Where the Boys Are
Genre Comedy, Drama, Romance
Director Henry Levin
Initial DVD release January 6, 2004
Country United States
|Release date December 28, 1960 (1960-12-28)|
Based on Where the Boys Are (1959 novel) by Glendon Swarthout
Writer George Wells (screen play), Glendon Swarthout (novel)
Music director Georgie Stoll, Pete Rugolo
Cast Dolores Hart (Merritt Andrews), George Hamilton (Ryder Smith), Yvette Mimieux (Melanie Tolman), Jim Hutton (TV Thompson), Barbara Nichols (Lola Fandango), Paula Prentiss (Tuggle Carpenter)
Similar movies Spring Breakers, Piranha 3D, Girl Happy, Palm Springs Weekend, Spring Break, Ressha Sentai ToQger Vs. Kamen Rider Gaim: Spring Vacation Combined Special
Tagline The hilarious inside story of those rip-roaring spring vacations!
Where the boys are 1960 trailer
Where the Boys Are (1960) is a Metrocolor and CinemaScope American coming-of-age comedy film, written by George Wells based on the novel of the same name by Glendon Swarthout, about four Midwestern college co-eds who spend spring break in Fort Lauderdale, Florida. The title song "Where the Boys Are" was sung by Connie Francis, who also co-starred in a supporting role. The film was aimed at the teen market, featuring sun, sand and romance. Released in the wintertime, it inspired thousands of additional American college students to head to Fort Lauderdale for their annual spring break.
- Where the boys are 1960 trailer
- Movie clip where the boys are 1960
- Proposed Sequel
- 1984 film
- Where the boys are 84 1984 full movie
Where the Boys Are was one of the first teen films to explore adolescent sexuality and the changing sexual morals and attitudes among American college youth. It won Laurel awards for Best Comedy of the Year and Best Comedy Actress (Paula Prentiss).
Movie clip where the boys are 1960
The main focus of Where the Boys Are is the "coming of age" of four girl students at a midwestern university during spring vacation. As the film opens, Merritt Andrews (Dolores Hart), the smart and assertive leader of the quartet, expresses the opinion in class that premarital sex might be something young women should experience. Her speech eventually inspires the insecure Melanie Tolman (Yvette Mimieux) to lose her virginity soon after the young women arrive in Ft. Lauderdale, Florida. Tuggle Carpenter (Paula Prentiss), on the other hand, seeks to be a "baby-making machine," lacking only the man to join her in marriage. Angie (Connie Francis) rounds out the group as an athletic girl who is clueless when it comes to romance.
The girls find their beliefs challenged throughout the film. Merritt, a freshman, meets the suave rich-boy Ivy Leaguer Ryder Smith (George Hamilton), a senior at Brown, and realizes she's not ready for sex. Melanie discovers that Franklin (Rory Harrity), a boy from Yale who she thought loved her was only using her for sex. Tuggle quickly fixes her attention on the goofy "TV" Thompson (Jim Hutton), a junior at Michigan State, but becomes disillusioned when he becomes enamored of the older woman Lola Fandango (Barbara Nichols), who works as a "mermaid" swimmer/dancer in a local bar. Angie stumbles into love with the eccentric jazz musician Basil (Frank Gorshin).
Merritt, Tuggle, and Angie's post-adolescent relationship angst quickly evaporates when they discover Melanie is in distress after going to meet Franklin at a motel and instead finding there another of the "Yalies", Dill, who rapes her. Franklin had moved on to another girl, but told Dill that Melanie was "easy" and set up the ambush. Melanie ends up walking into the nearby road looking distraught, her dress torn. Just as her friends arrive, she is hit by a car and ends up in the hospital.
Ultimately, it seems the group has learned the potentially serious consequences of their actions and resolve to act in a more responsible, mature manner. The film ends on a melancholy note, with Melanie recovering in the hospital while Merritt looks after her, and with Merritt's promises to Ryder to continue a long-distance relationship. He then offers to drive them back to their college.
Joe Pasternak bought the film rights to the novel, which was originally known as Unholy Spring, even before it was published. He assigned George Wells to write the script.
"There isn't a gat, knife, or marijuana cigarette in the whole thing," said Pasternak. "These are good students. We'll use our young contract players, such as George Hamilton, Joe Cronin, Denny Miller, Alfredo Sadel, Bill Smith, Russ Tamblyn, Luana Patten, Maggie Pierce, Carmen Phillips, and Nancy Walters; then get one star to head the cast." Natalie Wood, who had just made All the Fine Young Cannibals for MGM, was mentioned as a possible star at one stage.
MGM eventually persuaded the book's author to change the title from Unholy Spring to Where the Boys Are.
