Elliott and Goulding began as radio announcers (Elliott a disc jockey, and Goulding a news reader) in Boston with their own separate programs on station WHDH-AM, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.
Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because "Matinee with Bob and Ray" sounded better than "Matinob with Ray and Bob".) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs".
They continued on the air for over four decades on the NBC, CBS, and Mutual networks, and on New York City stations WINS, WOR, and WHN. From 1973 to 1976 they were the afternoon drive hosts on WOR, doing a four-hour show. In their last incarnation, they were heard on National Public Radio, ending in 1987.
They were regulars on NBC's Monitor, often on stand-by to go on the air at short notice if the program's planned segments developed problems, and they were also heard in a surprising variety of formats and timeslots, from a 15-minute series in mid-afternoon to their hour-long show aired weeknights just before midnight in 1954-55. During that same period, they did an audience participation game show, Pick and Play with Bob and Ray, which was short-lived. It came at a time when network pages filled seats for radio-TV shows by giving tickets to anyone in the street, and on Pick and Play the two comics were occasionally booed by audience members unfamiliar with the Bob and Ray comedy style.
Some of their radio episodes were released on recordings, and others were adapted into graphic story form for publication in Mad magazine. Their earlier shows were mostly ad-libbed, but later programs relied more heavily on scripts. While Bob and Ray wrote much of their material, their writers included Tom Koch, who scripted many of their best-known routines, and the pioneering radio humorist Raymond Knight. Bob Elliott later married Knight's widow.
Another writer was Jack Beauvais, who had performed as a singer for WEEI in Boston during the 1930s and also worked for some of the big bands in the 1940s and 1950s.
Elliott and Goulding lent their voices to a variety of recurring characters and countless one-shots, creating a multi-layered world that parodied the real-life world of radio broadcasting. Elliott and Goulding played "Bob" and "Ray", the hosts of an ostensibly serious radio program. Their "staff" (all voiced by Elliott and Goulding) was a comic menagerie of reporters, book reviewers, actors and all other manner of radio personalities, all of whom interacted with "Bob" and "Ray" as well as with each other. Almost all of these characters had picturesque names, as in one sketch where Bob introduced Ray as one Maitland W. Mottmorency, who then replied, "My name is John W. Norvis. I have terrible handwriting."
Recurring characters played by Bob Elliott included:Wally Ballou, an inept news reporter, man-on-the-street interviewer, "and winner of 16 diction awards," whose opening transmission almost invariably begins with an "up-cut" with him starting early, before his microphone was live, as in "–ly Ballou here". In one of his broadcasts, he was discovered to have started early on purpose and was chewed out by the location engineer (Ray) for making it look as though the mistake was his.
Snappy sportscaster Biff Burns ("So, until next time, this is Biff Burns saying: 'Until next time, this is Biff Burns saying "Goodnight."'")
Tex Blaisdell, a drawling cowboy singer who also did rope tricks on the radio
Arthur Sturdley, an Arthur Godfrey take-off
Johnny Braddock, another sportscaster, but with an obnoxious streak
Kent Lyle Birdley, a wheezing, stammering old-time radio announcer
Fred Falvy, "do-it-yourself" handyman
One of the McBeeBee Twins, either Claude or Clyde. These non-identical twins spoke in unison, led by Goulding, and echoed by Elliott. Always interviewed by Elliott.
Cyril Gore, a Boris Karloff sound-alike who often appeared as a butler or doorman; his catchphrase was "Follow me down this cor-ree-dor."
Peter Gorey, a character similar to Gore but with a Peter Lorre-type voice. He would typically appear as a news reporter, reading the same gruesome stories ("Three men were run over by a steamroller today...") each time he appeared. Bob and Ray would also occasionally play a record of "Music! Music! Music!", ostensibly sung by Gorey.
Any script calling for a child's voice would usually go to Elliott.
Ray Goulding's roster of characters included:Mary Backstayge, wife of Harry Backstayge.
Webley Webster, mumble-mouthed book reviewer and organ player, whose reviews of historical novels and cookbooks were usually dramatized as seafaring melodramas
Calvin Hoogavin (portrayed by Webley), a character in one of Bob and Ray's soap-opera parodies
Steve Bosco, sportscaster (who signed off with "This is Steve Bosco rounding third, and being thrown out at home", parodying Joe Nuxhall's signature sign-off of "the old lefthander rounding third and heading for home")
Artie Schermerhorn, another inept reporter. Sometimes partnered with Wally Ballou, often competing with him, especially when employed by the Finley Quality Network.
