Sponsored Links
 
Topics
Sponsored Links
 
Nisha Rathode

Henry Koster

Years active  1925 - 1967
Name  Henry Koster
Role  Film director

Henry Koster wwwnndbcompeople330000078096henrykoster1s
Full Name  Hermann Kosterlitz
Born  May 1, 1905 (1905-05-01) Berlin, German Empire
Occupation  director, screenwriter, producer
Died  September 21, 1988, Camarillo, California, United States
Spouse  Peggy Moran (m. 1942–1988), Katherine Kiraly (m. 1934–1941)
Books  How You Can Grow Luscious Fruit, Nuts and Berries
Children  Nicolas Koster, Robert J. Koster, Peter Koster
Movies  The Robe, Harvey, Desiree, The Bishop's Wife, The Naked Maja
Similar People  Josephine Hull, Jean Simmons, Deanna Durbin, Michael Rennie, Jay Robinson

La tunica the robe 1953 di henry koster


Sponsored Links

Henry Koster (born Hermann Kosterlitz, May 1, 1905 – September 21, 1988) was a German-born film director. He was the husband of actress Peggy Moran.

Early life

Koster was born to Jewish parents in Berlin, Germany. He was introduced to cinema about 1910 when his uncle opened a very early movie theater in Berlin. Koster's mother played the piano to accompany the films, leaving the young boy to occupy himself by watching the films. After working initially as a short story writer, Kosterlitz was subsequently hired by a Berlin movie company as scenarist, became assistant to director Curtis Bernhardt. Bernhardt became sick one day and asked Kosterlitz to take over as director.

Career

In 1932, Koster directed his first film in Berlin, the comedy Thea Roland. Koster, who was in the midst of directing his second film Das häßliche Mädchen, had already been the subject of antisemitism, and knew he had to leave. He lost his temper at an SA officer at his bank during lunch hour, and knocked the officer out. When the film, written by Koster with Felix Joachimson, had its premiere in autumn 1933 their names were deleted and both went into exile. Koster left Germany for France, where he was rehired by Bernhardt (who had left earlier). Eventually Koster went to Budapest and met and married Kató Király in 1934. In Budapest he met Joe Pasternak again, who represented Universal in Europe, and directed three films for him. One of those films was Catherine the Last after a script by Joachimson and Károly Nóti that was remade in 1938 by Norman Taurog as The Girl Downstairs both versions starring Franciska Gaal.

Sponsored Links

In 1936 Koster got a contract to work with Universal Pictures in Hollywood, and he travelled to the United States to work with Pasternak, other refugees and his wife. Although Koster did not speak English, he convinced the studio to let him make Three Smart Girls, for which he personally coached 14-year-old star Deanna Durbin. This picture, a big success, pulled Universal out of bankruptcy. Koster's second Universal film, One Hundred Men and a Girl, with Durbin and Leopold Stokowski put the studio, Durbin, Pasternak, and Koster on top.

Koster discovered Abbott and Costello working at a nightclub in New York. He returned to Hollywood and convinced Universal to hire them. Their first picture, which featured the Who's On First? routine, was One Night in the Tropics. The female lead, Peggy Moran, would become Koster's second wife in 1942. When he married Moran, Koster promised her he would put her in every movie he made from then on. He did, but it was her statue. Usually it is a sculptured head on a mantelpiece or a piano or desk. For The Robe he commissioned a Grecian bust which appears prominently in a Roman villa.

Henry Koster went on to do numerous musicals and family comedies during the late 1930s and early 1940s, with Durbin, Betty Grable, and other musical stars of the era. He and Joe Pasternak filmed a successful screen test for Universal's newest singing star, Gloria Jean, but Koster would never direct one of her features; when Pasternak left Universal for Metro-Goldwyn-Mayer in June 1941, Koster went with him. Ironically, despite Koster's escape from Nazi Germany, when the United States entered World War II Koster was considered an enemy alien and had to stay in his house in the evening. Actor Charles Laughton would visit Koster and play chess with him.

Koster's postwar career was equally successful. He was nominated for an Academy Award for The Bishop's Wife (1947). In 1950 he directed what was his biggest success to date, the James Stewart comedy Harvey. He directed Richard Burton's first U.S. film, My Cousin Rachel, and then was given the first CinemaScope film to direct, The Robe in 1953. He directed some more costume dramas, including Désirée (1954) with Marlon Brando, The Virgin Queen (1955) with Bette Davis and The Naked Maja (1958) with Ava Gardner, then went back to family comedies and musicals, including Flower Drum Song for Universal in 1961. His last picture was The Singing Nun in 1965. Koster retired to Leisure Village, Camarillo, California, to indulge in his lifelong interest in painting. He painted a series of portraits of the movie stars with whom he worked.

Although Koster never won an Oscar himself, he directed six different actors in Oscar-nominated performances: Cecil Kellaway, Loretta Young, Celeste Holm, Elsa Lanchester, Josephine Hull, James Stewart and Richard Burton. Hull won the Oscar for Harvey.

References

Henry Koster Wikipedia


Similar Topics

Deanna Durbin

Jay Robinson

Jean Simmons

Josephine Hull

Michael Rennie

Peggy Moran

Sponsored Links
B
i
Link
H2
L