Rahul Sharma (Editor)

The Seasons (ballet)

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
The Seasons (ballet)

The Seasons (Russian: Времена года, Vremena goda; also French: Les saisons) is an allegorical ballet in one act, four scenes, by the choreographer Marius Petipa, with music by Alexander Glazunov, his Op. 67. The work was composed in 1899, and was first performed by the Imperial Ballet in 1900 in St. Petersburg, Russia.

Contents

Composition history

The score for Marius Petipa's Les Saisons (The Seasons) was originally intended to have been composed by the Italian composer and conductor Riccardo Drigo, who was Glazunov's colleague and close friend. Since 1886, Drigo held the posts of director of music and Chef d’orchestre to the Ballet of the St. Petersburg Imperial Theatres, while also serving as conductor for performances of the Italian operas in the repertory of the Imperial Opera. Petipa's Les Millions d’Arlequin (a.k.a. Harlequinade) was also in its preliminary stages at the same time as Les Saisons, and was originally intended to have had a score supplied by Glazunov. Since Drigo and Glazunov had an affinity towards each other's assigned ballet, the two composers agreed that Glazunov would compose Les Saisons and that Drigo would compose Les Millions d’Arlequin.

Petipa's Les Millions d'Arlequin was presented for the first time at the Imperial Theatre of the Hermitage on 23 February [O.S. 10 February] 1900. Les Saisons premiered three days later. For both performances the whole of the Imperial court was in attendance.

In 1907, Nikolai Legat staged a revival of Les Saisons at the Imperial Mariinsky Theatre. This production was performed on occasion by the Imperial Ballet after the Russian Revolution, being performed for the last time in 1927.

Les Saisons lived on in an abriged edition in the repertory of Anna Pavlova's touring company.

Performance history

St. Petersburg premiere (World Premiere)

  • Date: 20 February [O.S. 7 February] 1900
  • Place: Imperial Theatre of the Hermitage, Winter Palace, St. Petersburg
  • Balletmaster: Marius Petipa
  • Conductor: Riccardo Drigo
  • Scene Designer: Pyotr Lambin
  • Costume Designer: Yevgeni Ponomaryov
  • Other notable productions

  • 1900, February 13, St. Petersburg, Imperial Mariinsky Theatre, same ensemble as the premiere
  • 1907, St. Petersburg, Mariinsky Theatre, balletmaster Nikolay Legat, conducted by Drigo, décor by Lambin, costumes by Aleksandr Golovin.
  • Publication history

  • 1901, M.P. Belyayev, Leipzig
  • Instrumentation

    Woodwinds: 1 piccolo, 2 flutes, 2 oboes (2nd doubling english horn in F), 2 clarinets in B-flat and A, 2 bassoons

    Brass: 4 french horns in F, 2 trumpets in B-flat, 3 trombones, tuba

    Percussion: timpani, triangle, tambourine, military drum, cymbal, bass drum, glockenspiel

    Keyboard: celesta, pianino (upright piano)

    Strings: harp, 1st and 2nd violins, violas, cellos, contrabass

    Synopsis

    Tableau 1A winter landscape

    Winter is surrounded by his companions: Hoar-frost, Ice, Hail and Snow, who amuse themselves with a band of snowflakes. Two gnomes enter, and soon light a fire that causes all assembled to vanish.

    Tableau 2A landscape covered with flowers

    Spring dances with Zephyr, flower fairies, and enchanted birds. Upon feeling the heat of the sun, the assembly takes flight.

    Tableau 3A landscape of flowing fields of wheat

    Cornflowers and poppies revel in the light and warmth of the sun. They take rest after their exertion. Now Naiads appear, who bring water to refresh the growth, and the Spirit of Corn dances in thanksgiving. Satyrs and Fauns enter playing their pipes, and attempt to carry off the Spirit of the Corn, but she is rescued by the wind of Zephyr.

    Tableau 4A landscape in Autumn

    The Seasons take part in a glorious dance (the well-known "autumn bacchanale") while leaves from autumn trees rain upon their merriment.

    ApotheosisThe Sable sky

    Constellations of stars sparkle above the earth.

    Résumé of dances and the mise-en-scène

    List of the numbers comprising The Seasons taken from the Yearbook of the Imperial Theatres, 1899-1900, being the original titles of the dances and mise en scène as originally staged.

  • №01 Prélude
  • Tableau I — L’Hiver (winter)

  • №02 Scène de l’Hiver
  • №03 Variation du givre (frost)
  • №04 Variation de la glace (ice)
  • №05 Variation de la grêle (hail)
  • №06 Variation de la neige (snow)
  • №07 Coda
  • Tableau II — Le Printemps (spring)

  • №08 Entrée de Printemps, Zéphyre, les Fées des fleurs, les oiseaux et les fleurs
  • Tableau III — L’Été (summer)

  • №09 Scène de l’Été
  • №10 Valse des bleuets et des pavots (Waltz of the Cornflowers and Poppies)
  • №11 La Barcarolle – Entrée des naïades, le satyres et des faunes
  • №12 Variation de l’Esprit du maïs
  • №13 Coda
  • Tableau IV — L’Automne (fall)

  • №14 Grande bacchanale des saisons
  • №15 Petit adage
  • №16 Variation du Satyre
  • №17 Coda générale
  • Apotheosis

  • №18 Apothéose: La Révélation des étoiles
  • Discography

  • 1929, Aleksandr Glazunov, unknown orchestra
  • 1953, Roger Désormière, Orchestre National de France
  • 1956, Albert Wolff, Paris Conservatoire Orchestra
  • 1966, Ernest Ansermet, Suisse Romande Orchestra
  • 196?, Konstantin Ivanov, USSR Symphony Orchestra
  • 196?, Robert Irving, Concert Arts Orchestra
  • 1978, Yevgeny Svetlanov, Philharmonia Orchestra
  • 1987, Neeme Järvi, Scottish National Orchestra
  • 1989, Vladimir Ashkenazy, Royal Philharmonic Orchestra
  • 1993, Edo de Waart, Minnesota Orchestra
  • 1987, Ondrej Lenard, Czecho-Slovak Radio Symphony Orchestra
  • Part of the Adagio from Autumn was chosen by Guy Mauffette as the musical theme for the long-running Radio-Canada soap opera Un homme et son péché (1939–1962) and its later adaptation for television, Les Belles Histoires des pays d'en haut (1956–1970).
  • The Autumn Bacchanale is used as the introductory music to BBC TV's annual Richard Dimbleby Lectures (1972–).
  • Excerpts from the ballet were heard on a recording featuring Don Wilson narrating the story of Ceres and Proserpina (here called Prosperine), with the music, played by the Continental Symphony Orchestra, serving as accompaniment. This recording was part of an LP issued by Capitol Records entitled Classics for Children.
  • References

    The Seasons (ballet) Wikipedia