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Tamara Toumanova

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Occupation
  
Ballerina, actress

Fields
  
Ballet

Parents
  
Eugenia Tumanishvili

Role
  
Ballerina

Name
  
Tamara Toumanova


Tamara Toumanova Tamara Toumanova Wikipedia the free encyclopedia

Native name
  
Тамара Владимировна Туманова

Full Name
  
Tamara Vladimirovna Khassidovitch

Born
  
March 2, 1919 (
1919-03-02
)
Tyumen, Russian SFSR

Died
  
May 29, 1996, Santa Monica, California, United States

Spouse
  
Casey Robinson (m. 1944–1955)

Movies
  
Days of Glory, Torn Curtain, Invitation to the Dance, The Private Life of Sherlock, Deep in My Heart

Similar People
  
Casey Robinson, Jacques Tourneur, Daniel Barenboim, Gene Kelly, Billy Wilder

Tamara toumanova excepts from swan lake


Tamara Toumanova (Russian: Тамара Туманова Georgian: თამარა თუმანოვა, Armenian: Թամար Թումանեան; 2 March 1919 – 29 May 1996) was a Russian-born American prima ballerina and actress. A child of exiles in Paris after the Russian Revolution of 1917, she made her debut at the age of 10 at the children's ballet of the Paris Opera.

Contents

Tamara Toumanova My Georgia Tamara Toumanova Tumanishvili Soccer Mom Style

She became known internationally as one of the Baby Ballerinas of the Ballet Russe de Monte Carlo, after being discovered by her fellow émigré, balletmaster and choreographer George Balanchine. She was featured in numerous ballets in Europe. Balanchine also featured her in his productions at Ballet Theatre, New York, making her the star of his performances in the United States. While most of Toumanova's career was dedicated to ballet, she appeared as a ballet dancer in several films, beginning in 1944. She became a naturalized United States citizen in 1943 in Los Angeles, California.

Tamara Toumanova TamaraToumanova Tumblr

Tamara toumanova solo from don quixote


Career

Tamara Toumanova wwwradorgukmedialibrarysiteimageslibraryi

Toumanova was the daughter of Yevgenia (or Eugenia) Dmitrievna Toumanishvili, who was half-Armenian, on her father (Dmitri Toumanov, originally Toumanishvili)'s side, and half-Georgian (on her mother, Yelizaveta Chkheidze)'s side.

Tamara Toumanova Balanchine and Toumanova the mysterious video tributes

At the time of her daughter's birth, Yevgenia was married to Konstantin Zakharov (a Russian). Both Tamara and her mother used the surname Khassidovitch (Yevgenia's second husband was Vladimir Khassidovitch (akas: Vladimir Khassidovitch-Boretsky/Vladimir Khazidovich-Boretsky) for most of their lives following the end of Yevgenia's first marriage, including on their paperwork for naturalization as citizens of the United States.

Tamara Toumanova Tamara Toumanova RAD

After moving to Paris, Toumanova was given piano lessons and studied ballet with Olga Preobrajenska, whom she described as her "first and only permanent teacher" and an "immortal friend".

At the age of six, Toumanova was invited by the ballerina Anna Pavlova to perform in one of her gala concerts in 1925. Toumanova danced a polka choreographed by Preobrajenska. Tamara was ten years old when she made her debut at the Paris Opera as a child étoile in the ballet L'Éventail de Jeanne (for which ten French composers wrote the music).

In 1931, when Toumanova was twelve years old, George Balanchine saw her in ballet class and engaged her for de Basil's Ballet Russe de Monte Carlo, along with Irina Baronova (aged 12) and Tatiana Riabouchinska (aged 14). The three girls were an immediate success, and writer Arnold Haskell dubbed them the "baby ballerinas".

