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Mark Ryden

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Full Name
  
Mark Ryden

Known for
  
Painting

Role
  
Painter · markryden.com

Name
  
Mark Ryden

Website
  
www.markryden.com


Mark Ryden Mark Ryden

Born
  
January 20, 1963 (age 61) (
1963-01-20
)

Notable work
  
The Creatrix, Snow White, The Birth, The Parlor

Education
  
Art Center College of Design

Artwork
  
The Creatrix, The Magic Circus, The Debutante

Influenced by
  
Salvador Dali, Hieronymus Bosch, Jean-Auguste-Dominique Ingres, Jacques-Louis David

Similar People
  
Marion Peck, Nicoletta Ceccoli, Salvador Dali, Rene Magritte, Hieronymus Bosch

Profiles

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Mark Ryden (born January 20, 1963) is an American painter, part of the Lowbrow (or Pop Surrealist) art movement. He was dubbed "the god-father of pop surrealism" by Interview Magazine. Artnet named Ryden and his wife, the painter Marion Peck, the King and Queen of Pop Surrealism and one of the ten most important art couples in Los Angeles. Ryden's aesthetic is developed from subtle amalgams of many sources, from Ingres, David and other French classicists to Little Golden Books. Ryden also draws his inspiration from anything that will evoke mystery: old toys, anatomical models, stuffed animals, skeletons and religious ephemera found in flea markets.

Contents

Mark Ryden Artist Mark Ryden Auguste Clown Gallery

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Early life

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Ryden was born in Medford, Oregon on January 20, 1963, but was raised in Southern California. Ryden is the son of Barbara and Keith Ryden. His father made a living painting, restoring and customizing cars. He has two sisters and two brothers, one a fellow artist named Keyth Ryden, who works under the name KRK. Ryden graduated from the Art Center College of Design in Pasadena in 1987.

Early career (1988–1998)

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From 1988 to 1998 Ryden made his living as a commercial artist. During this period he created numerous album covers including Michael Jackson's Dangerous, the 4 Non Blondes' Bigger, Better, Faster, More!, the Red Hot Chili Peppers' One Hot Minute, Jack Off Jill's Clear Hearts Grey Flowers, the Screaming Trees' Uncle Anesthesia, and Aerosmith's Love in an Elevator. Also during this time, Ryden created book covers including Stephen King's novels Desperation and The Regulators. He made a living as a commercial artist until his work was taken up by Robert Williams, a former member of the Zap Comix collective, who in 1994 put it on the cover of Juxtapoz, a magazine devoted to "lowbrow art".

Exhibitions and major projects (1998–present)

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Ryden’s solo debut show entitled "The Meat Show" was in Pasadena, California in 1998. Meat is a reoccurring theme in his work. He observes the disconnect in our contemporary culture between meat we use for food and the living, breathing creature it comes from. “I suppose it is this contradiction that brings me to return to meat in my art.” According to Ryden, meat is the physical substance that makes all of us alive and through which we exist in this reality. All of us are wearing our bodies, which are like a garment of meat.

Mark Ryden Mark Ryden SPARKY STREET

A midcareer retrospective, "Wondertoonel," which refers to a cabinet of curiosities or Wunderkammer ("wonder-room"), was co-organized in 2004 by the Frye Museum in Seattle and the Pasadena Museum of California Art. It was the best attended exhibition since the Frye Art Museum opened in 1952, and also broke attendance records in Pasadena. Debra Byrne, curator at the Frye at the time of Ryden’s exhibition, placed Ryden’s work in the camp of the carnivalesque—a strain of visual culture rooted in such works as Hieronymous Bosch’s Garden of Earthly Delights. According to the Russian author and literary critic Mikhail Bakhtin (1895–1975), there are three forms of carnivalesque art — the ritualized spectacle, the comic composition and various genres of billingsgate (foul language) — all three of which are interwoven in Ryden's work.

