John Dexter

Theatre

Born in Derby, Derbyshire, England, Dexter left school at the age of fourteen to serve in the British Army during the Second World War. Following the war, he began working as a stage actor before turning to producing and directing shows for repertory companies. In 1957, he was appointed Associate Director of the English Stage Company.

Dexter's first great success was his production of Roots, in 1959, which brought Dame Joan Plowright to prominence. He went on to direct Toys in the Attic (with Dame Wendy Hiller, 1960) and Saint Joan (1963). In 1964, he was named Associate Director of the National Theatre of Great Britain, and he produced The Royal Hunt of the Sun (1964).

That year, he also directed Othello, with Sir Laurence Olivier (in one of his greatest roles), Dame Maggie Smith and Frank Finlay. It was considered a tremendous success. RCA recorded an audio version, and, the following year, Stuart Burge made a film of the production (now available on DVD) for BHE Films.

Dexter continued with Hamlet (with music by Conrad Susa, 1969), Equus (one of his triumphs, 1973), The Party (Lord Olivier's final stage appearance, 1973), Phaedra Britannica (with his friend, Dame Diana Rigg, 1975), The Merchant (aka, Shylock, 1977), As You Like It (with music by Harrison Birtwistle, 1979), Life of Galileo (with Sir Michael Gambon, 1980), The Glass Menagerie (with Jessica Tandy, 1983) and Julius Caesar (1988). His final great success was M. Butterfly (1988), on Broadway, and the following year, he staged Die Dreigroschenoper there (with Sting as Macheath), which was to be his final production.

Cinema

Dexter's debut feature-film was The Virgin Soldiers (with Lynn Redgrave, 1969). His second film was The Sidelong Glances of a Pigeon Kicker (aka, Pigeons, with Elaine Stritch, 1970); his third was I Want What I Want (1972).

For Granada Television, Dexter directed Twelfth Night, with Sir Alec Guinness and Sir Ralph Richardson in 1969.

Opera

Dexter made his operatic debut at the Royal Opera, Covent Garden, in 1966, with Benvenuto Cellini, with Nicolai Gedda, and, in 1983, he staged a double-bill of Le rossignol (with Natalia Makarova) and L'enfant et les sortilèges for the company. At the Hamburg State Opera, he staged Les vêpres siciliennes (1969), From the House of the Dead (1972), Billy Budd (with Richard Stilwell, 1972), Boris Godunov (in the Shostakovich edition, 1972) and Un ballo in maschera (with Luciano Pavarotti and Sherrill Milnes, 1973). For Sadler's Wells, he produced The Devils of Loudon in 1973.

At the Metropolitan Opera (where he was Director of Production from 1974 to 1981, then Production Advisor from 1981 to 1984), Dexter mounted new productions of Les vêpres siciliennes (with Montserrat Caballé, 1974), Aïda (with Leontyne Price, 1976), Le prophète (with Marilyn Horne, 1977), Dialogues des Carmélites (1977), Lulu (1977), Rigoletto (with Cornell MacNeil and Plácido Domingo, 1977), Billy Budd (with Sir Peter Pears, 1978), The Bartered Bride (with Teresa Stratas and Jon Vickers, 1978), Don Pasquale (with Beverly Sills, 1978), Don Carlos (with Renata Scotto, 1979), Die Entführung aus dem Serail (with Edda Moser, later Zdzisława Donat, 1979), Aufstieg und Fall der Stadt Mahagonny (1979) and the triple-bills (both designed by David Hockney) of "Parade" (Parade/Les mamelles de Tirésias/L'enfant et les sortilèges, 1981) and "Stravinsky" (Le sacre du printemps/Le rossignol/Œdipus rex, 1981).

For the Paris Opéra, he staged Les vêpres siciliennes (1974) and La forza del destino (1975).

In Zurich, he produced Nabucco in 1986.

Life

In 1958, Dexter served a six-month prison sentence for making "advances to a young boy in a play he was directing. The boy told his parents who told the police."

John Dexter died in London, during heart surgery; he had also been afflicted with poliomyelitis and diabetes. His acerbic and witty autobiography, The Honourable Beast, was published posthumously, in which he wrote of his "Fury for perfection...."

Broadway productions