The Insider (film)

Plot

A prologue establishes the journalistic bona fides of Bergman and Mike Wallace as they prepare to interview Sheikh Fadlallah for 60 Minutes.

Bergman approaches Wigand—a former executive at the Brown & Williamson tobacco company—for help translating technical documents. Wigand agrees, but intrigues Bergman when he refuses to discuss anything else, citing a confidentiality agreement. B&W later coerce Wigand into a more restrictive agreement, leading Wigand to accuse Bergman of betraying him. Bergman subsequently visits Wigand to defend himself and investigate the potential story. Wigand, though apparently possessing very damaging information, is hesitant to jeopardize his severance package with B&W by revealing anything.

The Wigand family move into a more modest house, Wigand now working as a teacher. One night Wigand finds evidence of trespass, and receives a sinister phone call.

Bergman contacts Richard Scruggs, an attorney representing Mississippi in a lawsuit against the tobacco industry, suggesting that if they deposed Wigand, it could negate his confidentiality agreement and give CBS cover to broadcast the information. Scruggs expresses interest.

Some time later Wigand receives an emailed death threat, and finds a bullet in his mailbox. He contacts the FBI, but the agents who attend are hostile and confiscate his computer. A furious Wigand demands that Bergman arrange an interview. In the interview, Wigand states that he was fired after he objected to B&W intentionally making their cigarettes more addictive.

Bergman later arranges a security detail for Wigand's home, and the Wigands suffer marital stress. Wigand testifies in Mississippi, over the objections of B&W attorneys, despite having been served with a gag order. On returning home, he discovers that his wife Liane (Diane Venora) has left him and taken their daughters.

Eric Kluster, the president of CBS News, decides not to broadcast Wigand's interview, after CBS legal counsel Helen Kaperelli warns that CBS is at risk of legal action from B&W. Bergman confronts Kluster, believing that he is protecting the impending sale of CBS to Westinghouse, which would enrich both Kluster and Kaperelli. Wallace, and their executive producer Don Hewitt, both side with Kluster. Wigand is appalled, and terminates contact with Bergman.

Investigators probe Wigand's personal history and publish their findings in a 500-page dossier. Bergman learns that The Wall Street Journal intends to use it in a piece questioning Wigand's credibility. He convinces the editor of the Journal to delay while Jack Palladino, an attorney and investigator, evaluates it.

After infighting at CBS over the segment, Bergman is ordered to take a "vacation", as the abridged 60 Minutes segment airs. Bergman contacts Wigand, who is both dejected and furious, accusing Bergman of manipulating him. Bergman defends himself and praises Wigand and his testimony. Scruggs urges Bergman to air the full segment to draw public support for their lawsuit, itself under threat by a lawsuit from the Governor of Mississippi. Bergman is unable to assist, and privately questions his own motives in pursuing the story.

Bergman contacts an editor at The New York Times, disclosing the full story and events at CBS. The Times prints the story on the front page, and condemns CBS in a scathing editorial. The Journal dismisses the dossier as character assassination and prints Wigand's deposition. Hewitt accuses Bergman of betraying CBS, but finds that Wallace now agrees that bowing to corporate pressure was a mistake. 60 Minutes finally airs the original segment, including the full interview with Wigand.

Bergman tells Wallace that he has resigned, believing 60 Minutes' credibility and integrity is now permanently tarnished.

Cast

Production

With a budget set at $68 million, Mann began collecting a massive amount of documents to research the events depicted in the film: depositions, news reports and 60 Minutes transcripts. He had read a screenplay that Eric Roth had written, called The Good Shepherd, about the first 25 years of the CIA. Based on this script, Mann approached Roth to help him co-write The Insider. Mann and Roth wrote several outlines together and talked about the structure of the story. Roth interviewed Bergman numerous times for research and the two men became friends. After he and Mann wrote the first draft together, at the bar at the Broadway Deli in Santa Monica, Roth met Wigand. The whistle blower was still under his confidentiality agreement and would not break it for Roth or Mann. Roth's initial impressions of Wigand were that he came across as unlikable and defensive. As they continued to write more drafts, the two men made minor adjustments in chronology and invented some extraneous dialogue but also stuck strictly to the facts whenever possible. However, Mann and Roth were not interested in making a documentary.

