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The Night God Slept

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Length
  
32:43

Release date
  
10 November 2014

Recorded
  
2014

Artist
  
Silent Planet

Label
  
Solid State Records

Genres
  
Metalcore, Post-metal

The Night God Slept iimgurcomoAoqIo1jpg

Released
  
November 10, 2014 (2014-11-10)

Producer
  
Spencer Keene, Daniel Braunstein

lastsleep (1944-1946) (2014)
  
The Night God Slept (2014)

The Night God Slept (2014)
  
Everything Was Sound (2016)

Similar
  
Everything Was Sound, Heavy Hearts, Beating a Dead Horse, The Predator Becomes, Enigmatic Smile

Silent planet the night god slept full album


The Night God Slept is the first studio album by Los Angeles-based metalcore band Silent Planet. It was released on 10 November 2014 through Solid State Records. The album was co-produced by guitarist Spencer Keene and former Volumes' member Daniel Braunstein.

Contents

Silent planet the well


Background and history

After the band released the EP lastsleep (1944-1946) in January 2014, they set out to record their first full-length album.

While the songs "Tiny Hands (Au Revoir)", "Darkstrand (Hibakusha)" and "Wasteland (Vechnost)" had already been included in this EP, the other tracks were previously unreleased.

On May 17, 2014, the band announced the completion of their upcoming album, which the band announced on July 13, 2014, to be released in fall 2014 through ″an artist-friendly record label who is allowing [them] to retain full creative control."

On September 14, 2014, they announced the album to be released on November 11, 2014. On September 19 they dropped a hint pointing towards the new album name by posting the link http://www.thenightgodslept.com on their Facebook page. On September 24, 2014, they confirmed the name of the new album to be The Night God Slept and revealed that the album would be released on November 10, 2014, through Solid State Records.

The band then succeeded to post new songs from their upcoming album to their Facebook page, starting with "XX (City Grave)" on September 30, followed by "Native Blood" on October 23, "firstwake" on November 2 and "Depths II" on November 5.

The lyrics tell different stories, mostly told through the eyes of woman protagonists, as explained by the band's vocalist Russell:

We see a lot of cultural misogyny in music, certainly in heavy music. Women in heavy music are caught in a binary - they are either written as a ‘good’ moral, ideal woman or a ‘bad’ sinful, tempting woman - but almost never written from their own perspective. What links all of the women in our songs is that they ultimately have to make difficult decisions under the systemic oppression of their coercive ruling forces. Forces which include government, authority figures and the society they live in.

Songs

  • "XX (City Grave)" deals with the modern day crisis of sex trafficking in America.
  • "Native Blood" speaks about the history of Native Americans, for example 1830's Indian Removal Act and 1887's Dawes Act.
  • "Tiny Hands (Au Revoir)" is based on the story of Marguerite Rouffanche, sole survivor of the Oradour-sur-Glane massacre on 10 June 1944.
  • "firstwake" discusses the contrast between the intentions of Christianity as opposed to the global perception of Christianity in America.
  • "Darkstrand (Hibakusha)" tells the story of a mother and a child being ripped apart by a layer of rubble as the bombing of Hiroshima ensues. (Hibakusha (被爆者) is the Japanese term used to refer to the surviving victims of the Nagasaki and Hiroshima bombings.)
  • "Wasteland (Vechnost)" deals with the morality of the Soviet Union's victory in contrast with having suffered more casualties than any other country during World War II and the Soviet Union's views on religion. (Вечность (vechnost) is the Russian word for eternity.)
  • Critical reception

    Awarding the album three and a half stars from Alternative Press, Dan Slessor writes, "these leanings grow perhaps a little too pronounced and the band’s personality grows somewhat fuzzy, but when they are at their best they are gripping." Geoff Burns, giving the album four stars for Substream Magazine, states, "Throughout the aggressive breakdowns and double bass moments, the album is lyrically insightful." Rating the album four and a half stars at HM Magazine, Collin Simula describes, "It's musical, challenging, heavy and truly surprising."

    Giving the album four and a half stars at Jesus Freak Hideout, Scott Fryberger says, "The Night God Slept is an excellent label debut". Michael Weaver, awarding the album four stars from Jesus Freak Hideout, writes, "The Night God Slept is a strong entry into this year's heavy music pool." Indicating in a four and a half star review for Jesus Freak Hideout, Dylan Minson states, "The Night God Slept is a really fun, frantic and intentional record". Brody Barbour, signaling in a four star review by Indie Vision Music, describes, "this album is phenomenal".

    Songs

    1The Well3:00
    2XX (City Grave)2:52
    3I Drowned in the Desert1:28

    References

    The Night God Slept Wikipedia