|Pen name Margaret Mitchell|
Name Margaret Mitchell
Movies Gone with the Wind
|Born Margaret Munnerlyn Mitchell
November 8, 1900
Atlanta, Georgia, United States (1900-11-08) |
Occupation Journalist, author, famous soccer player
Genre Romance novel, Historical fiction
Notable works Gone with the Wind Lost Laysen
Notable awards Pulitzer Prize for Fiction (1937) National Book Award
Spouse Berrien Kinnard Upshawer (1922–1924; divorced) John Robert Marsh (1925–1949; widower)
Died August 16, 1949, Grady Memorial Hospital, Atlanta, Georgia, United States
Buried August 18, 1949, Oakland Cemetery, Atlanta, Georgia, United States
Books Gone with the Wind, Lost Laysen, Before Scarlett, Margaret Mitchell - Reporter, Talking Business French
Similar People Vivien Leigh, Clark Gable, Victor Fleming, David O Selznick, Olivia de Havilland
Tour of margaret mitchell s house basis for donald mccaig s book rhett butler s people
Margaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949) was an American author and journalist. One novel by Mitchell was published during her lifetime, the American Civil War-era novel, Gone with the Wind, for which she won the National Book Award for Most Distinguished Novel of 1936 and the Pulitzer Prize for Fiction in 1937. In more recent years, a collection of Mitchell's girlhood writings and a novella she wrote as a teenager, Lost Laysen, have been published. A collection of articles written by Mitchell for The Atlanta Journal was republished in book form.
- Tour of margaret mitchell s house basis for donald mccaig s book rhett butler s people
- Burning passion the margaret mitchell story
- Family history
- Paternal ancestry
- Maternal ancestry
- Early influences
- Girlhood on Jackson Hill
- The South of Gone with the Wind
- An avid reader
- Young storyteller
- School years
- Reporter for The Atlanta Journal
- Interest in erotica
- Lost Laysen
- The Big Four
- Ropa Carmagin
- Writing Gone with the Wind
- World War II
Burning passion the margaret mitchell story
Margaret Mitchell was a Southerner and a lifelong resident and native of Atlanta, Georgia. She was born in 1900 into a wealthy and politically prominent family. Her father, Eugene Muse Mitchell, was an attorney, and her mother, Mary Isabel "May Belle" (or "Maybelle") Stephens, was a suffragist. She had two brothers, Russell Stephens Mitchell, who died in infancy in 1894, and Alexander Stephens Mitchell, born in 1896.
Mitchell's family on her father's side were descendants of Thomas Mitchell, originally of Aberdeenshire, Scotland, who settled in Wilkes County, Georgia in 1777, and served in the American Revolutionary War. Her grandfather, Russell Crawford Mitchell, of Atlanta, enlisted in the Confederate States Army on June 24, 1861 and served in Hood's Texas Brigade. He was severely wounded at the Battle of Sharpsburg, demoted for 'inefficiency,' and detailed as a nurse in Atlanta. After the Civil War, he made a large fortune supplying lumber for the rapid rebuilding of Atlanta. Russell Mitchell had thirteen children from two wives; the eldest was Eugene, who graduated from the University of Georgia Law School.
Mitchell's maternal great-grandfather Philip Fitzgerald emigrated from Ireland, and eventually settled on a slaveholding plantation near Jonesboro, Georgia, where he had one son and seven daughters with his wife, Elenor. Mitchell's grandparents, married in 1863, were Annie Fitzgerald and John Stephens, who had also emigrated from Ireland and was a Captain in the Confederate States Army. John Stephens was a prosperous real estate developer after the Civil War and one of the founders of the Gate City Street Railroad (1881), a mule-drawn Atlanta trolley system. John and Annie Stephens had twelve children together; the seventh child was May Belle Stephens, who married Eugene Mitchell. May Belle Stephens had studied at the Bellevue Convent in Quebec and completed her education at the Atlanta Female Institute.
