Marcus Leatherdale

New York in the 1980s

Leatherdale started his career in New York City during the early eighties. Leatherdale first served as Robert Mapplethorpe's office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News and Art in America. He documented the New York life style, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of New York in the eighties. His models were the unknown but exceptional ones - like Larissa, Claudia Summers or Ruby Zebra - or well known artists - like Madonna, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker, Jodie Foster and fellow photographer John Dugdale. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press.

This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in Ontario and Austria's Albertina. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors.

In India

In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India’s most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, street beggars and bishops, mothers and children in traditional garb. Leatherdale explores how essentially unaffected much of the country has been by the passage of time; this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chottanagpur (Jharkhand) where he has been focusing on the Adivasis. His second home base is now Serra da Estrela in the mountains of central Portugal.

Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography.

Charity

The Medical Care Team in Chottanagpur was created by Amit and Ilona Ghosh, Nilika Lal, Marcus Leatherdale and Jorge Serio in 2002; it is a private service to help the local people medically and financially. As many people in India suffer needlessly due to misfortune and ignorance, the project helps to salvage lives which have been devastated by accidents or illness. By connecting patients with the appropriate doctors and proper facilities, the project helps get people back on their feet and regain their lost dignity.

Books

In 2010, Marcus Leatherdale founded www.theOMENmag.com a quarterly online Art magazine of which he is the art editor and art director.