The Itchy and Scratchy and Poochie Show

Plot

The ratings of the Itchy & Scratchy Show segment of the Krusty the Clown Show suddenly fail. Krusty orders the cartoon's producer, Roger Meyers, to find a way to fix the sagging ratings, or else a Chinese cartoon will replace Itchy and Scratchy. Meyers decides to commission a focus group to discover why Itchy and Scratchy has lost its popularity.

Bart and Lisa participate in the study, by watching cartoons and answering the questions. However, things do not go very well, with the children in the focus group contradicting themselves when explaining what they want (they argue that Itchy and Scratchy should be both more realistic and more fantastical). Eventually, Lisa tells the executives that there is nothing wrong with the show and that it is as good as it has ever been—but after being on TV for so long, the show does not have as much an impact on audiences as it did in its early years. Meyers thanks Lisa for "saving" Itchy and Scratchy, and decides that his cartoon's salvation lies in a new character. He tells Krusty and his team of writers that this new character should be a dog with "attitude", who will be called Poochie.

Bart and Lisa suggest Homer to have a go at voice acting when they read that there will be open auditions. Homer auditions to read for Poochie's voice, and gets the part. He and June Bellamy, his fellow voice actor, make several publicity stops to promote Poochie, where Homer confronts the show's hardcore fans. Homer invites all of his friends and relatives to the screening of the first Itchy & Scratchy & Poochie Show. However, the cartoon is full of clichés and asinine antics, and by emphasizing Poochie, contains none of the show's trademark violence. Everyone except Homer finds the episode unimpressive. Meyers is forced to admit that Poochie's debut was a dud, and he decides to get rid of the character.

Homer learns that Poochie will be killed off, and resolves to keep Poochie alive. At his next recording session, rather than reading from the script, he implores the audience, through lines that he wrote, to give Poochie a fair chance. The writing team appears moved by Homer's statement, however, on airing his statement is dubbed over by Myers stating "I have to go now, my planet needs me" and Poochie is killed off in a poorly edited fashion. The in-studio audience cheers wildly as Krusty promises that Poochie is gone for good. Homer feels betrayed but, after realizing he never got paid for his efforts, attributes the affair to the nature of show business.

Throughout the episode, a young man named Roy is shown to be living with the Simpsons, appearing just after Lisa remarks that new characters are a desperate effort to boost shows with low ratings. He has a few minor lines and calls Homer "Mr. S." At the end of the episode, he announces to the family that he's "moving into an apartment with two sexy ladies" and departs.

Production

"The Itchy & Scratchy & Poochie Show" was written by David S. Cohen and directed by Steven Dean Moore. The episode was conceived as a commentary on what it was like to work on a television show that had long been on the air, but was considered to be nearing its end. This was intended to show that The Simpsons could still be good after eight seasons, even though it no longer had the "shock value" it did in the early years. Before production of season 8 began, several executives at Fox suggested the staff add a new character to the show, who would live with the Simpsons on a permanent basis, in a bid to freshen up the series. The writers found the suggestion, usually considered a sign of desperation to boost a flagging series, amusing, therefore much of the episode revolves around this trope. Parallel to the episode's main plot, where Poochie is introduced on The Itchy & Scratchy Show to boost its ratings, the writers inserted the one-time character Roy, a college-aged man who is shown to be living with the Simpsons, with no explanation as to his character or presence, as a reference to the executives' proposal. Roy was originally conceived for the "Time and Punishment" segment of the season six episode "Treehouse of Horror V", living with the Simpsons in one of the alternate realities, as a second, teenage son in the family.

Cohen's initial vision for Poochie was that he would be annoying to fans because he was wealthy, aloof and unlikeable. In the episode's DVD commentary he read his script for the first cartoon featuring Itchy, Scratchy, and Poochie:

As with other episodes centering on the production of The Itchy & Scratchy Show, such as "The Front", the show's staff are shown. Almost all of them are based on the actual staff of The Simpsons. In the first scene at the production table the person in the lower right corner, wearing a squid T-shirt, is Cohen. On the left side, the furthest away is Bill Oakley with Josh Weinstein next to him. Next to Weinstein is George Meyer, who is the writer who speaks out and gets fired. The animator shown designing Poochie is supervising director David Silverman. As Silverman plays the tuba, one was drawn into the background of the scene. Other writers who appear include Dan McGrath, Ian Maxtone-Graham, Donick Cary, Ron Hauge, Ned Goldreyer, and Mike Scully, who had to be added in later, as the animators "didn't have his photo" from which to get an accurate likeness.

