Talk Talk

1981–83: Formation

Talk Talk began as a quartet consisting of Mark Hollis formerly from The Reaction (vocals/main songwriter), Lee Harris (drums), Paul Webb (bass guitar), and Simon Brenner (keyboards). In their early years they were often compared with Duran Duran. In addition to a band name consisting of a repeated word, the two shared a Roxy Music-inspired musical direction, as well as the same record label (EMI) and producer (Colin Thurston). The band also supported Duran Duran on tour in late 1981.

The band released their first single, "Mirror Man", on EMI in February 1982. The single was not a great success, but was quickly followed by their self-titled single in April 1982 (a rerecording of a track by The Reaction) which reached No.52 in the UK. The band's first album, titled The Party's Over, was released in July 1982. The band had their first UK Top 40 hits with the singles "Today" (UK No. 14) and a re-release of "Talk Talk" (UK No. 23). These singles also were hits in other countries including Ireland, South Africa, Australia and New Zealand. The re-release of the "Talk Talk" single reached the U.S. Top 75. The album was produced by Colin Thurston, who was Duran Duran's in-house EMI producer at the time, but picked by Hollis because of his involvement with David Bowie's "Heroes". It was a moderate success in the UK reaching No.21, and was later certified Silver by the BPI for sales of 60,000 copies by 1985. It was a Top 10 hit in New Zealand.

They were introduced to a much wider live audience in October 1982 when they supported Genesis at their reunion concert with original lead singer Peter Gabriel at Milton Keynes Bowl, England.

Brenner left after the 1983 non-LP hit single "My Foolish Friend", which was produced by frequent Roxy Music collaborator Rhett Davies. At this point, Talk Talk was now a trio, as Brenner was never 'officially' replaced. However, Tim Friese-Greene was recruited to assist with the recording of their second album, It's My Life, and he soon became the band's producer and de facto fourth member as a keyboardist and Hollis' frequent songwriting partner. Although a major contributor to the band's studio output, Friese-Greene did not regularly play with the touring band, and was absent from the band's publicity material.

1984–86: Commercial success

Although major success still eluded them in the UK, Talk Talk achieved considerable international success in 1984/85, particularly in continental Europe, North America and New-Zealand with the album It's My Life. The accompanying single "Such a Shame" (a song inspired by the book The Dice Man) became a Top 10 hit in Austria, France, Germany, Italy, Netherlands and Switzerland during this period. The title track of the album was also a Top 10 hit in Italy (where a remix of six songs from the albums and non-album singles, It's My Mix, was the #86 best-selling album of 1985), and entered the U.S., Canadian, French, German, New Zealand and Netherlands Top 40. A third single, "Dum Dum Girl", was a success in some European countries and in New Zealand; however, the album and its singles were largely ignored in the UK. Commercial success notwithstanding, the band made deliberate choices that moved them away from the mainstream. The music video for "It's My Life", for instance, featured a grumpy Hollis who mocks lip-synching; after EMI protested, they re-shot the video, turning it into "a total piss-take of lip-synching", in Alan McGee's words.

The artist James Marsh designed the first cover image for It's My Life based on the band's name. He followed the theme for subsequent singles, remaining the band's artistic frontman and creating all their covers and posters throughout their career.

Talk Talk abandoned the synthpop style completely with their third album, The Colour of Spring, released in 1986. It became their biggest studio album success in the UK, making the Top 10 (and certified Gold by the BPI for sales over 100,000 copies), in part due to the Top 20 single "Life's What You Make It", which was also successful internationally. Another single, "Living in Another World", charted in the Top 40 in Germany, the Netherlands, Switzerland, Belgium and Italy (and just outside the Top 40 in the UK and France). By this time, all Talk Talk songs were being written by Hollis and Friese-Greene.

The extended line-up for the 1986 tour consisted of Hollis, Webb and Harris, plus John Turnbull (guitars), Rupert Black and Ian Curnow (keyboards), Phil Reis and Leroy Williams (percussion), and Mark Feltham (harmonica). Most notable among these concerts was their appearance at the Montreux Jazz Festival, 11 July 1986, released on DVD in 2008 as Live at Montreux 1986.

