Mad World

Background

"Mad World" was originally written on acoustic guitar when Orzabal was 19 after being inspired to write a new wave song in the vein of Duran Duran's "Girls on Film". After a few false starts with Orzabal on vocals, he suggested Smith sing it and "suddenly it sounded fabulous".

"Mad World" was intended to be the B-side for the band's second single "Pale Shelter (You Don't Give Me Love)", but their record company stated that "Mad World" could be a single in its own right. The band then opted to re-record "Mad World" with producers Ross Cullum and Chris Hughes, a former drummer with Adam and the Ants.

That came when I lived above a pizza restaurant in Bath and I could look out onto the centre of the city. Not that Bath is very mad – I should have called it "Bourgeois World"!

"Mad World" was the first single off the finished album. The intention was to gain attention from it and we'd hopefully build up a little following. We had no idea that it would become a hit. Nor did the record company.

Curt Smith's ad lib in the song's final chorus resulted in a mondegreen. Smith clarified the actual lyric in 2010:

With Mad World's again-resurgent popularity, I'm getting asked more frequently about the last line on the album version from The Hurting, a line which I occasionally also sing in concert. The actual line is: "Halargian world." (Not "illogical world", "raunchy young world"(!), "enlarging your world", or a number of other interesting if not amusing guesses.) The real story: Halarge was an imaginary planet invented by either Chris Hughes or Ross Cullum during the recording of The Hurting. I added it as a joke during the lead vocal session, and we kept it. And there you have it.

Meanings

The song was influenced by the theories of Arthur Janov, author of The Primal Scream, and the lyric "the dreams in which I'm dying are the best I've ever had" suggests that dreams of intense experiences such as death will be the best at releasing tension.

Song versions

The 7" version of "Mad World" is the same mix of the song found on The Hurting. The song had only one remix on its initial release, the World Remix that was featured on a 7" double-single. This mix is very similar to the album version, with the most notable differences being the additional echo added to the intro and middle sections and the subtraction of a subtle keyboard part from the bridge. A later remix by noted British music producer Afterlife was featured on the 2005 reissue of the Tears for Fears greatest hits collection Tears Roll Down (Greatest Hits 82–92).

B-side

"Ideas as Opiates" is a song that originally served as the B-side to the "Mad World" single, and was later re-recorded for inclusion on The Hurting. The song takes its name from a chapter title in Arthur Janov's book Prisoners of Pain and features lyrics related to the concept of primal therapy. The song is musically sparse, featuring just a piano, drum machine, and saxophone. An alternative version of this song titled "Saxophones as Opiates" was included as a B-side on the 12" single and is mostly instrumental.

That's the chapter from Janov, and it's really a reference to people's mindsets, the way that the ego can suppress so much nasty information about oneself – the gentle way that the mind can fool oneself into thinking everything is great.

It really was all about that kind of thing – the psychological answer to religion being the opiate of the masses, whereas we thought ideas were, more than anything else.

Music video

The promotional video for "Mad World" was filmed in late summer 1982. It was Tears for Fears' first music video, and features a gloomy looking Curt Smith staring out of a window while Roland Orzabal dances outside on a lakeside jetty. A brief party scene in the video features friends and family of the band, including Smith's mother as well as his then-wife Lynne.

According to Curt Smith, "When we made the video in a country estate on the cheap, we bussed all our friends and family up from Bath and had a fun day. The woman who's having the birthday party in the video is my mum."

The music video was directed by Clive Richardson who was notable for his work at that time with Depeche Mode.

Track listings

7": Mercury / IDEA3 (United Kingdom) / 812 213–7 (United States)

1. "Mad World" – 3:32
2. "Ideas as Opiates" – 3:54

7": Mercury / IDEA3 (Ireland) / 6059 568 (Australia, Europe) / TOS 1411 (South Africa)

1. "Mad World" (World Remix) – 3:42
2. "Ideas as Opiates" – 3:54

7" double pack: Mercury / IDEA33 (United Kingdom)

1. "Mad World" – 3:32
2. "Mad World" (World Remix) – 3:42
3. "Suffer the Children" (Remix) – 4:15
4. "Ideas as Opiates" – 3:54

12": Mercury / IDEA312 (United Kingdom) / 6400 677 (Europe)

1. "Mad World" – 3:32
2. "Ideas as Opiates" – 3:54
3. "Saxophones as Opiates" – 3:54

Michael Andrews and Gary Jules version

"Mad World" achieved a second round of success 20 years after its release, when it was covered by Michael Andrews and Gary Jules for the film Donnie Darko (2001). While the Tears for Fears version featured synthesisers and heavy percussion, the Andrews/Jules version was stripped down; instead of a full musical backing, it used only a set of piano chords, a mellotron imitating a cello, very light touches of electric piano, and modest use of a vocoder on the chorus.