The Atlanta Constitution reported that May Belle Stephens and Eugene Mitchell were married at the Jackson Street mansion of the bride's parents on November 8, 1892:
...the maid of honor, Miss Annie Stephens, was as pretty as a French pastel, in a directoire costume of yellow satin with a long coat of green velvet sleeves, and a vest of gold brocade...The bride was a fair vision of youthful loveliness in her robe of exquisite ivory white and satin...her slippers were white satin wrought with pearls...an elegant supper was served. The dining room was decked in white and green, illuminated with numberless candles in silver candlelabras...The bride's gift from her father was an elegant house and lot...At 11 o'clock Mrs. Mitchell donned a pretty going-away gown of green English cloth with its jaunty velvet hat to match and bid goodbye to her friends.
Paternal ancestry→Thomas Mitchell & Mary Ann Barnett
Maternal ancestry→James Fitzgerald 1759–1836 & Margaret O'Donnell (at least 9 children—only Philip shown below)
Margaret Mitchell spent her early childhood on Jackson Hill, east of downtown Atlanta. Her family lived near her maternal grandmother, Annie Stephens, in a Victorian house painted bright red with yellow trim. Mrs. Stephens had been a widow for several years prior to Margaret's birth; Captain John Stephens died in 1896. After his death, she inherited property on Jackson Street where Margaret's family lived.
Grandmother Annie Stephens was quite a character, both vulgar and a tyrant. After gaining control of her father Philip Fitzgerald's money after he died, she splurged on her younger daughters, including Margaret's mother, and sent them to finishing school in the north. There they learned that Irish Americans were not treated as equal to other immigrants, and that it was shameful to be a daughter of an Irishman. Margaret's relationship with her grandmother would become quarrelsome in later years as she entered adulthood. However, for Margaret, her grandmother was a great source of "eye-witness information" about the Civil War and Reconstruction in Atlanta prior to her death in 1934.
Girlhood on Jackson Hill
In an accident that was traumatic for her mother although she was unharmed, when little Margaret was about three years old, her dress caught fire on an iron grate. Fearing it would happen again, her mother began dressing her in boys' pants, and she was nicknamed "Jimmy", the name of a character in the comic strip, Little Jimmy. Her brother insisted she would have to be a boy named Jimmy to play with him. Having no sisters to play with, Margaret said she was a boy named Jimmy until she was fourteen.
Stephens Mitchell said his sister was a tomboy who would happily play with dolls occasionally, and she liked to ride her Texas plains pony. As a little girl, Margaret went riding every afternoon with a Confederate veteran and a young lady of "beau-age".
Margaret was raised in an era when children were "seen and not heard". She was not allowed to express her personality by running and screaming on Sunday afternoons while her family was visiting relatives. Her mother would swat her with a hairbrush or a slipper as a form of discipline.
May Belle Mitchell was "hissing blood curdling threats" to her daughter to make her behave the evening she took her to a women's suffrage rally led by Carrie Chapman Catt. Margaret sat on a platform wearing a Votes-for-Women banner blowing kisses to the gentlemen while her mother gave an impassioned speech. She was nineteen years old when the Nineteenth Amendment was ratified, which gave women the right to vote.
May Belle Mitchell was president of the Atlanta Woman's Suffrage League (1915), chairwoman of press publicity for the Georgia Mothers' Congress and Parent Teacher Association, a member of the Pioneer Society, the Atlanta Woman's Club, and several church and literary societies.
Margaret's father was not in favor of corporal punishment in school. During his tenure as president of the educational board (1911–1912), corporal punishment in the public schools was abolished. Reportedly, Eugene Mitchell received a whipping on the first day he attended school and the mental impression of the thrashing lasted far longer than the physical marks.
Jackson Hill was an old, affluent part of the city. At the bottom of Jackson Hill was an area of African American homes and businesses called "Darktown". The mayhem of the Atlanta Race Riot occurred over four days in September 1906 when Mitchell was five years old. Local newspapers alleged that several white women had been assaulted by black men, prompting an angry mob of 10,000 to assemble in the streets.
Eugene Mitchell went to bed early the night the rioting began, but was awakened by the sounds of gunshots. The following morning he learned 16 Negroes had been killed. He wrote to his wife that rioters attempted to kill every Negro in sight. As the rioting continued, rumors ran wild Negroes would burn Jackson Hill. At Margaret's suggestion, her father, who did not own a gun, stood guard with a sword. Though she and her family were unharmed, Margaret was able to recall the terror she felt during the riot twenty years later. Mitchell grew up in a Southern culture where the threat of black on white rape incited mob violence, and in this world, white Georgians lived in fear of the "black beast rapist".