Farm editor Dean Archer Armstead (his low, slurring delivery was unintelligible and punctuated by the sound of his spittle hitting a cuspidor)
The other McBeeBee twin, either Clyde or Claude. As mentioned above, Goulding would speak first, usually trying to trip up and break up Elliott
Charles the Poet, who recited sappy verse (parodying the lugubrious Chicago late-night broadcaster Franklyn MacCormack and, to a lesser extent, the Ernie Kovacs character Percy Dovetonsils) but could never get through a whole example of his pathetic work without breaking down in laughter
Professor Groggins, a would be space traveller, who constructs in his backyard, but never successfully launches, a rocket ship
Serial characters such as Matt Neffer, Boy Spot-Welder; failed actor Barry Campbell; crack-voiced reporter Arthur Schrank, Lawrence Fechtenberger, Interstellar Officer Candidate, and all female roles.
While originally employing a falsetto, Goulding generally used the same flat voice for all of his women characters, of which perhaps the best-known was Mary Margaret McGoon (satirizing home-economics expert Mary Margaret McBride), who offered bizarre recipes for such entrees as "ginger ale salad" and "mock turkey." In 1949, Goulding, as Mary, recorded "I'd Like to Be a Cow in Switzerland", which soon became a novelty hit and is still occasionally played by the likes of Dr. Demento. Later, the character was known simply as Mary McGoon. Another female character was Natalie Attired, a radio "chanteuse" who, instead of singing songs, recited their lyrics to a drumbeat accompaniment.
Spoofs of other radio programs were another staple, including the continuing soap operas "Mary Backstayge, Noble Wife", "One Fella's Family", and "Aunt Penny's Sunlit Kitchen" (which spoofed Backstage Wife, One Man's Family, and Aunt Jenny's Real Life Stories, respectively). "Mary Backstayge" was serialized for such a long period of time that it became better known to many listeners than the show it lampooned. Another soap opera spoof, "Garish Summit" (which Bob and Ray performed during their stint on National Public Radio in the 1980s), recounts the petty squabbles for power among the family members who own a lead mine. They also satirized Mr. Keen, Tracer of Lost Persons with the continuing parody, "Mr. Trace, Keener than Most Persons," which began with a simple plot that soon degenerated into total gibberish where the dialogue was concerned ("Mister Treat, Chaser of Lost Persons," "Thanks for the vote of treedle, Pete") and gunplay ("You... You've shot me!... I'm... dead."). The quiz show "Dr. I.Q., the Mental Banker" was parodied as "Dr. O.K., the Sentimental Banker". Whereas Dr. I.Q. had several assistants with remote microphones scattered through the audience to select contestants, Dr. O.K. (Bob) had to make do with a single assistant (Ed Sturdley, played by Ray), who eventually became exhausted from running around the theater.
Other continuing parodies (both generic and specific) included game shows ("The 64-Cent Question"), children's shows ("Mr. Science", "Tippy the Wonder Dog", "Matt Neffer, Boy Spot-Welding King of the World"), self-help seminars ("Dr. Joyce Dunstable"), and foreign intrigue ("Elmer W. Litzinger, Spy").
In 1959 Bob and Ray launched a successful network radio series for CBS, broadcast from New York. CBS's programming department frequently supplied scripts promoting CBS' dramatic and sports shows, but Bob and Ray never read these scripts entirely straight, and would often imitate the character voices heard on these shows. Gunsmoke and Yours Truly, Johnny Dollar were frequent targets, and Johnny Dollar inspired a full-fledged parody, "Ace Willoughby, International Detective." In each installment, Willoughby (Ray, doing a letter-perfect impersonation of Johnny Dollar star Bob Bailey) traveled around the globe in pursuit of crooks, but gave up when the crooks found him and kept beating him up.
In addition to parodies of specific programs and genres, many of Elliott and Goulding's sketches turned on the inherent absurdities of reportage and interviewing. One particularly enduring routine cast Elliott as an expert on the Komodo dragon, and Goulding as the dense reporter whose questions trailed behind the information given. Another featured Elliott as the spokesman for the Slow Talkers of America ("headquarters" in Glens Falls, New York), whose lengthy pauses between words increasingly frustrate Goulding. The pair performed both of these sketches many times.
Their character known as "The Worst Person in the World" (a reference to New York magazine theatre critic John Simon, who gave their stage show a negative review) was, many years later, appropriated by MSNBC host Keith Olbermann.
The pair also had a parody of the detective show Mannix called Blimmix, a lackwit detective who would be beaten up at the end of each of his segments by whatever thug served as the antagonist.
Commercial parody was a popular forte with Bob and Ray. A typical show would have such "sponsors" as:The Monongahela Metal Foundry ("Casting steel ingots with the housewife in mind")
Einbinder Flypaper ("The brand you've gradually grown to trust over the course of three generations")
The United States Post Office ("Makers and distributors of stamps")
The Croftweiler Industrial Cartel ("Makers of all sorts of stuff, made out of everything")
Cool Canadian Air ("Packed fresh every day in the Hudson Bay and shipped to your door")
Grime ("The magic shortening that spreads like lard")
The United States Mint ("One of the nation's leading producers of genuine U.S. currency")
Penuche ("With or without nuts, the greatest name in fudge")
Kretchford Braid and Tassel ("Next time you think of braid or tassel, rush into your neighborhood store and shout, 'Kretchford'!")