Their version was originally released on CD in 2002 on the film's soundtrack, but an increasing cult-following spawned by the film's DVD release finally prompted Jules and Andrews to issue the song as a proper single. It was released through Sanctuary Records on 15 December 2003, in time for the race for the UK's Christmas number one, beating "Christmas Time (Don't Let the Bells End)" by The Darkness to take the title the following week.

Background

For the soundtrack to the film Donnie Darko (2001), director Richard Kelly commissioned Michael Andrews, a San Diego musician and television and film composer who had worked as a member of a range of bands, including The Origin with Gary Jules (whose two solo albums he had produced), and The Greyboy Allstars. Kelly said he was confident that Andrews could do the job: "I met with Michael and I just knew right away that he was really, really talented and that he could come up with a really original score. He would allow me to be in there and be really kind of editorial with how I wanted the score to be." Andrews relocated to Los Angeles to work on the film between October and December 2000. As Andrews states, the low budget for the project encouraged him to play a diverse range of instruments for the soundtrack:

"The film was pretty low budget so my portion of the money was pretty thin. I couldn't hire anyone, it was just me. I played everything; piano, mellotron, mini marimba, xylophone, ukulele, organ. I also brought in two female vocalists Sam Shelton and Tori Haberman. But no guitar because Richard said no guitar or drums; he just wasn't into it. I was down with that - I've played guitar my whole life."

Like many of his role models for soundtrack composing (such as John Barry and Ennio Morricone), Andrews wanted to put a song on his otherwise instrumental score. He eventually chose "Mad World", as Tears for Fears were one of his and childhood friend Jules' favourite bands growing up. Andrews enlisted Jules to sing the song, while Andrews himself played the piano. and together they recorded the song in an hour and a half.

Despite being critically acclaimed, Donnie Darko was not a commercial success, but it sold very well on DVD and became a cult film, and demand grew for Andrews and Jules' cover of "Mad World" to be released as a proper single. This prompted Andrews to give the song an official release.

Jules said that he believed the song was easy for people to relate to: "I think it's a really beautiful example of a person struggling with the fact that life is mad. I honestly think it's one of the most beautiful songs I have ever heard and the way it's stripped down now just pins people." He went on to say, "Every so often a song with just vocals, piano and cello creeps up on you and says something about who you are, where you're going which stops you in your tracks."

Chart performance

Despite "Christmas Time (Don't Let the Bells End)" by The Darkness being the bookmakers' favourite to become the 2003 Christmas number one in the UK, "Mad World" upset the odds and took the title on 21 December 2003. It remained at number one on the UK Singles Chart for three consecutive weeks. The song's success in the UK did not, however, translate to the United States, where it reached number 30 on the Billboard Modern Rock Tracks chart in the issue dated 27 March 2004.

Jules performed "Mad World" with Mylène Farmer on her Timeless 2013 Tour. Later in 2006, the song was included in the commercial to the video game Gears of War, which helped move it up the charts. A performance on the eighth season of American Idol by Adam Lambert also briefly increased its sales and interest in the song. The song reached No. 11 on the Rock Digital Songs chart.

Music video

The music video was directed by Michel Gondry. It begins with an aerial shot of a school; the bell rings and children go out onto the pavement. The rest of the video sees the children forming different shapes whilst Jules stands on the roof and watches from above. On two occasions the camera pans towards Jules looking down at the children, whilst a third pan away sees Andrews playing a piano as the song ends. The video has over 100 million views since it was uploaded to YouTube on 8 January 2006.

Track listings

CD1: Sanctuary / SANXD250 (United Kingdom)

1. "Mad World" – 3:06
2. "No Poetry" – 3:59
3. "Mad World" (alternate version) – 3:37

CD2: Sanctuary / SANXD250X (United Kingdom)

1. "Mad World" (Grayed Out Mix) – 6:45
2. "The Artifact & Living" – 2:26
3. "Mad World" (video) – 3:20

In popular culture

Other versions and covers

In addition to the Andrews/Jules version, "Mad World" has been a successful cover for following artists: