Visual arts, Conceptual art
Shinro Ohtake, Mariko Mori, Yasumasa Morimura
Tatsuo miyajima ucca pechino 2011
Tatsuo Miyajima (宮島 達男, Miyajima Tatsuo, January 16, 1957 –) is a Japanese sculptor and installation artist who lives in Moriya, in Ibaraki prefecture, Japan. His work frequently employs digital LED counters and is primarily concerned with the function and significance of time and space, especially within the context of Buddhist thought.
- Tatsuo miyajima ucca pechino 2011
- How do we perceive art through vision or cognition neuro aesthetics and tatsuo miyajima
- Early life
- Early Work
- LED works
- Art market
How do we perceive art through vision or cognition neuro aesthetics and tatsuo miyajima
Miyajima was born in Edogawa City, Tokyo on January 16, 1957. He graduated from the Oil Painting course in the Fine Arts department of Tokyo National University of Fine Arts and Music in 1984, and completed his MA at the same university in 1986.
Although Miyajima originally trained as a painter, and briefly considered himself to be a performance artist, the majority of his work now takes the form of installation and sculpture. He has admitted that, in effect, his work now "performs" on his behalf. His core artistic concepts are: "Keep Changing, Connect with Everything, Continue Forever."
In 1970s, Miyajima practised performance art. He was initially influenced by the work of Joseph Beuys, Allan Krapow and Christo, and considered his performance work as an "action for society". The desire to create more enduring work - in contrast to the necessarily ephemeral nature of his performance and actions - motivated him to begin working on sculpture and installations.
Miyajima made his first LED counter in 1988; this has formed the basis for much of his later work. Typically, a block will display two digits in red or green, and count from 1 to 99. The counters never register zero, because, for Miyajima, the idea of zero is a purely Western concept. He has subsequently linked together different displays so that can respond to each other; he calls these systems 'regions'.
Miyajima's first solo exhibitions include "Human Stone" at Gallery Parergon, Tokyo in 1983, and "Time" at Maki Gallery, Tokyo in 1986. More recently he has shown at Modern Art Museum of Fort Worth (1996), Fondation Cartier pour l'Art Contemporain (1996), San Francisco Museum of Modern Art (1997), Miyanomori Art Museum, Hokkaido (2010), and Ullens Center for Contemporary Art, Beijing (2011).
He has exhibited as part of numerous group exhibitions, notably the Venice Biennale in 1988 and 1999, as well Hiroshima City Museum of Contemporary Art (2008), and Museum of Contemporary Art, Sydney (2012).
The following museums and institutions have works by Miyajima in their collection: