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Vidyadhar Oke

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Birth name
  
Vidyadhar Gopal Oke

Role
  
Musical Artist

Name
  
Vidyadhar Oke

Website
  
www.22shruti.com

Instruments
  
Harmonium


Born
  
30 May 1952 (age 71) Maharashtra, India (
1952-05-30
)

Occupation(s)
  
Harmonium Player, Doctor of Medicine, Music Researcher, Musical instrument inventor

Genres
  
Hindustani classical music, Religion, Indian folk music

Similar People
  
Asha Khadilkar, Tulsidas Borkar, Rahul Deshpande, Vasantrao Deshpande, Shreeram Lagoo

The science of music vidyadhar oke tedxiitgandhinagar


Vidyadhar Oke is a Doctor of Medicine, a Musicologist, an Indian Harmonium player and an Astrology Consultant, who has done unique work of 22 Shruti research in Indian Classical Music and developed new Musical instruments.

Contents

Dr vidyadhar oke at a concert in houston usa


Early life

Oke is a Doctor of Medicine, M.B.B.S, M.D. (Pharmacology) from University of Mumbai, India. He later trained in Management at the London Business School and Duke University, U.S.A; and in Clinical Research at Wellcome Trust, U.K. For years he gave services in the Pharmaceutical Industry in organizations including Wockhardt, GlaxoSmithKline, Piramal Group; and at 52 years, he gave away the post of President and dedicated himself to Music Research.

Oke’s father Gopal was a Government of Maharashtra employee; and mother Shanta, a Harmonium player/Singer who had learned from Narayanrao Vyas. Oke was educated at Raja Shivaji Vidyalaya (formerly known as King George High School), and Ramnarain Ruia College. He graduated from King Edward Memorial Hospital and Seth Gordhandas Sunderdas Medical College. While in school, Oke was selected to play a Chess match with Ramchandra Sapre, the first winner of the Indian Chess Championship. Oke won Badminton championships including the Inter-School/Collegiate and open events convened by Cricket Club of India, Matunga Gymkhana and Central Indian Railways Institute, Mumbai.

Musical career

Oke, a renowned third generation harmonium artist playing the instrument since the age of four, later learned from the maestro late Pandit Govindrao Patwardhan for 25 years to become an ace Harmonium player. His first public performance was a harmonium solo in 1972 on Mumbai Doordarshan. He was a performing member at the National Centre for the Performing Arts (Mumbai) and played harmonium in music programmes at the centre, arranged by Purushottam Laxman Deshpande and Ashok Ranade. He taught Harmonium as Hon. Lecturer at the Department of Music, University of Mumbai. He accompanied on harmonium; singers including Asha Bhosale, Vasantrao Deshpande, Sudhir Phadke, Kumar Gandharva, Manik Varma, Malabika Kanan, Rashid Khan, C. R. Vyas, Jitendra Abhisheki, Vidyadhar Vyas, Suresh Wadkar, Jyotsna Bhole, Padma Talwalkar, Shruti Sadolikar, Satyasheel Deshpande, Asha Khadilkar, Upendra Bhat, Shubha Mudgal, Vijay Koparkar, Arati Ankalikar-Tikekar, Veena Sahasrabuddhe, Rahul Deshpande; and played with Solo Tabla by Alla Rakha, with Vocal and Mridangam by T. V. Gopalakrishnan.

He performed in India presenting new experiments on Harmonium. He also performed in United States and Europe, including a concert in Maharashtra Mandal of London, to support the fund for the victims of 1993 Latur earthquake; and in the convention of Brihan Maharashtra Mandal of North America at Houston, USA. He archived 400 songs from 14 Marathi Dramas played by his Guru, Govindrao Patwardhan. He won the 5-year competition for the Best Amateur Music Director held by Chaturang and adjudged by Shrinivas Khale, Datta Davjekar, and Meena Khadikar. He composed Music for Marathi Musical theatre, for Dramas including Sanyastha Jwalamukhi based on the life of Swami Vivekananda, and Dnyanoba Maza based on the life of Saint Dnyaneshwar.

22 Shruti Research

Musicians like Oke have lent their innovative touch to their instruments giving the music world a new sound . Indian classical music recognises 22 shrutis (the basic musical notes or microtones) which create ragas. Although the world started measuring musical notes in terms of Hertz as early as in 1930, Indian classical music is still not taught scientifically but only through tradition. Through his insightful and revolutionary research, Oke accurately pinpointed the positions and corresponding frequencies of 22 shrutis, which are completely Indian, and thus showing their difference from the notes of the equal temperament scale. He demonstrated that the sequential progression of 22 shrutis can be plotted mathematically, enabling a player to easily play a note on a string precisely every time. He also clarified the essential difference between nāda and shruti, along with the naturally defined regions of 12 universal notes on any string instrument, and how an alankara or gamaka (ornament) is created by their combination, together with the precise positions of 22 shrutis.

