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Simon dinnerstein exhibition at tenri gallery a walk through with francis cunningham
Early life
Dinnerstein was born in Brownsville, Brooklyn, New York in 1943 to pharmacist Louis and homemaker Sarah Dinnerstein. One of two children, his older brother Harvey Dinnerstein is also an artist.
Dinnerstein’s art is mostly in the figurative style, with folk, expressionistic, and surrealistic influences, possessing a “narrative” and “psychological edge”. He uses a variety of media, pencils, charcoal, and oil paints. Dinnerstein renders still-life's, but most of his work involves portraiture or human figures. He often “paints the figure in unexpected juxtaposition with landscape or interior elements,” of which Dinnerstein says,
What interests me is the ability of Degas, Balthus, Lucien Freud and Antonio Lopez Garcia…to deal with the figure…to create art…rich in scale, yet abstract adventurous, experimental…deeply human…a combination of modernism and tradition of skill medium and…a fresh, personal response to the human form in art…Hopefully my work speaks to these issues.
Often the human figures are portrayed against a background of hyperreality, or in dreamy surreal landscapes. Light plays an important role in Dinnerstein’s work achieving “an inwardness…in the play of light that radiates from the object and renders it mysterious.” or makes “Brooklyn sunlight on an ordinary floor seem supernatural.” The use of light contributes to Dinnerstein’s paintings being described as “magical realism”. In early Dinnerstein works, strong left-right symmetry prevails, although later works are noted for their asymmetry. Dinnerstein draws on diverse sources for inspiration: Northern European art (Albrecht Dürer, Hieronymus Bosch), Mexican art (Frida Kahlo, Diego Rivera), as well as literature (D. H. Lawrence, August Strindberg), and film (Ingmar Bergman, Alfred Hitchcock).
The Fulbright Triptych
Dinnerstein’s most notable painting, The Fulbright Triptych, was started in Germany in 1971 while he served as a Fulbright Scholar in Graphics. It was completed in 1974. A largely autobiographical work, it combines stark realism with American figurative tradition to produce a secular rendering of the usually religious form, the triptych.
Writer Jonathan Lethem commented: “Simon Dinnerstein’s ‘The Fulbright Triptych’ is one of those singular and astonishing works of art which seem to imply a description of the whole world merely by insisting on a scrupulous gaze at one perfect instant." The oil-on-wood painting consists of three panels approximately 14 feet wide, depicting a graphic artist’s studio. Three figures, representing the Dinnerstein family, occupy the outer panels. The central panel consists of the artist’s desk, engraving tools, a copper disk of the commissioned Fulbright engraving project, and an outward view in perspective of Hessisch Lichtenau (near to Kassel). Plants, photographs, old master's paintings, children’s grade school writing, and an exit visa from Russia, appear tacked to the wall of the studio. The “Triptych” is noted for its symmetry, meticulous detail, mixture of textures, and sense of space.
In 1965, Dinnerstein married Renée Sudler, a noted educational consultant. Renée Dinnerstein is the author of the book "Choice Time: How to Deepen Learning Through Inquiry and Play, PreK-2" published in August 2016. She runs the popular blog, Investigating Choice Time: Inquiry, Exploration and Play. They have a daughter, Simone Dinnerstein, the virtuoso concert pianist. Both wife and daughter (as an infant) figure prominently in “The Fulbright Triptych” as well as other works.
Dinnerstein resides in Brooklyn, where, in addition to practicing his art, he teaches classes on art history and appreciation.
