Safe in Hell

Plot

Gilda Karlson (Dorothy Mackaill) is a New Orleans prostitute. She is accused of murdering Piet Van Saal (Ralf Harolde), the man responsible for ending her life as a secretary and leading her into prostitution. Her old boyfriend, sailor Carl Erickson (Donald Cook), smuggles her to safety on Tortuga, an island in the Caribbean from which she cannot be extradited. On the island, Gilda and Carl get "married" without a clergyman to officiate, and she swears to be faithful to him. After Carl leaves on his ship, Gilda finds herself to be the only white woman in a hotel full of international criminals, all of whom try to seduce her. Especially persistent is Bruno (Morgan Wallace), the island's executioner, who steals the money that Carl sends her, with the hope that she will think that Carl has abandoned her.

Van Saal arrives on the island, having ditched his wife, on the lam with the life insurance money he collected after his "death". Bruno gives Gilda a gun to protect herself. When Van Saal attacks her, she kills him. She is put on trial and is about to be acquitted by a sympathetic jury, when Bruno tells her that he will have her arrested for possessing an illegal firearm unless she has sex with him. To foil Bruno's trap, Gilda gives a false confession at her trial, preferring to die rather than to break her vow to Carl. She is convicted and sent to the gallows.

Cast

Cast notes

Production

Safe in Hell began filming, in September 1931, under the working titles of Lady from New Orleans and Lost Lady, and finished on October 18.

The film was originally scheduled to be directed by Michael Curtiz, and initial casting consideration was given to David Manners, Boris Karloff, John Harrington, Montague Love and Richard Bennett. Lillian Bond and Barbara Stanwyck were under consideration for the women.

Reception

At the time of its release, Safe in Hell was labelled as being "Not for Children". Time magazine reviewed it, saying: "Safe in Hell is crude, trite, sporadically exciting." The Pittsburgh Post-Gazette derided the film as illogical and unintentionally humorous: "Miss Mackaill is too good for the likes of her role while the villains are acted with self-conscious bestiality and amusing indifference..." It called McKinney's performance "the best thing in the picture."