Henry Levin was signed to direct. The first two stars confirmed for the movie were George Hamilton and Yvette Mimieux. Paula Prentiss was cast despite never having made a movie before. Connie Francis also made her movie debut.
The novel contained a section where the students help raise money to ship arms to Fidel Castro for his revolution in Cuba. Pasternak decided to remove this. "The author was very sympathetic to Castro," said Pasternak. "Politics does not belong in entertainment. As actors or writers or movie makers of any sort, we have a right to our political preferences. But that is why we have secret ballots... We felt that the only revolution these youngsters should be involved in was their personal revolution."
George Hamilton got a bit part for his friend Sean Flynn in the movie.
Hamilton says he improvised the scene where he wrote a question mark in the sand to Dolores Hart. He thought he was making a "little nothing of a film" and did not enjoy the shoot but it became a big success. The film also featured the big screen debut, in an unaccredited role, by former Miss Ohio and Elvis Presley consort Kathy Gabriel.
The kind of cool modern jazz (or west coast jazz) popularized by such acts as Dave Brubeck, Gerry Mulligan, and Chico Hamilton, then in the vanguard of the college music market, features in a number of scenes with Basil. Called "dialectic jazz" in the film, the original compositions were by Pete Rugolo.
MGM had bolstered the film's success potential by giving a large role to Connie Francis, the top American female recording star and a member of the MGM Records roster. Francis had solicited the services of Neil Sedaka and Howard Greenfield, who had written hit songs for her, to write original material for her to perform on the film's soundtrack including a "Where the Boys Are" title song. Sedaka and Greenfield wrote two potential title songs for the film, but producer Joe Pasternak passed over the song Francis and the songwriting duo preferred in favor of a lush '50s style movie theme. Francis recorded the song on October 18, 1960, in a New York City recording session with Stan Applebaum arranging and conducting.
Although it only peaked at # 4 in the US, the theme song of "Where the Boys are" became Connie Francis's signature tune, followed by several cover versions.
Besides the theme song, Francis sang another Sedaka-Greenfield composition: "Turn on the Sunshine", in the film.
The film's soundtrack also features "Have You Met Miss Fandango". The song was sung by co-star Barbara Nichols and featured music by Victor Young and lyrics by Stella Unger.
MGM did not release a soundtrack album for Where the Boys Are.
The film was a success at the box office.
MGM signed Henry Levin, Dolores Hart, Prentiss and Hutton to long term contracts.
American humanities professor Camille Paglia has praised Where the Boys Are for its accurate depiction of courtship and sexuality, illustrating once-common wisdom that she contends has been obscured by second-wave feminism:The theatrics of public rage over date rape are [feminists'] way of restoring the old sexual rules that were shattered by my generation. Because nothing about the sexes has really changed. The comic film Where the Boys Are (1960), the ultimate expression of ‘50s man-chasing, still speaks directly to our time. It shows smart, lively women skillfully anticipating and fending off the dozens of strategies with which horny men try to get them into bed. The agonizing date rape subplot and climax are brilliantly done. The victim, Yvette Mimieux, makes mistake after mistake, obvious to the other girls. She allows herself to be lured away from her girlfriends and into isolation with boys whose character and intentions she misreads. Where the Boys Are tells the truth. It shows courtship as a dangerous game in which the signals are not verbal but subliminal.
The film is recognized by American Film Institute in these lists:
In 1960 it was announced Pasternak would make a follow up, Where the Girls Are starring George Hamilton. It was meant to be an entirely different story rather than a sequel. But this was never produced.
Pasternak also announced plans to reunite Hamilton, Prentiss, Hutton and Mimieux in a romantic comedy Only a Paper Moon from a story by George Bradshaw, "Image of a Starlet". This became A Ticklish Affair, and was made, but without any of those actors.
Nonetheless there were a number of unofficial follow-ups. MGM liked Paula Prentiss and Jim Hutton as a team so much they put them together in three more movies: Bachelor in Paradise, The Honeymoon Machine and The Horizontal Lieutenant. MGM also made a number of other romantic comedies in the style of Where the Boys Are, including Come Fly With Me and Follow the Boys.
It also inspired a number of imitations from other studios including the Beach Party series and Palm Springs Weekend.
Where the Boys Are '84, was released in 1984 by TriStar Pictures. While it bears the distinction of being the first film released by TriStar, the film was a critical and commercial failure. Although it was touted as a remake, Roger Ebert reported that "It isn't a sequel and isn't a remake and isn't, in fact, much of anything."
Where the boys are 84 1984 full movie
ReferencesWhere the Boys Are Wikipedia
Where the Boys Are IMDbWhere the Boys Are Rotten TomatoesWhere the Boys Are themoviedb.org