The discovery has led Dr. Oke to create new instruments such as the 22 Shruti Harmonium, 22 Shruti Veena, 22 Shruti Metallophone, and 22 Shruti Tanpura. A typical Harmonium has 12 shrutis or basic musical notes and was considered an instrument with limitations in Indian Classical Music, as it could not render all the nuances of Indian Ragas. Classical Singers used to performing with Tanpura were not comfortable with harmonium tuned to the 12-Tone European Equi-tempered scale, which therefore is completely unsuitable to the Indian Classical Music, giving all the notes in wrong positions. To gel with Tanpura, an ideal instrument should have 22 shrutis. Oke discovered the mathematical method used by ancestors for the division of shrutis, developed an improved harmonium capable of playing 22 shrutis – fractional notes or microtones , and patented his design for the first time in India, a maiden recognition of the otherwise humble instrument. Oke who has an eye for detail, made structural changes providing a knob each under 12 keys, positioned for upper and lower shrutis. In this way, the 22 shruti harmonium can be tuned for any particular raga by simply pulling out knobs wherever a higher shruti is required as demonstrated on 22-Shruti-Harmonium for Ragas e.g., Todi vs Multani, Pooriya vs Marwa, and Bhoop vs Deshakar. In this way, it is more useful to render most nuances of Indian ragas.

Musically creative people can go to any length to add an extra bit to their designs as is evident in his creation, the 22-Shruti-Harmonium, which can also double up as an Accordion, by adjusting the knobs under every key.

Oke presented his 22-Shruti-Harmonium in the session on 'Some New Scientific Approaches to Music' in the Seminar of Indian Musicological Society, held on 15 January 2010 at the National Centre for the Performing Arts (India), Mumbai; referring to different interpretations and giving a detailed explanation of the frequencies of different shrutis and their inter-relationships together with the nature’s frequency ratios. Oke’s 22-Shruti-Harmonium is a fresh refinement in the instrument providing intermittent shruti notes, as traced in Partho Sengupta’s film on ‘Harmonium’ screened at the Bangla Academy in Calcutta Film Festival. Vocalists now should insist on having this 22-shruti harmonium.

Oke has also introduced a free App for Android Mobile phones called '22 Shrutis in 500 Ragas' for free downloading from Google Play Store. It provides the reference sounds of Svaras or Musical notes expressed precisely in Hertz; individually in the 12 Tone Equal Temperament and 22 Shruti scales starting from any Shadja or Fundamental frequency, and also in Aroha and Avarohana in 500 Ragas (from Hindustani Classical Music and Carnatic Music), and also a side-by-side, note-to-note comparison of these 2 Musical Scales.

Leading newspapers in India such as Times of India, Hindustan Times, The Telegraph, Navbharat Times, DNA, Maharashtra Times, Loksatta, Navshakti, Tarun Bharat, Sakal, Dainik Bhaskar, Nai Duniya and Saamana have published news articles featuring Oke and his work.

Appreciation of Research by Stalwarts

Oke’s 22-Shruti research is seen closely in person and applauded by top Indian Classical Musicians as follows.

This extraordinary work should be given and awarded due and deserving recognition. It gave me an experience of Swarabrahma.

Oke’s research deserves a Nobel prize. His harmonium should be made mandatory to all Indian Classical Music vocalists all over the world.

No one has done such accurate work before.

This work is very useful. You should take your harmonium to Vocalists.

His work should undoubtedly be useful to both music students and practitioners.

Oke’s research work is a toneful addition to Indian Classical Music.

This research is the absolute truth whether people accept this or not.

I wonder how are you sitting in anonymity in spite of doing such a big accomplishment.

The evolution of this formula has set at rest all the past discussions and disputes over the positions of shrutis – an achievement that will be written in golden letters in the history of music.

