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Slobodanka Stupar

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Nationality
  
Serbian

Known for
  
Multimedia artist


Name
  
Slobodanka Stupar

Role
  
Visual Artist

Slobodanka Stupar httpsuploadwikimediaorgwikipediacommonsthu

Full Name
  
Slobodanka Stupar

Born
  
1947
Sarajevo, FPR Yugoslavia

Slobodanka Stupar, (Sarajevo, 1947), is Serbian visual artist who lives and works in Belgrade, Athens and Cologne.

Contents

Slobodanka Stupar Slobodanka Stupar Gallery Lucida

Biography

Slobodanka Stupar Slobodanka Stupar Gallery Lucida

Slobodanka Stupar graduated from Applied Arts School in Belgrade (B.F.A.)

She graduated School of Fine Arts at University of Belgrade (M.F.A.)

She specialized at the School of Fine Arts in Athens.

The work

The separation of elementary metaphors and other figurative mechanisms, i.e. deconstruction, has become an effective tool for understanding and interpreting recent visual art. This is especially true where the artist has moved from a more “classical” form of expression, arising from an academic training, to a practice involving a visualized language and semantic composition mode of expression, of which Slobodanka Stupar is an example. This transition was all the more likely in her case given the freedom which she already had in using the graphic art medium, closer to experimentation than the reproduction of any standard approach. Even from the outset of her artistic career she had been leaning towards a reexamination of the expressive capabilities of visual art. Combining the incompatible, to maintain any discourse (in this case visual) one has to remove or circumvent ordinary comprehensibility, or “sense”; to make something “apparent” the plastic narrative had to be reduced to the brink of unrecognizability in order to be “seen” as a new work. This is precisely the kind of work Stupar has been producing over the last few years. The works at this exhibition are among those which have emerged from this new understanding of the function of art works as self-sufficient structures of meaning, autonomously establishing the scope of their own significance.

Grants and residencies

  • 1980-1981 Young Artists grant, Belgrade
  • 1983 “Mosa Pijade” grant for residence in London
  • 1985 Scholarship from Ministry of Education of Greece, Athens
  • 1991 The Grant of Fondation pour une Entraide Intellectuelle Europeene, Paris
  • 1996 Stiftung Kulturfonds, Haus Lukas, Ahrenshoop, (Germany)
  • Awards and recognitions

  • 1987 October Salon Price for Graphic Art, Belgrade
  • 1987 Price for Sculpture from Art Colony Sisak, Sisak, (Croatia)
  • 1989 Purchase Price from the National University Library at XII Zagreb, Exhibition of Contemporary Yugoslav Drawing, Zagreb
  • 1990 Grand Prix at the IX Frechen International Graphic Triennial, Germany
  • 1993 2nd Prize at Biennial of Dry Point, Užice, (Yugoslavia)
  • 1997 Purchase Price from National Museum at Belgrade International Biennial of Graphic Art, Belgrade
  • 1999 Price at Fotowettbewerb Award 1999. Digitale Fotografie, Stuttgart
  • Selected solo exhibitions

  • 1979 Gallery Grafički Kolektiv, Belgrade
  • 1980 Sebastian Gallery, Dubrovnik
  • 1984 Richard Demarco Gallery, Edinburgh
  • 1987 Kreonidis Gallery, Athens
  • 1988 Art Gallery Christos Kyriazis, Athens
  • 1990 Cultural Centre Gallery, Belgrade
  • 1992 Ligue Franco-Hellenique Gallery, Athens
  • 1992 Rozmarin Gallery, Munich, Olching
  • 1995 Rathaus Köln, Cologne
  • 1995 Simultanhalle, Cologne
  • 1996 BAP, Witten, (Germany)
  • 1996 BBK Gallery, Cologne
  • 1997 Kaos Gallery, Cologne
  • 1997 Zlatno Oko Gallery, Novi Sad (Yugoslavia)
  • 1998 Zepter Gallery, Belgrade
  • 1999 Christuskirche Cologne, Cologne
  • 2001 Artforum Gallery, Thessaloniki
  • 2002 Cultural Centre Gallery, Belgrade
  • 2003 Diana Gallery, Athens
  • 2006 Artforum Gallery, Thessaloniki
  • 2008 Zlatno Oko Gallery, Novi Sad (Yugoslavia)
  • 2008 Moderna Gallery, Lazarevac, Belgrade
  • 2009 Red Gallery, Athens
  • 2011 Gallery “Beograd”, Belgrade
  • 2012 Gallery ULUS, Belgrade
  • Other works and projects

  • 1984 Symphony, performances at Festival Second New Music, Student Culturale Centre, Belgrade
  • 1986 Secret life, Town Festival, Belgrade
  • 1987 Area of Touch / Space of Contact, lecturing at Open School Djurdjevo, (Yugoslavia)
  • 1992 Ceci n’est pas une pipe (communication project - live talk with the viewers, improvisational narration and excerpts from Miroslav Mandić’s book “Blue Rose”), collaboration with composer Lj. Jovanovic, Quantenpool Köln part of Kassel Documenta IX ‘s Piazza Virtuale TV project; live transmission on TV, Kassel and 3sat from Moltkerei Werkstatt, Cologne
  • 1995 Mirror, performance in collaboration with LJ. Jovanovic, Simultanhalle, Cologne
  • 1996 Ueber den Tiellerrand hinaus, performance with Inge Broska and Hans-Joerg, Tauschert at Tangenten Festival, Köln
  • 1996 Answer to my Lette, open art project upon art communication
  • 1999 WHAT IF…?, performance, Galičnik (Macedonia)
  • Works in museums and public collections

    Museum of Contemporary Art, Belgrade * Ludwig Museum, Cologne * National Museum, Belgrade * Museum of City of Belgrade Belgrade, * Museum Zepter, Belgrade * National Museum, Kraljevo * National Museum, Vranje * National Gallery of Piraeus, Greece * American College of Greece, Athens * Gallery of Contemporary Art, Zrenjanin * Art Collection of the National University Library, Zagreb * Art Collection “Lazar Vozarevis” Sremska Mitrovica * Collection of Graphic Art, Frechen * Museum of International Contemporary Graphic Art, Fredrikstad * Collection Grafički Kolektiv, Belgrade * Art Collections of Art Colonies Sisak, Poreč, Tuzla and Sopoćani

    References

    Slobodanka Stupar Wikipedia