Pierrot ensemble

History

The quintet of instruments used in Pierrot Lunaire became the core ensemble for many contemporary-music ensembles of the twentieth century, such as The Fires of London, who formed in 1965 as "The Pierrot Players" to perform Pierrot Lunaire, and continued to concertize with a varied classical and contemporary repertory. This group (and others like it) began to perform works arranged for these instruments and commission new works especially to take advantage of this ensemble's instrumental colors.

While many professional chamber ensembles (such as string quartets and piano trios) continued to focus on musical literature of the 18th and 19th centuries, the Pierrot ensemble became one of the most prominent chamber ensembles in classical music of the 20th century, and continues to be popular with composers and performers today.

Doublings

Doublings are often called for in music written for Pierrot ensemble. For example, in Schoenberg's Pierrot Lunaire, the flutist is asked to play piccolo, the clarinetist is asked to play bass clarinet (as in Earle Brown's "Tracking Pierrot"), or saxophone, and (much more unusually) the violinist is asked to play viola. Other common doublings might include E-flat clarinet (as in Carter's Triple Duo), alto flute, or even harpsichord (as in Maxwell Davies's Eight Songs for a Mad King).

Notable Pierrot ensembles

Major works for Pierrot ensemble