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Padmarajan

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Other names  Pappettan
Website  padmarajan.com
Role  author
Name   Padmarajan Pillai
Years active  1975 - 1991

Padmarajan Padmarajan Wikipedia the free encyclopedia
Full Name  Padmarajan Pillai
Born  23 May 1945 (age 45) (1945-05-23) Muthukulam, Haripad, Alappuzha
Occupation  Film director, writer, AIR news reader
Spouse  Radha Lakshmi (m. 1970–1991)
Books  Rathinirvedam, Peruvazhiyambalam
Children  Ananthapathmanabhan, Madhavikutty
Movies  Thoovanathumbikal, Njan Gandharvan, Namukku Parkkan Munthiri T, Moonnam Pakkam, Innale

Died  23 January 1991 (aged 45) Kozhikode, Kerala, India

Similar  Bharathan, K G George, Ashokan (actor)

Padmarajan (23 May 1945 – 24 January 1991) (also known as Padmarajan Pillai) was an Indian author, screenwriter, and film director who was known for his landmark works in Malayalam literature and Malayalam cinema. Padmarajan was the founder of a new school of film making in Malayalam, along with Bharathan, in the 1980s, which created films that were widely received while also being critically acclaimed.

Contents

Padmarajan The dragonflies still flutter Anjali Menon

Padmarajan was noted for his fine and detailed screenwriting and expressive direction style. Padmarajan made some of the landmark motion pictures in Malayalam cinema, including masterpieces like Oridathoru Phayalvaan (1981), Koodevide (1983), Arappatta Kettiya Gramathil (1986), Namukku Parkkan Munthiri Thoppukal (1986), Thoovanathumbikal (1987), Moonnam Pakkam (1988), Innale (1989), Season (1989) and Njan Gandharvan (1991).

Padmarajan Chronicles Padmarajan A Loss in January

An exclusive interview with the famous malayalam director padmarajan


പത്മരാജന്റെ ഓർമകളിൽ memories of padmarajan. malayalivartha special story..


Early life

Padmarajan Remembering P Padmarajan filmfarecom

Padmarajan was born on 23 May 1945 in Muthukulam near Haripad in Alappuzha district as the sixth son of Thundathil Anantha Padmanabha Pillai and Njavarakkal Devaki Amma. After early schooling at Muthukulam, he studied at M. G. College and University College Trivandrum, graduating with a BSc in chemistry (1963). Subsequently, he learned Sanskrit from the scholar Cheppad Achyutha Warrier at Muthukulam. He then joined All India Radio, Trichur (1965), starting as a programme announcer, and later settled at Poojappura, Trivandrum (1968); he would remain at All India Radio until 1986, when his involvement in films prompted him to retire voluntarily.

Career as screenwriter and director

Padmarajan P Padmarajan YouTube

Padmarajan's stories deal with deceit, murder, romance, mystery, passion, jealousy, libertinism, anarchism, individualism, and the life of peripheral elements of society. Some of them are considered as among the best in Malayalam literature, his first novel Nakshathrangale Kaaval (With only the stars as witness) won the Kerala Sahithya Academy award (1972).

Padmarajan pad2png

He entered the world of Malayalam films by writing the screenplay for Bharathan's directorial debut Prayaanam (1975) to take first steps to be one of the most talented script writers to have graced Malayalam cinema.

He later began to direct films based on his own screenplays, beginning with Peruvazhiyambalam (The Street as a Choultry) (1979), which are greatly popular among the common people as well as intellectuals and film critics, while maintaining richness in artistic and thematic originality and excellence. Padmarajan was a great experimenter who explored all walks of life in his works. His screen plays had such hitherto-unheard of features and subjects – such as casting rain as a character in Thoovanthumbikal (Dragonflies in the Spraying Rain), gay love in Desatanakkili Karayarilla (Migratory Birds Don't Cry), unusual climax (By traditional standards) in Namukku Parkkan Munthiri Thoppukal (Vineyards for us to dwell) and Oridaththoru Phayalvaan (There Lived a Wrestler). Forbidden love and characters that strive to rise above the limitations of middle-class Malayali society of the seventies and eighties is a recurring theme in many of his greatest works. Many of his films bear the mark of his romanticism.