Toumanova became recognised as a young prodigy of immense talent. She came to be called "The Black Pearl of the Russian Ballet", because, as ballet critic A. V. Coton wrote, "she was the loveliest creature in the history of the ballet", with black silky hair, deep brown eyes and pale almond skin. Toumanova was considered the most glamorous of the trio. Throughout her dynamic career, her mother was her devoted companion, nursemaid, dresser, agent and manager – she was always at the helm.

Balanchine created the role of the "Young Girl" for Toumanova in his ballet Cotillon and had her star in his Concurrence and Le Bourgeois Gentilhomme. Léonide Massine worked closely with Toumanova in the creation of many of his ballets. She played the part of the Top in his Jeux d'Enfants. Balanchine created a role for her in his Le Palais de Cristal (since re-titled Symphony in C) in 1947 at the Paris Opera.

In 1936, while Toumanova was performing ballet in Chicago, an 18-year-old boy named Burr Tillstrom came to see her perform. Following the ballet, Burr went backstage to meet her. As they talked, Toumanova and Tillstrom became friends. Some time later, Tillstrom showed her a favorite puppet he had made and she, surprised by his revelation, exclaimed, "Kukla" (Russian for "puppet"). Burr Tillstrom went on to create a very early (1947) television show for children, titled, Kukla, Fran and Ollie.

  • 1925 (6 August 1925) First performs before the public in the polka choreographed by Olga Preobrajenska (to Anatoly Liadov), during an Anna Pavlova gala at the Palais du Trocadéro, Paris (Pavlova selected Toumanova from Preobrajenska's school).
  • 1929 Creates first principal role on 4 March, as guest étoile with the Paris Opera Ballet, performing the Valse (to Ibert), the Polka (to Milhaud), the Rondeau (to Auric), and the Kermesse-Valse (to Schmitt), in the Yvonne Franck/Alice Bourgat one-act ballet in ten parts for students, L'Even-tail de Jeanne.
  • 1929–30 Performs with the Paris Opera Ballet in Monte Carlo, in Brussels, and in Geneva at the League of Nations.
  • 1931 Joins the Blum-de Basil Les Ballets Russes de Monte-Carlo at Balanchine's invitation.
  • 1932 Creates principal roles with the Ballets Russes: the Young Girl in Balanchine's Cotillon; The Girl in his La Concurrence; Lucille in his Le Bourgeois Gentilhomme; in the Valse in his Suites de danse; in his Classical Ballet section for the opera-ballet Patrie; the Chinese Woman and a Poppy in his dances for the opera Fay-yen-Fah; a Chinese Porcelain in his dances for the opera Turandot; in his Grand pasclassique for the operetta A Night in Venice; and the Top in Massine's Jeux d'enfants. Recreates the Ballerina in Fokine's Petrushka and the Mazurka and the Valse pas de deux in Les Sylphides. Privately studies the classics and choreographic theory with Balanchine. Seasons in Monte Carlo and Paris and tour of Europe.
  • 1933 Joins the Balanchine-James Les Ballets 1933 at Balanchine's invitation. Creates principal roles: in the Tema con variazioni and Finale in his Mozartiana; the Ballerina in his Les Songes; and the Young Girl in his Fastes. Seasons in Paris and London. Rejoins Les Ballets Russes de Monte Carlo. Creates principal role in Massine's Choreartium (to Brahms's Fourth Symphony). Season in London, tour of Britain, first New York season.
  • 1934 Creates with the Ballets Russe de Monte Carlo the Mexican Girl in Massine's Union Pacific and a principal role in Lichine's Les Imaginaires. Recreates the Miller's Wife with Massine in his Le Tricorne and the Tarantella in his La Boutique fantasque; Odette in Swan Lake Act II; and the title role in Fokine's Firebird. Tours of the United States, Canada, Central America, and Europe; seasons in Paris, London, Mexico City, Barcelona, Havana, Montreal, and New York.
  • 1935 Creates with de Basil's Ballets Russe de Monte Carlo the Poor Couple, with Massine, in his Jardin public; a principal role in his Le Bal; and Nijinska's Lezginka for a Covent Garden gala. Adds to her repertory Aurora in Le Menage d'Aurore and the Girl in Fokine's La Spectre de la rose.
  • Roles

