Meco

Biography

Meco Monardo was born in Johnsonburg, Pennsylvania, to parents of Italian descent. Building model ships, science fiction and movies were some of his boyhood preoccupations. His father played the valve trombone in a small Italian band, and through him Meco got his first musical education. Meco wanted to play the drums, but his father convinced him that the trombone was the right instrument, and at nine that was the instrument with which he was to stay. However, for Meco, the slide trombone was his choice, troublesome as it was for the small-statured boy to extend the slide fully at first. He joined the high school band while still attending elementary school. At 17, he won a scholarship to the Eastman School of Music in Rochester, New York, which provided him with a solid classical and jazz music education. There, together with his two friends Chuck Mangione and Ron Carter, he started the Eastman School of Music jazz band. When he enrolled at West Point, he also played in the Cadet Band.

Out of the army Meco moved to New York City and joined Kai Winding in his four-trombone band, and then from 1965 to 1974 he went on as a studio musician. Originally not inclined toward pop music, Meco's heart changed when he heard Petula Clark's "Downtown." He began doing arrangements, for example the horn section on Tommy James' "Crystal Blue Persuasion" and the Neil Diamond series of Coke commercials. As a session musician he played the trombone with acts like Tommy James, Diana Ross, and David Barretto. Although Meco focused on producing in the late 1970s, he contracted the horns and performed on Diana Ross' 1980 album Diana as a favor to producer (and neighbor) Nile Rodgers. His solo on the single "I'm Coming Out" is notable because of the rarity of trombone features on post-big-band era pop records.

Around 1973, Meco, Tony Bongiovi, and a third person formed the production company Disco Corporation of America, and, from 1974 to 1976, Meco worked as a record producer. The team of Meco, Bongiovi, Jay Ellis, and Harold Wheeler produced the 1974 Gloria Gaynor hit "Never Can Say Goodbye." Carol Douglas' "Doctor's Orders" was among the other productions of that period.

According to Meco:

"When disco was new, it was fresh and exciting because it was different. But pretty soon it became too cookie-cutter and wore itself out."

Meco temporarily left the music industry in 1985. After three years of "doing nothing but playing golf" he started to work as a commodity broker in Florida.

Star Wars theme

On Wednesday May 25, 1977, Meco watched the 20th Century-Fox soon-to-be blockbuster hit Star Wars on its opening day. By Thursday night, he had seen the film four more times, and attended several more screenings over the weekend.

He then got the idea to make a disco version of the score by John Williams and contacted Neil Bogart at Casablanca Records to pitch the project. Only after both the picture itself as well as the original score had become huge hits did Bogart agree to help Meco realize his idea. Contact was established with Millennium Records, then a Casablanca subsidiary, and this became Meco's first record company. Here Meco rejoined with Tony Bongiovi as well as Harold Wheeler who had also been part of the team behind "Never Can Say Goodbye" in 1974. Lance Quinn was also part of the Meco team, and the different roles played by the four musicians is described by Meco himself in a 1999 interview with his fan Web site:

In a matter of just three weeks they arranged and recorded Star Wars and Other Galactic Funk. Although the album was nominated for "Best Instrumental Pop performer" in 1977, the award ultimately went to John Williams for the original soundtrack album.

The band Meco

For a period of four months there was even a show band assembled to perform to Meco's disco music in public venues. However, the band was not involved in the making of the music. This initiative was organized by Norby Walters, a booking agent for discos. The band members (pictured in this article) toured the U.S. and Canada as a high energy show band called Lemon Tree. Norby Walters booked and also managed the band before the Star Wars project. Band personnel was Carmine Giovinazzo, Stan Glogicheski, Tommy Rocco, Tony Abruzzo, and Tony "Butch" Gerace.

Other soundtracks become "Meco-ized"

In the fall of 1977, Meco's second album was released. It was another rearranged science-fiction movie soundtrack, Encounters of Every Kind, based on John Williams music of the movie Close Encounters of the Third Kind, from which three singles were released: "Topsy," "Meco's Theme," and "Theme from ‘Close Encounters.’"

Meco's third album came in early 1978, and this time it was the music from The Wizard of Oz, which got transformed into a disco album by the same name, as Meco described: "It is my best work, bar none." From this album came the hit single "Themes from The Wizard of Oz: ‘Over the Rainbow'/‘We're off to See the Wizard.'"

In the fall of 1978, Millennium merged with RCA. Since he had developed a deep-bonded working relationship with Neil Bogart and other staff at Casablanca Records (Millennium and Casablanca having cooperated closely), Meco decided to move to Casablanca.

Casablanca released the fourth Meco album, Superman & Other Galactic Heroes, featuring two hit singles, "Superman Theme" and "Love Theme From Superman." This was yet another Meco makeover of an original John Williams score.

In 1979, the fifth album, Moondancer, was released, and with it the hit singles "Moondancer," "Grazing in the Grass," and "Devil's Delight."

In 1980, Meco's sixth album, Music From "Star Trek" & Music from "The Black Hole," was released, featuring the song "Theme From 'Star Trek.'" The movie Star Trek: The Motion Picture (1979) featured an original soundtrack composed by Jerry Goldsmith. Meco also created Meco Plays Music from The Empire Strikes Back, which was a 10" EP containing a mash-up of various themes from the John Williams score to The Empire Strikes Back.

The last album that Meco made for Casablanca, his seventh, which came out in 1981, was Impressions of An American Werewolf in London, based on the soundtrack from the 1981 movie An American Werewolf in London. After this Meco's tenure with Casablanca was over, and he signed with RCA Records.

Albums

Additional singles