Videos and podcasts
Simone Dinnerstein and Simon Dinnerstein In Conversation: An Interview with Robin Quivers at Consulate General of Germany, 2011
Triptych: An Evening of Painting and Music (Simon Dinnerstein, The Fulbright Triptych and Robert Sirota, "Triptych", performed by the Chiara String Quartet)
Simon Dinnerstein Exhibit at the Tenri Gallery: A Walk Through with Francis Cunningham, 2011
Simon Dinnerstein and The Fulbright Triptych, audiocast interview with James McElhinney, Huffington Post, April 1, 2013
Childe Hassam Purchase Award for Painting, American Academy of Arts and Letters, 1976
Purchase Award, DRAWINGS USA, Minnesota Museum of Art, 1975
Honorable Mention, Edwin Austin Abbey Fellowship for Mural Painting, National Academy of Design, New York, 1975
Fulbright Fellowship, Germany, in Graphics, 1970–71
MacDowell Colony Fellowship, 1969
Purchase Award, DRAWINGS USA, Minnesota Museum of Art, 1968
First Prize, Brooklyn Museum of Art Exhibition, 1967
Scholarship, Brooklyn Museum Art School, 1964–67
Exhibitions
2014–2015 The Fubright Triptych, University of Arkansas, School of Law, Fayetteville, Arkansas, on extended loan from the Palmer Museum of Art at Penn. State University
2011–2014 The Fulbright Triptych, German Consulate of New York, on extended loan from the Palmer Museum of Art at Penn. State University
2011 The Fulbright Triptych and Selected Paintings, Tenri Gallery, New York
2010 Simon Dinnerstein – Giclee Prints, Loupe Digital Studio
2010 Simon Dinnerstein-Giclee Prints, Open Studio, Park Slope, Brooklyn, New York
2008 Simon Dinnerstein: One-Man Exhibit,Rainbow Room, New York
2006 Simon Dinnerstein, Open Studio: The Palette Paintings, Park Slope, Brooklyn, New York December
1999 ACA Galleries, NY Recent Paintings and Drawings
1999 Bread and Roses Gallery, The Martin Luther King Jr. Labor Center, NY
1999 Saint Peter’s Church, New York (Retrospective Exhibition, The Fulbright Triptych and Flower Market, Rome)
1999–2000 Walton Arts Center, Joy Pratt Markham Gallery, Fayetteville, Arkansas
2000 Texarkana Regional Arts Center, Texarkana, TX/AR
1976–1977 The Fulbright Triptych, Institute of International Education, New York
1975 Staempfli Gallery, New York
Articles and reviews
Featuring: Simon Dinnerstein, Colored Pencil Magazine, December 2014 simondinnerstein.com/email/cpm1412_02.pdf
Elana Hagler, Pursuing Humanity: An Interview with Simon Dinnerstein, April 21, 2013 Pursuing Humanity:An Interview with Simon Dinnerstein
Cynthia Maris Dantzic 100 New York Painters Publisher: Schiffer Publishing Ltd., (November 2006) ISBN 978-0764325434, page 85
Gabriela Lena Frank, Ghosts in the Dream Machine for Piano Quintet, (Composer's Statement), March 14, 2005 Composer's Statement
Ilana Abramovitch, From Brownsville to Park Slope: An Interview with Simon Dinnerstein, Jews of Brooklyn, Brandeis University Press; 1st edition (November 1, 2001) ISBN 978-1584650034
Deborah McLeod, From Visceral Portraits to Romanticized Nymphs, Bodies of Work, Richmond Times, September 1, 2000
Edward Sullivan, The Urban View in the Art of Simon Dinnerstein, Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, 2000
Roy Proctor, Exploring the Edge: No Slave to fashion, artist draws us into other states of mind, Richmond Times-Dispatch, August 20, 2000
Joe Maniscalco, An Artist at Work: Park Slope Painter Lets You in on the Creative Process, Park Slope Courier, January 31, 2000
Rudolph Arnheim, Pictures of the Lasting World, Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, (October 12, 1999) ISBN 978-0965048545
Richard Mertens, Essential Realities: Simon Dinnerstein Draws the Essence of Art from the Commonplace, The Concord Monitor, October 25, 1991
Albert Boime, Introduction: Simon Dinnerstein's Family Romance, The Art of Simon Dinnerstein, The University of Arkansas Press, 1990
Thomas M. Messer, Foreword, The Art of Simon Dinnerstein, The University of Arkansas Press, 1990, ISBN 978-1557281425
Theodore Wolff, The Kind Word for Such Art is 'Conservative'. The Christian Science Monitor, April 25, 1988
Simon Dinnerstein, Looking At One’s Own Artwork, American Artist, April, 1986
Doug Turetsky, Simon Dinnerstein: Artist in the Round, Brooklyn Affairs, April, 1985
Bennett Schiff, On a Roman Hill Scholars Dwell in an Estate Of Mind, Smithsonian, March, 1978
Michael Andre, Simon Dinnerstein (Staempfli), Art News, March, 1975
John Gruen, On Art: Freilicher, Fish, Dinnerstein, Peterson, Baber, The SoHo Weekly News, February 6, 1975
George Staempfli, catalog essay, one-man exhibit, Staempfli Gallery, January 14 - February 8, 1975
The Fulbright Triptych articles and reviews
Roberta Smith, Senior Art Critic, The New York Times, Re-discovered at the Altar of Art, August 11, 2011 Rediscovered at the Altar of Art
The Suspension of Time: Reflections on Simon Dinnerstein and The Fulbright Triptych, Daniel Slager (Editor), Publisher: Milkweed Editions; First Edition (June 14, 2011). Forty-five essays on The Fulbright Triptych.
Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, New York, 1999. Essays by Rudolf Arnheim, Guy Davenport, Robert L. McGrath, John Russell, Edward J. Sullivan, Miller Willams.
The Art of Simon Dinnerstein, The University of Arkansas Press, Fayetteville, London, 1990.Essays by Albert Boime, Thomas M. Messer, George Tooker.