Soon after the riot, Margaret's family decided to move away from Jackson Hill. In 1912, they moved to the east side of Peachtree Street just north of Seventeenth Street in Atlanta. Past the nearest neighbor's house was forest and beyond it the Chattahoochee River. Mitchell's former Jackson Hill home was destroyed in the Great Atlanta Fire of 1917.
The South of Gone with the Wind
While "the South" exists as a geographical region of the United States, it is also said to exist as "a place of the imagination" of writers. An image of "the South" was fixed in Mitchell's imagination when at six years old her mother took her on a buggy tour through ruined plantations and "Sherman's sentinels", the brick and stone chimneys that remained after William Tecumseh Sherman's "March and torch" through Georgia. Mitchell would later recall what her mother had said to her:
She talked about the world those people had lived in, such a secure world, and how it had exploded beneath them. And she told me that my world was going to explode under me, someday, and God help me if I didn't have some weapon to meet the new world.
From an imagination cultivated in her youth, Margaret Mitchell's defensive weapon would become her writing.
Mitchell said she heard Civil War stories from her relatives when she was growing up:
On Sunday afternoons when we went calling on the older generation of relatives, those who had been active in the Sixties, I sat on the bony knees of veterans and the fat slippery laps of great aunts and heard them talk.
On summer vacations, she visited her maternal great-aunts, Mary Ellen ("Mamie") Fitzgerald and Sarah ("Sis") Fitzgerald, who still lived at her great-grandparents' plantation home in Jonesboro. Mamie had been twenty-one years old and Sis was thirteen when the Civil War began.
An avid reader
An avid reader, young Margaret read "boys' stories" by G.A. Henty, the Tom Swift series, and the Rover Boys series by Edward Stratemeyer. Her mother read Mary Johnston's novels to her before she could read. They both wept reading Johnston's The Long Roll (1911) and Cease Firing (1912). Between the "scream of shells, the mighty onrush of charges, the grim and grisly aftermath of war", Cease Firing is a romance novel involving the courtship of a Confederate soldier and a Louisiana plantation belle with Civil War illustrations by N. C. Wyeth. She also read the plays of William Shakespeare, and novels by Charles Dickens and Sir Walter Scott. Mitchell's two favorite children's books were by author Edith Nesbit: Five Children and It (1902) and The Phoenix and the Carpet (1904). She kept both on her bookshelf even as an adult and gave them as gifts. Another author whom Mitchell read as a teenager and who had a major impact in her understanding of the Civil War and Reconstruction was Thomas Dixon. Dixon's popular trilogy of novels The Leopard's Spots: A Romance of the White Man's Burden (1902), The Clansman: A Historical Romance of the Ku Klux Klan (1905) and The Traitor: A Story of the Rise and Fall of the Invisible Empire (1907) all depicted in vivid terms a white South victimized during the Reconstruction by Northern carpetbaggers and freed slaves, with an especial emphasis upon Reconstruction as a nightmarish time when black men ran amok, raping white women with impunity. As a teenager, Mitchell liked Dixon's books so much that she organized the local children to put on dramatizations of his books. The picture the white supremacist Dixon drew of Reconstruction is now rejected as inaccurate, but at the time, the memory of the past was such it was widely believed by white Americans. In a letter to Dixon dated 10 August 1936, Mitchell wrote: "I was practically raised on your books, and love them very much."
An imaginative writer from a precocious age, Margaret Mitchell began with stories about animals, then progressed to fairy tales and adventure stories. She fashioned book covers for her stories, bound the tablet paper pages together and added her own artwork. At age eleven she gave a name to her publishing enterprise: "Urchin Publishing Co." Later her stories were written in notebooks. May Belle Mitchell kept her daughter's stories in white enamel bread boxes and several boxes of her stories were stored in the house by the time Margaret went off to college.
"Margaret" is a character riding a galloping pony in The Little Pioneers, and plays "Cowboys and Indians" in When We Were Shipwrecked.
