Name Lawrence Zazzo | ||
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Similar People Nuria Rial, Rene Jacobs, Kobie van Rensburg, Rosemary Joshua, Jeremy Ovenden | ||
Lawrence zazzo thou art gone up on high messiah g f h ndel
Lawrence Zazzo (born December 15, 1970 in Philadelphia) is an American countertenor. His repertoire includes roles in many Baroque operas and oratorios, as well as works of the 20th century. He lives in England.
Contents
- Lawrence zazzo thou art gone up on high messiah g f h ndel
- Lawrence zazzo but how may abide messiah g f h ndel
- Education and background
- Performance
- Discography
- References
Lawrence zazzo but how may abide messiah g f h ndel
Education and background
In his childhood Zazzo took part in school drama productions and choirs, including the Philadelphia Boys Choir & Chorale, and also performed as the magician
“The Great Zazzini” for smaller children in the neighbourhood. After his voice had broken, he noticed that he had kept his alto voice in the falsetto register and began to develop it. He sang in numerous barbershop ensembles, high school madrigal and a cappella choirs. This led to his decision to study English and Music at Yale University (1989–93) and at King’s College, Cambridge, England, (1993–95). Zazzo envisaged a career as a conductor, a concert singer or as an academic (and in fact, Zazzo completed a PhD in Musicology at Queen’s University (2015) on Handel’s oratorios, which he researched for six years in between singing engagements). While he was completing his vocal studies at the “Royal College of Music” in London (1995–97), he made his debut as Oberon in Benjamin Britten’s “A Midsummer Night’s Dream”. The same year he sang the title role in George Frederic Handel’s “Arminio” at the London Handel Festival. This was the beginning of his opera career which developed rapidly.
Performance
Zazzo has worked with numerous conductors including René Jacobs, William Christie, Nikolaus Harnoncourt, Ivor Bolton, Christopher Hogwood, Trevor Pinnock, Christophe Rousset, Harry Bicket, Emmanuelle Haïm, Harry Christophers, Paul Goodwin, Péter Eötvös, Rinaldo Alessandrini, Hervé Niquet, Jean-Claude Malgoire, Jordi Savall, James Conlon and others for many opera houses and concert halls.
His major operatic roles include Giulio Cesare in "Giulio Cesare" (Metropolitan Opera New York, La Monnaie Brussels, Netherlands Opera Amsterdam, Paris National Opera, English National Opera London, Concertgebouw Amsterdam), Orfeo in "Orfeo ed Euridice" (Oslo Opera House, Canadian Opera Company Toronto, Reisopera Netherlands), Radamisto in "Radamisto" (English National Opera London) and Gualtiero in "Griselda (A. Scarlatti)" (Berlin State Opera). He performed the titel roles in "Sosarme" (Teatro Nacional de São Carlos) and in "Alessandro" (Karlsruhe).
He also sang the Ottone in "Agrippina (Handel)" (La Monnaie Brussels, Théâtre des Champs-Élysées Paris, Opera Frankfurt), Ottone in "L'incoronazione di Poppea" (Bavarian and Berlin State Opera, Theater an der Wien and La Monnaie Brussels), Goffredo in "Rinaldo" (Berlin State Opera, Opéra National de Montpellier, Zürich Opera House), Farnace in "Mitridate, re di Ponto" (Bavarian State Opera Munich) and the role of Ruggerio in "Orlando furioso" (Opern- und Schauspielhaus Frankfurt). He sang the Cardenio in Francesco Bartolomeo Conti's "Don Chisciotte in Sierra Morena" (Theater an der Wien). He took over the alto part in the Semi-opera "The Fairy Queen" by Henry Purcell (Berliner Philharmonie) and the role of Arsace in "Partenope" (Théâtre des Champs-Élysées Paris, Ferrol, Amsterdam, Pamplona, Essen and Madrid). In the German debut performance of Francesco Cavallis "Veremonda" he sang the role of Delio (Rokokotheater Schwetzingen, Staatsstheater Mainz). He sang the role of Arsamene in "Serse" on Opern- und Schauspielhaus Frankfurt and Unulfo in "Rodelinda" on Teatro Real Madrid.
His repertoire includes numerous oratorio by Georg Friedrich Händel (for example "Messiah" (Shanghai Opera, Notre Dame Cathedral, Konzerthaus, Vienna, Winchester Cathedral, Munich Residenz), Semele (Philharmonic Köln, Concertgebouw, Concertzaal Gent), "Theodora" (Chan Centre for the Performing Arts Vancouver, Théâtre des Champs-Élysées, Theater an der Wien), "Jephtha" (Stefaniensaal Graz), "Acis and Galatea" (Théâtre des Champs-Élysées, Theater an der Wien)) and Johann Sebastian Bach ("St Matthew Passion" (Harris Theater (Chicago), Ambronay, De Doelen Rotterdam))
He has also appeared in several roles in contemporary works, among others as Oberon in "A Midsummer Night's Dream" (Opéra National de Lyon, Canadian Opera Company Toronto, Teatro all 'Opera di Roma, Festival International d'Art Lyrique d'Aix-en-Provence, Poly Theater Beijing, Hamburg State Opera), as Trinculo in "The Tempest" (Royal Opera House Covent Garden), as the Refugee in "Flight" (Glyndebourne Festival) and as Masha in "Three Sisters" (Opéra National de Lyon, La Monnaie Brussels, Theater an der Wien). He sang the role of Odysseus in the debut performance of "Sirenen - Bilder des Begehrens und des Vernichtens" by Rolf Riehm (Opern- und Schauspielhaus Frankfurt).