The rather generic-sounding "chocolate cookies with white stuff in between" sponsored the science-fiction spoof Lawrence Fechtenberger, Interstellar Officer Candidate (a direct parody of "Tom Corbett, Space Cadet")
Gerstmeyer's Puppy Kibbles ("The dog food guaranteed to turn any pet into a vicious man-killer") sponsored the police-drama spoof Squad Car 119.
Mushies ("The cereal that gets soggy even without adding milk or cream") sponsored "Tippy the Wonder Dog."
An unnamed beverage described as "stuff that you pour in a glass and it fizzes up and gets all over your suit and everything."
In the early 1950s, the two had their own 15-minute television series, entitled simply Bob & Ray. It began November 26, 1951 on NBC with Audrey Meadows as a cast regular. During the second season, the title changed to Club Embassy, and Cloris Leachman joined the cast as a regular, replacing Audrey Meadows who left the series to join the cast of The Jackie Gleason Show on CBS. In the soap opera parodies, the actresses took the roles of Mary Backstayge and Linda Lovely. Expanding to a half-hour for the summer of 1952 only, the series continued until September 28, 1953. When The Higgins Boys and Gruber show began on The Comedy Channel in 1989, it occasionally included full episodes of Bob and Ray's 1951-53 shows (along with episodes of Clutch Cargo and Supercar).
The duo did more television in the latter part of their career, beginning with key roles of Bud Williams, Jr. (Elliott) and Walter Gesundheit (Goulding) in Kurt Vonnegut's Hugo-nominated Between Time and Timbuktu: A Space Fantasy (1972), adapted from several Vonnegut novels and stories. (Vonnegut had once submitted comedy material to Bob and Ray.) Fred Barzyk directed this WGBH/PBS production, a science-fiction comedy about an astronaut-poet's journey through the Chrono-Synclastic Infundibulum. This teleplay was first published in an edition that featured numerous screenshots of Bob and Ray and other cast members.
Bob and Ray also hosted a Mark Goodson-Bill Todman game show, The Name's the Same, which was emceed originally by Robert Q. Lewis. Bob and Ray would do their typical routines, and then play the normal game of having a celebrity panel try to guess the contestants' famous names. They would always end the show with their traditional closing: Ray saying, "Write if you get work..." and Bob finishing with "And hang by your thumbs."
During the late 1950s, Bob and Ray were also on radio and television as the voices of Bert and Harry Piel, two animated characters from a very successful ad campaign for Piels Beer. Since this was a regional beer, the commercials were not seen nationally, but the popularity of the ad campaign resulted in national press coverage. Based on the success of those commercials, they launched a successful advertising voice-over company, Goulding Elliott Graybar (so called because the offices were located in the Graybar Building).
In 1971, Bob and Ray lent their voices to the children's television program The Electric Company in a pair of short animated films; in one, explaining opposites, Ray was the "writer of words", first for elevators, then doors, finally faucets. The other, illustrating words ending in -at, had Ray as "Lorenzo the Magnificent" who can read minds and who tries to read a word in Bob's mind, that he thinks is an -at word such as "hat", "bat", "rat", "cat", "mat", etc. (Turns out, it wasn't; Bob's word was actually "Columbus".)
In 1973, Bob and Ray created an historic television program that was broadcast on two channels: one half of the studio was broadcast on the New York PBS affiliate WNET, and the other half of the studio was broadcast on independent station WNEW. Four sketches were performed, including a tug of war that served as an allegory about nuclear war. The two parts of the program are available for viewing at the Museum of Television & Radio.
In 1979, they returned to national TV for a one-shot NBC special with members of the original Saturday Night Live cast, Bob & Ray, Jane & Laraine & Gilda. It included a skit that successfully captured their unique approach to humor: They sat in chairs, in business suits, facing the audience, nearly motionless, and sang a duet of Rod Stewart's major hit "Do Ya Think I'm Sexy?"
In 1980, they taped a one-hour pilot for CBS late night with the cast of SCTV titled From Cleveland, a sketch show staged on location in Cleveland. The show became a cult favorite with numerous showings at the Museum of Television & Radio.
This was followed by a series of specials for PBS in the early 1980s. In 1982, Ray Goulding told the New York Times, "It just keeps happening to us. I suppose each new generation notices that we are there."
Bob and Ray also appeared on The Ed Sullivan Show several times in the late 1950s and early '60s; guested on the Johnny Carson and David Letterman shows throughout the 1970s and '80s; provided voices for the animated 1981 special B.C.: A Special Christmas, and made guest appearances on episodes of The David Steinberg Show, Happy Days, and Trapper John, M.D..