Romantic love and honor emerged as themes of abiding interest for Mitchell in The Knight and the Lady (ca. 1909), in which a "good knight" and a "bad knight" duel for the hand of the lady. In The Arrow Brave and the Deer Maiden (ca. 1913), a half-white Indian brave, Jack, must withstand the pain inflicted upon him to uphold his honor and win the girl. The same themes were treated with increasing artistry in Lost Laysen, the novella Mitchell wrote as a teenager in 1916, and, with much greater sophistication, in Mitchell's last known novel, Gone with the Wind, which she began in 1926.
In her pre-teens, Mitchell also wrote stories set in foreign locations, such as The Greaser (1913), a cowboy story set in Mexico. In 1913 she wrote two stories with Civil War settings; one includes her notation that "237 pages are in this book".
While the Great War carried on in Europe (1914–1918), Margaret Mitchell attended Atlanta's Washington Seminary (now The Westminster Schools), a "fashionable" private girls' school with an enrollment of over 300 students. She was very active in the Drama Club. Mitchell played the male characters: Nick Bottom in Shakespeare's A Midsummer Night's Dream and Launcelot Gobbo in Shakespeare's The Merchant of Venice, among others. She wrote a play about snobbish college girls that she acted in as well. She also joined the Literary Club and had two stories published in the yearbook: Little Sister and Sergeant Terry. Ten-year-old "Peggy" is the heroine in Little Sister. She hears her older sister being raped and shoots the rapist:
Coldly, dispassionately she viewed him, the chill steel of the gun giving her confidence. She must not miss now—she would not miss—and she did not.
Mitchell received encouragement from her English teacher, Mrs. Paisley, who recognized her writing talent. A demanding teacher, Paisley told her she had ability if she worked hard and would not be careless in constructing sentences. A sentence, she said, must be "complete, concise and coherent".
Mitchell read the books of Thomas Dixon, Jr., and in 1916, when the silent film, The Birth of a Nation, was showing in Atlanta, she dramatized Dixon's The Traitor: A Story of the Fall of the Invisible Empire (1907). As both playwright and actress, she took the role of Steve Hoyle. For the production, she made a Ku Klux Klan costume from a white crepe dress and wore a boy's wig. (Note: Dixon rewrote The Traitor as The Black Hood (1924) and Steve Hoyle was renamed George Wilkes.)
During her years at Washington Seminary, Mitchell's brother, Stephens, was away studying at Harvard College (1915–1917), and he left in May 1917 to enlist in the army, about a month after the U.S. declared war on Germany. He set sail for France in April 1918, participated in engagements in the Lagny and Marbache sectors, then returned to Georgia in October as a training instructor. While Margaret and her mother were in New York in September 1918 preparing for Margaret to attend college, Stephens wired his father that he was safe after his ship had been torpedoed en route to New York from France.
Stephens Mitchell thought college was the "ruination of girls". However, May Belle Mitchell placed a high value on education for women and she wanted her daughter's future accomplishments to come from using her mind. She saw education as Margaret's weapon and "the key to survival". The classical college education she desired for her daughter was one that was on par with men's colleges, and this type of education was available only at northern schools. Her mother chose Smith College in Northampton, Massachusetts for Margaret because she considered it to be the best women's college in the United States.
Upon graduating from Washington Seminary in June 1918, Mitchell fell in love with a Harvard graduate, a young army lieutenant, Clifford West Henry, who was chief bayonet instructor at Camp Gordon from May 10 until the time he set sail for France on July 17. Henry was "slightly effeminate", "ineffectual", and "rather effete-looking" with "homosexual tendencies", according to biographer Anne Edwards. Before departing for France, he gave Mitchell an engagement ring.
On September 14, while she was enrolled at Smith College, Henry was mortally wounded in action in France and died on October 17. As Henry waited in the Verdun trenches, shortly before being wounded, he composed a poem on a leaf torn from his field notebook, found later among his effects. The last stanza of Lieutenant Clifford W. Henry's poem follows:May those I hold most dear and best Know I have stood the acid test
Henry repeatedly advanced in front of the platoon he commanded, drawing machine-gun fire so that the German nests could be located and wiped out by his men. Although wounded in the leg in this effort, his death was the result of shrapnel wounds from an air bomb dropped by a German plane. He was awarded the French Croix de guerre avec palme for his acts of heroism. From the President of the United States, the Commander in Chief of the United States Armed Forces, he was presented with the Distinguished Service Cross and an Oak Leaf Cluster in lieu of a second Distinguished Service Cross.
