|Current status / schedule Concluded|
Syndicate Tribune Media Services
|Launch date June 19, 1923|
End date June 2, 1991
|Publishers Dover Publications, Whitman Publishing|
Publishers Dover Publications, Whitman Publishing
Similar The Gumps, Winnie Winkle, Smokey Stover, Bringing Up Father, Gasoline Alley
Moon mullins red paint comic strip
Moon Mullins, created by cartoonist Frank Willard (1893–1958), was a popular American comic strip which had a long run as both a daily and Sunday feature from June 19, 1923 to June 2, 1991. Syndicated by the Chicago Tribune/New York News Syndicate, the strip depicts the lives of diverse lowbrow characters who reside at the Schmaltz (later Plushbottom) boarding house. The central character, Moon (short for Moonshine), is a would-be prizefighter—perpetually strapped for cash but with a roguish appetite for vice and high living. Moon took a room in the boarding house at 1323 Wump Street in 1924 and never left, staying on for 67 years.
- Moon mullins red paint comic strip
- Moon mullins costume party 10 bail
- Origins and history
- Characters and story
- Later years
- Decline and end
- Comic books and reprints
- Merchandise and advertising
Moon mullins costume party 10 bail
Origins and history
Frank Henry Willard was born on September 21, 1893 in Anna, Illinois, the son of a physician, who early on determined to become a cartoonist. After attending the Academy of Fine Arts in Chicago in 1913, he was a staff artist with the Chicago Herald (1914–18), where he drew the Sunday kids' page Tom, Dick and Harry and another strip, Mrs. Pippin's Husband. He next wrote and drew The Outta Luck Club for King Features Syndicate (1919–23).
In The Comics (1947), Coulton Waugh described Willard's art style as "gritty-looking." In 2003, the Scoop newsletter documented the 1923 events that led to the creation of the strip:Moon was a tough-talking, if generally good natured, kind of guy who took (and dealt) plenty of punches during his run. And actually, those are very appropriate characteristics. See, back before Moon was created, Frank Willard was working on a strip called The Outta Luck Club for King Features Syndicate. That's when he got the notion that some of his ideas were being slipped to fellow cartoonist George McManus (creator of Bringing Up Father). So, in typical Moon Mullins fashion, Willard approached McManus and gave him a wallop that knocked the latter out cold and got the former fired. That little episode didn't stop Captain Joe Patterson's interest from being piqued, however, and Willard soon set to work on a new strip for the Chicago Tribune Syndicate. That strip was Moon Mullins... Ah, Moon Mullins! He made a horrible role model but a hilarious star nonetheless—as did his assorted pals... Adventures included stints in jail, trysts with stolen cars, failed employment opportunities, misunderstandings and plenty of black eyes for all. Yet, there was a certain lightness to all of Moon's debaucheries that made his low-down ways pretty charming...
Reportedly, the strip was originally intended as a rival for King Features' Barney Google, also about a lovable, banjo-eyed lowlife at home in the sporting world. It proved so popular that men named Mullins, born from about the 19-teens through the 1960s, were as likely as not to be nicknamed "Moon." Willard was in tune with the working class characters he created, as noted by David Westbrook in From Hogan's Alley to Coconino County: Four Narratives of the Early Comic Strip:Some comic strip artists laid claim to a similar working-class authenticity by representing themselves in the position of employee. When Frank Willard, author of Moon Mullins, narrates a scene from his workplace, he portrays himself as a rowdy underdog much like The Yellow Kid. He becomes, in effect, the "tricky and roguish" character cited by Gilbert Seldes as the quintessence of the comic strip. When Brennecke (in "The Real Mission of the Funny Paper" by Ernest Brennecke, from The Century Magazine, March 1924) locates the truth of comic strip realism in the comics' habit of "commenting trenchantly" on "the life of the middle classes," it is comics like The Yellow Kid and artists like Willard that he has in mind...
Characters and story
After Johnson took over, other colorful characters were added to the cast, including:
The strip was reviewed by Dr. Hermes in Dr. Hermes Retro-Scans:
Ferdinand "Ferd" Johnson (1905–1996) began as Willard's assistant a few months after the strip began in 1923. Starting with the lettering, then the backgrounds, Johnson gradually progressed to the point where he was handling the entire operation; but it was only after Willard's death that he began signing it. When Willard died suddenly on January 11, 1958, the Tribune Syndicate hired Johnson, who also had a natural gift for funny, slangy dialogue, to helm the strip as Willard's logical successor. (Frank Willard's tombstone at the Anna Cemetery in Anna, Illinois, is graced with an engraving of Moon Mullins.)
