Nationality American | ||
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Born 1803 Philadelphia, Pennsylvania Known for Bibliographical activities. Died 5 April 1869, Montgomery Place, Red Hook, New York, United States | ||
Thomas Pennant Barton (1803 – April 5, 1869) was an American bibliophile primarily remembered for the collection of books by and relating to William Shakespeare and English drama that he amassed between 1834 and 1869. Four years after his death, Barton's collection was acquired by the Boston Public Library, where it has remained ever since. He served as the American chargé d'affaires in France in 1835.
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Throughout much of the nineteenth century, Barton was considered by many to be the preeminent collector of the works of William Shakespeare in the United States. Because of both the breadth of his library and the profusion of rare and early editions counted among its numbers, Barton's is generally considered to be the first major American collection of rare, early editions of Shakespeare and Shakespeareana.
Biography
Barton was born in Philadelphia. His father, the noted physician Benjamin Smith Barton, named him after a close friend, the English naturalist Thomas Pennant. In 1833, Thomas Pennant Barton married Cora Livingston (1806-1873), the daughter of Secretary of State Edward Livingston and Louise Livingston. He died on April 5th, 1869, at Montgomery Place.
Book collecting and personal library
Barton apparently began his book collecting in 1834 while attached to his father-in-law's diplomatic mission in Paris and continued, in earnest, through 1866. According to James Wynne, Barton's library consisted of as many as 16,000 volumes, though the Catalogue of the Barton Collection at the Boston Public Library suggests the collection numbered approximately 12,000 volumes at the time of its accession in 1873.
Throughout his career as a collector, Barton worked with booksellers, binders, and stationers in both Britain, Europe, and America. He purchased from or through Obadiah Rich, Thomas Rodd, Horatio Rodd, H.G. Bohn, William Pickering, John Russell Smith, F.W. Christern, Joseph Sabin, and numerous others. Through these agents, he was an active buyer at many of the major British book auctions of the mid-nineteenth century, including the sales of Richard Heber (1834), Benjamin Heywood Bright (1845), the Statfold Hall Library sale (1856), and a number of J.O. Halliwell-Phillipps' auctions.
Barton's primary collecting interest was in the works of William Shakespeare and, in particular, in the early quarto and folio editions of his plays and poems. During his lifetime, Barton acquired many rare and early Shakespeare editions, including 45 play quartos issued before the English Restoration, nine of which were issued during Shakespeare's lifetime, all four seventeenth-century folio editions (including the First Folio of 1623, two copies of the Second Folio (1632), both issues of the Third Folio (1663 and 1634), and the Fourth Folio (1685)) and all nine of the Jaggard/Pavier quartos (sometimes referred to as the False Folio), as well as several early and rare anthologies and poetic miscellanies containing Shakespeare's poetry. John Alden refers to Barton as "the first American to form an extensive, purposeful collection of Shakespeariana." Indeed, his participation in the Heber sale (1834-1836) marked a watershed moment in the history of American Shakespeare collecting. During that single sale, Barton acquired, among other things, the first quarto of A Midsummer Night's Dream, the first quarto of The Merchant of Venice, and the third quarto of Hamlet (lot nos. 2012, 2014, and 2021, respectively).
Barton was also interested in English drama more generally, and the collection is particularly strong with respect to the early modern period, containing hundreds of quarto editions of English playbooks by playwrights including Christopher Marlowe, John Lyly, Thomas Kyd, Ben Jonson, Thomas Middleton, John Fletcher,and Thomas Heywood, among others.
Outside of the subject matter that Barton collected, a primary influence on his acquisition strategy was the condition of his books. Barton wanted only those exemplars of a given edition that were in the finest available condition, going so far as to establish an elaborate table of guidelines for his agents. As a result, the breadth of his collection was limited by the availability of excellent copies. In the collection of Barton's papers held at the Boston Public Library, Barton can be observed frequently turning down exceedingly rare editions of early quartos and folios because of their condition. Many of these copies can now be tracked to other collections.
As of 2017, the Boston Public Library is actively engaged in the conservation and digitization of Barton's Shakespeare and Shakespeareana. Digitized copies of his books are accessible through the Internet Archive.