Nisha Rathode (Editor)

Warne Marsh

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Birth name
  
Warne Marion Marsh

Name
  
Warne Marsh

Genres
  
Role
  
Saxophonist

Occupation(s)
  
Musician

Instruments
  
Tenor saxophone


Warne Marsh Warne Marsh Wikipedia the free encyclopedia

Born
  
October 26, 1927Los Angeles, United States (
1927-10-26
)

Died
  
December 18, 1987, Los Angeles, California, United States

Albums
  
Intuition, Art Pepper With Warne Marsh, Crosscurrents, Ne Plus Ultra, New York City Live

Children
  
K. C. Marsh, Jason Marsh

lennie tristano teaching lee konitz warne marsh vs the bird school


Warne Marion Marsh (October 26, 1927 – December 18, 1987) was an American tenor saxophonist. Born in Los Angeles, his restrained, cerebral playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earned attention in the 1970s as a member of Supersax.

Contents

Warne Marsh Warnejpg

Half nelson warne marsh and lee konitz perform on the tv show the subject is jazz 1958


Biography

Warne Marsh The Warne Marsh Information Site

Marsh came from an affluent artistic background: his father was MGM cinematographer Oliver T. Marsh (1892–1941), and his mother Elizabeth was a violinist. Actress Mae Marsh was his aunt.

Warne Marsh Warne Marsh Music for Prancing JazzWax

He was tutored by Lennie Tristano and, along with Lee Konitz, became one of the pre-eminent saxophonists of the Tristano-inspired "Cool School". Of all of Tristano's students, Marsh arguably came closest to typifying Tristano's ideals of improvised lines, in some respects, even transcending the master himself. Marsh was often recorded in the company of other Cool School musicians, and remained one of the most faithful to the Tristano philosophy of improvisation – the faith in the purity of the long line, the avoidance of licks and emotional chain-pulling, the concentration on endlessly mining the same small body of jazz standards. While Marsh was a generally cool-toned player, the critic Scott Yanow notes that Marsh played with "more fire than one would expect" in certain contexts.

Warne Marsh Warne Marsh Jeff Meshels World

Marsh's rhythmically subtle lines are immediately recognizable. He has been called by Anthony Braxton "the greatest vertical improviser" (i.e., improvising that emphasizes harmony/chords more than melody). In the 1970s, he gained renewed exposure as a member of Supersax, a large ensemble which played orchestral arrangements of Charlie Parker solos. Marsh also recorded one of his most celebrated albums, All Music, with the Supersax rhythm section during this period.

Warne Marsh Warne Marsh An Improvised Life SeedSpark

Marsh died onstage at the Los Angeles club Donte's in 1987, in the middle of playing the tune "Out of Nowhere". He left a widow, Geraldyne Marsh, and two sons, K.C. Marsh and Jason Marsh. He is interred at Forest Lawn Memorial Park in Glendale, California.

Warne Marsh In Copenhagen Warne Marsh Songs Reviews Credits AllMusic

Though he remains something of a cult figure among jazz fans and musicians, his influence has grown since his death; younger players such as Mark Turner have borrowed from his music as a way of counterbalancing the pervasive influence of John Coltrane. Marsh's discography remains somewhat scattered and elusive, as much of it was done for small labels, but more and more of his work has been issued on compact disc in recent years.

Warne Marsh SubconsciousLee Warne Marsh and Lee Konitz perform on the TV show

A documentary is being made about him: Warne Marsh: An Improvised Life, directed by his eldest son, K.C. Marsh.

