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Oulipo

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Oulipo ([ulipo], short for French: Ouvroir de littérature potentielle; roughly translated: "workshop of potential literature") is a loose gathering of (mainly) French-speaking writers and mathematicians who seek to create works using constrained writing techniques. It was founded in 1960 by Raymond Queneau and François Le Lionnais. Other notable members have included novelists Georges Perec and Italo Calvino, poets Oskar Pastior, Jean Lescure and poet/mathematician Jacques Roubaud.

Contents

The group defines the term littérature potentielle as (rough translation): "the seeking of new structures and patterns which may be used by writers in any way they enjoy."

Constraints are used as a means of triggering ideas and inspiration, most notably Perec's "story-making machine", which he used in the construction of Life A User's Manual. As well as established techniques, such as lipograms (Perec's novel A Void) and palindromes, the group devises new methods, often based on mathematical problems, such as the knight's tour of the chess-board and permutations.

History

Oulipo was founded on November 24, 1960, as a subcommittee of the Collège de ‘Pataphysique and titled Séminaire de littérature expérimentale. At their second meeting, the group changed its name to Ouvroir de littérature potentielle, or Oulipo, at Albert-Marie Schmidt's suggestion. The idea had arisen two months earlier, when a small group met in September at Cerisy-la-Salle for a colloquium on Queneau's work. During this seminar, Queneau and François Le Lionnais conceived the society.

During the subsequent decade, Oulipo (as it was commonly known) was only rarely visible as a group. As a subcommittee, they reported their work to the full Collège de 'Pataphysique in 1961. In addition, Temps Mêlés (French) devoted an issue to Oulipo in 1964, and Belgian radio broadcast one Oulipo meeting. Its members were individually active during these years and published works which were created within their constraints. The group as a whole began to emerge from obscurity in 1973 with the publication of La Littérature Potentielle, a collection of representative pieces. In 2012 Harvard University Press published a history of the movement, Many Subtle Channels: In Praise of Potential Literature, by Oulipo member Daniel Levin Becker.

Oulipian works

Some examples of Oulipian writing:

  • Queneau's Exercices de Style is the recounting ninety-nine times of the same inconsequential episode, in which a man witnesses a minor altercation on a bus trip; each account is unique in terms of tone and style.
  • Queneau's Cent Mille Milliards de Poèmes is inspired by children's picture books in which each page is cut into horizontal strips that can be turned independently, allowing different pictures (usually of people: heads, torsos, waists, legs, etc.) to be combined in many ways. Queneau applies this technique to poetry: the book contains 10 sonnets, each on a page. Each page is split into 14 strips, one for each line. The author estimates in the introductory explanation that it would take approximately 200 million years to read all possible combinations.
  • Perec's novel La disparition, translated into English by Gilbert Adair and published under the title A Void, is a 300-page novel written without the letter "e," an example of a lipogram. The English translation, A Void, is also a lipogram. The novel is remarkable not only for the absence of "e," but it is a mystery in which the absence of that letter is a central theme.
  • Singular Pleasures by Harry Mathews describes 61 different scenes, each told in a different style (generally poetic, elaborate, or circumlocutory) in which 61 different people (all of different ages, nationalities, and walks of life) masturbate.
  • Constraints

    Some Oulipian constraints:

    S+7, sometimes called N+7 
    Replace every noun in a text with the seventh noun after it in a dictionary. For example, "Call me Ishmael. Some years ago..." becomes "Call me islander. Some yeggs ago...". Results will vary depending upon the dictionary used. This technique can also be performed on other lexical classes, such as verbs.
    Snowball 
    A poem in which each line is a single word, and each successive word is one letter longer.
    Lipogram 
    Writing that excludes one or more letters. The previous sentence is a lipogram in B, F, J, K, Q, V, Y, and Z (it does not contain any of those letters).
    Prisoner's constraint, also called Macao constraint 
    A type of lipogram that omits letters with ascenders and descenders (b, d, f, g, h, j, k, l, p, q, t, and y).
    Palindromes
    Sonnets and other poems constructed using palindromic techniques.
    Univocalism
    A poem using only one vowel letter. In English and some other languages the same vowel letter can represent different sounds, which means that e.g. "born" and "cot" could both be used in a univocalism. Words with the same American English vowel sound but represented by different 'vowel' letters, could not be used - e.g. "blue" and "stew".

    Founding members

    The founding members of Oulipo represented a range of intellectual pursuits, including writers, university professors, mathematicians, engineers, and "pataphysicians":

    List of members

    Note that Oulipo members are still considered members after their deaths.

    References

    Oulipo Wikipedia