7.4 /10 1 Votes
Language English Originally published May 1888 Genre Novella | 3.7/5 Goodreads Media type Print | |||||||||||||||||||||||||||||||||
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Country United Kingdom, United States Publisher Macmillan and Co., London, New York City Publication date London: 29 September 1888
New York City: 10 November 1888 Pages London: volume one, 239; volume two, 258
New York City: 290
Both editions also included the stories Louisa Pallant and The Modern Warning Countries United Kingdom, United States of America Similar Henry Fielding books, Novellas, Classical Studies books | ||||||||||||||||||||||||||||||||||
The aspern papers by henry james
The Aspern Papers is a novella written by Henry James, originally published in The Atlantic Monthly in 1888, with its first book publication later in the same year. One of James's best-known and most acclaimed longer tales, The Aspern Papers is based on the letters Percy Bysshe Shelley wrote to Mary Shelley's stepsister, Claire Clairmont, who saved them until she died. Set in Venice, The Aspern Papers demonstrates James's ability to generate suspense while never neglecting the development of his characters.
Contents
The aspern papers audiobook by henry james part 1 3
Plot summary
A nameless narrator goes to Venice to find Juliana Bordereau, an old lover of Jeffrey Aspern, a famous and now dead American poet. The narrator presents himself to the old woman as a prospective lodger and is prepared to court her niece Miss Tita (renamed Miss Tina in later editions), a plain, somewhat naive spinster, in hopes of getting a look at some of Aspern's letters and other papers kept by Juliana. Miss Tita had denied the existence of any such papers in a letter to the narrator and his publishing partner, but he believes she was dissembling on instructions from Juliana. The narrator eventually discloses his intentions to Miss Tita, who promises to help him.
Later, Juliana offers to sell a portrait miniature of Aspern to the narrator for an exorbitant price. She doesn't mention Jeffrey Aspern's name, but the narrator still believes she possesses some of his letters. When the old woman falls ill, the narrator ventures into her room and gets caught by Juliana as he is about to rifle her desk for the letters. Juliana calls the narrator a "publishing scoundrel" and collapses. The narrator flees, and when he returns some days later, he discovers that Juliana has died. Miss Tita hints that he can have the Aspern letters if he marries her.
Again, the narrator flees. At first he feels he can never accept the proposal, but gradually he begins to change his mind. When he returns to see Miss Tita, she bids him farewell and tells him that she has burned all the letters one by one. The narrator never sees the precious papers, but he does send Miss Tita some money for the miniature portrait of Aspern that she gives him.
Major themes
James (a very private man) examines the conflicts involved when a biographer seeks to pry into the intimate life of his subject. James paints the nameless narrator of The Aspern Papers as, in Juliana's words, a "publishing scoundrel", but also generates sympathy for the narrator as he tries to work the papers loose from Juliana, who is presented as greedy, domineering and unappealing.
The story unwinds into the double climax of Juliana's discovery of the narrator about to break into her desk, and Miss Tita's revelation that she has destroyed the papers. Miss Tita is ashamed of her marriage proposal to the narrator, but James implies that she does exactly the right thing by depriving him of the papers. In a way, she develops into the true heroine of the story.
Critical evaluation
James thought so highly of this story that he put it first in volume 12 of The New York Edition, ahead of even The Turn of the Screw. Critics have almost unanimously agreed with him about the tale's superb quality. Leon Edel wrote, "The story moves with the rhythmic pace and tension of a mystery story; and the double climax ... gives this tale ... high drama".
The central characters are all fully realized, and James describes Venice so lovingly that the city almost becomes a character in its own right, a crumbling, beautiful, mysterious place where the incredible becomes real and the strange is almost commonplace. Critics have disagreed about the narrator's guilt and Miss Tita's complex motives, but few deny that James has presented the pair with masterful completeness.
The theme of an editor or literary biographer's search for hitherto secret information about an author was used later by, amongst others, Somerset Maugham in "Cakes and Ale" (loosely based on the life of the once popular British novelist Hugh Walpole), Penelope Lively in "According to Mark", A.S. Byatt in Possession and Alan Hollinghurst in The Stranger's Child. Most significantly, James' close friend, Edith Wharton, used this theme as the subject of her first novel, The Touchstone.
Text versions
The Aspern Papers was first published in three parts in March–May 1888 editions of The Atlantic Monthly, and published in book form in London and New York later in the same year. It was subsequently revised, with the addition of a Preface and changes including "Miss Tita" being renamed to "Miss Tina", for the 1908 New York Edition.