As leader/co-leader

Warne Marsh The Warne Marsh Information Site Photo Gallery

  • Live in Hollywood (Xanadu, 1952 [1979])
  • Lee Konitz with Warne Marsh (Atlantic, 1955) with Lee Konitz
  • Jazz of Two Cities (Imperial, 1956) also released as The Winds of Marsh
  • Art Pepper with Warne Marsh (Contemporary, 1956 [1986]) with Art Pepper
  • The Right Combination (Riverside, 1957) with Joe Albany
  • Music for Prancing (Mode, 1957)
  • Warne Marsh (Atlantic, 1958)
  • The Art of Improvising (Revelation, 1959 [1974])
  • The Art of Improvising Volume 2 (Revelation, 1959 [1977])
  • Release Record Send Tape (Wave, 1959-60 [1969])
  • Jazz from the East Village (Wave, 1960 [1969])
  • Ne Plus Ultra (Revelation, 1969)
  • Report of the 1st Annual Symposium on Relaxed Improvisation (Revelation, 1972) with Clare Fischer and Gary Foster
  • Warne Marsh Quintet: Jazz Exchange Vol. 1 (Storyville, 1975 [1976]) with Lee Konitz
  • Live at the Montmartre Club: Jazz Exchange Vol. 2 (Storyville, 1975 [1977]) with Lee Konitz
  • Warne Marsh Lee Konitz: Jazz Exchange Vol. 3 (Storyville, 1975 [1985]) with Lee Konitz
  • The Unissued 1975 Copenhagen Studio Recordings (Storyville, 1975 [1997])
  • The Unissued Copenhagen Studio Recordings (Storyville, 1975 [1997])
  • All Music (Nessa, 1976)
  • Lee Konitz Meets Warne Marsh Again (Pausa, 1976) with Lee Konitz
  • Tenor Gladness (Discomate, 1976) with Lew Tabackin
  • Warne Out (Interplay, 1977)
  • Apogee (Warner Bros., 1978) with Pete Christlieb
  • Conversations with Warne Volume 1 (Criss Cross, 1978 [1991]) with Pete Christlieb
  • Conversations with Warne Volume 2 (Criss Cross Jazz, 1978 [1991]) with Pete Christlieb
  • How Deep, How High (Interplay, 1976/79 [1980]) with Sal Mosca
  • I Remember You... (Spotlite, 1980) with Karin Krog and Red Mitchell
  • Star Highs (Criss Cross Jazz, 1982)
  • Warne Marsh Meets Gary Foster (East Wind, 1982) with Gary Foster
  • A Ballad Album (Criss Cross, 1983) with Lou Levy
  • Posthumous (Interplay, 1985 [1987]) released with additional tracks as Newly Warne (Storyville, 1985 [1989])
  • Ballad for You (Interplay, 1985 [1995]) with Susan Chen
  • Warne Marsh & Susan Chen (Interplay, 1985 [1987]) with Susan Chen
  • Back Home (Criss Cross, 1986)
  • Two Days in the Life of... (Interplay, 1987)
  • Red Mitchell/Warne Marsh Big Two (Storyville, 1987)
  • Live at the Montmartre Club: Jazz Exchange, Vol. 3 (Storyville, 1987)
  • For the Time Being (Hot Club, 1990)
  • Live at Montmartre, Vol. 3 (Storyville, 1995)
  • Red Mitchell-Warne Marsh Big Two, Vol. 2 (Storyville, 1998)
  • I Got a Good One for You (Storyville, 2000)
  • Live in Las Vegas, 1962 (Naked City Jazz, 2000)
  • Personnel Statement (3D, 2002)
  • Marshlands (Storyville, 2003)
  • Final Interplay (Why Not, 2004)
  • Duo Live at Sweet Basil 1980 (Fresh Sound, 2004)
  • Berlin 1980 (Gambit, 2006)
  • In Copenhagen (Storyville, 2007)
  • As co-leader/sideman

    Warne Marsh Jazz news Documentary On Unsung Jazz musician Warne Marsh An

    With Chet Baker

    Warne Marsh Warne Marsh Gary Foster Warne Marsh Meets Gary Foster Vinyl LP

  • Blues for a Reason (Criss Cross Jazz, 1985)

  • Warne Marsh Warne Marsh Lee Konitz Two Not One Amazoncom Music

    With Bill Evans

  • Crosscurrents (Fantasy, 1977)
  • With Clare Fischer

  • Thesaurus (Atlantic, 1969)
  • With Lee Konitz

  • Subconscious-Lee (Prestige, 1950)
  • Live at the Half Note (Verve, 1959 [1994])
  • Lee Konitz Meets Jimmy Giuffre (Verve, 1959)
  • References

    Warne Marsh Wikipedia