  • 1934 The Comet (cr) in Les Imaginaires (Lichine), de Basil’s Ballets Russes, London Tarantella in La Boutique fantasque (revival; Massine), de Basil’s Ballets Russes, London
  • The Miller's Wife in Le Tricorne (Massine), (de Basil's) Monte Carlo Ballet Russe, Chicago
  • The Mexican Girl (cr) in Union Pacific (Massine), (de Basil’s) Monte Carlo Ballet Russe, Philadelphia
  • 1935 The Poor Couple (cr) in Jardin public (Massine), (de Basil’s) Monte Carlo Ballet Russe, Chicago
  • Principal dancer (cr) in Le Bal (Massine), (de Basil’s) Monte Carlo Ballet, Chicago
  • 1936 The Beloved (cr) in Symphonie fantastique (Massine), de Basil’s Ballets Russes, London
  • 1938 Title role in Giselle (after Petipa, Coralli, Perrot) (Denham’s) Ballet Russe de Monte Carlo, London .
  • 1940 Illusion (cr) in La Lutte eternelle (Schwezoff), Original Ballet Russe, Sydney
  • Swanilda in Coppelia (Obukhov after Petipa, Saint-Leon), Original Ballet Russe, Sydney
  • 1941 Third and Fourth Movements (cr) in Balustrade (Balanchine), Original Ballet Russe, New York
  • Ariadne (cr) in Labyrinth (Massine), Denham’s Ballet Russe de Monte Carlo, New York
  • The Cakewalk (cr) in Saratoga (Massine), Denham’s Ballet Russe de Monte Carlo, New York
  • 1944 The Girl (cr) in Moonlight Sonata (Massine), Ballet Theatre, New York
  • Principal dancer (cr) in Harvest Time (Nijinska), Ballet Theatre, New York
  • Kitri in Don Quixote Pas de Deux (Obukhov after Petipa), Ballet Theatre. New York
  • 1944–45 Sugar Plum Fairy in The Nutcracker Pas de deux (Dolin after Ivanov), Ballet Theatre, New York
  • Odile in Black Swan Pas de deux (Swan Lake, Act III; Dolin after Petipa), Ballet Theatre, New York
  • 1947 Second Movement (cr) in Palais de cristal (later called Symphony in C; Balanchine), Paris Opera Ballet, Paris
  • Title role in Giselle (Sergeyev after Petipa, Coralli, Perrot), Paris Opera Ballet, Paris
  • 1949 The Duchess (cr) in Del Amor y de la muerte (Ricarda), Grand Ballet du Marquis de Cuevas, Paris
  • The Infanta (cr) in Le Coeur de diamond (Lichine), Grand Ballet du Marquis de Cuevas, Monte Carlo
  • 1950 Title role (cr) in Phedre (Serge Lifar), Paris Opera Ballet, Paris
  • Principal dancer (cr) in L'Inconnue (Lifar), Paris Opera Ballet, Paris
  • Principal dancer (cr) in La Fee d’Aibee (Aveline), Paris Opera Ballet, Versailles
  • Principal dancer (cr) in La Pierre enchantee (Lifar), Paris Opera Ballet, Paris
  • 1951 Potiphar’s Wife (cr) in Leggenda di Giuseppe (The Legend of Joseph; Wallmann), La Scala, Milan
  • Principal dancer (cr) in La Vita dell’uomo (Wallmann), La Scala, Milan
  • 1952 Principal dancer (cr) in Reve (pas de deux; Dolin), London Festival Ballet, London
  • 1956 Principal dancer (cr) in The Seven Deadly Sins (Char- rat), La Scala, Milan
  • The Dance of the Seven Veils (cr) in Salome (opera; mus. Strauss, chor. Toumanova), La Scala, Milan
  • Principal dancer (cr) in Epoque romantique (also chor.), Piccola Scala, Milan
  • The Princess (cr) in Le Fanfare pour le Prince (Taras), Celebration of the Marriage of Prince Rainier and Grace Kelly, Monte Carlo
  • Toumanova on film

    Toumanova appeared in six Hollywood films between 1944 and 1970, always playing dancers. She made her feature film debut in 1944, in Days of Glory, playing a Russian dancer being saved from the invading Germans in 1941 by Soviet partisan leader Gregory Peck (who also made his debut in that film).