Val Kilmer was considered by Mann for the role of Jeffrey Wigand. Producer Pieter Jan Brugge suggested Russell Crowe and after seeing him in L.A. Confidential, Mann flew Crowe down from Canada where he was in the middle of filming Mystery, Alaska on the actor's one day off and had him read scenes from The Insider screenplay for two to three hours. When Crowe read the scene where Wigand finds out that the 60 Minutes interview he did will not be aired, he captured the essence of Wigand so well that Mann knew he had found the perfect actor for the role. Crowe, who was only 33 years old at the time, was apprehensive at playing someone much older than himself when there were so many good actors in that age range. Once Crowe was cast, he and Mann spent six weeks together before shooting began, talking about his character and his props, clothes and accessories. Crowe put on 35 pounds (16 kg) for the role, shaved back his hairline, bleached his hair seven times and had a daily application of wrinkles and liver spots to his skin to transform himself into Wigand (who was in his early-to-mid-50s during the events depicted in the film). Crowe was not able to talk to Wigand about his experiences because he was still bound by his confidentiality agreement during much of film's development period. To get a handle on the man's voice and how he talked, Crowe listened repeatedly to a six-hour tape of Wigand.

Al Pacino was Mann's only choice to play Lowell Bergman. He wanted to see the actor play a role that he had never seen him do in a movie before. Pacino, who had worked with Mann previously in Heat, was more than willing to take on the role. To research for the film, Mann and Pacino hung out with reporters from Time magazine, spent time with ABC News and Pacino actually met Bergman to help get in character.

Pacino suggested Mann cast Christopher Plummer in the role of Mike Wallace. Pacino had seen the veteran actor on the stage many times and was a big fan of Plummer's work. Mann had also wanted to work with Plummer since the 1970s. Pacino told Mann to watch Plummer in Sidney Lumet's Stage Struck (1958), and afterwards he was the director's only choice to play Wallace—Plummer did not have to audition. He met with Mann and after several discussions was cast in the film.

For the scene in which the deposition hearing takes place, the filmmakers used the actual courtroom in Pascagoula, Mississippi where the deposition was given.

Accuracy

The Insider was adapted from "The Man Who Knew Too Much", an influential article on tobacco industry whistleblower Jeffrey Wigand, written by journalist Marie Brenner for the May 1996 issue of Vanity Fair.

Wallace said that two-thirds of the film was quite accurate, but he disagreed with the film's portrayal of his role in the events; in particular, he objected to the impression that he would have taken a long time to protest CBS's corporate policies.

Box office

The Insider was released in 1,809 theaters on November 5, 1999 where it grossed a total of $6,712,361 on its opening weekend and ranked fourth in the country for that time period. It went on to make $29.1 million in North America and $31.2 million in the rest of the world for a total of $60.3 million worldwide, significantly lower than its $90 million budget. The film was considered to be a commercial disappointment. Disney executives had hoped that Mann's film would have the same commercial and critical success as All the President's Men, a film in the same vein. However, The Insider had limited appeal to younger moviegoers (studio executives reportedly said the prime audience was over the age of 40) and the subject matter was "not notably dramatic," according to marketing executives. Then-Disney chairman Joe Roth said, "It's like walking up a hill with a refrigerator on your back. The fact of the matter is we're really proud we did this movie. People say it's the best movie they've seen this year. They say, 'Why don't we make more movies like this?'" After the film received seven Academy Awards nominations, Joe Roth said, "Everyone is really proud of the movie. But it's one of those rare times when adults loved a movie, yet they couldn't convince their friends to go see it, any more than we could convince people in marketing the film."

Critical response

Despite the disappointing box office reception, The Insider received near-unanimous critical praise, garnering some of the best reviews of 1999 and of Michael Mann's career. It holds a 96% "fresh" rating at Rotten Tomatoes based on 132 reviews and an 84 metascore on Metacritic. Roger Ebert of the Chicago Sun-Times gave the film three and half out of four stars and praised "its power to absorb, entertain, and anger". Newsweek magazine's David Ansen wrote, "Mann could probably make a movie about needlepoint riveting. Employing a big canvas, a huge cast of superb character actors and his always exquisite eye for composition, he's made the kind of current-events epic that Hollywood has largely abandoned to TV—and shows us how movies can do it better". In her review for The New York Times, Janet Maslin praised Russell Crowe as "a subtle powerhouse in his wrenching evocation of Wigand, takes on the thick, stolid look of the man he portrays", and felt that it was "by far Mann's most fully realized and enthralling work". Time magazine's Richard Corliss wrote, "When Crowe gets to command the screen, The Insider comes to roiled life. It's an All the President's Men in which Deep Throat takes center stage, an insider prodded to spill the truth". Rolling Stone magazine's Peter Travers wrote, "With its dynamite performances, strafing wit and dramatic provocation, The Insider offers Mann at his best—blood up, unsanitized, and unbowed". However, Entertainment Weekly gave the film a "B" rating and felt that it was "a good but far from great movie because it presents truth telling in America as far more imperiled than it is".

Director Quentin Tarantino included The Insider in his list of top 20 films released since 1992 (the year he became a director).

Accolades

In 2006, Premiere ranked Crowe's performance #23 of the 100 Greatest Performances of All Time. Eric Roth and Michael Mann won the Humanitas Prize in the Feature Film category in 2000.

American Film Institute recognition:

Other music in the film