Clifford Henry was the great love of Margaret Mitchell's life, according to her brother. In a letter to a friend (A. Edee, March 26, 1920), Mitchell wrote of Clifford that she had a "memory of a love that had in it no trace of physical passion".
Mitchell had vague aspirations of a career in psychiatry, but her future was derailed by an event that killed over fifty million people worldwide, the 1918 flu pandemic. On January 25, 1919, her mother, May Belle Mitchell, succumbed to pneumonia from the "Spanish flu". Mitchell arrived home from college a day after her mother had died. Knowing her death was imminent, May Belle Mitchell wrote her daughter a brief letter and advised her:
Give of yourself with both hands and overflowing heart, but give only the excess after you have lived your own life.
An average student at Smith College, Mitchell did not excel in any area of academics. She held a low estimation of her writing abilities. Even though her English professor had praised her work, she felt the praise was undue. After finishing her freshman year at Smith, Mitchell returned to Atlanta to take over the household for her father and never returned to college. In October 1919, while regaining her strength after an appendectomy, she confided to a friend that giving up college and her dreams of a "journalistic career" to keep house and take her mother's place in society meant "giving up all the worthwhile things that counted for—nothing!"
Margaret began using the name "Peggy" at Washington Seminary, and the abbreviated form "Peg" at Smith College when she found an icon for herself in the mythological winged horse, "Pegasus", that inspires poets. Peggy made her Atlanta society debut in the 1920 winter season. In the "gin and jazz style" of the times, she did her "flapping" in the 1920s. At a 1921 Atlanta debutante charity ball, she performed an Apache dance. The dance included a kiss with her male partner that shocked Atlanta "high society". The Apache and the Tango were scandalous dances for their elements of eroticism, the latter popularized in a 1921 silent film, The Four Horsemen of the Apocalypse, that made its lead actor, Rudolph Valentino, a sex symbol for his ability to Tango.
Mitchell was, in her own words, an "unscrupulous flirt". She found herself engaged to five men, but maintained that she neither lied to or misled any of them. A local gossip columnist, who wrote under the name Polly Peachtree, described Mitchell's love life in a 1922 column:
...she has in her brief life, perhaps, had more men really, truly 'dead in love' with her, more honest-to-goodness suitors than almost any other girl in Atlanta.
In April 1922, Mitchell was seeing two men almost daily; one was Berrien Kinnard Upshaw （Berrien "Red" Upshaw，Mar 10, 1901 - Jan 13, 1949）, whom she is thought to have met in 1917 at a dance hosted by the parents of one of her friends, and the other, Upshaw's roommate and friend, John Robert Marsh（Oct 6, 1895 - Mar. 5, 1952）, a copy editor from Kentucky who worked for the Associated Press. Upshaw was an Atlanta boy, a few months younger than Mitchell, whose family moved to Raleigh, North Carolina in 1916. In 1919 he was appointed to the United States Naval Academy, but resigned for academic deficiencies on January 5, 1920. He was readmitted in May, then 19 years old, and spent two months at sea before resigning a second time on September 1, 1920. Unsuccessful in his educational pursuits and with no job, in 1922 Upshaw earned money bootlegging alcohol out of the Georgia mountains.
Although her family disapproved, Peggy and Red married on September 2, 1922, and the best man at their wedding was John Marsh, who would become her second husband. The couple resided at the Mitchell home with her father. By December the marriage to Upshaw had dissolved and he left. Mitchell suffered physical and emotional abuse, the result of Upshaw's alcoholism and violent temper. Upshaw agreed to an uncontested divorce after John Marsh gave him a loan and Mitchell agreed not to press assault charges against him. Upshaw and Mitchell were divorced on October 16, 1924.
On July 4, 1925, 24-year-old Margaret Mitchell and 29-year-old John Marsh were married in the Unitarian-Universalist Church. The Marshes made their home at the Crescent Apartments in Atlanta, taking occupancy of Apt. 1, which they affectionately named "The Dump" (now the Margaret Mitchell House and Museum).