Orator

Oke gave Lectures and Scientific demonstrations on his research on 22 Shrutis at the Vijnana Bharati Conference, Pune; ITC Sangeet Research Academy (Kolkata), Dr. Prabha Atre Gurukul (Pune), Gandharva Mahavidyalaya (Mumbai), University of Rajasthan (Jaipur), Whistling Woods International Institute (Mumbai), Shrutinandan : Music Institution of Pt. Ajoy Chakrabarty (Kolkata), National Centre for the Performing Arts (Mumbai), Gaanavardhan (Pune), Banasthali Vidyapith (Rajasthan), Gandharva Mahavidyalaya (Pune), Kala Academy (Goa), Sarvajanik College of Performing Arts – SCOPA (Surat, Gujarat), Gosavi Sangeet Gurukul (Nashik), Audio Engineering Society (Mumbai), Marathi Vidnyan Parishad (Boisar), Sangeet Kala Academy of Brihanmumbai Municipal Corporation (Mumbai), Khalvayan (Ratnagiri), Deenanath Mangeshkar Hospital, Bhabha Atomic Research Centre (Mumbai). He gave interviews on All India Radio, Television channels of ABP Majha TV, Zee TV Marathi, Doordarshan Kendra Mumbai, and World Space Radio. He also delivered a TED-X talk on his 22 Shruti research at IIT Gandhinagar

Oke created and implemented the world’s first educational course on 22 Shrutis entitled ‘SHRUTI-NIPUN’

Author

  • 22 Shrutis (Hindi), Sanskar Prakashan - 2015.
  • Shrutividnyan Va Ragasoundarya, Rajhansa Prakashan - 2015
  • Taj Mahal, (A Music Drama approved by Maharashtra Rajya Prayog Parinirikshan Mandal or Sensor Board for Dramas, Maharashtra State) – 2014.
  • Shrutigeeta, Madhav Rafter Publications - 2011.
  • 22 Shrutis, (Marathi), Sanskar Prakashan - 2010.
  • 22 Shrutis, (English), Sanskar Prakashan - 2007.
  • Govind Gunadarshan, (A life sketch of Govindrao Patwardhan), Bhagyashree Publications - 2006.
  • Manoranjak Swabhavashastra, (An Astrological treatise on the Chinese zodiac), Udveli Books -2002.
  • Mitra Jivacha', (An Astrological treatise on the Chinese system of I Ching) Kasturika Communications -1996.
  • Astrologer

    A student of Late Pandita Leelatai Paranjpe, Oke has studied Hindu astrology, Chinese astrology, and Western astrology for 50 years. He is a great proponent of Grant Lewi, considered as the father of modern astrology in America. Lewi's Philosophy of Life is that Destiny, when multiplied by Free will, creates Human life, which normally appears as a constant struggle between what is (Existence) and what ought (Essence) to be. Knowledge about Horoscope gives a glimpse into Destiny and allows for prospective planning of Free will (alternatives and choices) to create the best possible conditions of Human Life. Oke has written newspaper articles and authored books including one on the 12 signs of the Chinese zodiac and another on the I Ching or the ancient Chinese divination text. He has given invited lectures, besides presenting a daily Astrology programme on ETV Network, Mumbai.

    Awards

  • P.L.Deshpande Award (Uttung Sanskrutik Pariwar, Mumbai)
  • Bandubhaiyya Chougule Puraskar (Indore)
  • Appasaheb Jalgaokar Puraskar (Ganavardhan, Pune)
  • Keshavrao Bhosale Award by Govt. of Maharashtra
  • Thane Bhushan Award (Thane Municipal Corporation)
  • Thane Nagar Ratna Award (Nagar Vikas Manch)
  • Thane Manabindu Award (Maharashtra Times-Indradhanu)
  • Anil Mohile Award (Siddhakala Academy)
  • Vinayak Damodar Savarkar Award (Savarkar Nyasa)
  • Dr. Sharadini Dahanukar Hirvai Sanman (King Edward Memorial Hospital and Seth Gordhandas Sunderdas Medical College|King Edward Memorial Hospital)
  • Swara-Kranti Award (Nadabrahma)
  • Sahavadak Puraskar (Swarabandh, Mumbai)
  • Surmani (Sur Singar Samsad)
  • Leadership through Innovation Award (Wockhardt)
  • Best Music Director (Drama), Dnyanoba Majha, (Maharashtra Times Sanman)
  • Best Music Director (Drama), Sanyasta Jwalamukhi, (Zee TV Nomination)
  • Ashtapailu Puraskar, (Chitpavan Brahmin Sangh, Thane)
  • Shraddhanand Puraskar, (Brahmin Sabha, Mumbai)
  • Personal life

    Vidyadhar Oke is married to Bhagyashree Oke. She is a Kathak Dancer. They have three sons, Anand, Amod and Aditya Oke. Aditya is also a harmonium player. His daughter-in-law Vedashree Oke is a stage actress and a singer.

    References

    Vidyadhar Oke Wikipedia