He is celebrated for his possibly unparalleled attention to detail in his screenplays. Some of his scripts are arguably the smoothest narratives ever penned in the Malayalam language. They are also ample proof for his keen observation, acute perception, and astute portrayal of human relationships and emotions. Many of his films have stunning and haunting climaxes, most of them not commonly portrayed in Malayalam movies. His characters were portrayed with great sensitivity and intensity on the screen and many of the scenes are generously sprinkled with humor. The dialogues of characters are quite natural, in the language of the common man, and yet have a subtle lyrical quality.

Indeed, a just case may be made that his directorial merit flowed easily from his exquisitely crafted screenplays: he never directed a film based on a script written by someone else (unlike other Malayalam film directors of comparable stature, say, Bharathan and K. G. George), and rarely adapted his script from a story not his own. Consequently, he had an unusually intimate knowledge of the characters in his films in combination with his mastery of the script.

Association with Bharathan

Together with Bharathan and K. G. George, he successfully laid the foundation for a school of Malayalam cinema that strove to tread a middle ground by striking a fine balance between intellectual and commercial appeal, without sacrificing the strong points of either approach; this was accomplished by portraying brilliant stories with "next door" men and women as characters, steering clear of artificial characters, stereotypes and pedantic inclinations allegedly typical of critically acclaimed films. The term "Parallel film" is usually used to describe his style of film making. Along with Bharathan, he displayed mastery in handling sexuality on the screen, hitherto less known in Malayalam cinema.

Association with actors

He was quite adept in spotting talent, and introduced many fresh faces who would later make their mark in Indian cinema, including Ashokan (Peruvazhiyambalam), Rasheed (Oridathoru Phayalvaan), Rahman (Koodevide), Jayaram (Aparan), Ramachandran (Novemberinte Nashtam), Ajayan (Moonnam Pakkam). Also artists like Nitish Bharadwaj (Njan Gandharvan), Suhasini (Koodevide); Shaari (Namukku Parkkan Munthirithoppukal) were introduced to Malayalam screen by him.

He coaxed sparkling and inspired performances from many actors, such as Bharath Gopi, Mammootty, Mohanlal, Karamana Janardanan Nair, Rahman, Jagathy Sreekumar, Suresh Gopi (in Innale), Shobhana, Sumalatha, Thilakan, and Nedumudi Venu; indeed, Thilakan's rendition in Moonnam Pakkam is one of the best performances of the thespian's career. His association with Mohanlal was well noted especially because their films broke the conventional concepts prevailing during that time. He also aided in establishing, to a fair degree, the fame of other directors such as Bharathan, I. V. Sasi, and Mohan, through his association with them; his collaboration with Bharathan as a script writer is considered to have produced remarkable works in Malayalam cinema. His assistants who went on to direct films independently include Thoppil Ajayan (Perumthachchan), Suresh Unnithan (Jaathakam, Raadhaamaadhavam), and Blessy (Kaazhcha, Thanmaathra, the latter adapted from Padmarajan's short story Orma.

Personal life

Padmarajan's wife Radhalakshmi Padmarajan is from Chittur in Palakkad. Radhalakshmi was his colleague at AIR before their marriage in 1970. RadhaLakshmi has written her reminiscences about him in her book Padmarajan entaey gandharvan (Padmarajan, my celestial lover). Their son, P. Ananthapadmanabhan, is a writer.Padmarajan considered Moonnam Pakkam as his most favourite work.

Padmarajan died suddenly at Hotel Paramount Towers in Calicut while he was visiting a cinema playing his last film Njan Gandharvan. The cause of death was a massive cardiac arrest.

Novels

  • Itha Ivide Vare
  • Jalajwala
  • Kallan Pavithran
  • Manju Kaalam Notta Kuthira
  • Nakshathrangale Kaaval
  • Nanmakalude Sooryan
  • Peruvazhiyambalam
  • Prathimayum Rajakumariyum
  • Rathinirvedam
  • Rithubhedhangalude Paarithoshikam
  • Shavavahanangalum Thedi
  • Udakappola
  • Vadakakku Oru Hridayam
  • Vikramakaaleeswaram
  • Short stories