Ferd Johnson was born December 18, 1905, in Spring Creek, Pennsylvania. Johnson became interested in cartooning after winning the Erie (Pennsylvania) Dispatch-Herald cartoon contest at the age of 12. After finishing high school in 1923 he attended the Chicago Academy of Fine Arts, but left school after only three months to take an assistant's job at the Chicago Tribune with Willard. While assisting on Moon Mullins, Johnson remained active with other Tribune projects. He created several comic strip features for the Syndicate—Texas Slim (1925–1928) and Lovey-Dovey (1932)—did sports illustration work, and produced advertising cartoons. In 1940, he revived Texas Slim in Texas Slim and Dirty Dalton (with the companion strip, Buzzy), which ran for 18 years.
After Willard's death in 1958, he took over full responsibility for Moon Mullins. By that time it had evolved from long story continuities to a gag-a-day strip, although the humor remained character-based, as always. Unlike many long-running newspaper comics, Moon Mullins did not have a period of decline; maintaining its high standard of humor and art for almost seven decades. In 1978, Ferd's son, Tom Johnson, signed on as his assistant. Ferd Johnson stayed with the strip until it came to an end upon his retirement in 1991. Johnson worked on Moon Mullins for 68 years—a stint that probably stands as the longest tenure of an artist on a single feature in the history of American comics.
Decline and end
Moon Mullins appeared in 350 papers at its height but declined to 50 as younger cartoonists appeared. Johnson said: "They just kept dropping off because it's so damn old. The new ones come out and the editors want to make room for them, so the old ones get dumped. And Moon sure qualifies that way." In April 1991, the Chicago Tribune decided to drop the strip, and the Tribune Media Syndicate told Johnson that it was the end. The last strip ran on Sunday, 2 June, 1991.
Comic books and reprints
The strip was reprinted in a long-running series of Cupples & Leon books (1927–1937), Big Little Books and comic books for Dell Comics (starting in 1936) and later, the American Comics Group (1947–1948). Dover Publications reprinted a collection of the daily strips in 1976, consisting of the third and fifth Cupples & Leon books. Representative samples of Moon Mullins daily continuity were featured in Great Comics Syndicated by the Daily News-Chicago Tribune (Crown Publishers, 1972), and The Smithsonian Collection of Newspaper Comics (Smithsonian Institution Press/Harry Abrams, 1977). The latter volume also reproduces several full-color Sunday pages. Comic strip historian Bill Blackbeard (1926–2011) edited a series of strip reprints for SPEC Productions.
Merchandise and advertising
Moon Mullins merchandising began when agent Toni Mendez arranged a licensing deal for Kayo suspenders. The wave of products that followed included such items as a series of Kellogg's Pep Cereal pins, a Milton Bradley board game (1938), salt and pepper shakers, perfume bottles, Christmas lights, bisque toothbrush holders, a set of German nodder figures, carnival chalkware statues, a wind-up toy handcar, oilcloth and celluloid Kayo dolls, coloring books and a series of jigsaw puzzles (1943).
Kayo Chocolate Drink was the name of a popular bottled chocolate soft drink. Created in 1929 by Aaron Pashkow of Chicago, it was manufactured for several decades, and featured Kayo Mullins on its colorful label. In recent years, nostalgic "Drink Kayo" tin and embossed metal advertising sign reproductions have been available. It survives as a powdered hot chocolate mix made by Superior Coffee and Tea for the foodservice market.
Moon Mullins was adapted for radio during the 1940s. In the third episode of the series (March 25, 1940), the Plushbottoms trade Moon's only suit to pay for a collect telegram and learn they are owners of a goldmine. In a CBS audition recording dated January 31, 1947, Uncle Willie asks Moon for $10 bail, and Moon teaches the game of Blackjack to Kayo. Lord Plushbottom plans to go to a costume party as an Indian but instead winds up with a suit of armor. Character actor Sheldon Leonard was in the cast.
Cambria Studios produced two sample episodes of a proposed Moon Mullins syndicated TV series with their Syncro-Vox animation process in the early 1960s, but it didn't clear enough television stations to go into production. Comic actor and director Howard Morris was the voice of Moon when the strip was adapted to animation for Archie's TV Funnies (1971–1973), produced by Filmation. Moon and Kayo became one of several rotating segments on the Saturday morning cartoon series. Other comic strip character features in the rotation included Broom-Hilda, Dick Tracy, The Captain and the Kids, Alley Oop, Nancy and Sluggo and Smokey Stover. It was repeated in 1978, without Archie, under the title The Fabulous Funnies.