1987–92: Experimental period

The success of The Colour of Spring afforded the band a bigger budget and schedule for the recording of their next album. Over a year in the making, and featuring contributions from many outside musicians, Spirit of Eden was released in 1988, on EMI's Parlophone label. The album was assembled from many hours of improvised instrumentation that Hollis and Friese-Greene had edited and arranged using digital equipment. The result was a mix of rock, jazz, classical, and ambient music. Critically praised, the album reached the UK Top 20 and was certified Silver by the BPI for sales of over 60,000 copies. The band announced they would not be attempting to recreate the album live (since, according to Hollis, "People would just want to hear the songs as they are on the album and for me that's not satisfying enough"). Without touring and without music videos and singles as the band originally intended, there was little marketing left that the record company could do; in the end the band grudgingly agreed to a video for the remixed version of "I Believe In You", released as first single. Hollis, though, was unhappy with the video, as he made clear in an interview with Q Magazine: "I really feel that [the video] was a massive mistake ... I thought just by sitting there and listening and really thinking about what it was about, I could get that in my eyes. But you cannot do it. It just feels stupid. It was depressing and I wish I'd never done it."

During the making of Spirit of Eden, Talk Talk manager Keith Aspden had attempted to free the band from their record contract with EMI. "I knew by that time that EMI was not the company this band should be with", Aspden said. "I was fearful that the money wouldn't be there to record another album." EMI, however, wished to keep the band on their roster. After many months of litigation, the band ultimately succeeded in extracting themselves from the contract. EMI then sued the band, claiming that Spirit of Eden was not "commercially satisfactory", but the case was thrown out of court.

With the band now released from EMI, the label released the retrospective compilation Natural History in 1990. It peaked at number 3 on the UK album chart and was certified Gold by the BPI for sales of over 100,000 copies. It was also an international success and eventually went on to sell more than 1 million copies worldwide. The 1984 single "It's My Life" was also re-released, and this time became the band's highest charting single in their native country, reaching number 13 on the UK Singles Chart. A re-release of the single "Life's What You Make It" also reached the Top 30. Following up on this renewed popular interest in the band, the label then released History Revisited in 1991, a compilation of new remixes, which made the UK Top 40 (it also reached the Top 30 in Germany and the Top 75 in the Netherlands). The band sued EMI for releasing the remixed material without their permission.

In 1990, Talk Talk signed a two-album contract with Polydor Records. They released Laughing Stock on Polydor's Verve Records imprint in 1991. By this time, Webb had left the group and Talk Talk had morphed into what was essentially a brand name for the studio recordings of Hollis and Friese-Greene, along with a bevy of session studio players (including long-term Talk Talk drummer Harris). Laughing Stock crystallised the experimental sound the band started with Spirit of Eden (which has been retroactively categorised as "post-rock" by some critics). Laughing Stock peaked at No. 26 in the UK Albums Chart.

Break up

After Laughing Stock, Talk Talk disbanded in 1992, as Hollis wished to focus on his family. Paul Webb rejoined Lee Harris, and the two went on to form the band .O.rang, while Tim Friese-Greene started recording under the name Heligoland. In 1998, Mark Hollis released his self-titled solo début Mark Hollis, which was much in keeping with the minimalist post-rock sound of Spirit of Eden and Laughing Stock, but he retired from the music industry shortly afterwards.

Webb also collaborated under the name of Rustin Man with Portishead lead singer Beth Gibbons and released Out of Season in 2002, while Lee Harris featured on the Bark Psychosis 2004 album, ///Codename: Dustsucker.

Legacy and influence

Talk Talk's influence upon musicians has exceeded the band's visibility among the general public. Along with the band Slint, Talk Talk are credited with inventing "post-rock" in their last two albums, Spirit of Eden and Laughing Stock. The bands who have praised the band include Tears for Fears, Matthew Good, Elbow, Shearwater, M83, and Death Cab for Cutie. The bands Placebo, Weezer, The Divine Comedy and The Gathering covered their song "Life's What You Make It" and No Doubt scored a hit with a cover of "It's My Life" in 2003. Lights recorded a cover of "Living In Another World" in 2012. Guy Garvey of the band Elbow has said: "Mark Hollis started from punk and by his own admission he had no musical ability. To go from only having the urge, to writing some of the most timeless, intricate and original music ever is as impressive as the moon landings for me.

A tribute album and anthological book, both titled Spirit of Talk Talk, were released in 2012. The book includes all the artwork James Marsh did for the band, and hand-written lyrics (by the band). The album (a double CD) includes covers by various artists, proceeds going to the conservation organization BirdLife International.

Hollis and Talk Talk continue to be praised as artists who did not cave to the pressures of corporate and commercial interests. Says Alan McGee, "I find the whole story of one man against the system in a bid to maintain creative control incredibly heartening."

Live albums

Compilation albums

Other appearances

Videography