  • Aparan
  • Avalude Katha
  • Kariyilakkattu Pole
  • Kaivariyude Thekkeyattam
  • Kazhinja Vasantha Kalathil
  • Lola
  • Mattullavarude Venal
  • Onnu Randu Moonnu
  • Prahelika
  • Pukakkannada
  • Syphilisinte Nadakkavu
  • Films

  • Prayanam (Written By) (1975)
  • Itha Ivide Vare (1977)
  • Nakshathrangale Kaaval (1978)
  • Rappadikalude Gatha (1978)
  • Rathinirvedam (1978)
  • Sathrathil Oru Rathri (1978)
  • Vadakakku Oru Hridayam (1978)
  • Peruvazhiyambalam (1979)
  • Kochu Kochu Thettukal (1979)
  • Thakara (1979)
  • Shalini Ente Koottukari (1980)
  • Oridathoru Phayalvaan (1981)
  • Kallan Pavithran (1981)
  • Lorry (1981)
  • Novemberinte Nashtam (1982)
  • Idavela (1982)
  • Koodevide? (1983)
  • Kaikeyi (1983)
  • Eenam (1983)
  • Parannu Parannu Parannu (1984)
  • Kanamarayathu (1984)
  • Thinkalazhcha Nalla Divasam (1985)
  • Ozhivukalam (1985)
  • Karimbinpoovinakkare (Written By) (1985)
  • Namukku Parkkan Munthiri Thoppukal (1986)
  • Kariyila Kattu Pole (1986)
  • Arappatta Kettiya Gramathil (1986)
  • Desatanakkili Karayarilla (1986)
  • Nombarathi Poovu (1986)
  • Thoovanathumbikal (1987)
  • Aparan (1988)
  • Moonnam Pakkam (1988)
  • Season (1989)
  • Innale (1990)
  • Ee Thanutha Veluppan Kalathu (1990)
  • Njan Gandharvan (1991)
  • Awards

    Kerala Sahithya Academy Awards
  • 1972: Novel – Nakshathrangale Kaval
  • National Film Awards
  • 1979: Best Feature Film in MalayalamPeruvazhiyambalam
  • 1986: Best Feature Film in MalayalamThinkalaazhcha Nalla Divasam
  • Kerala State Film Awards
  • 1978: Best StoryRappadikalude Gatha
  • 1979: Second Best FilmPeruvazhiyambalam
  • 1979: Best StoryPeruvazhiyambalam
  • 1983: Best Film with Popular Appeal and Aesthetic Value – Koodevide
  • 1984: Best ScreenplayKanamarayathu
  • 1988: Best ScreenplayAparan
  • Kerala Film Critics' Awards
  • 1977: Best Screenplay – Itha Ivide Vare
  • 1982: Best Film – Novemberinte Nashtam
  • 1983: Best Screenplay -Koodevide
  • 1984: Best Screenplay – Kanamarayathu
  • 1986: Best Screenplay – Namukku Parkkan Munthiri Thoppukal, Nombarathi Poovu
  • 1988: Best Screenplay – Aparan, Moonnam Pakkam
  • 1990: Best Screenplay – Innale
  • Film Fans' Awards
  • 1975: Best Screenplay – Prayaanam
  • 1977: Best Screenplay – Itha Ivide Vare
  • 1978: Best Screenplay – Rappadikalude Gatha, Rathinirvedam
  • 1980: Best Screenplay – Thakara
  • Other awards
  • 1982: Kualalumpur Film Festival – Best Film – Oridathoru Phayalvaan
  • 1982: Kualalumpur Film Festival – Best Script – Oridathoru Phayalvaan
  • 1982: Gulf Award for Best Film – Novemberinte Nashtam
  • 1983: Pournami Award for Best Director – Koodevide
  • 1987: Film Chamber Award for Best Story – Thoovanathumbikal
  • 1988: Film Fare Award for Best Director – Aparan
  • 1990: Film Chamber Award for Best Story – Innale
  • 1991: FAC award – Njan Gandharvan
  • Padmarajan Award

    Padmarajan Puraskaram or Padmarajan Award is an annual film/literary award instituted by the Padmarajan Memorial Trust. It carries a plaque and a cash award of 10,000. The award is given in two categories:

  • Padmarajan Award for Best Short Story
  • Padmarajan Award for Best Film
  • References

    Padmarajan Wikipedia


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