Life and career
Stucky was born in Hutchinson, Kansas. At age 9, he moved with his family to Abilene, Texas, where, as a teenager, he studied music in the public schools and, privately, viola with Herbert Preston, conducting with Leo Scheer, and composition with Macon Sumerlin. He attended Baylor University and Cornell. Stucky worked with Karel Husa and Daniel Sternberg.
Stucky wrote commissioned works for many of the major American orchestras, including Baltimore, Chicago, Cincinnati, Dallas, Los Angeles, New York, Minnesota, Philadelphia, Pittsburgh, St. Louis, and St. Paul. He was long associated with the Los Angeles Philharmonic, where he was resident composer 1988–2009 (the longest such affiliation in American orchestral history); he was host of the New York Philharmonic's Hear & Now series 2005–09; and he was Pittsburgh Symphony Composer of the Year for the 2011–12 season. For Pittsburgh, he composed Silent Spring, in honor of the 50th anniversary of Rachel Carson's epochal book of the same title. He teamed with the celebrated pianist and author Jeremy Denk to create his first opera, The Classical Style (based on the celebrated book by Charles Rosen), which premiered in June 2014 at the Ojai Music Festival. Other noteworthy compositions by Stucky include the symphonic poem Radical Light (2007), Rhapsodies for Orchestra (2008), the oratorio August 4, 1964 (2008), a Symphony (2012), and his Second Concerto for Orchestra (2003), which won the 2005 Pulitzer Prize for Music.
Stucky was an expert on the Polish composer Witold Lutosławski and authored the 1981 study Lutoslawski and His Music. He also was curator of the Philharmonia Orchestra's 2013 centenary celebration of that composer, Woven Words: Music Begins Where Words End. Stucky was the Given Foundation Professor of Composition at Cornell University in Ithaca, New York.
There he founded Ensemble X and led it for nine seasons, from 1997 until 2006, while at the same time he also was the guiding force behind the celebrated Green Umbrella series in Los Angeles. He has also taught at Eastman and Berkeley, the latter as Ernest Bloch Professor in 2003. After several earlier teaching and conducting visits, in 2013 he became artist-faculty composer-in-residence at the Aspen Music Festival and School. In 2014 he became Professor Emeritus at Cornell and joined the composition faculty at the Juilliard School.
Among the composers who studied with Stucky are Joseph Phibbs, Marc Mellits, Robert Paterson, David Conte, Thomas C. Duffy, Yotam Haber, James Matheson, Steven Burke, Xi Wang, Spencer Topel, Diego Vega, Fang Man, Anna Weesner, Hannah Lash, Andrew Waggoner, Sean Shepherd, Chris Arrell and Jesse Jones. He taught master classes and served residencies around the world, including at the Central Conservatory of Music in Beijing, the Shanghai Conservatory of Music, the Cleveland Institute of Music, the Curtis Institute of Music, Rice University, the Swedish Collegium for Advanced Study, the Tanglewood Music Center, and many others.
Stucky died of brain cancer at his home in Ithaca, New York on February 14, 2016. His survivors include his second wife, Kristen Frey Stucky, his two children from his first marriage to Melissa Stucky, Matthew and Maura, two brothers, and two sisters.
Kenningar (Symphony No. 4) (1977–78)Transparent Things: In Memoriam V.N. (1980)Double Concerto (1982–85, rev. 1989), for violin, oboe/oboe d'amore & chamber orchestraVoyages (1983–84), for cello & orchestral windsDreamwaltzes (1986)Concerto for Orchestra No. 1 (1986–87)Son et Lumière (1988)Threnos (1988), for wind ensembleAngelus (1989–90)Anniversary Greeting (1991)Impromptus (1991)Funeral Music for Queen Mary (after Purcell) (1992), for orchestral windsTo Whom I Said Farewell (1992, rev. 2003), for mezzo-soprano & chamber orchestraFanfare for Los Angeles (1993)Ancora (1994)Fanfares and Arias (1994), for wind ensembleFanfare for Cincinnati (1994)Concerto for Two Flutes and Orchestra (1994)Pinturas de Tamayo (1995)Music for Saxophones and Strings (1996)Concerto Mediterraneo (1998), for guitar & orchestraEscondido Fanfare (1998)American Muse (1999), for baritone & orchestraConcerto for Percussion and Wind Orchestra (2001)Colburn Variations (2002), for string orchestraEtudes (2002), concerto for recorder & chamber orchestraSpirit Voices (2002–03), concerto for percussion & orchestraSecond Concerto for Orchestra (2003)Jeu de timbres (2003)Hue and Cry (2006), for wind ensembleRadical Light (2006–07)Rhapsodies for Orchestra (2008)Chamber Concerto (2009)Silent Spring (2011)Symphony (2012)The Classical Style: An Opera (of Sorts) (2013–14), libretto by Jeremy Denk, after the book by Charles RosenSpring and Fall: To a Young Child (1972), for a cappella SATB choirDrop, drop, slow tears (1979), for a cappella SSAATTBB choirCradle Songs (1997), for a cappella SATB choirTo Musick (2000), for a cappella men's choirSkylarks (2001), for a cappella