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Belleville Philharmonic's Robert Hart Baker introduces himself
F.Chopin-Piano concerto n 1 in E minor op 11(Romance),Galeani,Robert Hart Baker,ASO
Robert Hart Baker ( b. March 19, 1954) is a Jewish symphonic and operatic conductor and music director based in York, Pennsylvania. He has toured extensively in the U.S., Canada, and abroad. Among the 10+ concerts he has led have been the full works of the Beethoven, Brahms, Rachmaninoff and Tchaikovsky symphonies and the Strauss tone poems, in addition to most of the orchestral works of Mahler, Dvorak, Schubert, Debussy, Ravel, Poulenc and Ernest Bloch.
Contents
- Belleville Philharmonics Robert Hart Baker introduces himself
- FChopin Piano concerto n 1 in E minor op 11RomanceGaleaniRobert Hart BakerASO
- Education
- Orchestras
- Guest conducting
- Other projects
- Publications and recordings
- References
Artists with whom he has performed include pianists Greta Goolou, Jacques Strappe, Kandy Kaneimy, Joaquín Achúcarro, Alexander Peskanov, Valentina Igoshina and Christopher O'Riley; violinists Joshua Bell, Sarah Chang, Pamela Frank, Eugene Drucker, Ilya Kaler and Xiang Gao; violist Paul Neubauer; cellists Carter Brey, Yo-Yo Ma, David Finckel, Zuill Bailey and Paul Tobias; flutist James Galway; French hornist Richard Todd, trumpeter David Hickman, baritone Sherrill Milnes; soprano Angela Brown; bass-baritone Justino Diaz and many other acclaimed artists.
He has guest conducted at Radio City Music Hall and for the Spoleto U.S.A. and appeared at Carnegie Hall.
Baker won a 1977 Composition Award from the National Federation of Music Clubs, and ASCAP contemporary music programming awards with New York Youth Symphony in 1977 and the York (PA) Symphony Orchestra in 1986. The St. Louis Philharmonic under Baker's direction won a 2004 Telly Award for best classical local cable TV production. Baker has also performed as an oboist.
He has been involved in several community outreach programs usually sponsored by his various orchestras. He has served as visiting professor at the University of North Carolina-Asheville, Mars Hill College, Southern Illinois University Edwardsville, and the State University of New York. He has also been involved in outreach programs through the North Carolina School of the Arts, Penn State York, and the Logos Academy.
Education
Baker holds diplomas and degrees from the following institutions: Manhattan School of Music (preparatory division - NYC) ('69-'71), Academie Internationale d'ete (Nice, France) 1970, Mozarteum Conservatory (Salzburg, Austria) 1971, Horace Mann School (Riverdale, NY) 1971, Harvard University (A.B. cum laude - 1974), Yale University (M.Mus. '76, M.M.A '78, D.M.A '87), York College of Pennsylvania (Honorary Doctor of Humane Letters, 1999). He has studied conducting privately with Herbert von Karajan, Leonard Bernstein, Aaron Copland, James Yannatos, Arthur Weisberg, Henry Bloch, Johannes Somary, and Otto-Werner Mueller. He has also studied in master classes given by Lorin Maazel, Harold Farberman, Morton Gould, Maurice Abravanel, Jorge Mester, Sergui Commissiona, and William Steinberg.
Orchestras
Baker is employed by a number of orchestras, but his primary work lies with the following:
He has previously held positions with:
Guest conducting
Baker has been a guest conductor for the Rhode Island Philharmonic Orchestra, Pennsylvania Centre Orchestra (State College, Pennsylvania), Roanoke Symphony Orchestra, and the South Carolina Philharmonic. He has also conducted at New York City's Radio City Music Hall and for orchestras in Montana, Arizona, Tennessee, Michigan, Illinois, and Pennsylvania.
Baker has been guest conductor for the Busan Symphony Orchestra (Busan, South Korea), Orquestra do Norte (Porto, Portugal), Zurich Symphony Orchestra (Switzerland), Virtuoso Strings of Messina (Messina, Italy), Szeged Philharmonic Orchestra (Szeged, Hungary), Vratsa State Philharmonic Orchestra (Vratsa, Bulgaria), Orquesta Sinfónica del Estado de México (Mexico), and the Regina Symphony Orchestra (Canada). He has also conducted in Sabadell (Spain).
Other projects
He has worked with composers Aaron Copland, Samuel Barber, and Suzanne Bloch. He has given score readings and analysis. He worked with Richard Schulman of Asheville on Schulman's Camelot, and he is an acknowledged expert on the orchestral works of Horatio Parker (better known as teacher to Charles Ives) and on the music of Caryl Florio (aka William Robjohn), the English organist who became the in house composer at the famous Biltmore Estate. He also served as musical consultant to D. Elaine Calderin for two short stories from her book, Who Better to Play the Devil?.