Elliott and Goulding starred in a pair of two-man stage shows: The Two and Only on Broadway in 1970, and A Night of Two Stars at Carnegie Hall in 1984. They also did extensive work in radio and television commercials, and enjoyed supporting roles in the feature films Cold Turkey (1971) and Author! Author! (1982).
In 1960, Bob and Ray published a children's book based on some of their characters and routines, Linda Lovely and the Fleebus.
The duo also collaborated on three books collecting routines featuring some of their signature characters and routines: Write If You Get Work: The Best of Bob & Ray (1976; the title referenced Goulding's usual sign-off line), From Approximately Coast to Coast: It's The Bob & Ray Show (1983), and The New! Improved! Bob & Ray Book (1985). The team also recorded audiobook versions.
Along with the audio books and numerous collections of radio broadcasts, Bob and Ray recorded several albums, including recordings of their stage performances The Two and Only and A Night of Two Stars, Bob and Ray on a Platter, and Bob and Ray Throw a Stereo Spectacular.
Goulding died on March 24, 1990. Elliott continued to perform, most notably with his son (actor/comedian Chris Elliott) on the TV sitcom Get a Life, on episodes of Newhart, LateLine and Late Night with David Letterman, in the films Cabin Boy (also with son Chris) and Quick Change, and on radio for the first season of Garrison Keillor's American Radio Company of the Air. Chris would join the cast of Saturday Night Live for season 20 in 1994, and his granddaughter Abby also joined the cast midway through season 34 in 2009, marking three generations of Elliots appearing on the show.
Bob and Ray were inducted into the National Radio Hall of Fame in 1995. Many of their shows are available for listening at The Paley Center for Media in New York and Los Angeles. The Paley Center has such a large collection of Bob and Ray tapes that many of these remained uncatalogued for years.
Elliott died on February 2, 2016.
Bob and Ray were inducted into the National Association of Broadcasters Hall of Fame in the radio division.Piels commercial
Bob and Ray (seven 1959-60 episodes)
(Outlaws Old Time Radio)
Matinee with Bob & Ray---Surviving installments of Bob & Ray's first regular series, WHDH, Boston.
Internet Archive---the surviving installments of Bob & Ray Present the CBS Radio Network (1959–60)
Bob and Ray for the Truly Desperate---surviving installments of Bob and Ray from WOR (1973–76) and a hodgepodge of other recordings
NBC Monitor Tribute Pages (features several Bob and Ray routines and reminiscences)
Write If You Get Work: The Best of Bob & Ray Copyright 1975 by Robert B. Elliott and Raymond W. Goulding Foreword Copyright 1975 by Random House, Inc. Library of Congress Cataloging in Publication Data Elliott, Bob - Write if you get work. 1. American wit and humor. I. Goulding, Ray, Joint author. II. Title. PN6162.E45 818'.5'407 75-10297 ISBN 0-394-49668-X Manufactured in the United States of America 4689751946 WHDH Boston (ad libbed together on the air)
1947 WHDH Baseball Matinee April 11, 1947 – June 30, 1951
15 min then 30 min, became "Matinee with Bob and Ray"
1949 WMGM Jan. 14, 1949
one time appearance filling in for Morey Amsterdam and were "discovered"
1951 NBC Radio July 2, 1951- Sept. 28, 1953
15 min 5:45 pm Mon-Fri, 1 hour Saturday 9:30pm
1951 WNBC Radio Aug 27, 1951-Nov. 17, 1952
Morning program (They spent 12 hours a day at NBC; 15 on Saturday)
1951 NBC-TV Nov. 26, 1951-Sept. 28, 1953
15 min 7:30pm weekdays
July 5, 1952 weekly half hour
Fall 1952 15 min 10:30pm weekdays (and a variety of other slots)
1953 ABC-TV Oct. 5, 1953-July 2, 1954
Also, some midnight shows on NBC radio
1954 WINS March 22, 1954 -May 25, 1956 (6:30-10am)
1955 NBC June 12, 1955- (?) NBC Monitor
1955 Mutual Broadcasting System Oct. 3,1955 - September 20, 1957 5:05-6pm
(since WOR was the main MBS studio, some sources count this is a stint at WOR)
1959 CBS June 29, 1959 – June 24, 1960
No NBC monitor during this period
1962 WHN July 30, 1962 – June 30, 1964
mornings (ironically, formerly WMGM)
1968 MGM/Verve Records Sept. 1968-?
"Bob and Ray Music Factory" weekly syndicated program for MGM records, produced at WNEW-FM, New York.
1973 WOR March 12, 1973 – April 30, 1976
afternoon drive time 4:15-7pm
1983 National Public Radio July 14, 1983 – April 5, 1987