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The City of Lost Children

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Genre  Fantasy, Sci-Fi
Language  French Cantonese
7.7/10 IMDb

Initial DVD release  October 19, 1999
Country  France Germany Spain
The City of Lost Children movie poster
Director  Marc Caro Jean-Pierre Jeunet
Release date  May 1995 (1995-05) (Cannes) 17 May 1995 (1995-05-17) (France) 17 August 1995 (1995-08-17) (Germany)
Writer  Gilles Adrien, Jean-Pierre Jeunet, Marc Caro, Gilles Adrien (dialogue), Guillaume Laurant (additional dialogue), Jean-Pierre Jeunet (additional dialogue)
Directors  Jean-Pierre Jeunet, Marc Caro
Screenplay  Jean-Pierre Jeunet, Marc Caro, Gilles Adrien, Guillaume Laurant
Cast  Ron Perlman (One), Dominique Pinon (Scaphandrier / Les Clones), Judith Vittet (Miette), Daniel Emilfork (Krank), Jean-Claude Dreyfus (Marcello), Geneviève Brunet (la Pieuvre)
Similar movies  Django Unchained, The Expendables, Salt, Crossroads, Sesame Street Presents Follow That Bird, Coraline
Tagline  Where happily ever after is just a dream.

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The City of Lost Children (French: La cité des enfants perdus) is a 1995 science fantasy drama film directed by Marc Caro and Jean-Pierre Jeunet, written by Jeunet and Gilles Adrien, and starring Ron Perlman. An international co-production of companies from France, Germany, and Spain, the film is stylistically related to the previous and subsequent Jeunet films, Delicatessen and Amélie.


The City of Lost Children movie scenes

The musical score was composed by Angelo Badalamenti with costumes designed by Jean-Paul Gaultier. It was entered into the 1995 Cannes Film Festival.

The City of Lost Children movie scenes

Great scene the city of lost children


The City of Lost Children movie scenes

Krank (Daniel Emilfork), a highly intelligent but evil being created by a vanished scientist, is unable to dream, which causes him to age prematurely. At his lair on an abandoned oil-rig (which he shares with the scientist's other creations: six childish clones, a dwarf named Martha, and a brain in a vat named Irvin), he uses a dream-extracting machine to steal dreams from children. The children are kidnapped for him from a nearby port city by a cyborg cult called the Cyclops, who in exchange he supplies with mechanical eyes and ears. Among the kidnapped is Denree (Joseph Lucien), the adopted little brother of carnival strongman One (Ron Perlman).

The City of Lost Children movie scenes

After the carnival manager is stabbed by a mugger, One is hired by a criminal gang of orphans (run by a pair of Siamese twins called "the Octopus") to help them steal a safe. The theft is successful, but the safe is lost in the harbor when One is distracted by seeing Denree's kidnappers. He, together with one of the orphans, a little girl called Miette, follows the Cyclops and infiltrates their headquarters, but they are captured. Meanwhile the Octopus orders circus performer Marcello (Jean-Claude Dreyfus) to return One to them. He uses his trained fleas, which secrete a poison that causes mindless aggression, to turn the Cyclops guards against each other, before rescuing One. However he leaves Miette behind, who almost drowns before an amnesiac diver living beneath the harbor retrieves her.

The City of Lost Children movie scenes

Miette leaves the diver's lair to find One and Marcello both drowning their sorrows in a bar. Upon seeing Miette alive the remorseful Marcello lets One leave with her. However the Octopus confronts them on the pier, and uses Marcello's stolen fleas to turn One against Miette. A spectacular chain of events triggered by one of Miette's tears leads to a ship crashing into the pier before One can throttle her. Marcello arrives and sets the fleas on the Octopus, allowing One and Miette to escape to continue searching for Denree.

The City of Lost Children movie scenes

Back at Krank's oil-rig, Irvin gets one of the clones to release a plea for help in the form of a bottled dream telling the story of how they were created. It reaches One, Miette, and the diver, and the latter remembers that he was the scientist who made them, and that the oil-rig was his laboratory before Krank and Martha pushed him off to take it for themselves. They all converge on the rig; the diver to destroy it and the duo to rescue Denree.

The City of Lost Children movie scenes

Miette is almost killed by Martha, but the diver harpoons her. She then finds Denree asleep in Krank's dream-extracting machine, and Irvin tells her that to release him she must enter the machine herself. In the dream world she meets Krank and makes a deal with him to replace Denree as the source of the dream; Krank fears a trap but plays along, believing himself to be in control. Miette then uses her imagination to control the dream and turn it into an infinite loop, destroying Krank's mind. One and Miette rescue all the children while the now-deranged diver loads the rig with dynamite and straps himself to one of its legs. He regains his senses as everyone is rowing away, and pleads with his remaining creations to come back to rescue him, but a seabird lands on the handle of the blasting machine, blowing up him and the rig.


The City of Lost Children movie scenes
  • Ron Perlman as One
  • Judith Vittet as Miette
  • Daniel Emilfork as Krank
  • Joseph Lucien as Denree
  • Dominique Pinon as the diver and the clones
  • Geneviève Brunet and Odile Mallet as the Octopus
  • Jean-Claude Dreyfus as Marcello
  • Jean-Louis Trintignant (voice) as Uncle Irvin
  • Mireille Mossé as Martha
  • Rufus as Peeler
  • Serge Merlin as the chief of the Cyclops
  • Marc Caro as Brother Ange-Joseph
  • Ticky Holgado as an ex-acrobat
  • Lorella Cravotta as a woman
  • Mathieu Kassovitz (uncredited) as a man on the street
  • Reception

    The film holds a 80% fresh rating on Rotten Tomatoes based on 54 reviews, and a Metascore of 73 on Metacritic. As it "proceeds in full awareness that the past to which it is committed never really existed," the film constitutes as steampunk.

    According to authors Jen Webb and Tony Schirato, the dual nature of capitalism constitutes a main source of tension in the film:

    "On the one hand, capitalism is presented as enabling self-interest and freedom, as exemplified by the freedom to produce scientific developments (Krank), pursue religious ideas (the Cyclopses), and seek wealth (the Octopus). On the other hand, it exposes the deplorable effects of capitalism ... the exploitation of childhood (the cynical orphans), of tenderness (the Original scientist, attacked and turned out by his own beloved creations), and of innocence (the terrified children whose dreams are stolen) while suggesting that there is no place in capitalism for originality, disinterestedness, duty, self-reflective analysis, and other defining aspects of "the human."

    According to author Donna Wilkerson-Barker, these elusive aspects of humanity are presented within the film for various characters to identify with. For example, the relationship between One and Denrée represents, for Miette, a family of authenticity. Prepared to sacrifice her life in order to become a part of their family, Miette helps One to save Denrée from Krank's manipulative environment. In another example, Irvin the brain plays his part in overturning the same environment in order to liberate his "family" of clones. In the end, two boats filled with these two different families row towards their futures: In one boat, a technologically produced family of Irvin and the clones; In the other, a rationally envisioned family containing Miette, One, and the abducted children. This leaves the audience to question precisely what the future will hold for these two differing visions of humanity.

    Video game

    A video game based on the film was released in the United States and in parts of Europe for the PC first and then the PlayStation console. Players take on the role of Miette and confront puzzles in an adventure game format. On GameRankings the PC version holds a score of 60%, while the PlayStation version holds a score of 54.50%.


    The City of Lost Children Wikipedia
    The City of Lost Children IMDbThe City of Lost Children Rotten TomatoesThe City of Lost Children Roger EbertThe City of Lost Children MetacriticThe City of Lost Children

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