Art Pepper

Early life

Art Pepper was born in Gardena, California, on September 1, 1925. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Art was still quite young he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switched to alto saxophone at 13 and immediately began jamming on Central Avenue, the black nightclub district of Los Angeles.

Career

At the age of 17 he began playing professionally with Benny Carter and then became part of the Stan Kenton orchestra, touring with that band until he was drafted in 1943. After the war he returned to Los Angeles and joined the Kenton Innovations Orchestra. By the 1950s Pepper was recognized as one of the leading alto saxophonists in jazz, finishing second only to Charlie Parker as Best Alto Saxophonist in the Down Beat magazine Readers Poll of 1952. Along with Chet Baker, Gerry Mulligan and Shelly Manne, and perhaps due more to geography than playing style, Pepper is often associated with the musical movement known as West Coast jazz, as contrasted with the East Coast (or "hot") jazz of Charlie Parker, Dizzy Gillespie and Miles Davis. Some of Pepper's most famous albums from the 1950s are Art Pepper Meets the Rhythm Section, Art Pepper + Eleven - Modern Jazz Classics, Gettin' Together, and Smack Up. Representative music from this time appears on The Aladdin Recordings (three volumes), The Early Show, The Late Show, The Complete Surf Ride, and The Way It Was!, which features a session recorded with Warne Marsh.

His career was repeatedly interrupted by several prison stints stemming from his addiction to heroin, but Pepper managed to have several memorable and productive "comebacks". Remarkably, his substance abuse and legal travails did not affect the quality of his recordings, which maintained a high level of musicianship throughout his career until his death in 1982.

His last comeback saw Pepper, who had started his career in Stan Kenton's big band, becoming a member of Buddy Rich's Big Band from 1968 to 1969. During the mid-1970s and early 1980s he toured Europe and Japan with his own groups and recorded dozens of albums, mostly for Fantasy Records.

Personal life

Pepper lived for many years in the hills of Echo Park, in Los Angeles. He had become a heroin addict in the 1940s, and his career was interrupted by drug-related prison sentences in 1954–56, 1960–61, 1961–64 and 1964–65; the final two sentences were served in San Quentin. While in San Quentin he played in an ensemble with saxophonist Frank Morgan. In the late 1960s Pepper spent time in Synanon, a drug rehabilitation group.

After beginning methadone therapy in the mid-1970s, Art had a musical comeback and recorded a series of albums including Living Legend, Art Pepper Today, Among Friends, and Live in Japan: Vol. 2.

His autobiography, Straight Life (1980, co-written with his third wife Laurie Pepper), discusses the jazz music world, as well as drug and criminal subcultures of mid-20th century California. Soon after the publication of this book, the director Don McGlynn released the documentary film Art Pepper: Notes from a Jazz Survivor, discussing his life and featuring interviews with both Art and his wife Laurie, as well as footage from a live performance in Malibu jazz club. Laurie Pepper also released an interview to NPR.

Pepper died of a stroke in Los Angeles on June 15, 1982, aged 56. He is interred in the Abbey of the Psalms Mausoleum in the Hollywood Forever Cemetery, Hollywood.

As leader

With Chet Baker

With Jerry Fielding

With Jack Nitzsche

As a sideman

Transcriptions

Published transcriptions:

Transcriptions available on the Internet:

Compositions

Pepper's most famous composition is probably "Straight Life". Composed long before the autobiography of the same title was published, it features the jagged lines he typically played and was typically played at a breakneck tempo. It was recorded numerous times by Pepper, both in his "early" period and his "later" years. Perhaps the most famous version was included on the 1957 Art Pepper Meets The Rhythm Section.

His other compositions include: "The Trip", "Red Car", "Gettin' Together", "Ol' Croix", "Tynan Time", "Minor Yours", "Diane", "Blues at Twilight", "Bijou the Poodle", "Pepper Pot", "Val's Pal", "Chili Pepper", "Art's Opus", "Brown Gold", "Zenobia", "Angel Wings", "Junior Cat", "Pepper Steak", "Straight Life", "Tenor Blooz", "Walkin' Out Blues", "Patricia", "Five More", "Minority", "Mambo de la Pinta", "Surf Ride", "Las Cuevas De Mario", "Our Song", "Among Friends", "That's Love", "Waltz Me Blues", "Labyrinth", "Make A List", "Pepper Returns", "True Blues", "Landscape", "Miss Who", "Mambo Koyama", "Ophelia", "Lost Life", "Dynaflow" with Stan Kenton and "Funny Blues".