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Lola Mora

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Movement  Classicism
Period  Classicism
Name  Lola Mora
Known for  Sculpture
Role  Artist
Education  Giulio Monteverde

Lola Mora TucumanHoy Por amor al arte muestra en homenaje a Lola Mora
Full Name  Dolores Candelaria Mora Vega
Born  November 17, 1866 (1866-11-17) El Tala, Argentina
Died  June 7, 1936, Buenos Aires, Argentina

Resting place  La Chacarita Cemetery

Bio ar lola mora i canal encuentro hd

Dolores Candelaria Mora Vega (November 17, 1866 - June 7, 1936) known professionally as Lola Mora, was a sculptor born in El Tala, Salta Province in Argentina. She is known today as a rebel and a pioneer of women in her artistic field.


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Bio ar lola mora ii canal encuentro hd

Early life

Lola Mora Lola Mora Wikipedia the free encyclopedia

Dolores was the daughter of Romualdo Alejandro Mora, a prosperous landowner of Tucumán Province of Spanish origin and Regina Vega. She was the third born of seven children, three boys and four girls. Her parents (unusual behavior for the time) decided that the girls will have too, the best education possible. In 1870 when Lola was 4 years old her parents decided to move the family to San Miguel del Tucumán At seven years of age, circa 1874, she was a boarding school pupil at Colegio Sarmiento de Tucumán Province. In 1885, within two days both her parents died. Her older sister Paula Mora Vega married the engineer Guillermo Rucker, and together took care of the orphans.


Lola Mora Bienvenidos a Jujuy en Lnea Lola Mora

At 20 years of age she began painting portraits, but soon turned to sculpting marble and granite. She studied art in her home province and then, with a scholarship, in Rome, Italy, studying under Costantino Barbella and Giulio Monteverde. In 1900 she returned to Argentina and, with government connections, was commissioned to create two bas-reliefs for the Historical House of Tucumán.

Lola Mora Lola Mora

As her career developed, her sensual style and her status as a female artist made her controversial. In 1903 her Nereids Fountain, created for the city of Buenos Aires, met bureaucratic problems at the city's Deliberative Council, which had the sculpture moved from place to place.

Near the end of her life, she did some extravagant business (such as financing petroleum surveys in Salta), and then retired with only a pension to support herself. After her death in Buenos Aires, in poverty and obscurity, friends of hers burned her letters, mementos and personal diaries.

Mora obtained various patents. One included a system to project films without a screen (using a column of vapor), as well as systems for mining.

Mora was the subject of the 1996 film "Lola Mora", directed by Argentinian director Javier Torre.


Mora's works include (in Buenos Aires unless otherwise noted):

  • two bas-reliefs at the House of Tucumán, with the themes of the May Revolution's First National Government and the Declaration of Independence, 1900
  • the Nereids Fountain, now located at Puerto Madero, 1903
  • two major sculptural groups flanking the entrance, and other interior and exterior work, Palace of the Argentine National Congress, inaugurated 1906 (four allegorical sculptures of Peace, Justice, Liberty and Progress were removed to the grounds of the Government House of San Salvador de Jujuy)
  • several sculpture groups placed along the "Oath Passage" in the historic center of Rosario, leading to the National Flag Memorial
  • female figure for the crypt of Ramon Lopez Lecube, La Recoleta Cemetery, circa 1912
  • Avellaneda Memorial, Plaza Alsina, Avellaneda, 1913
  • Liberty, Independence Square, San Miguel de Tucumán
  • Monument to Francisco Narciso de Laprida, San José de Jáchal
  • References

    Lola Mora Wikipedia

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