Shaun Tan is an Australian artist, writer and film maker. He won an Academy Award for The Lost Thing, a 2011 animated film adaptation of a 2000 picture book he wrote and illustrated. Beside The Lost Thing, The Red Tree and The Arrival are books he has written and illustrated.
Tan's work has been described as an "Australian vernacular" that is "at once banal and uncanny, familiar and strange, local and universal, reassuring and scary, intimate and remote, guttersnipe and sprezzatura. No rhetoric, no straining for effect. Never other than itself."
For his career contribution to "children's and young adult literature in the broadest sense" Tan won the 2011 Astrid Lindgren Memorial Award from the Swedish Arts Council, the biggest prize in children's literature.
Pictura shaun tan s metropolis
Early life
As a boy, Tan spent time illustrating poems and stories and drawing dinosaurs, robots and spaceships. At school he was known as a talented artist. At the age of eleven, he became a fan of The Twilight Zone television series as well as books that bore similar themes. Tan cites Ray Bradbury as a favorite at this time. These stories led to Tan writing his own short stories. Of his effort at writing as a youth, Tan tells, "I have a small pile of rejection letters as testament to this ambition!" At the age of sixteen, Tan's first illustration appeared in the Australian magazine Aurealis in 1990.
Transition to illustration
Tan almost studied to become a geneticist, and enjoyed chemistry, physics, history and English while in high school as well as art and claimed that he did not really know what he wanted to do. During his university studies, Tan decided to move from academic studies to working as an artist.
Tan continued his education at the University of Western Australia where he studied Fine Arts, English Literature and History. While this was of interest to him, there was little practical work involved. In 1995, he graduated with a Bachelor of Arts.
Work process
Initially, Tan worked in black and white because the final reproductions would be printed that way. Some black and white mediums he used included pens, inks, acrylics, charcoal, scraperboard, photocopies and linocuts. Tan's current colour works still begin as black and white. He uses a graphite pencil to make sketches on ordinary copy paper. The sketches are then reproduced numerous times with different versions varying with parts added or removed. Sometimes scissors are used for this purpose. The cut and paste collage idea in these early stages often extend to the finished production with many of his illustrations using such materials as "glass, metal, cuttings from other books and dead insects."
Tan describes himself as a slow worker who revises his work many times along the way. He is interested in loss and alienation, and believes that children in particular react well to issues of natural justice. He feels he is "like a translator" of ideas, and is happy and flattered to see his work adapted and interpreted in film and music (such as by the Australian Chamber Orchestra).
Influences
Tan draws from a large source of inspiration and cites many influences on his work. His comment on the subject is: "I’m pretty omnivorous when it comes to influences, and I like to admit this openly." Some influences are very direct. The Lost Thing is a strong example where Tan makes visual references to famous artworks. Many of his influences are a lot more subtle visually, some of the influences are ideological. Below are some influences he has named in various interviews:
Films: Brazil, Yellow Submarine
Filmmakers: Tim Burton, Terry Gilliam, Stanley Kubrick, Ridley Scott
Artists and illustrators: Francis Bacon, Hieronymous Bosch, Raymond Briggs, Ron Brooks, Frederick Clement, Joseph Cornell, Giorgio de Chirico, Milton Glaser, Edward Gorey, John Olsen, Michael Leunig, René Magritte, Sidney Nolan, Gerald Scarfe, Katsushika Hokusai, J. Otto Seibold, Peter Sís, Lane Smith, Ralph Steadman, Arthur Streeton, Brett Whiteley, John Brack, Fred Williams, and Chris Van Allsburg
Other: paintings in galleries, "an arrangement of clouds, a lighting effect, a picture in a newspaper, or indeed supermarket plumbing", incidents, textures and accidental compositions created by objects, things from other cultures and times, Polish poster art, streets, clouds, jokes, times of the day, people, animals, the way paint runs down a canvas, or colors go together.
Patronage
The Shaun Tan Award for Young Artists is sponsored by the City of Subiaco and open to all Perth school children between 5 and 17 years. The award is aimed at encouraging creativity in two-dimensional works. It is held annually with award winners announced in May and finalists' works exhibited at the Subiaco Library throughout June.
Awards
1992
L. Ron Hubbard Illustrators of the Future Contest: First Australian to win
Western Australian Premier's Book Awards Young Adult category winner for 'Tales from Outer Suburbia'
Boston Globe-Horn Book Award, Special Citation for The Arrival
2009
Ditmar Award, Artwork, Winner for Tales from Outer Suburbia
Children's Book Council of Australia, Picture Book of the Year, Honour Book for The Lost Thing
World Fantasy Award for Best Artist
2010
Adelaide Festival Awards for Literature, winner of the Children's Literature Award category and the South Australian Premier's Award for 'Tales from Outer Suburbia'
The Arrival. Images from this book were projected during a performance by the Australian Chamber Orchestra of conductor Richard Tognetti’s arrangement of Shostakovich’s String Quartet No. 15
The Lost Thing has been adapted as an Oscar-winning animated short film.
The Lost Thing inspired an album by Sydney band Lo-Tel, complete with artwork from the book.
The Lost Thing has also been adapted as a play by the Jigsaw Theatre Company, a youth theatre company in Canberra. This was the main event for the National Gallery of Australia's Children Festival (Canberra) and at the Chookahs! Kids Festival (Melbourne) in 2006.
The Lost Thing was the theme for the 2006 Chookahs! Kids Festival at The Arts Centre in Melbourne, with many different activities based on concepts from the book.
The Arrival was adapted for the stage by Red Leap Theatre.
The Arrival was again projected on a screen to an orchestral score, performed by Orkestra of the Underground with 18 pieces created by musician and composer Ben Walsh. This was performed in the Opera House in Sydney, The Melbourne Recital Centre and Her Majesty's Theatre in Adelaide.
The Rabbits was the basis for an opera by Kate Miller-Heidke; its premiere was performed by the West Australian Opera during the 2015 Perth International Arts Festival.
