Occupation Film director Siblings Jerry Foley Role Film director | Name James Foley Years active 1984–present | |
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Education University of Southern California Movies Glengarry Glen Ross, Perfect Stranger, At Close Range, Fear, The Corruptor Similar People David Mamet, Jack Lemmon, Al Pacino, Halle Berry, Todd Komarnicki | ||
Fifty shades darker on set visit with james foley director
James Foley (born December 28, 1953) is an American film director. His 1986 film At Close Range was entered into the 36th Berlin International Film Festival. Other films he has directed include Glengarry Glen Ross, based on the both Pulitzer Prize and Tony Award winning play of the same name by David Mamet (actor Al Pacino received an Academy Award nomination for his performance in the film), and The Chamber, based on the novel of the same name by best-selling author John Grisham.
Contents
- Fifty shades darker on set visit with james foley director
- Fifty shades darker director james foley blu ray bonus feature
- Early life
- Career
- Films
- Television
- Music videos
- Awards
- References
Fifty shades darker director james foley blu ray bonus feature
Early life
Foley was born in Bay Ridge, Brooklyn, New York, the son of a lawyer. He graduated from the State University of New York at Buffalo, a flagship school of the SUNY system, in 1978.
Career
In 1984, Foley made his directorial debut with Reckless, which starred Aidan Quinn and Daryl Hannah. He directed Glengarry Glen Ross in 1992. The Corruptor, his action film starring Chow Yun-Fat and Mark Wahlberg, was released in 1999. His 2003 film, Confidence, starred Edward Burns. He directed Perfect Stranger, a thriller film starring Halle Berry, in 2007.
In 2017, Richard Brody, writing for The New Yorker, was critical of Foley's direction of the film Fifty Shades Darker, stating:
"Some of the greatest Hollywood melodramas (such as Douglas Sirk’s Magnificent Obsession) featured plotlines of an even more extravagant absurdity than that of Fifty Shades Darker. Their extreme artifice became a framework for extreme ideas and extreme emotions, even in an era of extreme public reticence about what goes on in the bedroom. The freedom of the current age of sexual explicitness invites realms of characterization—and of intimate imagination—that the first film in the Fifty Shades series hints at and the second one utterly ignores. Fifty Shades Darker ’s indifference to its characters’ identities, conflicts, and desires is matched by its indifference to its own cinematic substance. The film’s bland impersonality is grotesque; its element of pornography isn’t in its depiction of sex but in its depiction of people, of relationships, of situations that, for all their unusualness, bear a strong psychological and societal resonance. There’s nothing wrong with Fifty Shades Darker that a good director couldn’t fix."
Films
Television
Music videos
Besides the film Who's That Girl (1987), Foley directed the following music videos for Madonna (under the pseudonym "Peter Percher"):
Foley was also the best man at Madonna's wedding to Sean Penn.