin Man (1934) and San Francisco (1936). He also directed the Oscar-winning classic Eskimo (also known as Mala the Magnificent), in which he also has a featured acting role.
His other films include the island adventure White Shadows in the South Seas (1928), its follow up: The Pagan (1929), Trader Horn (1931) filmed almost entirely in Africa, Tarzan the Ape Man (1932), Manhattan Melodrama (1934), and Marie Antoinette (1938). He is perhaps best remembered for directing Myrna Loy and William Powell in four Thin Man films: The Thin Man (1934), After the Thin Man (1936), Another Thin Man (1939), and Shadow of the Thin Man (1941); and Jeanette MacDonald and Nelson Eddy in six of their greatest hits, Naughty Marietta (1935), Rose Marie (1936), Sweethearts (1938), New Moon (1940) (uncredited because halfway through filming Robert Z. Leonard took over), Bitter Sweet (1940), and I Married an Angel (1942).
The earthquake sequence in San Francisco is considered one of the best special-effects sequences ever filmed. To help direct, Van Dyke called upon his early mentor, D. W. Griffith, who had fallen on hard times. Van Dyke was also known to hire old-time, out-of-work actors as extras. Because of his loyalty, he was much beloved and admired in the industry.
Van Dyke was known for allowing ad-libbing (that remained in the film) and for coaxing natural performances from his actors. He made stars of Nelson Eddy, James Stewart, Myrna Loy, Johnny Weissmuller, Maureen O'Sullivan, Eleanor Powell, Ilona Massey, and Margaret O'Brien. He was often called in to work a few days (or more), uncredited, on a film that was in trouble or had gone over production schedule.
Promoted to Major prior to World War II, the patriotic Van Dyke set up a Marine Corps recruiting center in his MGM office. He was one of the first Hollywood bigwigs to advocate early U.S. involvement, and he convinced stars like Clark Gable, James Stewart, Robert Taylor, and Nelson Eddy to become involved in the war effort.
Final years and death
A devout Christian Scientist, Van Dyke refused most medical care during his last years. After finishing his last film, he said his goodbyes to his wife, children, and studio boss Louis B. Mayer and then committed suicide on February 5, 1943, in Brentwood, Los Angeles. At his request, Jeanette MacDonald and Nelson Eddy both sang and officiated at his funeral.