The Bridge Stage of the Arts

Purpose

The purpose of The Bridge is to further collaborative creation of new theatrical hybrids by spanning different disciplines, cultures and generations; and to provide educational programs in the performing and visual arts.

Notable productions

In the South of France, The Bridge presented Alan Jay Lerner and Liz Robertson In Concert, Honi Coles and The Copasetics In Concert, and Betty Comden and Adolph Green In Concert. In Lower Manhattan, The Bridge has produced its Performance-Forums with astrophysicist, Neil deGrasse Tyson, theater director, Tom O'Horgan and others. And in June 2001, it presented Hart & Hammerstein Centennial Plus One at Castle Clinton, near the World Trade Center in Lower Manhattan. The production was the first of a summer concert series, and marked the first time in 146 years that Castle Clinton had been used as a theater. Castle Clinton, a 206-year-old circular stone garrison built in 1811 to protect New York from the warring British, has served as an indoor garden, an opera house, an aquarium, an immigrant landing depot, and the setting in which the "Swedish Nightingale" Jenny Lind made her 1850 American debut, courtesy of P.T. Barnum; also, in recent years, as a ticket booth for ferries to the Statue of Liberty.

Founder and attistic director

Avra Petrides, a native New Yorker, is the daughter of pioneering woman orchestral conductor, Frédérique Petrides, and journalist, Peter Petrides, who, for many years was managing editor of the New York City-based, Greek-American newspaper, The National Herald (not to be confused with the newspaper of the same name that was established in 1997).

Before becoming Artistic Director of The Bridge, her many appearances as an actress included Honey, the young wife, in the original Broadway production of Edward Albee's Who's Afraid of Virginia Woolf? (in the matinee company, opposite Kate Reid and Shepperd Strudwick); starring as Leah with Joseph Wiseman and Luther Adler in the CBC (Canadian Broadcasting Company) television adaptation of Ansky's The Dybbuk; playing Bette Davis in Adrienne Kennedy's A Movie Star Has To Star in Black and White, directed by Joseph Chaikin at Joseph Papp's Public Theater; appearing as Darlene in the original production of Lanford Wilson's Balm in Gilead directed by Marshall Mason at Ellen Stewart's Café La Mama; and being directed by Elia Kazan in a solo performance, for invited audiences, at the Actors Studio, of which she is a member that used texts from Aeschylus' The Oresteia.

As a playwright, her work has been presented in New York at La Mama Experimental Theater Club, the Manhattan Theater Club, the WPA Theater, The New Dramatists and recorded on WBAI.

She co-wrote and directed the cabaret production, Dietrich for the Oak Room in the Algonquin Hotel, which won a MAC Award. And Ms. Petrides directed Tap Divas and the tap dance extravaganza Tap City with Gregory Hines, Savion Glover, Brenda Bufalino and others, which played at the Doris Duke Theater in Times Square.

History

The Bridge Stage of the Arts, Inc., was incorporated in New York City in 1980 as a not-for-profit organization. It was then known as The Bridge American Theater Festival, Inc. In 1995, its title was changed to The Bridge Stage of the Arts, Inc. The Bridge works on a project by project basis.

Festival in south of France

Bridge Productions are always staged in spaces exceptional for their beauty and resonance of the past. Although based in Manhattan, in the 1980s, The Bridge produced summer music theater festivals in the south of France, with an emphasis on the American musical theater. Alan Jay Lerner (lyricist, librettist, My Fair Lady, Camelot), Comden and Green, lyricists-screenwriters Singin' In The Rain, Will Rogers Follies) tap dancer Honi Coles, (Tony Award winner, My One and Only), Virgil Thomson, (critic and composer, Four Saints in Three Acts), members of the American Dance Machine and of Joseph Chaikin's experimental The Open Theater, and others performed at night and taught master classes during the day. Each summer, through the invitation of The Bridge and the International Theatre Institute, (a branch of UNESCO), 150 actors, singers, dancers, choreographers, playwrights, composers, directors and lyricists and librettists from, at times, 22 countries including France, China, Australia, Ethiopia, Madagascar, America and Japan came to partake free of charge in The Bridge programs. The performances attended by an international audience were sold out.

Surrounded by sunlit vineyards and streams, the festivals' first site, in 1982, was a restored 17th century factory, in the small, medieval township of Saint-Chinian, South of France, (Languedoc-Roussillon region), where the uniforms of Louis XIV's regiments were once embroidered. In 1984, The Bridge Festival moved to the nearby walled medieval city of Beziers also in the Languedoc-Roussillon region of the South of France.

To bring something as high spirited and new as the American musical into these timeless surroundings was thrilling, giving a sense of new in old, of continuity of tradition and the march of time.

Betty Comden review excerpted

Betty Comden and her partner, Adolph Green, were prolific lyricists and librettists of Broadway and film musicals including Singin' In The Rain, Bells Are Ringing, and On the Town. Comden gave The Bridge kudos in 1985.

Performance-Forums

In 1996, in Lower Manhattan, The Bridge initiated its Performance- Forums in the Art Deco "Cocoa" building at No.1 Wall Street. In this series, American/international theater artists collaborate with astrophysicists, sculptors, theologians, philosophers, poets, novelists, painters, musicians, choreographers, filmmakers, and others working in a variety of creative, scientific and intellectual disciplines. The aim: to better understand each other's endeavors and find new and exciting ways to combine them in stage production. The theme of the initial Performance-Forum was Time (as perceived by people in different disciplines and cultures.)

For several months prior to this event these people collaborated on a performance based on that theme:

This debut Performance-Forum, given on March 28, 1996, was attended by approximately two hundred artists, scientists and philosophers, who, at its conclusion, participated in the Forum, which took the form of a panel-led discussion on the evening's theme Time.

Castle Clinton redux

In addition, in 1996, The Bridge re-introduced the beautiful 19th century reddish circular stone structure in Historic Battery Park, Castle Clinton, as a remarkable performance space, with the production, Hart and Hammerstein Centennial Plus One. An evening of song, it was hosted by CBS' Charles Osgood, and featured leading singers and Rob Fisher, then musical director of the Encores! series at the New York City Center. It was the first performance at Castle Clinton since the mid-1800s when, as an opera house, it was the Lincoln Center of its day, attracting impresarios like P.T. Barnum and performers like Jenny Lind. For the Hart & Hammerstein production, The Bridge brought in Broadway theater technicians who, by working into the wee hours of the night before the performance, erected a 30 inch high, spacious stage, and to guard against the possibility of rain bringing the performance to a close, covered the roof opening with a translucent white tent.

Robert Moses vs. Castle Clinton

In 1941, the Park Commissioner, Robert Moses, wanted to raze Castle Clinton, claiming it was essential to building a crossing from the Battery to Brooklyn. Protests from historic preservationists and others brought this plan to a halt but not before the roof had been removed.

Ongoing and in development

Promethea On The Rocks, a project that combines theater, music, the visual arts, film, education and community involvement.

Support

The Bridge programs have been supported by organizations including the French Ministries of Culture (L'Association Française d'Artistique) and Foreign Affairs (Le Ministère des Relations Extérieures), the United States Department of State, CBS, United Technologies Corporation and the Daily News Foundation.