Mark Ryden Mark Ryden Art Monographs and Museum Exhibition Catalogs

In 2007, “The Tree Show” opened at the Michael Kohn Gallery, Los Angeles. In this show Ryden explores the modern human experience of nature. Ryden explains, “Some people look at these massive trees and feel a sort of spiritual awe looking at them, and then other people just want to cut them up and sell them, they only see a commodity”. Ryden has created limited editions of his art to raise money for the Sierra Club and Nature Conservancy.

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In 2009, Ryden's exhibition "The Snow Yak Show" was shown at the Tomio Koyama Gallery in Tokyo. In this exhibition his compositions were more serene and suggestive of solitude, peacefulness and introspection.

In 2010, "The Gay 90’s: Old Tyme Art Show" debuted at Paul Kasmin Gallery in New York. The central theme of the show referenced the idealism and sentimentalism of the 1890s while addressing the role of kitsch and nostalgia in our current culture. Here Ryden explores the line between attraction and repulsion to kitsch. According to The New York Times, "Ryden’s pictures hint at the psychic stuff that pullulates beneath the sentimental, nostalgic and naïve surface of modern kitsch."

Ryden's The Tree of Life painting was included in the exhibition "The Artist's Museum, Los Angeles Artists 1980-2010" at The Museum of Contemporary Art, Los Angeles (MOCA). The exhibition showcased artists who have helped shape the artistic dialogue in Los Angeles since the founding of MOCA over 30 years ago. Ryden hung on the same wall as Robert Williams.

On May 13, 2014, Ryden released an album entitled The Gay Nineties Old Tyme Music: Daisy Bell, featuring Tyler the Creator, "Weird Al" Yankovic, Katy Perry, Stan Ridgway of Wall Of Voodoo, Danny Elfman, Mark Mothersbaugh of Devo, Nick Cave, scarling., Kirk Hammett of Metallica, and Everlast, all giving a different rendition of the same song, "Daisy Bell (Bicycle Built for Two)." The proceeds from the signed and limited edition record benefited Little Kids Rock, a nonprofit that supports musical education in disadvantaged elementary schools.

A two-act ballet titled Whipped Cream premiered at the Segerstrom Center for the Arts in Costa Mesa, California, on March of 2017, for which Ryden developed costumes and sets. The ballet was created by world-renowned choreographer Alexei Ratmansky for the American Ballet Theatre. It is a story about a young boy who overindulges at a Vienna pastry shop and falls into a surreal delirium. With libretto and music by Richard Strauss, the ballet, originally titled Schlagobers, was first performed by the Vienna State Opera in 1924.

Selected solo exhibitions

  • 2016/2017: "Cámara de las Maravillas." CAC, Málaga, España
  • 2014: "The Gay 90's West." Michael Kohn Gallery, Los Angeles
  • 2010: "The Gay 90's: Old Tyme Art Show", Paul Kasmin Gallery, New York
  • 2010: "The Artist's Museum," The Museum of Contemporary Art, Los Angeles
  • 2009: "The Snow Yak Show", Tomio Koyama Gallery, Japan
  • 2007: "Tree Show", Michael Kohn Gallery, Los Angeles
  • 2004-05: "Wondertoonel", Frye Museum, Seattle & Pasadena Museum of California Art, Pasadena
  • 2003: "Insalata Mista", Mondo Bizzarro Gallery, Bologna, Italy
  • 2003: "Blood" Earl McGrath Gallery, Los Angeles, California
  • 2002: "Bunnies and Bees", Grand Central Art Center, Santa Ana, California
  • 2001: "Bunnies and Bees", Earl McGrath Gallery, New York, New York
  • 1998: "The Meat Show", Mendenhall Gallery, Pasadena, California
  • Albums

  • 2014: Mark Ryden's The Gay Nineties Old Tyme Music: Daisy Bell
  • Personal life

    Ryden has two children, Rosie and Jasper. In 2009 he married artist Marion Peck in the Pacific Northwest rainforest. He currently lives in Eagle Rock, California, where he shares a studio with his wife.

    References

    Mark Ryden Wikipedia