This episode also features the first mention of Comic Book Guy's soon-to-be catchphrase "Worst. Episode. Ever.", which was taken from the alt.tv.simpsons newsgroup.

Themes

This episode saw The Simpsons surpass The Flintstones for the number of episodes produced for an animated series. The episode therefore deals with the issue of longevity and the problems that arise when the producers try to make a show “fresh” again.

The show mainly deals with themes commonly known as "jumping the shark", instances that usually occur when a failing show adds a new character or major plot twist to boost ratings. The first theme is a commentary on adding a new character, when the show has run for too long. Usually, this is a technique used in shows that involve children, who have grown up. This was the case in "Oliver" in The Brady Bunch or "Luke" on Growing Pains. Both Poochie and Roy are used to reflect this, by attempting to keep The Itchy and Scratchy Show and the Simpson family fresh respectively.

Another theme is the notion of network executives forcing ideas onto a show. The interaction between the writers and the network executives in the episode underscore the differences between them. The writers understand the show's inner workings, but the network executives approach improvements to the show from a business point of view. They try to incorporate what they see as a rebellious character with the comment "This is popular with the kids", but the viewers later reject the character. The writers themselves are satirized in the episode, and are depicted as lazy and pretentious with few original ideas.

The last theme is the viewer backlash and obsession with internal consistency. When Comic Book Guy sees the Poochie episode, he immediately goes on the Internet and writes "Worst episode ever" on a message board; a commentary on how the active audience nit picks the episode. The writers respond by using the voice of Bart:

Bart: Hey, I know it wasn't great, but what right do you have to complain? Comic Book Guy: As a loyal viewer, I feel they owe me. Bart: What? They're giving you thousands of hours of entertainment for free. What could they possibly owe you? I mean, if anything, you owe them! Comic Book Guy: ...Worst episode ever.

Earlier in the episode Homer and June Bellamy attend an in-store appearance as part of the promotion for the new character Poochie. They are asked a question of internal consistency, like the show's fans do all the time; Homer says to the fan who asks the question, "Why would a man whose shirt says 'Genius at Work' spend all his time watching a children's cartoon show?" This is again a reflection on how the writers feel about the fans obsessing about internal consistency.

Reception

This episode was placed 23rd on Entertainment Weekly's top 25 The Simpsons episodes list. Warren Martyn and Adrian Wood, the authors of the book I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide, praised "The Itchy & Scratchy & Poochie Show", calling it "a very neat episode which, like "The Front", is a good parody of the cartooning business." In 2007, Vanity Fair named it the sixth-best episode in the show's history, describing it as "a classic satire of network influence, obsessed TV fans, and programs that survive long after the shark has been jumped, the episode is a meta-celebration, a tongue-in-cheek rebuttal to everyone who claimed that the quality of The Simpsons had declined over the years." Todd Gilchrist called it a masterpiece, stating it "could easily be packaged and sold by [itself]." Planet Simpson author Chris Turner describes the episode as "the most contentious and direct counterattack The Simpsons ever unleashed on its fans" and "[harsh] satire of the working world of big-time TV production". Robert Canning of IGN said it was "laugh-out-loud funny" and describing the introduction of Roy as "a hilarious parody of a classic, overused television device." Alan Sepinwall of The Star Ledger, in a review printed two days after the episode originally aired, praised the writers for not airing a "very special" episode to celebrate the milestone of overtaking The Flintstones. He noted "[the episode is] so self-aware it put the best in-jokes on St. Elsewhere to shame." The BBC named it as one of the ten most memorable episodes of the show, noting "the writers used the opportunity to pay tribute to the art of animation and rail against network interference in their show." In 2014, The Simpsons writers picked "The Beagle Has Landed" as one of their nine favorite "Itchy & Stratchy" episodes of all time.

In its original American broadcast, "The Itchy & Scratchy & Poochie Show" finished tied for 38th place in the weekly ratings for the week of February 3–9, 1997 with a Nielsen rating of 8.8. It was the third-highest-rated show on the Fox Network that week.

Comic Book Guy's phrase "Worst. Episode. Ever" was named by The A.V. Club as a quote that could be used in everyday life, as well as being one of the most popular quotes from the show.