Reporter for The Atlanta Journal
While still legally married to Upshaw and needing income for herself, Mitchell got a job writing feature articles for The Atlanta Journal Sunday Magazine. She received almost no encouragement from her family or "society" to pursue a career in journalism, and had no prior newspaper experience. Medora Field Perkerson, who hired Mitchell said:
There had been some skepticism on the Atlanta Journal Magazine staff when Peggy came to work as a reporter. Debutantes slept late in those days and didn't go in for jobs.
Her first story, Atlanta Girl Sees Italian Revolution, by Margaret Mitchell Upshaw, appeared on December 31, 1922. She wrote on a wide range of topics, from fashions to Confederate generals and King Tut. In an article that appeared on July 1, 1923, Valentino Declares He Isn't a Sheik, she interviewed celebrity actor Rudolph Valentino, referring to him as "Sheik" from his film role. Less thrilled by his looks than his "chief charm", his "low, husky voice with a soft, sibilant accent", she described his face as "swarthy":
His face was swarthy, so brown that his white teeth flashed in startling contrast to his skin; his eyes—tired, bored, but courteous.
Mitchell was quite thrilled when Valentino took her in his arms and carried her inside from the rooftop of the Georgian Terrace Hotel.
Many of her stories were vividly descriptive. In an article titled, Bridesmaid of Eighty-Seven Recalls Mittie Roosevelt's Wedding, she wrote of a white-columned mansion in which lived the last surviving bridesmaid at Theodore Roosevelt's mother's wedding:
The tall white columns glimpsed through the dark green of cedar foliage, the wide veranda encircling the house, the stately silence engendered by the century-old oaks evoke memories of Thomas Nelson Page's On Virginia. The atmosphere of dignity, ease, and courtesy that was the soul of the Old South breathes from this old mansion...
In another article, Georgia's Empress and Women Soldiers, she wrote short sketches of four notable Georgia women. One was the first woman to serve in the United States Senate, Rebecca Latimer Felton, a suffragist who held white supremacist views. The other women were: Nancy Hart, Lucy Mathilda Kenny (also known as Private Bill Thompson of the Confederate States Army) and Mary Musgrove. The article generated mail and controversy from her readers. Mitchell received criticism for depicting "strong women who did not fit the accepted standards of femininity."
Mitchell's journalism career, which began in 1922, came to an end less than four years later; her last article appeared on May 9, 1926. Several months after marrying John Marsh, Mitchell quit due to an ankle injury that would not heal properly and chose to become a full-time wife. During the time Mitchell worked for the Atlanta Journal, she wrote 129 feature articles, 85 news stories, and several book reviews.
Interest in erotica
Mitchell began collecting erotica from book shops in New York City while in her twenties. She and her friends were flamboyant in 1925. The newlywed Marshes and their social group were interested in "all forms of sexual expression". Mitchell discussed her interest in "dirty" book shops and sexually explicit prose in letters to a friend, Harvey Smith. Smith noted her favorite reads were Fanny Hill, The Perfumed Garden and Aphrodite.
Mitchell developed an appreciation for the works of Southern writer James Branch Cabell, and his 1919 classic, Jurgen, A Comedy of Justice. She read books about sexology, and took particular interest in the case studies of Havelock Ellis, a British physician who studied human sexuality. During this period in which Mitchell was reading pornography and sexology, she was also writing Gone with the Wind.
Mitchell wrote a romance novella, Lost Laysen, when she was fifteen years old (1916). She gave Lost Laysen, which she had written in two notebooks, to a boyfriend, Henry Love Angel. He died in 1945 and the novella remained undiscovered among some letters she had written to him until 1994. The novella was published in 1996, eighty years after it was written, and became a New York Times Best Seller.
In Lost Laysen, Mitchell explores the dynamics of three male characters and their relationship to the only female character, Courtenay Ross, a strong-willed American missionary to the South Pacific island of Laysen. The narrator of the tale is Billy Duncan, "a rough, hardened soldier of fortune", who is frequently involved in fights that leave him near death. Courtenay quickly observes Duncan's hard-muscled body as he works shirtless aboard a ship called Caliban. Courtenay's suitor is Douglas Steele, an athletic man who apparently believes Courtenay is helpless without him. He follows Courtenay to Laysen to protect her from perceived foreign savages. The third male character is the rich, powerful yet villainous Juan Mardo. He leers at Courtenay and makes rude comments of a sexual nature, in Japanese nonetheless. Mardo provokes Duncan and Steele, and each feels he must defend Courtenay's honor. Ultimately Courtenay defends her own honor rather than submit to shame.