S.A. & SATB choirWhispers (2002), for a cappella SATB soli & SATTBB choirThree New Motets (2005), for a cappella double SATB choir (O admirabile commercium, O sacrum convivium, O vos omnes)Eyesight (2007), for a cappella SATB choirAugust 4, 1964 (2007–08), for soprano, mezzo-soprano, tenor & baritone soli, SATB choir & orchestraThe Kingdom of God (In No Strange Land) (2008), for a cappella SATB choirGravity’s Dream (2009), for a cappella SATB choirSay Thou Dost Love Me (2012) for a cappella SATB choirTake Him, Earth (2012) for SATB choir with chamber orchestraWinter Stars (2014) for a cappella SATB choirThe Music of Light (2015) for double a cappella SATB choirMovements (1970), for four celliQuartet (1972–73), for clarinet, viola, cello & pianoMovements III.: Seven Sketches (1976), for flute & clarinetRefrains (1976), for five percussionNotturno (1981), for alto saxophone & pianoVarianti (1982), for flute, clarinet & pianoBoston Fancies (1985), for flute, clarinet, percussion, piano, violin, viola & celloSerenade (1990), for wind quintetBirthday Fanfare (1993), for three trumpetsSalute (1997), for flute, clarinet, horn, trombone, percussion, piano, violin & celloAd Parnassum (1998), for flute, clarinet, percussion, piano, violin & celloAi due amici (1998), for chamber ensembleTres Pinturas (1998), for violin & pianoNell'ombra, nella luce (1999–2000), for string quartetPartita-Pastorale after J.S.B. (2000), for clarinet, piano & string quartetTamayo Nocturne (2001), for chamber ensembleSonate en forme de préludes (2003–04), for oboe, horn & harpsichordMeditation and Dance (2004), for clarinet & pianoPiano Quartet (2005), for violin, viola, cello & pianoFour Postcards (2008), for wind quintet & marimbaPiano Quintet (2009–10), for two violins, viola, cello & pianoScherzino (2010), for alto saxophone and pianoAllegretto quasi Andantino (Schubert Dream) (2010), for piano four handsAus der Jugendzeit (2011), for bass-baritone, flute, clarinet/bass clarinet, violin, cello, piano, and percussionRain Shadow (2012), for violin, viola, cello & pianoSonata for Violin and Piano (2013)Cantus (2015), for 6 playersSappho Fragments (1982), for female voice & chamber ensembleTwo Holy Sonnets of Donne (1982), mezzo-soprano, oboe & pianoFour Poems of A.R. Ammons (1992), for baritone & chamber ensembleTo Whom I Said Farewell (1992, rev. 2003), for mezzo-soprano & chamber orchestraAmerican Muse (1999), for baritone & orchestraAus der Jugendzeit (2010–11), for baritone & chamber ensembleThe Stars and the Roses (2013), for tenor & orchestraThe Stars and the Roses (2013), for tenor & chamber ensembleOut of the Cradle Endlessly Rocking (2014), for bass-baritone & pianoThree Little Variations for David (2000), for solo pianoAlbum Leaves (2002), for solo pianoDialoghi (2006), for solo celloDust Devil (2009), for solo marimbaIsabelle Dances (2009–10), for solo marimbaSonata for Piano (2014)Noctuelles (Miroirs, No.1) (Maurice Ravel, orch. Stucky 2001) (Theodore Presser Co.)Les Noces (Igor Stravinsky, orch. Stucky 2005), for solo voices, SATB. and full orchestra (Chester Music)Bucolics (Witold Lutosławski, arr. Stucky 2006), for 9 instruments (Chester Music)Eight Songs from the Spanish Songbook (Hugo Wolf, orch. Stucky 2008), for mezzo-soprano & orchestra (Theodore Presser Co.)Four songs for the Dolce Suono Ensemble and baritone voice ("Per questa bella mano", "Ruhe sanft" (from Zaide), and "Das Veilchen" by Mozart; "Erlkönig" by Schubert, arr. Stucky 2012) (Theodore Presser Co.)1974: ASCAP Victor Herbert Prize for composition1975: First Prize, American Society of University Composers Competition1978: Composer Fellowship, National Endowment for the Arts1982: ASCAP Deems Taylor Award (for "Lutoslawski and His Music")1986: John Simon Guggenheim Fellowship1989: Finalist, Pulitzer Prize for Music (Concerto for Orchestra No. 1)1991: Koussevitzky Music Foundation Commission1995: Special Commendation, National Association of Composers USA1997: Bogliasco Foundation Fellowship, Centro Studi Ligure (Italy)1998: Barlow Endowment Commission2001: Aaron Copland Fund for American Music recording grant2002: Goddard Lieberson Fellowship, American Academy of Arts and Letters2003: Bloch Lecturer, University of California at Berkeley2005: Pulitzer Prize for Music for Second Concerto for Orchestra2006: Paul Fromm Composer-in-Residence, American Academy in Rome2006: Elected a trustee of the American Academy in Rome2006: Elected to the American Academy of Arts and Sciences2006: Joined Board of Directors of the Koussevitzky Music Foundation2007: Elected to the American Academy of Arts and Letters2008: Elected Chair of the Board of Directors, American Music Center2011: Elected Vice-Chair of the Board of Directors, New Music USA2011: Composer of the Year, Pittsburgh Symphony Orchestra, 2011/12 season2013: August 4, 1964 Grammy Award nominee for Best Classical Contemporary Composition2013 Brock Commission