    In 1953 she played Russian prima ballerina Anna Pavlova in Tonight We Sing, and in 1954 she appeared in the biographical musical, Deep in My Heart, as the French dancer Gaby Deslys. In 1956 she performed a dance scene with Gene Kelly in Invitation to the Dance. In 1966, she played the odious, unnamed lead ballerina in Alfred Hitchcock's political thriller Torn Curtain. In 1970 she played Russian ballerina "Madame Petrova" in Billy Wilder's The Private Life of Sherlock Holmes.

    Personal life

    Some sources indicate that Tamara Toumanova was born Tamara Vladimirovna Khassidovitch in Siberia, while her mother, Princess Eugenia (later Eugenie) Dmitrievna Toumanova was fleeing Georgia in search of her husband (Vladimir Khassidovitch),).

    Toumanova was of Armenian and Polish descent. Toumanova was reportedly also of partial Georgian descent, although singer Lyudmila Lopato, who personally knew Toumanova, wrote that "Tamara was of Armenian-Polish descent, not Georgian, as many people think". Toumanova's maternal grandfather Prince Dmitry Toumanov was a follower of the Armenian Apostolic Church.

    Toumanova's parents had become separated during the Russian Revolution. She was 18 months old before the family reunited. The family escaped from Russia via Vladivostok.

    In 1944, Toumanova married Casey Robinson, whom she met as the producer and screenwriter of Days of Glory, her first film. The union was childless. The couple divorced on 13 October 1955.

    Death

    Toumanova died in Santa Monica, California, on 29 May 1996, aged 77, from undisclosed causes. Before her death, she gave her Preobrajenska costumes to the Vaganova Choreographic Museum in St Petersburg, Russia. She was buried next to her mother Eugenie in Hollywood, Hollywood Forever Cemetery.

    British choreographer John Gregory described Toumanova as a "remarkable artist – a great personality who never stopped acting. It is impossible to think of Russian ballet without her."

    Filmography

    Actress
    1970
    The Private Life of Sherlock Holmes as
    Madame Petrova
    1966
    Torn Curtain as
    Ballerina
    1964
    Phädra (TV Movie) as
    Phädra
    1956
    Invitation to the Dance as
    The Girl on the Stairs in 'Ring Around the Rosy'
    1954
    Deep in My Heart as
    Gaby Deslys
    1953
    Tonight We Sing as
    Anna Pavlova
    1944
    Days of Glory as
    Nina (as Toumanova)
    1942
    Spanish Fiesta (Short) as
    Gypsy Fortune Teller
    Soundtrack
    1985
    That's Dancing! (Documentary) (performer: "The Adam Ballet")
    1956
    Invitation to the Dance (performer: "Ring Around The Rosy")
    1954
    Deep in My Heart (performer: "I Love To Say 'Allo", "Softly, As In A Morning Sunrise")
    Self
    1970
    Billy Wilder (TV Movie documentary) as
    Self
    1958
    Music for You (TV Series) as
    Self
    - Episode #6.5 (1958) - Self
    - Episode #6.1 (1958) - Self
    1956
    The Wedding in Monaco (Documentary short) as
    Self
    Archive Footage
    2020
    Until 1 PM (TV Series) as
    Self
    - Movie News: Tamara Toumanova (2020) - Self
    1985
    That's Dancing! (Documentary) as
    Archival footage from 'Tonight We Sing'

    References

    Tamara Toumanova Wikipedia


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