In a gender reversal, the woman writer (Mitchell) narrates Lost Laysen through a heroic male character, Billy Duncan. Mitchell's half-breed antagonist, Juan Mardo, lurks in the shadows of the story and has no dialogue. The reader learns of Mardo's evil intentions through Duncan:
They were saying that Juan Mardo had his eye on you—and intended to have you—any way he could get you!
Mardo's desires are similar to those of Rhett Butler in his ardent pursuit of Scarlett O'Hara in Mitchell's epic novel, Gone with the Wind. Rhett tells Scarlett:
I always intended having you, one way or another.
The "other way" is rape. In Lost Laysen the male seducer is replaced with the male rapist.
The Big Four
In Mitchell's teenage years, she is known to have written a 400-page novel about girls in a boarding school, The Big Four. The novel is thought to be lost; Mitchell destroyed some of her manuscripts herself and others were destroyed after her death.
In the 1920s Mitchell completed a novelette, 'Ropa Carmagin, about a Southern white girl who loves a biracial man. Mitchell submitted the manuscript to Macmillan Publishers in 1935 along with her manuscript for Gone with the Wind. The novelette was rejected; Macmillan thought the story was too short for book form.
Writing Gone with the Wind
In May 1926, after Mitchell had left her job at the Atlanta Journal and was recovering at home from her ankle injury, she wrote a society column for the Sunday Magazine, "Elizabeth Bennet's Gossip", which she continued to write until August. Meanwhile, her husband was growing weary of lugging armloads of books home from the library to keep his wife's mind occupied while she hobbled around the house; he emphatically suggested that she write her own book instead:
For God's sake, Peggy, can't you write a book instead of reading thousands of them?
To aid her in her literary endeavors, John Marsh brought home a Remington Portable No. 3 typewriter (c. 1928). For the next three years Mitchell worked exclusively on writing a Civil War-era novel whose heroine was named Pansy O'Hara (prior to publication Pansy was changed to Scarlett). She used parts of the manuscript to prop up a wobbly couch.
World War II
During World War II, Margaret Mitchell was a volunteer for the American Red Cross and she raised money for the war effort by selling war bonds. She was active in Home Defense, sewed hospital gowns and put patches on trousers. Her personal attention, however, was devoted to writing letters to men in uniform—soldiers, sailors and marines, sending them humor, encouragement, and her sympathy.
The USS Atlanta (CL-51) was an anti-aircraft ship of the United States Navy sponsored by Margaret Mitchell and used in the naval Battle of Midway and the Eastern Solomons. The ship was struck and sunk in night surface action on November 13, 1942 during the Naval Battle of Guadalcanal.
Mitchell sponsored a second cruiser named after the city of Atlanta, USS Atlanta (CL-104). On February 6, 1944, she christened Atlanta in Camden, New Jersey. Atlanta was operating off the coast of Honshū when the Japanese surrendered on August 15, 1945. It was sunk during an explosive test off San Clemente Island on October 1, 1970.
Margaret Mitchell was struck by a speeding automobile as she crossed Peachtree Street at 13th Street in Atlanta with her husband, John Marsh, while on her way to see the movie A Canterbury Tale on the evening of August 11, 1949. She died at age 48 at Grady Hospital five days later without fully regaining consciousness.
The driver, Hugh Gravitt, was an off-duty taxi driver who was driving his personal vehicle when he struck Mitchell. After the accident, Gravitt was arrested for drunken driving and released on a $5,450 bond until Mitchell's death.
Gravitt was originally charged with drunken driving, speeding, and driving on the wrong side of the road. He was convicted of involuntary manslaughter in November 1949 and sentenced to 18 months in jail. He served almost 11 months. Gravitt died in 1994 at the age of 73.
Perhaps the most enduring legacy of Gone with the Wind is that people worldwide incorrectly think it is the true story of the Old South and how it was changed by the American Civil War and Reconstruction. The film version of the novel "amplified this effect". Scholars of the period have written in recent years about the negative effects the novel has had on race relations by its resurrection of Lost Cause mythology.